The sophomore effort from New York City rapper, actress, the hostess of the Endeavor owned TKO Group Holdings division WWE’s SummerSlam XXXVIII last month Cardi B has seen the light of day. Signing to Atlantic Records in early 2017 off both the Gangsta Bitch Music tapes, neither those or her full-length studio debut Invasion of Privacy would win me over on her musically although her success certainly can’t be denied. Her ex-husband Offset formerly of the Migos released the introspective Kiari last month & wants to ask Am I the Drama? the weekend after the current WWE Intercontinental Champion Dominik Mysterio ended former The Crash Pesocompleto Campeon El Hijo del Vikingo’s 2nd reign as AAA Mega Campeon at Worlds Collide V promoted with the WWE’s newly acquired Lucha Libre AAA Worldwide (AAA) subsidiary to win his 1st world championship & Terence Crawford taking the undisputed super middleweight titles off of Canelo Álvarez during TKO’s newest division Zuffa Boxing’s inaugural event.
“Dead” starts Cardi’s return with a cinematic trap instrumental talking about wanting all these hating bitches 6 feet deep in the ground whereas “Hello” boastfully finds herself geekin’ out & turning up at the party. “Magnet” produced by Pooh Beatz simultaneously takes a few jabs at Offset alongside a horrid dig towards Lil Uzi Vert & JT while the tropical “Pick It Up” featuring Selena Gomez compares the love they have for their current partners to a drug.
The way “Imaginary Players” by JAY-Z gets sampled during the boom bap/g-funk single “Imaginary Playerz” is ok although the celebratory verses are merely average to me leading into the bilingual “Bodega Baddie” talking about the borough that made her. “Salute” hops over a TM88 beat to give props to the real bitches that have her back just before “Safe” featuring Kehlani dedicates itself to Stefon Diggs.
“Man of Your Word” atmospherically delves deeper into Cardi’s divorce from Offset as does the bittersweet “What’s Goin’ On?”, except the latter goes for a bounce vibe & the AI Lizzo feature was unnecessary. “Shower Tears” blends cloud rap & trap to talk about Offset cheating on her while “Outside” takes further shots at her ex-husband over a Charlie Heat instrumental borrowing from the Detroit sound & bounce.
As for “Pretty & Petty”, we have Cardi B responding to BIA dissing her on “Sue Me?” over a west coast-tinged beat while “Better Than You” featuring Cash Cobain taps in with FNZ & Vinylz to spit braggadocio together. “Funny How Time Flies (When You’re Having Fun)” by Janet Jackson gets sampled for the sultry “On My Back” showing an R&B influence while “Errtime” featuring Jeezy & Latto on the remix talks about being the baddest.
“Check Please” speaks of wanting more money than problems in 2025 while “Principal” butchers “The Pleasure Principle”, which has actually been one of my all-time favorite Janet Jackson songs for as long as I can remember. “Trophies” talks about hoes being sore losers & dismisses all excuses while “Nice Guy” featuring Tyla goes Afrobeats thanks to London on da Track, Internet Money Records in-house producer Synthetic & venny portraying modern love.
The song “Killin’ You Hoes” winds down the last several minutes of Am I the Drama? by taking aim at her detractors while the no melody “Up” caps off Cardi’s sophomore effort officially by getting cockier than the next cut. “W.A.P. (Wet Ass Pussy)” featuring Megan Thee Stallion starts the deluxe run with the controversially raunchy 2020 hit while “Don’t Do Too Much” experiments with New York Drill talking about showing ‘em how to be sexy.
An average reflection of Cardi’s success after her full-length debut can be the best said regarding “Money” while “Please Me” featuring Bruno Mars mutates contemporary R&B, pop rap, synth-funk & trap for a 2019 Valentine’s Day celebration. The superior “Press” takes shots at the media coverage around that time over a KeY Wane beat while “Bongos” featuring Megan Thee Stallion collides pop rap, dembow, zess & funk brasileiro for an underwhelming “W.A.P. (Wet Ass Pussy)” spiritual successor.
“Like What” heavily samples “She’s a Bitch” by Missy Elliott talking about being classy & intolerable at the same time while OG Parker’s dirty south-inspired instrumental on “Enough (Miami)” sticks out to me tackling themes of self-assured resilience. After the “Dear Bardi Gang” spoken word bit, the final bonus track “Hot Shit” featuring Ye or the Nazi formerly known as Kanye West & Lil Durk serves up something masculine for their blocks over a no melody Tay Keith beat.
Only 24 hours prior to Stephanie Vaquer defeating イヨ・スカイ to become the new Women’s World Champion at WWE’s inaugural main roster pay-per-view on The Walt Disney Company subsidiary ESPN Wrestlepalooza V or former AEW tbs Champion Kris Statlander becoming the new AEW Women’s World Champion at All Out VII & former AEW World Tag Team Champions Jurassic Express reuniting, the seemingly mythical follow-up to Invasion of Privacy has arrived & I actually enjoyed it more than I thought I would although I’m left on the fence with it. A little too long, but the production has improved slightly & I don’t mind Cardi B’s own performances all that much outside of a few cringey lines.
Score: 2.5/5
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