Ian – “2005” review

St. Louis, Missouri rapper/producer Ian is back after 12 whole months for his sophomore effort, 5th EP or debut mixtape. A member of the D1shonorable collective, he got his start in 2019 producing the single “Know That” by Izaya Tiji before going on to release 3 EPs of his own: Only for a While, Remembrance & the gyo-produced Empty Suit. Akon’s brother Bu Thiam signed him to his Columbia Records imprint Buvision Entertainment this spring for his previous EP Valedictorian, which received mixed responses although I personally found to have it’s highlights like “Chauncey” & “Magic Johnson”. Goodbye Horses even had its own highs like “3.5” or “Out West”, surprise-releasing 2005 only 53 weeks later.

We get some colorfully peppy synthesizers during the intro “Go Ian” taking a boastful approach to the lyrics feeling like that people have a bad impression on him ever since signing to a major label whereas the rage-inducing “Aw Shit” talks about keeping it 100 even if he isn’t perfect. The self-produced “You Told Me” reserves the drums for the final minute or so not making any plans because he’s vibing while the mediocre trap/pop rap single “I Ain’t Coming Back” prior to the Bhad Bhabie interlude talks about being good all by himself, having a lot of questions for his ex-girlfriend & even more for her mother.

“Talk About It” brings the synths back in effect thanks to Internet Money Records in-house producer NASH so he can reflect over a relationship prior to “Remember Me” continuing to delve deeper into the topic of love accompanied by a piano instrumental. “Have My Back” proves a comparison Tyler, The Creator had made between Ian & Future clear as day, although “Soul Provider” produced by FNZ could be his most emotional track ever & “Friends from Everywhere” ends with Ian shouting out his homies all around the world.

Serving as a prelude to Valedictorian 2 coming out a couple months ago as revealed via an Easter egg in the artwork, 2005 finds Ian returning behind the boards since he didn’t produce anything on the original Valedictorian or Goodbye Horses & I can appreciate that to the highest extent because Ian can be likened to ΠΔV in the sense that I enjoy his production work more than a good chunk of the major label material. Will he capitalize on his production skills more a couple months from now? Only time will tell.

Score: 2.5/5

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