1oneam – “Sin Ever After” review

1oneam is a 21 year old rapper & producer from Milwaukee, Wisconsin who’s released a couple mixtapes as well as an untitled full-length debut & 10 EPs since the beginning of this ongoing decade. House Party dropped exactly 104 weeks ago & elevated his popularity in the plugg scene, something that he would capitalize on 7 months later when 1 Life came out. With only a week away from Halloween, the cr3stfallen & requiem member has returned for a sophomore effort.

“Tags” produced by TDF immediately caught my attention soon as I began playing the album flexing his wealth prior to “Marriott” talking about moving at the same speed of life itself with no intentions of stopping. “Stuck to Him” gives a shoutout to all his haters simply because he gets to stomp on them now that he’s chillin’ on rooftops while the self-produced “Up to Something” blocks anyone asking for a handout.

Moving on from there, “I Can Fly” thanks all his Day 1 supporters for always believing in him & staying locked in while “Outside” talks about sending shots to the head soon as he steps off the porch with his twin. “Match My Vibe” asks the chick that he’s seeing if she can has the same level of aura as him after a long day while “Who Am I?” talks about maturing & betting himself right.

“Cloud 9” reaches the halfway point of Sin Ever After giving that very response to the people asking him where he’s been lately leading into “Golden Token” talking about his whole squad being with the shits. “Just Like Me” suggests that he might sip the lean a little slower than usual & giving 0 fucks if anyone likes him until “Understand Me” splits itself into 2 halves feeling as if he’s misunderstood.

gyro jumps behind the boards for the rage-inducing “Let It Go” telling his girl not to worry over something insignificant & after “Fuck the Talk” references the greatest basketball player of all-time Michael Jordan, we have 1oneam talking about his preference of having a strong team beside him on “call me” in addition to getting the bag before some of his former friends betrayed him.

“Ain’t My Life” gets the final moments of the LP rollin’ talking about a hoe wanting him to save here even though that’s not a part of his lifestyle at all & once “Did You Mean It?” promises the girl who’s been having him go crazy that he’s gonna get her right by buying her the Mercedes she’s been wanting, “No New Friends” sends it all off by talking about a 1 man team due to the fact all these other people are like zombies while “Agent 47” starts the deluxe run comparing himself to the main protagonist of the Hitman series of stealth video games.

The man from the same city as the longest reigning 4-time JCW World Juggalo Heavyweight Champion Corporal Robinson uses “Lifestyle (How Can You)” as a moment to shout out all the homies who look up to him while “5G” samples one of Future’s greatest singles “March Madness” talking about being richer & older now. “Everyday” assures that his closest friends can call him whenever he’s needed while “Make Her Dance” recaptures the energy of “Bandz a Make Her Dance” by Juicy J featuring ColleGrove.

“Petrol” talks about carrying a stick around at him at all times as if he’s the late Tom Clancy while “Chainsmoker” boasts that he’ll flex up anywhere with no fucks given. “Hope You Know” talks about spending $100K on his brand new whip leaving all the women geeking hard while “Who’s You?” clarifies he’s tryna have some fun with the chick he has in mind that he can’t save regardless of him being unable to save anyone. The final bonus track “Calm B4 Storm” tries to defuse his girl’s frustrations promising he can buy anything when he’s in the store.

Glimpses of 1oneam’s potential in the plugg scene have already revealed itself all over some his previous projects like 1 Life & 1 Death, but Sin Ever After somewhat reminds me of Devstacks’ most recent album 4SOULJASONLY in the sense of Dev putting his signature regalia sound to the side so he can embrace more traditional trap production except that the secondary influences of regalia are being replaced with plugg & crafting his greatest LP as a result.

Score: 4/5

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Miguel – “Caos” review

Miguel is a 40 year old singer/songwriter, actor & producer from Los Angeles, California introducing himself in 2010 off his moderate full-length debut All I Want is You. His sophomore effort albeit RCA Records debut Kaleidoscope Dream & Wildheart would both go on to become some of the most beloved alternative R&B of the previous decade, although War & Leisure towards the end of 2017 was moderately received. However, he’s finally making a return to music with his 5th studio album to celebrate his birthday.

The title track & final single begins by showing off his bilingual singing chops over an apocalyptic instrumental whereas “The Killing” works in a psychedelic guitar reminiscent of “PRIDE.” by Kendrick Lamar for a nod to the Outlawz single “Hail Mary”. We get breakbeats, deep house & alternative R&B colliding during the self-produced single “RIP” trying to figure out if he’s in heaven or hell leading into the psychedelic soul-inspired “New Martyrs (Ride 4 U)” asking his new lover if she’s with it or not.

“Triggered” sings about how beautiful it is to him for this woman he has in mind explodes & loves him in her rage leading into the Spanish neo/psychedelic soul single “El Pleito” co-produced by DJ Dahi ponders the idea of going dark because he’s been in his feeling lately. We get some more silky guitar riffs during “Perderme” desiring to mate with his new lover until they face into eternity while “Oscillate” seductively sings about wanting this female to come heal these thoughts of his & make him feel indestructible.

Starting the final leg, “Nearsight (SID)” ethereally advises for this woman to slow it down because he’s certain that he won’t feel the way he is ever again while “Angel’s Song” brings the psychedelic guitars for a tribute to his son Angelito. “Always Time” nears the end of the Caos with some grungier elements thanks to Jeff Bhasker & Jerry Duplessis reflecting on his marriage to his long-time partner Nazanin Mandi since their divorce was finalized in 2023 & “Comma / Karma” featuring Parliament-Funkadelic leader George Clinton sends off the LP with a 2-parter.

Learning that transformation can be a violent process, Caos sonically bends said violence into a triumphant comeback for the alternative R&B trailblazer that lands directly in the middle of War & Leisure’s political & personal subject matter with the darkest musical opus of Miguel’s entire career since a lot has happened to him in both of those aspects of his life. His vision’s a lot clearer than it’s been previously, giving rare insight through music & visual storytelling while inviting listeners to confront & harness our own turmoils.

Score: 4/5

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Babystaydown – “Art of War” review

Athens, Georgia up-&-comer Babystaydown dropping off his sophomore effort 5 months since his full-length studio debut. Somebody who already has 15 EPs under his belt including Intrusion, PL Top Recruits, 1,350, Drugz Sex & Money and it’s sequel, 17, Genesis, his Cegular Records/Sony Music debut Hate da Way Um Livin, Pain Before Pleasure, Chief 13, Aimai, I.L.M.F. (I Love My Friends), ##Kool ##Kat & the Lost Files duology. However, his inaugural LP Born Anew this spring maintained the same level as all 3 of his extended plays on Cegular in terms of propelling his status in the underground & Art of War following his Red Flags & Roses appearance had me intrigued.

“Shoota” produced by Rafmade & SOULJASPIRITS opens by talking about pulling up to the spot with a bunch of gunmen surrounding him whereas “After All” pulls inspiration from Lil Uzi Vert & Lil Wayne suggesting to everyone around his premises to move the fuck out the way before he goes on a full rampage. “Switched My Tool” talks about having to swapping out the dot attached to his Glock because the firearm got too hot & spraying shit up without bluffin’ while “Cash Flow” promotes violence & money.

Whyceg jumps behind the boards for “Dead Wrong” cutting bitches off like fades leading “All Bad” talking about being rich as fuck along with quitting green lean to consume the purpler stuff over a cloudy Hariroc beat. “Don’t Fuck with T194” featuring Pradabagshawty finds the 2 labelmates teaming up so they can talk about not partaking in using acetaminophen or oxycodone hydrochloride leading into self-awareness settling in on “Luv Raging” knowing this bitch lying when she says she loves him.

“Goofy AF” featuring byarmyy joins forces over a Traiqo instrumental shrugging off all the lames who really ain’t be saying much of anything while “D.P.W.D. (Don’t Play Wit Dat)” talks about running up checks in his sleep & all of his hoes being freaks. “Babii Babii” embraces a pluggier vibe speaking of his life going brazy ever since he finally made it out of the pavement while “Lie” talks about saying whatever you want regarding him even if he & everyone else knows it’s false.

The song “Blumagic 15” begins Art of War’s final act with Babystaydown hopping over a plugg beat recalling being so high the night earlier to the point that he couldn’t see a thing & after “Same Faces” warns that if any of his friends wind up dead if they cross the line of betrayals, “Oh My Baby” finishes with an 112 second outro that mxrt4lity laced apologizing to a woman he’s no longer involved with romantically because him breaking her heart although he claims intention of doing so.

Hate da Way Um Livin marked a huge turning point in Babystaydown’s career as it seemed like the beginning of an artistic evolution further explored on Pain Before Pleasure, Chief 13, Aimai, I.L.M.F. (I Love My Friends), ##Kool ##Kat, both entries of the Lost Files series & Born Anew. Art of War brings that growth full circle joining B What You B & Home Invasions in becoming the most essential listening experiences in the Cegular Records catalog only a few months away from the 2 year anniversary of the plugg label’s founding.

Score: 4/5

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O.T. the Real – “The Wars I’ve Won” review

Brand new EP & the 9th altogether from Philadelphia, Pennsylvania emcee O.T. the Real. Getting his start in the underground almost a decade ago after coming home from prison & dropping his debut single “Papercuts”, his profile began to grow from there after showcasing his skills on radio stations or dropping 9 albums as well as a mixtape & his last 8 EPs. My favorites being the Heatmakerz-produced 3rd EP The Irishman & the DJ Green Lantern-produced 3rd album Broken Glass that dropped on my 25th birthday & the Statik Selektah produced Maxed Out. No Matter What, Desperation of December, It’s Almost Over & Red Summer were all hit or miss for me until O.T. finally signed to Black Soprano Family Records & enlisted araabMUZIK for Zombie to critical acclaim. Prepare for War & Pale Horse were ok, following up Moving Base O.T.’s eponymous debut showed improvement as did the Nickel Plated produced Cost of Living & The Devil You Know. 38 Spesh fully produced Possession with Intent a couple months ago & it’s my favorite of his in 2025, tapping in with Chop-La-Rok & Rare Scrilla to flex The Wars I’ve Won.

“Bird Flu” opens with a drumless rap rock instrumental advising to respect the chain of command whereas “Fishtown” work in a vocal sample talking about being quick to hit the highway since it’s a perfect plan to him. “Life+Life” featuring Benny the Butcher & T.F finds the trio over a boom bap beat ruthlessly attacking those who fucked around & woke the sleeping dogs up leading into “Soldiers” remembering a homie of his who got killed by a cop.

As for “Small Cars”, we have O.T. over more rap rock production talking about only smoking these days while “Floor Boat” asks God if he can get in Heaven still on top of a drumless guitar. “Everybody’s Gone” talks about the streets & fans adoring him maintaining a rap rock sound while “Mick Jagger” grittily boasts of him rolling with stones. “End of the Day” finishes The Wars I’ve Won giving a middle finger to beef since he’s eating better now.

Chop-La-Rok & Rare Scrilla’s production on Benny’s 6th EP Pyrex Picasso & Rick Hyde’s 10th EP Lupara are still enjoyable now than they were when both of them dropped, but them doing a new extended play with another skilled member from the B$F crew almost rivals O.T. the Real’s debut for TCF almost 3 months earlier. The jazzy boom bap styles of Possession with Intent are being carried over with hints of rap rock along with drumless & chipmunk soul added to the mix, soundtracking the descriptions of his battle victories.

Score: 4/5

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Bruiser Wolf – “Made by Dope” review

Detroit, Michigan emcee Bruiser Wolf releasing his 4th studio LP. A member of the Bruiser Brigade collective, his 2021 solo debut Dope Game Stupid would become an experimentally gangsta & comedic gem although the sophomore effort My Story Got Stories was more moderately received 21 months ago. Potluck quickly became his most celebrated work back in May for good reasons & had higher expectations for Made by Dope due to Harry Fraud solely producing it himself.

“Tubi” named after the Fox Corporation’s streaming service of the same name airing new episodes of the Endeavor-owned TKO Group Holdings division WWE’s new secondary developmental brand EVOLVE every Wednesday night with Jackson Drake, Cappucino Jones & Kendal Grey currently reigning as WWE EVOLVE Champion, WWE ID Champion & WWE EVOLVE Women’s Champion works in some soulful sampling to symbolize his diamonds of a rock & a hard place whereas the lead single “Raised by Dope” featuring Benny the Butcher talks about the dope fiends making them who they are today.

We get a bit of a drumlessly jazzy vibe on “Against the Odds” promising that the best from him has only yet to come prior to the 2nd & final single “Eye Owe You”talks about coming from the bottom & things being up from hereon out keeping the drums out of the equation once more. “The Money Say” featuring Mick Jenkins fuses soul & jazz being advised by the paper in their pockets to not play with opps while “My Whole Life” luxuriously talks about repping the 313 for as long as he can remember.

“Connect 4” featuring Curren$y finds the pair flexing that they send people out for cream like dermatologists while “Layup Lines” soulfully talks about getting used to this new world. “The Spaniard” featuring his fellow Bruiser Brigade brethren ZelooperZ refuses handouts because everyone has something to say & after “Boss Up” talks about improving your game, “Heart Broke” closes by saying that he’s enlisted in a 1-man army & that it saddens him whenever the paper comes slowly.

Stemmed from the Potluck sessions after working on “Air Fryer” & “Baby You” respectively, Made by Dope elevates the expansiveness of it’s predecessor 5 months earlier with one of my favorite albums of 2025 & the greatest entry of Bruiser Wolf’s discography yet. His unique flow reminds me of E-40 & Suga Free even though comparisons to the Warner Bros.-owned Quick Draw McGraw/Yogi Bear Show character Snagglepuss have been made on Twitter recently with Harry Fraud’s production perfecting the drumless, jazz rap & chipmunk soul elements from this spring.

Score: 4.5/5

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The Last Dinner Party – “From the Pyre” review

The Last Dinner Party is an indie rock band from London, England, United Kingdom consisting of multi-instrumentalist/vocalist Aurora Nishevci, bassist Georgia Davies, rhythm guitarist/vocalist L.Mayland, lead guitarist Emily Roberts & frontwoman Abigail Morris. Signing to Island Records a year after their formation, they would make their debut Prelude to Ecstasy at the start of 2024 & are putting out a highly anticipated sophomore effort to further establish themselves in the windmill scene.

“Agnus Dei” begins with Abigail & company showing a bit of a Sir Chloe influence asking if one’s name in lights forever would be better than a wedding ring whereas “Count the Ways” taking inspiration from Arctic Monkeys describes a bitterness growing between 2 people to the point getting payback. The final single “2nd Best”combines indie rock, glam rock & post-punk revival to sing about escaping a relationship where you’ll be betrayed again while the lead single “This is the Killer Speaking” swaps out the post-punk revival elements in favor of pop rock progressive pop & baroque pop for a homage to “Chantilly Lace” by the late Jerry Lee Lewis

Reaching the halfway point of From the Pyre, we have L.Mayland handling the lead vocals on “Rifle” including a crushing bridge performed in French towards the backend of it singing about the ongoing Gaza genocide & the idea of how a mother would feel if her child would go on to become a war criminal leading into the common metaphor of “Woman is a Tree” feeling like it could be included in the upcoming 4th & final season of the Paramount Skydance Corporation owned Showtime thriller drama series Yellowjackets next year.

“I Hold Your Anger” with Aurora Nishevci performing lead vocals & conceptually calling back to “The Feminine Urge” off the band’s debut reminds me of Florence + the Machine, increasing my anticipation for Everybody Scream this Halloween while “Sail Away” serves as a sequel to “On Your Side” referencing the 新世紀エヴァンゲリオン theme song 残酷な天使のテーゼ by 高橋洋子. The 2nd single “The Scythe” fuses pop rock, indie rock, chamber pop, progressive pop, baroque pop & jangle pop suggesting that death comes for us all no matter what & having no fear of what’s on the other side with an insane guitar solo prior to the outro until the closer “Inferno” reminiscent of MARINA’s classic debut album The Family Jewels sings about where Abigail is personally in this moment.

A bit more character-driven & darker than Prelude to Ecstasy was, The Last Dinner Party still maintains the deeply personal approach to their songwriting that made their introductory full-length so well received throughout From the Pyre quickly establishing themselves as a dominant force in the windmill scene surely continuing to join the ranks of Black Country, New Road & the now disbanded black midi. The pop rock, glam rock, indie rock, baroque pop & progressive pop styles explored 20 months ago are being completely refined with the band being more serious & aware of the state of the world today.

Score: 4/5

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Ashnikko – “Smoochies” review

Ashnikko is a 29 year old rapper & singer/songwriter from Oak Ridge, North Carolina who caught the attention of Parlophone Records & Warner Records off her debut EP Sass Pancakes. Unlikeable & Hi, It’s Mewould go on to prelude her 4th EP Demidevil, with the latter dividing the musical discourse. Her debut album Weedkiller reached the same level of moderacy Hi, It’s Me did & some of her greatest singles yet have been building up towards her sophomore effort with curious expectations.

“Smoochie Girl” begins with a pop rap, contemporary R&B, hyphy & electropop single talking about falling for someone whereas the hedonistically erotic “Liquid” explores her desires with her partner. “Trinkets” blends bubblegum bass, dance-pop, Baltimore club, hyperpop & hip house likening her collecting boys to collecting small ornaments prior to “Chinchinya” describing her dog Wednesday gruesomely attacking her ex referring to a nickname for Wednesday when she’s misbehaving.

Moving on from there with “Skin Cleared”, we have Ashnikko refining what she was going for during both the Demidevil & Weedkiller eras feeling happier & healthier as a result of a breakup just before “Microplastics” embraces a sassier tone showing a bit of a L.A.M.B. (Love.Angel.Music.Baby.) era Gwen Stefani influence. “Full Frontal” however uses lobotomies as a metaphor for letting go even if it’s only for a brief moment while “She’s So Pretty” takes a wholesome approach describing a woman who she can’t live without.

“Wet Like” featuring COBRAH starts the 2nd half of Smoochies fusing future house, bass house, electro hop & hip house embracing lust & hedonism fully while “I Want My Boyfriends to Kiss” confesses a fantasy of her 2 male lovers making out to each other making room for her sense of humor during the outro. “Sticky Fingers” combines pop rap, contemporary R&B, dance-pop & Arabic pop to talk about wanting to invest her time into her friends or new skills while “Lip Smacker” spends 2 & a half minutes getting cunty.

Pop rap, tech house & bass house all collide on the playful lead single “Itty Bitty” talking about tiny skirts healing a broken heart prior to “Baby Teeth” bittersweetly reflecting the good & the bad times of a relationship over an electropop instrumental with a banjo. Of course I can’t forget to mention the lo-fi country pop closer “It Girl”, where she’s singing about the concept of a young female who’s achieved everything in life being a short-lived feat from her perspective.

Tossing the whole Dungeons & Dragons concept of her debut out the window due to fatigue was a very smart move for Ashnikko to make because her getting more autobiographical with Demidevil‘s older sister Smoochies is a key reason I consider it to be the most gratifying work of her entire career. Gotta mention Slinger’s production ditching the trap influences of Ash’s previous work entirely to incorporate elements of electropop, bubblegum bass, dance-pop, electro house & electro hop in the midst of her signature pop rap sound.

Score: 3.5/5

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BVNGS – “Twice a Day w/ Food” review

This is the 7th EP from New York City emcee BVNGS. Beginning over a decade ago off the strength of her debut EP Not Available followed up by 7 Dutches & a Sweet Tea, Brown Girls & Bubble Coats, Lula & Only Crying Because I’m Drunk. She later blew up off her 6th EP LaQuisha in the spring of 2021 & only 4 months later, I had the privilege of meeting her at a Catch 1 show in Los Angeles that Flee Lord was headlining & was impressed by her set. 16 months following her full-length debut Mary Mack, she’s enlisting DJ M80 to host Twice a Day w/ Food.

After the intro, the first song “Herald” reminds everyone how she got her moniker over some pianos & 808s whereas “Missed Call” takes the boom bap route instrumentally talking about getting her roll on if you don’t answer her calls. “Big Dipper” takes a rap rock approach to the beat flexing that she’s too hot to be so cold & after a “Drug PSA”, “Nubuck” experiments with cloudy trap so she can catch some Ws.

“125th Sandman” returns to the boom bap asking God to forgive her for being so shitty while “Subconsciously Yours” drumlessly looks back at a breakup. “Never Dawg” lusciously feels content with bum bitches not handling this shit while the funky “Doomsday” talks about feeling tired because of the state of the world. “Vanish” goes a sample drill direction getting too lit & the drumless chipmunk soul outro “I Swear” finishes by talking about keeping her head high.

Mary Mack was a solid return for BVNGS the summer prior, but Twice a Day w/ Food surpasses it by revisiting the distinct chemistry that made Brown Girls & Bubble Coats such an entertainingly short listen in 2019. We’re still getting the boom bap, trap & drumless production heard all over BVNGSY’s debut album 16 months earlier except there’s hints of rap rock & sample drill thrown into the fold with the east coast lyricist sounding a lot hungrier since she’s not on a label anymore.

Score: 4/5

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PARTYOF2 – “Amerika’s Next Top Party!” review

PARTYOF2 is a pop rap & alternative R&B/trap duo from Los Angeles, California consisting of Jadagrace & SWIM. Initially founded as a quartet with TJOnline & Rhea under the name Grouptherapy., the latter would depart after their debut EP This Isn’t the Album although TJOnline stuck around for their debut mixtape There Goes the Neighborhood as well as their 2nd EP Truth Be Told & the full-length debut I Was Mature for My Age, But I Was Still a Child. Signing to Def Jam Recordings earlier this spring, they’re ready to make their major label debut with a sophomore effort hot off a few viral singles.

“Survivor’s Remorse” starts with SWIM calling Jada being his saving grace since they fixed up a burnt down home & made it safe again whereas the 3rd & final single “Out of Body” blends rap rock, experimental hip hop, nu metal & pop rap talking about their hearts being on fire. “Just Dance 2” was actually the lead single crossing over Miami bass, hip house, electro diva house & pop rap looking to turn the function up leading into “Friendly Fire” playfully dissing one another.

As for “Vanessa Williams”, we have PARTYOF2 over an orchestral beat talking about wanting their partners to be legitimate & for their friends to become rich while “Feel Love” produced by KAYTRANADA taps into the latter’s signature deep house sound feeling like their hearts are ready to run & looking to keep up with one another. “Poser” has one of the catchiest hooks on the entire LP clapping back at those who’re posing over a tuba until advising to “Save Yourself” with heavy pianos.

“High” starts the final leg of Amerika’s Next Top Party! with a bit of a cloudier vibe looking to get some shit off their minds by smoking some good weed while “Big” instrumentally throws it back to when The Neptunes dominated the airwaves in the early 2000s talking about wanting big game in this large world. “Heaven on Earth” ends the LP with another one of their most essential tracks while “Mad Love” starts the deluxe run talking about being in love with their haters. Both “All 4 the Best” & the final bonus track “We Owe You an Explanation” however address TJ’s departure a year & a half ago.

Taking inspiration from SWIM’s parents getting divorced & the death of Jadagrace’s father, PARTYOF2’s inaugural release for Def Jam Recordings celebrates this new incarnation of Grouptherapy. by getting more creative on the production side of things expanding their pop rap & alternative R&B styles in favor of experimental hip hop, trap, contemporary R&B, rap rock, nu metal, hip house, Miami bass, electro diva house & deep house maintaining a chemistry kin to The Carters or will.i.am & Fergie when she was still a member of The Black Eyed Peas. The prominent theme of growing up can also be likened to Joey Valence & Brae’s major label debut Hyperyouth this past summer.

Score: 4/5

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Ty$ – “Tycoon” review

Ty$ is a 43 year old singer/songwriter, rapper, musician & producer from Los Angeles, California becoming popular during my 1st half of high school when his 3rd mixtape Beach House dropped. Signing to both Atlantic Records & Taylor Gang Entertainment afterwards, his full-length debut Free TC in the fall of 2015 was welcomed to warm reception although Beach House 3 & Featuring Ty$ were both merely average compared to it’s predecessor. He’s also a part of the duos MihTy with Jeremih & of course ¥$ alongside one of my top 10 producers of all-time Ye or formerly known as Kanye West, the latter making their debut with Vultures during Super Bowl LVII weekend & dropping a widely panned sequel almost 6 months later. Unfortunately due to Ye’s deteriorating behavior on Twitter between February & May, the final chapter of the planned Vultures trilogy has been cancelled & the EZMNY Records founder has shifted his focus towards what could be his greatest solo album ever.

“Can’t Be Fucked Wit” opens with a 2-parter swimming with the sharks & asking what would you for the chance to become a magnate whereas “Don’t Kill the Party” featuring Quavo with the Shoreline Mafia on the remix produced by BNYX of Working on Dying, Juicy J & Ye survives the Vultures 3 sessions talking about being too geeked. “December 31” featuring A$AP Rocky yearns to have both of their respective lovers to themselves because that’s been their main focuses evident through Don’t Be Dumb’s constant delays while the hyphy/pop rap single “Smile Body Pretty Face” featuring YG talks about a couple making the same mistakes together.

Tory Lanez’ appearance on the final single “Show Me Love” was completely unnecessary despite the Hitmaka instrumental & the lyrics of wanting affection shown towards them whenever they pull up to your city while “Tycoon$” featuring Lil Baby & Young Thug trades the mic with one another boasting their wealth. The lead single “All In” meshes Afrobeats & Jersey club rap sampling “No Letting Go” by Wayne Wonder thanks to Wax Motif asking to spoil Izabella Metz while “Twitch” featuring Tyga & 2 Chainz locks in with DJ Mustard bringing their respective squads out to the club for the evening.

“What I Want” featuring Lil Wayne talks about women they don’t necessarily need her still desire while “Say It” featuring Playboi Carti on the remix longs for genuine affection towards a woman who claims to love him even though she doesn’t show it referencing the late Black Sabbath frontman & WWE Hall of Famer Ozzy Osbourne during Carti’s verse. “On Repeat” featuring Destroy Lonely & Rich the Kid talking about no one being slicker than them & after “Harder” suggests that maybe he should be “pushing it” a bit more firmly, “Mixed Emotions” featuring Leon Thomas III & Travis Scott talks about finding women to trust over a Taurus beat.

Chlöe later joins Ty$ for the song “Wit It”, starting the final leg of Tycoon to whip up another contemporary R&B/pop rap fusion while “I Wish” asks if we can all simply get along & wishing for Ty’s older brother Big TC to do the things he can do if he wasn’t incarcerated. “Wheels Fall Off” by ¥$ ruins a trap instrumental DJ Camper & Ye cooked up together showing minor influences of R&B, trap soul & ratchet with a YeI verse although I absolutely appreciate Puff Daddy a.k.a. P. Diddy or Diddy being removed from both the start & finish of it.

Many people including myself have considered Ty$ to be a features artist since his last couple of full-lengths haven’t really lived up to Free TC but since he outperformed Ye on both entries of the cancelled Vultures trilogy a year earlier, Tycoon presents the EZMNY Records founder at the top of his game artistically exactly a week away from his biggest signing’s new EP Pholks. Although a few guests punch under their weight, I like that it’s shorter than both Beach House 3 & Featuring Ty$ were in addition to providing the audience a look at where he’s at in his career both artistically & personally.

Score: 3.5/5

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