SosMula – “Yung Plane Krash” review

Manhattan, New York rapper SosMula enlisting Shadow Wizard Money Gang to host his 2nd mixtape. Coming up as 1/3 of the now defunct City Morgue alongside fellow emcee ZillaKami & producer Thraxx, they’ve released 2 full-lengths & an EP together up before branching out on their own for a little bit. Sos was the first to step up to the plate by dropping 13 Songs 2 Die 2, which was a bit of a disappointment in my opinion due to the features & production. ZillaKami followed it up a month later with HIS solo debut Dogboy & the duo reunited to drop Bottom of the Barrel the month after that, both of those I found much more tolerable. 2 High 2 Die was better than its predecessor & the Sleez Machine EP that fall was the worst solo effort of his yet. Signing to Limosa Nostra Records & Atlantic Records succeeding the divisive reception of his final Republic Records offering Sleez Religion, he made it out of Kamp Krystl Lake last Halloween & has dropped Yung Plane Krash hot off some mediocre teasers.

“‘Till the Last Star Dies” pledges his heart to the dark lord declares that he stands with the shadows over a trap beat with some 808s whereas the lead single “Running Man” talks a him dashing through the trap & the racks even if the instrumental still doesn’t blow me away. “Sportmode” embraces a ghostlier vibe about throwin’ bullets at car doors until “Flash Gordon” hits us with some of tight rhyme schemes despite more below average beats.

Moving on from there, “St. Peter” spends a couple minutes aggressively flipping birds at both Republicans & Democrats just before “Goodyear” featuring Ricky Hil finds the pair linking up so they can talk about maintaining legendary status when both artists eventually pass away. “Cocaine” hits us with a 3 minute freestyle recalling his days of selling crack prior to making music while “Bloodsport” featuring Lil Speedy reaches the halfway point talking about killing their opps.

“Bangout” cautions not to press him since he’ll pull out the stick & unloading clips over the course of the final single while the 2nd single “Krakk Star” featuring Rocket Rese references former UFC Light Heavyweight Champion Rampage Jackson in the midst of their coke-fueled bars. “Hiccups” featuring Lil Speedy reunites both of them chaotically dropping cringey lines like “Making bitches bleed like maxipads” while “My Face Off” talks about being a renegade.

Ricky Hil returns for the trap metal-infused “Hate Me” produced by Thraxx surpassing “Goodyear” to become their best collaboration throughout Yung Plane Krash while “Purified” keeps the heavy guitars & hi-hats coming talking about sacrificial scriptures of slaughter. “Chrome Spikes” featuring Dialryckx links up for a bilingual industrial trap song boasting of everything they own being chrome & the trap metal outro “Blood Bath McGrath” talks about wanting to see bloodshed.

I still maintain that Kamp Krystl Lake was a highly enjoyable Limosa Nostra debut for SosMula, but unfortunately I can’t say the same for Yung Plane Krash since I’d consider it to be his worst offering on the label thus far. The backend of it contains some of the hardest hitting tracks on the whole thing thanks to Thraxx’s production, which makes me hope that he’ll produce an entire album for Sleezy at some point whenever the timing’s right.

Score: 2/5

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FATHERS – Self-Titled review

FATHERS is a jazz quartet from Los Angeles, California comprised of keyboardist Kiefer Shackelford, bassist Ben Carr, drummer Nate Smith & producer Kenny Beats. Almost everyone has an established background in the instrumental hip hop field except from Nate, whose output generally ranges from jazz fusion to jazz-funk & neo-soul. The greatest jazz label of all-time Blue Note Records have decided to bring the band on board for their eponymous full-length debut & only a couple weeks away from Kenny fully producing Rico Nasty’s upcoming 3rd album RX finally seeing the light of day later this month.

“Eye Level” sets things off with a 3 minute intro working in some synthesizers, pianos, drums & bass giving off heavy instrumental hip hop vibes whereas “Patchwork” brings alto saxophonist Nicole McCabe on board for an infectiously bright jazz track that I can imagine hearing at opulent hotel from a complimentary standpoint. The only single “Pearl” experiments with Brazilian pop-jazz & I admire the way they gave it a modern luster just before “Stub” kinda has hypnotically quirkier approach compositionally.

We have FATHERS incorporating some organs for “The Leak” to kick off the 2nd half of their self-titled debut while “Tomorrow, Again” concludes the 3rd quarter bringing a more tropical flare to the table instrumentally enlisting violinist Yasmeen Al-Mazeedi to handle the strings. “Front Yard” comes through with some colorfully rich keys & drums that have a boom bap quality to them while the closer “Figure 8” brings Yasmeen back 1 last time provide a heavenly outro fusing jazz & instrumental hip hop.

I can’t deny Kenny Beats taking the risk of expanding his clientele outside of hip hop by producing Geese’s 4th album Getting Killed last fall & Weezer’s next full-length The Gold Album later this August, so it was interesting to hear him forming FATHERS with 3 other jazz-rooted instrumentalists who’ve already established themselves & I hope this is only the beginning for the band since they improvised a tastefully jazzy instrumental hip hop debut with some occasional funk influences.

Score: 4/5

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The Rolling Stones – “Foreign Tongues” review

The Rolling Stones are a blues rock trio from London, England, United Kingdom comprised of rhythm guitarist Ronnie Wood, lead guitarist Keith Richards & frontman Mick Jagger. A band who dropped some of the greatest rock music recorded throughout the late 60s-early 70s like Beggars Banquet, Let It Bleed, Sticky Fingers, Exile on Main St. & Some Girls. Their previous full-length Hackney Diamonds under Geffen Records made for a tolerable comeback after 2 decades & the Stones joining Capitol Records for their 24th studio LP had me intrigued since the material dates back to 2019.

“Rough & Twisted” begins with a blues rock single incorporating further elements of electric blues & boogie rock singing about flashing jewelry being a false pretense to them whereas “In the Stars” takes the pop rock route stylistically with some bluesy undertones admitting to feeling a heavy hand meddling with their plans. “Jealous Lover” goes completely smooth soul singing about a relationship going sour while “Mr. Charm” starkly reminding the world of life being as short as it is.

Meanwhile on “Divine Intervention”, we have the Stones singing about our existence being a gamble within it side just before “Ringing Hollow” brings a bit of a country twang into the fold observing all the political turmoil in the United States for a year & a half. “Never Wanna Lose You” reaches the halfway point of the full-length taking back to the pop rock style not wanting to lose the love of their lives whiles “Hit Me in the Head” has a more traditional rock flare acknowledging they won’t be here eternally.

“You Know I’m No Good” takes back to their blues rock origins reminding this woman who’s interested in them cautioning that they were trouble from the very beginning & after “Some of Us” brings a summery atmosphere to the table singing about all of us needing some love in troubling times like these, “Covered in You” continues to make it clear that they’re fed up with the rise of fascist autocracy. More specifically Tesla CEO, SpaceX founder, Neuralink founder, Twitter owner & Nazi Elon Musk.

The song “Side Effects” hits us with a powerful rock ballad singing about there being a price to pay for literally everything pondering whether if it’s the drugs fucking with their mood or not while the 6 minute “Back in Your Life” treads the Americana waters a bit singing about doing whatever it takes to for this individual to let them in their good graces once more. The closer “Beautiful Delilah” sends off the album with a passable cover of the late Chuck Berry’s track of the same name.

If I have to be serious with myself, Hackney Diamonds still remains a decent comeback for The Rolling Stones after nearly 2 decades exclude the Blue & Lonesome covers but I came away from Foreign Tongues confident that it could be the most gratifying entry in their extensive catalog since Tattoo You. The bluesy pop rock production refines what they tried to do 3 years earlier mixing elements of electric blues, boogie rock, smooth soul & hard rock for a politically charged hour.

Score: 4/5

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Kelela – “New Avatar” review

Kelela is a 43 year old singer/songwriter & producer from Washington, D.C. who signed to Warp Records following her debut extended play Cut 4 Me in the fall of 2013 She would go on to follow it up with the Hallucinogen mixtape 24 months afterwards as well as the critically revered full-length debut Take Me Apart almost a decade ago & returning for the sophomore effort Raven. For the past few months already, she’s been teasing her 3rd studio LP by dropping a handful of singles & the main course is here in time for summer.

“Idea 1” blends neo-psychedelia, ethereal wave, shoegaze, dream pop & post-rock singing about existing in this current political climate whereas “Point Blank” combines alternative R&B, UK bass, east coast club, atmospheric drum & bass, Baltimore club and post-dubstep confessing that she’s too spent to weep. “Goin Down” has a bit of an alternative rock flare to it singing about the feeling of there being no way out just before “Outta Time” fuses alternative R&B, neo-soul, neo-psychedelia, UK bass & psychedelic soul observing that time’s running out.

As for “Against Me”, we have Kelela focusing more on the alternative R&B side of things acknowledging the demise of a relationship unfolding in front of her while “Crystalize” concludes the 1st half of New Avatar asking this person why they can’t get things right when she loved them the most. “Retaliation Lullaby” delicately sings about avoiding the loss of sight while “Linknb” mixes neo-psychedelia, indie rock, trip hop, dream pop, baggy, Jersey club, bounce & alternative R&B embracing a new identity.

“Don’t Piss Me Off” brings the drum & bass elements back in the picture issuing a warning to anyone looking rain on her parade while “New Life Forms” featuring Fousheé finds the pair joining forces for a hypnotic alternative R&B duet. “The Bridge” featuring PinkPantheress links up for the ultimate alternative r&b, future garage, 2-step, post-dubstep & dark garage single while “If We Met Again” sings about giving up on this person lying to her.

For almost a decade already, Kelela has consistently proven herself to be an artist pushing the alternative R&B subgenre forward with a short discography. Take Me Apart was my favorite of hers until this point & now New Avatar has taken over that spot for it’s explorations of neo-psychedelia, alternative rock, future garage, dream pop, indie rock, ethereal wave, shoegaze, post-rock, UK bass, east coast club, atmospheric drum & bass, Baltimore club, post-dubstep, neo-soul, psychedelic soul, trip hop, baggy, Jersey club, bounce, 2-step & dark garage finding solace in confrontation.

Score: 4.5/5

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diamond* – “Bling Slime” review

Mechanicsville, Virginia rapper diamond* making his official YSL Records solo debut with a brand new mixtape. A member of the ØWay collective, his full-length debut Nø Idøls last summer caught the attention of Young Thug around the same time he signed Tezzus & their eponymous debut as the Uy Scuti Bøyz a few months earlier was met with disappointingly mixed reception. The Resurrectiøn recently became Tezzus’ most celebrated material & Bling Slime looks to join the conversation.

“Man øn the Møøn” gets things going talking about being the flyest artist his age in the room over some synthesizers & hi-hats whereas “Almighty Dølla” has a more hypertrap vibe instrumentally boasting his thick pockets & his refusal of backing down. “WYD2” produced by both thr6x & Zaan gives us a sequel to a 2024 single the latter also produced just before “4s” featuring Young Thug talks about pouring up Sprite with the guy over more rage beats.

Pz’ appears on “Hedis n Pelles” to energetically put dope in the pot & let it marinate leading into “GG” embracing a bit of a pluggier sound talking about rocking out shows. “Hørsebit” featuring Lil Righteous references the WME Group-owned TKO Group Holdings division WWE’s Big 5 pay-per-view events the Royal Rumble while the cloudy “3 Wishes” lets Sk8star handle a bulk of the rapping, likening himself to Derrick Rose in the 4th quarter.

“STFU” winds down the last few moments of Bling Slime talking about not beefing with anyone because his squad likes to spin over a hypertrap instrumental with a pitched vocal sample while “Burgers n Fries” featuring southsidesilhouette finds the pair promising to kill anyone who touches their chain, which is ironic because of the recent incident between che & 9 Vicious. “Matter øf Time” ends the tape talking about sticking to the script since it’s what got him here while “All Star” featuring Pz’ & southsidesilhouette starts the deluxe run linking up over a rage beat to tackle romantic topics.

Whyceg combines elements of both trap & plugg for “Ferrari” talking about fucking up anyone who touches his chain while “Splurge” featuring EA TJ links up over a Goxan instrumental flexin’ they been poppin’ shit since birth. “Tattøøs All Summer” featuring Pradabagshawty runs it back with Whyceg to talk about getting baddies tatted up while “Fucked Up” gets in his gangsta bag lyrically. “Sickø” talks about his whole team being fresh & the final bonus track “Møntreality” concludes with a decent freestyle.

Bling Slime to me seemed like it had the possibility of dethroning Nø Idøls but even if that album still does a better job at displaying diamond*’s artistic range, it’s a still worthy prelude to his sophomore effort Jubilee next month. The production’s a lot less experimental & cloudy, maintaining the elements of trap along with rage & plugg. I also felt like a great deal of the guests other than an underwhelming selection or 2 delivered.

Score: 4/5

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La Reezy – “Skiddle Bandana” review

This is the full-length studio debut from New Orleans, Louisiana based emcee/producer La Reezy. Introducing himself in 2023 off the Reebornmixtape, he would go on to follow it up with the debut EP We All Need Help as well as both Welcome to La Reezyana & Pardon Me, I’m Different preceding the self-produced Lareezyana Shakedown last September. The latter I would personally tell you is the greatest thing he’s made so far. Coming off Free99$ & the Leader of da Uthhowever, Skiddle Bandana’s finally arrived.

“Curly Headed Boy” begins with a 96 second self-produced intro talking about him going crazy whereas “Hot” takes a groovier vibe instrumentally flexing his increasing popularity within the past year. “Family Bizzy” was a profoundly touching choice of a single talking about his relatives leading into “Normal Struggles” embracing a summery atmosphere to the beat shrugging off problems that many of us are facing.

As for “Pretty Girl Bullshit”, we have La Reezy over a cloudier instrumental talking about all the issues that arise when it comes to gorgeous women just before “How Did You Love Me?” begins to question the sincerity of a female trying to hit on him. After the “Hold Yo Crown” interlude, “Melanate Me” continues the 2nd half taking pride in being African American while “God Forgive Me” recalls protecting a loved one who died from cancer during a robbery.

The title track winds down Skiddle Bandana’s last few moments admitting that he could go for a hug right about now while “Aight” soulfully yet moodily talks about doing simply fine these days. “Gold Chains” serves as a boisterous continuation of the black excellence themes that were explored a little bit ago & the outro “We Live” concludes the album pondering of every limitation reveals itself to be a blessing in disguise, encouraging all to open their eyes.

Out of everyone included in the 2026 XXL Freshman Class list a couple weeks ago, La Reezy undeniably stood out to me as the most talented artist of the bunch although Chris Patrick & slayr are both deserving of their spots too. Skiddle Bandana’s more conscious rather than trying to expand the pop rap sounds of Leader of da Uth, swapping out the chipmunk soul & bounce undertones in favor for elements of dirty south & neo-soul.

Score: 4/5

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Zukenee – “Trapped in the Dungeon 2” review

Atlanta, Georgia rapper/producer Zukenee back for his 8th extended play. Starting in the spring of 2021 off his debut EP Undiscovered, he would continue to make a name for himself in the underground by putting out a couple more EPs in Castle & Playful alongside the debut mixtape Stop Playing. Subsequent exclusive singles like “OJAYS” & “Chest” would later become amongst his best singles since both of them were released in the span of a year & a half preceding Player Slayer. Guillotine, Birth of St. Slay, Slaytanic, Knight Shift, Eye Love U & Zuminati all followed & it looks like we’re getting a Trapped in the Dungeon sequel ahead of Blunts & Blades and the Cardo-produced Zudo.

“Flintstones Vitamins” opens up cautioning the woman who wants to fuck him that she’s gonna have to make her bed first whereas “Pull Up 2 da O” produced by Cade flexes that he pulled up on Playboi Carti & he told him he was the hardest although there are points where the delivery reminds me of Tezzus. “P.A.H. (Pussy Ass Hoe)” leans towards a bouncier vibe telling us what he thinks of snitches altogether leading into “DeadToMe” reaching midway point of the EP likening himself to the reaper over this sinister beat from Toom of Vanguard Music Group.

Cade returns behind the boards for “Kris Vect” to kick off the 2nd half of Trapped in the Dungeon 2 combining some hi-hats & a woodwind for a couple minutes to get in his gangsta bag lyrically just before “Draco Bow” talks about gunfire & not being anything like the people who claim to be on the same level as him. “Start the Day” finds PROJECT4PLAY mixing chimes & 808s for what could be the finest moment of this backend explaining that he focuses on money right when he gets up & the outro “I Got What She Need” incorporates a violin to assure his partner that he has everything she desires.

Holding off a little longer until Blunts & Blades and Zudo, Trapped in the Dungeon 2 doesn’t sound any better or worse than it’s predecessor a few months earlier since I’d still put it above Zuminati although it’s structured similarly in that Zukenee gives us some of his hardest songs outside of a small handful of skippers. The experimental trap, rage & crunk production feels reminiscent of the original Trapped in the Dungeon other then the terror plugg & dirty south undertones being ditched for regular plugg & the performances are on par to the preceding tape.

Score: 3.5/5

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Tonio Armani – “Outside for the Summer” review

Columbus, Georgia singer/songwriter Tonio Armani enlisting Atlanta producer, DJ, rapper, record executive, entrepreneur & crunk progenitor Lil Jon to produce his brand new extended play. Dropping his full-length studio debut Love & Relationships along with the sophomore effort The Soul Train in 2019, he would go on to release Believe the following year & WWE Hall of Famer Snoop Dogg would sign him to Death Row Records distributed by gamma. following Intimacy. Making his debut for the label, it’s only right he steps Outside for the Summer.

The Ying Yang Twins appear on the intro “B.O.B. (Big Ole Butt)” joining forces over a vibrant beat so all 3 of them can talk about their love of women who have cake whereas “Walk That Line” instrumentally goes for more of a crunk&B vibe to describe a woman that he can’t seem to get enough of. “Donkey” soulfully sings about wanting all the ladies to get on down to the dance floor leading into “Line Dancer” ending the 1st leg of EP with a carefree R&B jam recalling this woman giving him a show.

“Temptation” gets the 2nd half going singing about a temptress trying to seduce Tonio when he’s already in a relationship & after “That’s My “Lady” soulfully dedicates itself to his soulmate he was referring to earlier, “Jam with Us” sings to those who’re unable to party with him that they can’t do so at all if that’s the case. “Bad Mamma” featuring Snoop Dogg finds the pair talking about women who’re well put together & the closing track “Superman Lover” featuring Nila Milan sends it all off with a laidback R&B duet with a summertime feeling to it.

Looking to celebrate his Georgian roots for our country’s semiquincentennial, Tonio Armani enlists a founding father of the crunk subgenre of hip hop to produce Outside for the Summer since he helped make some crunk&b hits back in the 2000s & would consider it to be gratifying debut for Tha Row as well as Tonio’s finest statement yet. He’s passionately honoring the people who made him the man he become today & Lil Jon’s production is more R&B-oriented compared to LaRussell’s 32nd EP Something’s in the Water.

Score: 4/5

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WTM Solid – “Touropean 2” review

This is the latest mixtape from Detroit, Michigan rapper WTM Solid. A member of the WRLD Tour Mafia, he also embarked on a solo career of his own a few years back with the debut EP Originatour followed by both Matter of Time & What’s the Difference?. Bigg as well as the full-length debut Imagine That at the beginning of last year elevated himself as an individual amongst the rest of WRLD Tour, coming off Street Gospel & $uper Amazing $uper Rich to drop a Touropean sequel.

“7 Words for You” opens up with a cloudy trap intro basically giving middle fingers to anyone who hating on his squad when they’re not doing shit themselves whereas “Foreign Dude” combines some synthesizers & 808s talking about unloading clips after making a bag. “Back on Bull$hit” instrumentally brings a darker vibe to the table treating hoes like the road while “Hard Tour Choose 1” atmospherically talks about getting it out the mud.

Meanwhile on “$olid Shakespeare”, we have Solid letting a woman who ain’t seen much spend an entire day with him leading into “Not Mine (My Turn)” having somewhat of an atmospheric flare to the beat talking about his haters wanting to see him fail. “Top of the Morning” reaches the halfway point of the tape talking about his preference for boring bitches just before “Livin’ 2 Fast” speaks of going from last place to working towards the top spot.

“N.L.M.B. (Never Leave My Babies)” talks about always being there for his children no matter how bigger he becomes musically while “$paceship” boasts of him having more power than the government itself. “Drama Call <3” advises someone who speaks too much around bosses to play it cool while “Lean on Me” talks about dropping projects for the love of the game. “Tyson Fury Fight” produced by WTM Niketech advises to turn your feelings off in order to achieve success & “Don’t Think Too Hard” giving a fuck less about who’s mad at him.

The original Touropean last summer was inspired by WTM Solid’s trip to France & for the follow-up, I don’t see myself coming back to it as much as the other 2 projects he’s dropped this year even if he carries over everything that made the predecessor so distinct 11 months earlier from the lyrics representing his squad overseas except he’s visiting the UK this time around to the Detroit trap production. BUT if he plans on continuing the series in the midst of visiting other countries, of course I’d be welcoming of it.

Score: 3.5/5

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Ken Carson – “Xperiment” review

Kicking off the 2nd half of 2026 with the 5th studio LP from Atlanta, Georgia recording artist Ken Carson. Breaking out in the SoundCloud scene & becoming a protege of local trailblazer Playboi Carti as one of the first artists to sign to the latter’s Opium Records, he would go on to drop a total of 5 EPs prior to his full-length debut Project X & coming off the mature sophomore effort X which Anthony Fantano infamously gave a 0. Coming off A Great Chaos & More Chaos however, he’s looking to Xperiment a lot more.

Former 17-time WWE world champion, WWE Intercontinental Champion, 5-time WWE United States Champion & 4-time WWE tag team champion John Cena gets referenced on the intro “wheredoistart?” produced by Four3va whereas “deaf note” featuring Playboi Carti finds the 2 detailing their lifestyles. “shadeson” was disappointing since it’s pretty much a remix of “girl” off 2hollis’ major label debut star prior to “gynecologist” making up for it whether it be the instrumental from F1THY of Working on Dying to the lyrics detailing what he’d do if he wasn’t making music.

“wrist” continues from there talking about being in kitchen serving up weight & deceiving a woman into thinking they’re locking in when Ken wants to fuck her friend leading into “edm” addressing the rumors of Xperiment & Cartunez fulfilling his ongoing contractual obligations. “truth” hops over an Art Dealer & Outtatown beat so he can drop a lengthy verse sandwiched between a chorus expressing his sincerest feelings while “outofmybody” talks about being a wireless plug.

As for “the ritual”, we have Ken setting the record straight regarding a woman acting like he’s her man when it’s false & finding a way to always prevail while the “interlude” feels more of a brief freestyle talking about others not being able to reach his high. “ghost” featuring Lil Uzi Vert speeds up the pace instrumentally so both of them can switch shit up for those moving too slowly while “drug kit” featuring Young Thug details being under the influence of drugs over a celebratory beat from DY & Tre Pounds.

“possession” continues the 2nd half of Xperiment on some more rage-inducing vibes talking about raking money in like a bunch of leaves that’ve fallen off branches while the distorted “fw00” discusses having money on his mind & the fact that he’s been setting trends for some time already. “somanybags” hops over another hypertrap instrumental to talk about being so geeked up where he can’t relax while “shopping” featuring Destroy Lonely prepares us for their collab tape trading the mic back-&-forth.

The song “amandabynes” brings some buzzing synthesizers into the picture talking about falling in love with a woman for who she is as a person & her being attracted to his timing but after “amnesia” runs it back with Art Dealer & Outtatown to confess that he forgot the times he’s seen this chick being addressed, “flamethrower” airs out his grievances towards a an ex-girlfriend whom he did so much for yet she still ended up leaving.

“knocking” brings a hypnotically futuristic sound to the table talking about someone he knew since Day 1 who’s changed so much that he doesn’t even have friends anymore while “addiction” references former WWE United States Champion & WWE tag team champion Logan Paul. “wedidit” featuring Playboi Carti concludes our Xperiment referencing current AEW performer/commentator, former 7-time WWE world champion, 11-time WWE Tag Team Champion, WWE Intercontinental Champion, WWE United States Champion & 3-time WWE Hardcore Champion Paul Wight while “Too Many Poles” talks about his stick having no switch over a Clayco beat.

Starting the deluxe run, “scrape” continues to rage looking to shake up the blocks while “swag jack” details the kind of people who steal others’ style & claim it to be their own. “off a bean” responds to those claimin’ he’s gotten cocky when he’s hustled for everything he has while “rare creature” talks about locking in differently & others including him not knowing what to do with the kind of money he makes.

“$50k” maintains the core components of hypertrap only carrying that much money on him while “roxy reynolds” featuring Destroy Lonely provides us another dosage of what we can expect out of the 00Twinz tape over a 2hollis instrumental. “005” talks about Opium being his lifestyle & after “eaters” warns of preparing to untuck the heater he’s been carrying, “9 bitches” featuring ApolloRed1 disses 9 Vicious.

OsamaSon appears on the rage-inducing “vamp city” going bananas with the clips restricting all phones & cameras while “fake news” talks about all these muhfuckas being fraudulent goons. “disturbing the peace” shouts out Ludacris’ vanity label distributed by Def Jam Recordings while the final bonus track “yvngvmp” celebrates making out of the hood & talks about having a bunch of gangstas in his camp.

Even if it’s not quite experimental as I hoped it would be, Xperiment could still debatably surpass A Great Chaos to become Ken Carson’s greatest full-length & it has me wondering whether or not Cartunez next Friday will join either of those albums in that same conversation. Excluding a small handful of songs that I felt were pointless, rage/trap production’s less watered down than More Chaos last spring & there’s a tight guest list.

Score: 3.5/5

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