Slaughterhouse – “House Rules” review

Almost 2 years after their excessively commercial sounding sophomore album welcome to: OUR HOUSE, Slaughterhouse is returning with their 2nd mixtape to promote their upcoming 3rd album Glass House. The self-titled track (which kicks the tape off) has no specific topic as said by Royce da 5’9” midway through his verse, but everyone sounds happy to be together again & the instrumental has this uplifting atmosphere to it. The next track “SayDatThen” is basically about speaking your mind over an hardcore boom bap instrumental from Nottz & I absolutely love the story that Joe Budden tells during his verse of the track. The !llmind interlude is actually KXNG CROOKED & Joell Ortiz respectively rapping 2 long verses over a nice organ loop provided by the song’s producer !llmind. The next track “Trade It All” is a Joe Budden solo cut & you can just tell that he was channeling everything into the 3 insightful verses he delivers over a wailing guitar. The next song “Keep It 100” is a Royce solo cut & while the creepy vocal sample hanging in the background is decent, Royce’s bars about honesty are just as sincere as the last song was. The track “Offshore” may be almost 10 minutes long, but all 4 members individually vent about shit they’ve been thinking about fantastically & the orchestral sounding instrumental sounds very rich & organic. The CROOKED solo cut “Struggle” sees him reflecting on the days when he was living rough & the eerie instrumental enhances the vivid storytelling. The Joell Ortiz solo cut “Life in the City” has a cool rap rock instrumental from The Heatmakerz & Yaowa’s confrontational bars fit the sound like a glove. The penultimate track “I Ain’t Bullshittin’” doesn’t have Budden on it at all, but that doesn’t stop the other 3 MCs from delivering abrasive verses about haters over a decent instrumental from araabMUZIK. The tape closes out with “I Don’t Know”, where everyone minus CROOKED spits about the streets over a gritty beat from Harry Fraud. While I don’t think we’re ever gonna get Glass House at this point, I find this to be the supergroup’s best release since their self-titled EP back in 2011. Primarily because Slaughterhouse returns to their hardcore roots after the pop rap sound that was all over welcome to: OUR HOUSE didn’t suit them at all. I also found the 4 solo tracks from each member was a great way to introduce themselves to anyone who’s hearing them for the first time. So if Shady Records DOES end up releasing Glass House, THIS is how it should sound

Score: 3.5/5

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