Yelawolf – “Radioactive: Amazing & Mystifying Chemical Tricks” review


After signing to Shady Records alongside Slaughterhouse earlier this year, Alabama rapper Yelawolf is not hesitating with putting out his major label debut yet his 1st studio album since 2005’s Creekwater. The intro has this decent beat from WLPWR, but Yelawolf’s is going IN both lyrically & delivery-wise. The next song “Get Away” talks about getting drunk over a sample of The Brothers Johnson’s cover of “Strawberry Letter 23” & despite Catfish Billy recycling his verse from the 2011 XXL Freestyle, it still sounds great. Also, the Shawty Fatt verse was decent & Mystikal shows us that he still has it after being locked up for 7 years. The track “Let’s Roll” & the crunk-infused “Hard White (Up in the Club)” definitely sound like party anthems meant for the clubs & radio, but I find them to be pretty fun. The hooks from Kid Rock & Lil Jon respectively fit right in, too. The track “Growin’ Up in the Gutter” with Rittz sees the 2 talking about their rough upbringings & the instrumental sounds chaotic as Hell. The song “Throw It Up” has some nice piano keys & while I did like the guest verse from former 3 6 Mafia member Gangsta Boo in the middle of the track, it’s really the insanely fast verse from Eminem that takes the spotlight. The track “Good Girl” sees Yela telling this girl how good he’ll treat her & the instrumental kinda reminds me of Crush from Warren G’s last album The G Files. The song “Made in the U.S.A.” gets conscious over some pianos & some string sections & the Priscilla Renea hook is pretty nice as well. The song “Animal” gets celebratory over an instrumental from Diplo that sounds like an 80s/90s video game, but the hook from his then-girlfriend Fefe Dobson was actually kinda disappointing. “The Hardest Love Song in the World” is basically Yela talking to a woman who comes from a similar background & while I do like the guitar-instrumental, it doesn’t really make it live up to it’s title. The song “Write Your Name” tells the story of an elderly man & a 16 year old mother before sending endearing message to the people of his homestate over a radio-friendly instrumental from the J.U.S.T.I.C.E. League & I thought it was really cool that he got a fan to do the hook after she missed out on one of his shows. The track “Everything I Love the Most” has a depressing tone lyrically over a decent rap rock instrumental & the acoustic “Radio” gratefully expresses Yelawolf’s happiness of finally making it as a successful rapper along with being taking a jab at mainstream hip hop of today. The song “Slumerican Shitizen” lashes back at all the people who’ve called Yela white trash & the Killer Mike verse at the tail-end of it enhances the grit & aggression of the track. “The Last Song” is literally just that standard edition-wise & Yela makes good use of it by passionately reflecting on what it was like being raised by a single mother over a set some somber piano chords. The first bonus track “Whip It” talks about him & a chick who likes to party wilding out & the beat will make you wanna do just that. The song “I See You” tells 3 different scenarios in which Yelawolf finds the real you over some pianos & the final bonus track “In This World” is about how there’s no other like him over a decent rap rock instrumental. It’s definitely not better than than Trunk Muzik, but this was still a solid album. I can appreciate that many styles were used on here & Yelawolf is just as much of an entertaining rapper as he was before he got signed. I wouldn’t go as far to say it’s a classic like The Source did, but it is a fun album & it’s definitely a solid way to introduce Yelawolf to wider audiences

Score: 3.5/5

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