Bizarre is a 45 year old MC from Detroit, Michigan who came up as an original member of the now defunct D12 led by the late Proof. He was also among the first in the crew to put out solo efforts, with his 1998 debut EP Attack of the Weirdos being a hometown classic in my eyes. Fast forward 7 years later, Biz followed it up with a worthy full-length debut Hannicap Circus & has continued to put out music on his own since, with the last time we heard him being his 10th mixtape Peter this past winter. But for his 5th album, the idiotic kid is bringing in one of the city’s greatest producers Foul Mouth behind the boards for the whole thing.
“Uzi” is a soulful boom bap opener with Bizarre going at the throats of anyone who wants to step up to him lyrically whereas “Hecker” with Kool Keith takes a grimier route talking about how they’re just built different. “Gauge” works in some strings reminding everyone he doesn’t think realistically just before Dope D.O.D. tags along for the dusty “Desert E” talking about how dangerous they are.
Meanwhile on “MG3”, we have Kain Cole joining Bizzy over some pianos admitting that they just wanna fly leading into “XM307 (Night Shift)” throwing a soul sample into the mix talking about him looking forward to his bitch clocking out of work as she comes in during the evenings. “FN” returns to boom bap turf asking if people are really living what they’re rapping & after the first of 2 skits, “9MM” shoots for a more psychedelic sound telling the story of his sex life.
NEMS & Young Z both come into the picture for the gully “25” to get ignorant on the mic while “Smith & Wesson” with the homies Dango Forlaine, Nick Speed, Ty Farris & 7 the General finds the quartet over some keys for an incredible Detroit posse cut. “AS50” encourages listeners to run because you don’t wanna get shot by him over an uncanny beat, but then “Dillinger” fuses elements of rock & boom bap talking about fucking up people outside.
Following that, Guilty Simpson & Mvck Nyce join Bizarre for the forlorn “Saw Off” to apply pressure while “45” incorporates a guitar talking about coming from the gutter. “Glock (College Bitch)” is one of the weaker cuts on the album despite it’s soulful production due to it’s subject matter about fucking bitches that’re over 2 decades younger than him & after the “Coney Island” skit, “Detroit” picks it up with a raw ode to the city. Prior to the outro though, “Rusty 38” with Big T ends the album on a chaotic note delivering that raw hip hop.
A lot of people like to dismiss Bizarre as an MC, but I came away from He Got a Gun liking it just as much as Attack of the Weirdos & Hannicap Circus. Easily some of the best work of his career in my opinion. There are a couple lackluster features & song topics throughout, but Foul Mouth’s production doesn’t miss a step & Peter S. himself has a fire under his ass lyrically.