WRLD Tour Mafia – “Tourmania II” review

This is the 3rd mixtape from Detroit, Michigan trap group the WRLD Tour Mafia consisting of DaeMoney, Rafa, WTM Miles, WTM Re & WTM Solid. These guys originally formed in 2019 dropping their debut mixtape World Tour Mafia or Die a couple summers later followed by Tourmania the fall after that & most recently the Mob Ties EP from 7 months ago. However with Slae & Rafa coming fresh off Rockstar Lifestyle 2 & Good Girls Don’t Exist respectively, WRLD Tour’s getting back together for an official Tourmafia sequel as a way of celebrating 4/20.

“Tourmania” is a triumphant trap opener to the tape cautioning that trying their shit with them would be worst day flexing that they’re getting cake on a daily basis whereas “Pat Mahomes” gives me a psychedelic vibe instrumentally talking about their pockets looking like Teletubbies since the money coming in different colors. “WUTANG” might be my favorite on the project from the rage-inducing Carlo Anthony beat calling out everyone who be on some childish shit & keeping their heads up staying focused just before the cloudy Detroit trap cut “Citgo” talking about cracking back if you lackin’ in the field.

Luh Tyler joins WRLD Tour for the atmospheric “Money in the Bank” produced by LulRose getting in a different bag from what they had yesterday leading into “Halloween 2” serving as a sequel to a standout from the previous Tourmania almost a year & a half ago. “W.T.M.D.$.M. (WRLD Tour Mafia Dog $hit Militia)” featuring Babytron has a bit of a futuristic beat as WRLD Tour & Tron remind us why they’re amongst the best the D has seen in recent memory, but then “Jansport” fuses cloud rap with Detroit trap talking about grinding for everything you want.

“Degenerates” works in some guitars & hi-hats boasting that they run this shit while “Feel Like TC” hops over a hypertrap instrumental talking about the squad catching back-to-back dubs as if they’re the Golden State Warriors. The aggressively jumpy production on “SmackDown vs. Raw” named after the 2-main brands of the Endeavor-owned TKO Group Holdings division WWE is really fun admitting to feelin’ like A$AP Rocky as they need them Pesos & that Slam A Slut Records got girls all over the world much like Lloyd & Lil Wayne while the appropriately titled “Life of Tour” gives you an otherworldly look into their lives.

WB Nutty of Los & Nutty appears on “Daisy World” bringing a bassy Detroit trap sound to the table throwing some bells in the picture on top of it bragging that they’ll teach you how to flip it while “Ed Reed” takes a more serious approach generally talking about having to get your own & that you can’t depend on anyone else out here. The sample flip throughout “Cross $tate Brothers” is astounding to get on another fuckin’ level while the operatic/trap crossover “Kill” talks about how this life chose them rather than the WRLD Tour Mafia choosing it themselves.

“Boo Thumper” featuring Brooks goes into a piano-driven direction flat out warning everyone that fuckin’ with them will find you layin’ in the dirt while “B.O.D. (Brothers of Destruction)” named after the 3-time WWE tag team champions serves as an introduction to the greatest gang sampling WWE Hall of Famer Kane’s entrance theme. “Wise Guys” has these cool ass horns throughout showing off their real mob ties while “Bigger Dreams” follows it up with an atmospherical mob meeting. “Trilogy” is another heartfelt moment talking about those not knowing what comes with this shit & “Lenny Kravitz” wraps things up rockin’ out over strings.

In the past couple years of familiarizing myself with the WRLD Tour Mafia, they’ve really been outdoing themselves both from a collective & individual standpoint further solidifying themselves as one of the most exciting groups to emerge from the Detroit trap scene as of lately. Tourmania II much like Rockstar Lifestyle 2 takes it a step above the predecessor. The last one had a tighter guest list but anyway, there are some interesting ideas within the production & there are significantly more wrestling references than last time that I admire as someone who grew up during the Attitude/Ruthless Aggression Era.

Score: 4/5

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