
This is the official full-length debut album from Ohio born/South Carolina based recording artist & producer OsamaSon. Getting his start a couple years ago, he would then start to pump out 3 EPs shortly after I’m da Man as well as Vengeance & Carnival respectively. He returned at the beginning of 2023 by dropping osamavrt, following it up this past spring in the form of slime & Bad Habits However, the sextet of EPs have all been building up to Osama Season & I was intrigued going in because I’ve only heard a couple tracks from him up to this point.
“Leh Go” is a rage-inducing opener produced by Ok to set things off talking about slidin’ up whereas “Werkin’” goes into more synth-heavy turf calling out a whole entire crew for being virgins & floating on the highway speeding. “Vlone” has a dark plugg sound to it warning that those who run up him will get ‘lammed just before “Summer 16” takes the hypertrap route once again ballin’ like it was 2016 all over again, which is understandable considering how massive of a year that was for hip hop.
Meanwhile, “Anti” brings back the synths on top of some hi-hats having exactly in mind what he would do for the plus leading into “Lil O” pulling out another rage beat paying homage to the titular Houston emcee of the same name. “X & Sex” addresses the 2 things he loves the most with a bombastic beat, but then “Kutta” delves further into hypertrap flexing that he got racks & having the ability to do it all.
The synthesizers throughout “Lambtruck” are inebriating looking to take the whip to Japan while the song “Don’t Let Looks Fool” talks about the idea of not judging a book by it’s cover in his own way over a futuristic instrumental. The penultimate track “Pipeup” gives me a robotic trap vibe sonically thanks to boolymon coming through the back with the heater & “Troops” is a more psychedelic choice of a closer talking about being outside with the squad.
Although Smokingskul & Glokk4spazz have both my favorite dark plugg artists within the past 365 days almost, OsamaSon has quickly just entered the ranks on this album. The production is still grounded in his signature sound even though it shifts into rage beats every so often, his songwriting is a lot stronger & I don’t think I’ve ever heard him this hungry. Keep an eye out for him, he’s going places.
Score: 4/5
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