
This is the sophomore effort from Croydon, South London, England, United Kingdom emcee Montener the Menace. We first caught wind of the guy last spring when he released his full-length studio debut I Have a Hidden Hobby in which dude was rapping his ass off, but was overloaded with features & the instrumentals sorta sounded similar to one another. Not even a year has passed & Montener is continuing to stay busy by dropping Anyone Home?, bringing an interesting list of veterans on board that raised my expectations in comparison that previous album.
After the intro, the first song “We Need to Talk About Kevin” works in a chipmunk vocal sample to talk about being hurt whereas “High Noon” featuring Fatlip, Masta Ace, Rah Digga & Wordsworth compares themselves to that of outlaws over an old western loop. He later addresses his flaws on the twangy boom bap cut “Imperfections” just before he, Craig G & Ed O.G. return things to the essence on the violin-heavy “Take It Back”.
“The Struggle” featuring El Da Sensei, Guilty Simpson & Micall Parknsun is a icy look at everyone’s own problems that they face while “Dog Food” is an orchestral depiction of being homeless. After the “Anyone Home?” interlude, “It’s Always Sunny in Croydon” is a decent little posse cut showcasing Montener’s homies from the titular London city leading into him & A.G. talking about their legacy on the uplifting “Legends Never Die”.
The song “I Can’t Resist Hearing…” is an endearing tribute to fatherhood while the track “Feed the Foxes” featuring Boodah uses the title as a metaphor for giving to the poor accompanied by a bluesy beat. Then just before the outro, the final song on the album “Bloody Marvelous” featuring Keith Murray finds the 2 flexing their rapping prowesses over a rich instrumental.
To me, Anyone Home? is exactly what I wanted out of I Have a Hidden Hobby & it gives me a good impression that Montener the Menace could top this at some point later this decade. The features are toned down to an appropriate amount, Montener’s lyrical topics are more serious & I also like how he refines the traditional old school sound he goes for by dabbling with a variety of different styles.
Score: 3.5/5