Smoke DZA – “Flying Objects” review

This is the 20th EP from New York emcee & songwriter Smoke DZA. Starting out over 2 decades ago as 1/2 of Smoke & Numbers, he would eventually go on to achieve a cult following of his own by dropping 7 albums as well as 10 mixtapes & a plethora of EPs along the way. My personal favorites include the sophomore tape George Kush da Button, the Pete Rock-produced 4th album Don’t Smoke Rock & the whole 183rd-produced Ringside EP saga. But when it was announced that Flying Lotus was being brought in behind the boards throughout Flying Objects, I just knew it was destined to be the best thing DZA has done in a while.

“Spiritual” is a psychedelically futuristic opener to the EP talking about faith in the man upstairs whereas “Painted Houses” featuring Conway the Machine takes the eerie boom bap route with both of them coming together excellently cautioning to treat lightly since their respective teams the Smoker’s Club alongside Drumwork & Griselda stay strong. The latter 2 in particular. “Zelle Transfers” takes a calmer route instrumentally spitting a charismatic, 1-minute freestyle & “Drug Trade” featuring Black Thought & later Conway the Machine on the remix was a phenomenal choice for a lead single to the EP with the woodwinds, kicks, snares & mafioso lyricism.

The closer “Harlem World ‘97” featuring Estelle on the hook rounds it all out with elements of deep house & synth-funk trying to school the apple of his eye professing their love for one another. The first of 2 bonus tracks “Beyond Spiritual” featuring Big K.R.I.T. & Wiz Khalifa happens to be a sequel to the opener with the longest reigning AEW World Champion, former CZW Wired Champion, CZW World Heavyweight Champion,アイアンマンヘビーメタル級王座, MLW World Tag Team Champion, the inaugural MLW World Middleweight Championship & the current reigning ROH World Tag Team Champion MJF on the intro & the other finishes the deluxe run with a “Zelle Transfers” sequel.

I went into Flying Objects under the impression that it was gonna be a full LP, but I still came away from it looking at it as one of the best EPs I’ve heard this year. One of if not the strongest in his whole entire discography other than the Statue of Limitations collab EP with Benny the Butcher & Pete Rock obviously. FlyLo’s production is magnificently diverse in sound from boom bap to deep hip house & I really can’t remember the last time I heard DZA himself as focused as he is on here.

Score: 4.5/5

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