Conway – “Look What I Became” review

This is the sophomore album from Buffalo, New York emcee Conway the Machine. Who rose to stardom with his brother Westside Gunn & their label Griselda Records just a few years ago. Last we heard from Conway was in July when he dropped the song “Bang” with Eminem, which is the lead single to his upcoming Shady Records debut God Don’t Make Mistakes. And to prep us for it, he’s releasing Look What I Became independently.

The album kicks off with “No Women No Kids”, where Conway gets mafioso over a haunting Alchemist beat. The next song “Hawks” attacks his biters over an intoxicating instrumental & after the “RIP Owen” interlude, the song “Tito’s Back” is just pretty much Conway & Benny the Butcher showing off their chemistry over a Daringer beat with some eerie keyboards.

The track “Black Spoons” gets back on the mafioso tip over a demented DJ Muggs beat while the song “Vino D” with Dave East & Jim Jones pays tribute to Conway’s friend with the same name over a boom bap beat from JR Swiftz. The track “Half of It” talks about his success over an organ-inflicted trap beat from Rick Hyde & then after the “Bells Palsy” interlude, the closer “You Made It” pays tribute to his mother over a relaxing beat from Statik Selektah.

This is a fantastic prelude. Couple tracks I could’ve done without, but the beats are mostly grimy & Conway’s lyricism just keeps progressing with each new project he drops. Definitely looking forward to his major label debut coming soon.

Score: 4/5

Conway – “Everybody is F.O.O.D. 3” review


Conway is a 37 year old MC from Buffalo, New York who has been hustling mad hard with his brother Westside Gunn & their label Griselda Records throughout the past couple years. He just dropped his 9th mixtape Everybody is F.O.O.D. last summer with a sequel this past winter & now with his Shady Records debut coming in June, he’s decided to drop a 3rd installment out of nowhere.

The EP kicks off with “Everbody is F.O.O.D.”, where the Machine spits battle bars over an eerie boom bap beat. “The Basement” challenges his competition over a prominent guitar while the song “Country Mike” continues the confrontational themes over some somber keys. The track “Richest in the City” talks about that over a a nocturnal boom bap beat & while I do like the fitting sample as well as the drug dealing story being told on “Egyptian Cloth”, it sounds unfinished. The song “London Pound” with Berner gets boastful over a mediocre trap beat from Cookin’ Soul & then after the “Survival” interlude, the closer “Don’t Judge Me…” picks up as Conway talks about how he speaks his mind over a gloomy boom bap beat.

All & all, this definitely has me looking forward to The Machine’s upcoming Shady Records debut even more. Conway sticks to his guns lyrically & he returns to his boom bap roots for the most part on this one in comparison to the previous installment being more diverse, but it works out fantastically. However, my big complaint is that he could’ve fleshed out a couple tracks & add about 2 more songs in the mix. Nonetheless, great EP.

Score: 4/5

Conway – “Everybody’s F.O.O.D. 2: Eat What U Kill” review

Conway is an MC from Buffalo, New York who with his brother Westside Gunn & their label Griselda Records have been taking over the underground over the course of this decade. He just dropped his 9th mixtape Everybody is F.O.O.D. over the summer & now with the end of the year approaching, he’s decided to drop a sequel out of the blue.

The tape begins with “Fentanyl”, where Conway gets boastful over a chaotic beat. The next song “224 May Block” talks about having murder on his mind over a dark beat from The Alchemist while the track “Painkillers” is filled with battle bars over a dreary boom bap beat. The song “Hide the Body” with Benny pretty much speaks for itself over an eerie beat & after the “Corners” interlude, we go into the track “Cocaine Paid”. Here, Conway talks about the drug game over a surprising trap beat.

The track “G Money on the Roof” talks about people switching on him over a spacious boom bap beat while the song “Overdose” gets introspective over a minimalist instrumental. The penultimate track “Proud of Me” talks about people who expect something from him now that he’s famous over an upbeat instrumental & the closer “Piece of My Heart” is an ode to Benny’s brother Machine Gun Black over another soulful beat.

Overall, this is a fantastic sequel to one of the Machine’s best projects yet. It’s almost as raw lyrically & sonically but like the predecessor, I just wish it was a little longer. Can’t wait to see what Griselda is gonna do in 2019.

Score: 4/5

Conway – “G.O.A.T. (Grimiest Of All-Time)” review

Conway is an MC from Buffalo, New York who has been making a name with himself alongside his brother Westside Gunn & their label Griselda Records. They even signed to Eminem’s Interscope imprint Shady Records back in March of this year & after a long wait, he’s releasing his full-length debut (which is an abbreviation for Grimiest Of All-Time) & he has enlisted Griselda’s in-house producer Daringer to produce all but 1 track. The album starts off with the title track, where he’s bragging about his rapping prowess over a killer guitar. The next song “Trump” gets murderous & the production from The Alchemist fits the vibe perfectly. The track “TH3RD F” gets mafioso over a prominent soul sample & the Raekwon verse fits like a glove. The song “Die on X-Mas” with Benny sees the 2 getting confrontational over a super eerie instrumental & the track “Rodney Little” with Prodigy sees the 2 getting braggadocious over a haunting boom bap beat.

The song “XXXTRAS” vividly reflects on his days as a hustler over some horns & militant drums while the track “Bishop Shot Steel” takes a shot at the snakes over a gloomy beat. The track “Mandatory” with Royce da 5’9” sees the 2 taking a jab at their haters over a somber yet menacing beat while the penultimate track “Arabian Sam’s” with Styles P gets murderous over a grimy boom bap beat. The album then closes with “Bullet Klub”, where Conway gets with Benny & Lloyd Banks to tell the studio gangsters what life’s really like in the streets over an ominous instrumental.

Personally, this is Conway’s magnum opus. His lyricism is grittier than ever as is the production & the features are all on point. Griselda is one of my favorite labels right now & this is yet another example of why that is

Score: 4.5/5