Lael Neale – “Altogether Stranger” review

Orange, Virginia singer/songwriter Lael Neale with her 4th studio LP. Starting out a decade ago by pouring our her indie folk & alt-country debut I’ll Be Your Man, she subsequently signed to Sub Pop Records for her sophomore effort Acquainted with Night focused more on minimal synth, bedroom pop, contemporary folk, dream pop and hypnagogic pop & Star Eaters Delight expanding in favor of twee pop, chamber pop, ambient pop, neo-psychedelia and ethereal wave respectively. 2 years later & she’s returning for Altogether Stranger.

“Wild Flower” hooks up some claps & an organ to start singing about eating her words & wasting away whereas “All Good Things Will Come Pass” strips it back to an electric guitar acknowledging the inevitable demise of everything. “Down on the Freeway” was solid indie pop single asking if you’re gonna follow & if anyone would miss her wanting out of the city, but then the piano-driven “Sleep Through the Long Night” wanting what she can’t find.

The organs come back in the fold for “Come On” explaining a bell that never rang will claim to call the new day in just before “Tell Me How to Be Here” fuses singer/songwriter, indie folk & bedroom pop painting a stark & haunting portrait of her Los Angeles return. “New Ages” tackles the concept of lust over electric guitars & organs clashing while “All is Never Lost” minimally sings about there always being a wheel that turning us, which leads into “There From Here” finishing with more minimalism breaking down a purgatory we pay for.

Lael’s 3rd offering under Sub Pop covers an unexpected breadth of musical & lyrical terrain like neo-psychedelia, art pop, indie pop, singer/songwriter, indie folk, synthpop, indietronica, & minimal synth. She additionally vacillates between the questionably reconcilable states of childlike optimism & existential melancholy, uncovering the extraordinary within the mundane by tackling themes of polarity including country vs. city, humanity vs. technology & isolation vs. society.

Score: 4/5

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