Gucci Mane – “Episodes” review

Atlanta, Georgia rapper, record executive & entrepreneur Gucci Mane celebrating 1017 Day with his 17th album. Notable for being one of the Big 3 pioneers in trap music alongside T.I. & Jeezy, of course you can’t forget to mention him having one of if not the largest discography throughout the entire subgenre that continues to grow today. Breath of Fresh Air exactly 2 years ago was a decent 2-disc offering & to coincide with his new memoir, the 1017 Global founder has recorded a companion soundtrack to Episodes: The Diary of a Recovering Madman.

The title track produced by Pooh Beatz works in some pianos, hi-hats & a 2 Chainz vocal sample to talk about going crazy until taking the soulful trap route instrumentally so he can reflect going from bad dreams to “Beautiful Nightmares”. We get some more pitched sampling during “Voices” talking about dropping all of his artists besides Pooh Shiesty & Foogiano leading into “Psycho” questioning if his mental health has been declining.

“Gucci Special” vibrantly talks about leaving the whole parking lot annoyed after pulling up to kill that bitch while “Only Time” cautions at the last time someone tried to fuck with him, he almost caught a murder case. “Still So Icy” playfully talks about feeling like WWE Hall of Famer Mike Tyson with 2 tigers in his crib just before “Rich N***a Problems” breaks down the cons that come with being wealthy from his own personal experiences.

The chipmunk soul/trap fusions from earlier carry their way onto “I Need You” throwing a hint of pop rap into the mix paying tribute to his wife Keyshia while “Cold” swaps out the soul elements in favor of acoustics talking about going from the bed to the floor with his wife. “In Common” discusses the similarities between him & women who don’t take shit from anyone while “Savages” flexes that your favorite actress is on her knees kissing his ring.

“Money” locks in with Murda Beatz to talk about his children loving to spend their bread & him falling asleep with stacks in bed while “Forest” with co-production from Bricks da Mane boasts of him moving invincibly because of the invulnerability he’s had throughout his whole career. “Record Deal” talks about his way of life being waking up while chasing bags while “Real” discusses his boss status & 2 decade plus longevity over synthesizers & hi-hats.

OJ da Juiceman appears for the nostalgic “Back Cooking” taking it back to the mid/late 2000s whipping work again while “Preference” talks about not having any kind of favorite hoes over Honorable C.N.O.T.E. incorporating some pianos. “You Don’t Love Me” featuring Sexyy Red samples “I Think I Love Her” playing off one another’s verses perfectly while “Hit” featuring Bossman DLow didn’t need to be included whatsoever since it originally appeared on DLow Curry.

“Heard” starts the final leg of Episodes by talking about hearing all kinds of crazy regarding a hoe he’s familiar with whether it be the sex causing men to break the law & not having a car as a result of low income while the soulful trap hybrid “Lust or Love” asks the woman he has in mind what her intentions with him. “Just Like Me” finishes it all of with 1 final trap song talking about spending money like it grows on trees.

I‘m still pretty in different towards Breath of Fresh Air, but Episodes surpasses what very few expectations I had going into it with the most enjoyable Gucci Mane album since Ice Daddy excluding the So Icy Boyz compilation. The production Pooh Beatz primarily handles is significantly more interesting than it was 104 weeks previously & thematically, he’s basically giving the world a look at his own struggles with mental health.

Score: 3.5/5

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Tame Impala – “Deadbeat” review

Kevin Parker or better known by his stage name Tame Impala is a 39 year old singer/songwriter, musician, producer & DJ from Sydney, New South Wales, Australia making his full length debut Innerspeaker back when I was finishing up 7th grade & came back during my sophomore year of high school for the widely acclaimed follow-up Lonerism. Currents a couple months after my high school graduation has already become amongst the greatest albums of the 2010s & The Slow Rush would be more moderately received, returning halfway through the ongoing decade to make his major label debut under Columbia Records with his 5th studio LP.

“My Old Ways” begins with him singing over a house instrumental about falling back into his old habits whereas the “No Reply” shouts out the Fox Corporation’s flagship network’s animated hit series Family Guy every Friday night going for a tech house vibe. “Dracula” was my favorite single personally fusing nu-disco, dance-pop, alternative R&B, synth-funk, boogie, synthpop, French electro & Halloween music singing about the way daylight makes him feel just before “Loser” mixes neo-psychedelia, psychedelic pop, indie pop, synth-funk, indie rock & funk rock together gives a nod to the Beck track of the same name.

My least favorite track on Deadbeat & maybe one of the worst Tame Impala songs I’ve ever heard goes to “Oblivion” for it’s repetitiveness & weak vocal performances, which is a shame because I don’t mind the tropical house beat whatsoever. The instrumental on “Not My World” feels reminiscent to the soundtrack of the PS2 game Jak & Daxter always taking the long way to give each day it’s own meaning & after the Pet Sounds-inspired “Piece of Heaven” sings about lying all your life not making any differences, “Obsolete” goes full blown dance-pop to ask if his love is outdated.

“Ethereal Connection” starts the final leg of the album with my favorite tech house song here promising his family that he’ll always be with them until the end of time & despite the peppy synthesizers on “See You on Monday (You’re Lost)”, the lazily repetitive songwriting bogs it down tremendously. “Afterthought” tackles insecurity over a bass-line kin to the late Michael Jackson’s timeless “Thriller” while “End of Summer” finishes by pulling from melodic techno, progressive house, deep house & melodic house

Given the amount of time it’s been since Deadbeat & The Slow Rush, my anticipation for the musical genius that is Kevin Parker a.k.a. Tame Impala’s return turned to slight disappointment because his full foray in electronic dance music & dance pop leaves me more divided than I’ve ever been with his material. I additionally don’t have any issues with the fatherhood theme or the secondary influences of alt-pop, tech house, indietronica, neo-psychedelia & synthpop. It’s simply not anything special compared to what he’s done previously.

Score: 3/5

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Novatore – “Embrace the Darkness III” review

Chicago, Illinois emcee Novatore celebrating Halloween early with his 14th studio LP. Emerging as a member of the Infamous Crew, he’s also built up an impressive solo career over nearly a decade by dropping 4 EPs & an acclaimed collaborative effort with A.M. Early Morning produced by Stu Bangas called Kingdom of Criminality & it’s recent sequel produced by Johnny Slash. Other highlights include Louie, Louie II, Embrace the Darkness, Portrait of a Madman, Embrace the Darkness II: Explorers of Experience, Master of Morbid Creations, Living in the End Times, Alchemy & Black Magic, his Goon MuSick debut The 87 Arsonist & the Brenx-produced Agoraphobia. Only halfway through the month, he’s looking to outsource both of his previous discography entries under Goon MuSick with Embrace the Darkness III.

After the “Possession” intro, the first song “Apostrophes” opens with a boom bap instrumental from none other than C-Lance talking about his demons wanting full control the way he constantly acts whereas “Last Chapter” featuring Lord Goat finds the pair making sure their competition doesn’t have a career. “In the Scope” eerily talks about staying underground forever & once “Murder for Hire” featuring Apathy spends a few minutes quenching for blood, we’re treated to a compositional “War Plans on Signal” intermission.

“Mannequins” brings some chilling pianos into the fold starting the 2nd half bodybagging those who want to battle him while “Moving Keys” featuring Chubs & K-Prez turns peons into vegetables. The sampling on “Deafening Silence” feels reminiscent of Jedi Mind Tricks giving shoutouts to those showing love & after “No Masters” featuring 2 Feathers talks about not being afraid to fight, “Dark Empire” featuring DreamTek ends with them giving their 2 cents regarding the current political climate.

During the COVID-19 pandemic at the beginning of this decade, the original Embrace the Darkness like both Louies marked a huge improvement from Novatore’s earlier material & the sequel 13 months afterwards further propelled himself artistically. Fast forward to present day only a couple weeks away from Halloween, he & C-Lance return to the darker vibes of both it’s predecessors surpassing The 87 Arsonist & Agoraphobia to become his finest work since signing to Goon MuSick.

Score: 4.5/5

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Tha God Fahim – “Lethal Weapon 4” review

Brand new EP & the 65th from Atlanta, Georgia emcee/producer Tha God Fahim. Starting as an affiliate of Griselda Records & being 1/3 of the Dump Gawds alongside Mach-Hommy & Your Old Droog, we also can’t ignore the massive discography that he’s managed to build for himself, some of the standouts include Breaking Through tha Van Allen Belts & Dump Assassins. He’s been putting out amongst his best material in the past few years like the Camoflauge Monk-produced Dark Shogunn Assassin, the Nature Sounds-backed Iron Bull, the Nicholas Craven-produced Dump Gawd: Shot Clock King series, the Oh No-produced Berserko, the Mike Shabb-produced Dump Gawd: Rhyme Pays, Tha Supreme Hoarder of All Pristine Wealth, Supreme Dump Legend: Soul Cook Saga produced by Cookin’ Soul & Machine Gun Vocabulary produced by Cartune Beatz. Preluding the upcoming 17th installment of the Dump Gawd: Hyperbolic Time Chamber Rap saga, Drega33’s continuing the Lethal Weapon series with installment 4.

“Never Miss” starts with a drumless chipmunk soul instrumental talking about living on in the pages of greatness whereas “The Storm” works in more sampling to put pressure on the whole rap game’s neck. “Solo Mission” continues the chipmunk soul vibes to talk about brutally slaying any opponent & “Never Full” chops up more samples so he can chill in luxury.

The song “Never Fail” begins Lethal Weapon 4’s final act with the Dump Gawd talking about only excelling than catching Ls on top of a drumless chipmunk soul sample while “So Many Rhymes” talks about the days when he used to feel trapped looking for a way out now going on a mission to inspire others. “Rage Quit” last but not least wraps things up leaving his competition dazed from a furious blaze.

Coming off FlyG’s greatest body of work Mennblvck earlier this summer & producing Che Noir’s recent single a week ago, Drega33 caught the attention of many including myself this spring by commencing the Lethal Weapon series as a bit of a quick breather in between Dump Gawd: Hyperbolic Time Chamber Rap entries & that tradition is being continued with the most soulful of them all.

Score: 4.5/5

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7xvethegenius – “Self 7xve 3” review

Buffalo, New York emcee 7xvethegenius making her debut under her Broadband Sound imprint’s new distribution deal with Roc Nation Records for her 3rd album. Emerging off her first 2 EPs The Calm Before & Self 7xve as well as the full-length debut 7xve is Love, it wasn’t until she & Jae Skeese both became the first artists to sign with Conway the Machine’s very own Drumwork Music Group where 7xve got her biggest break yet. She has since preluded Death of Deuce with Thy Will Be Done alongside Self 7xve 2 & most importantly the DJ Green Lantern-produced The Genius Tape, celebrating the 1-year anniversary of her final Drumwork opus this past weekend & looking to close out the Self 7xve trilogy 52 weeks later.

“Stay” produced by Haas Almahdi & S1 was a lush intro talking about having no care or fear & speaking God into her home before sleeping at night whereas “Twin” featuring Sol ChYld works in some pianos from CG confessing they’ve fallen in love again. “Price of Love” carries the keys over except the kicks & snares are replaced with hi-hats talking about paying the price of pain in exchange of affection leading into “You & Me” continuing the romantic subject matter contrasting her doing well & not so much for her partner from what she’s heard.

Haas reunites with 7xve & has Bricks da Mane co-produce my personal favorite of the 2 singles “Pedals” featuring Reuben Vincent questioning whether he truly loves her or not over a jazzy instrumental while the melodically cloudy “911” featuring Lil Sos reflects a relationship where their arguments weren’t ever merely between them. We later get some cool sampling chops on “Windows” talking about her beating the odds that were against her while “Worthy” featuring Flames dot Malik brings back the jazz thanks to Cartune Beatz teaching that it’s not love until you give some.

“Running” featuring Willyynova begins the 4th quarter of Self 7xve 3 talking about themes of escape over an EYEKETYSON instrumental while “Save Yourself” featuring Monie Love rivals the lead single for the best of the 5 collaborations forever going out their way to save themselves. “Survivor’s Remorse” hooks up more pianos to spit what she considers to possibly be the realest shit she’s ever written & “On My Own” ends the LP by talking about standing in the dust once the smoke has cleared.

Every chapter of the Self 7xve trilogy to me has it’s own level of significance when you think of the fact that the inaugural entry came out months prior to 7xvethegenius getting a label deal & the sequel came when she was halfway through her said previous contract. Of course I have to mention the last 2 installments both being extended plays & this being an actual album, marking a new era in her career under Roc Nation recalling true stories of her life with meticulous production in preparation of her & Che Noir’s long-awaited collaborative project a month from now.

Score: 4/5

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3200 Tre – “Real Mitten Baby” review

Lansing, Michigan rapper 3200 Tre surprise-releasing his 3rd studio LP. Introducing himself on wax during the fall of 2020 when the COVID-19 pandemic had completely shut the world down, he has since built up his last dozen EPs along with the full-length debut Michigan Music & of course the sophomore effort 30ville all during the first half of this ongoing decade. Signing to Rio da Yung O.G.’s very own EMPIRE Distribution imprint M.I.N.E. Entertainment last summer, coming off the Spin the Block EP to tell the story of a Real Mitten Baby.

“Thug n Savage” was a cloudy trap intro suggesting to keep a switch on you at all times since a lot of people have betrayed him & knowing they’ll do it again to others whereas “Chrome Case” taps into the Detroit sound responding to those saying he ain’t rich. “GTA VI” makes witty references to Rockstar Games’ flagship franchise while “Bounce Back” confesses he’s nowhere near where he’s supposed to be.

Jakesand produces my personal favorite track here “Snapchat” talking about flying to the paper regardless of how far it is leading into “Pamper” ignoring any incoming calls unless money’s involved. Project X” featuring Babyfxce E moderately finds the pair spitting gangsta-themed lyrics over a Detroit trap instrumental while the superiorly entertaining “Pep Rally” featuring RMC Mike trades verses with each other for 2 & a half minutes.

“4 Weeks” featuring Head Osama marks the my the only guest appearance I could’ve done without despite wanting to change the whole game by pressing 1 button just before “Good Day” featuring Rio da Yung O.G. makes up for it with both of them talking about making $1M in a single day. “New Number” discusses standing on business because he’s well-known gun tucker while “The People’s Champ” heavily samples “The Sweet Escape” by Gwen Stefani.

The penultimate track “Left 4 Dead” gives a nod to the cooperative first-person shooter survival horror video game franchise that the Valve Corporation publishes, which put a smile in my face because the 2009 sequel’s amongst the greatest games of all-time. Of course I’d be remiss if I didn’t mention “Hold the Cheers”, which is the official Real Mitten Baby outro posing the question of how the fuck this cornball got motion when Tre’s nowhere near it & taking Ws.

Spin the Block was a fun Flint/Detroit sound EP to officially ring in the summer & now with Halloween approaching at the end of the month, 3200 Tre once again makes another example as to why he & his Real Money Counters brethren RMC Mike or fellow labelmates Scatz & the incarcerated Baby Ghost make M.I.N.E. Entertainment an interesting label telling the story of what it’s been like for Tre growing up as a Real Mitten Baby.

Score: 3.5/5

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Jason Martin – “A Hit Dog Gonna Holla” review

Compton, California emcee, songwriter & producer Jason Martin reuniting with Mike & Keys for his 4th EP. Originally known as Problem, he would go on to release over a dozen mixtapes as well as 4 full-length studio albums & a couple EPs. I can’t forget to mention both collaborative efforts DJ Quik, the first being Rosecrans back in 2017 & the follow-up Chupacabra days before Kendrick Lamar’s now historic 1-off Pop Out concert at the Kia Forum. Almost a whole year since Repack, they’re reuniting so A Hit Dog Gon Holla.

After the “Guns & Sandwiches” intro, “Let Me Roll My J” chops up a soul sample talking about looking to party until the sunrise whereas “Things You Learn While on the Grind” soulfully reflects on what he’s learned since hustling. “Docusign” gives off a drumless chipmunk soul vibe talking about not tripping over any obstacles while “Flu Game Jordan” continues to strip the drums so he can progress through extortion.

“We Know the Truth” continued with a hazy boom bap route talking about hearing nonstop cap spewing out these muhfuckas mouths while “Tee’d” drumlessly reminds us that everything comes with a fee instead of simply being granted to us. “Laugh Now Laugh Later” talks about how everybody be lying but after the “Goofy” skit, “Thang’s Just Ain’t the Same for Gangsters” calls back to “The Watcher”by Dr. Dre & sends off the EP being “Above the Noise”.

There was a lot of mixed reception towards the Repack last fall because of all the features on it & I’m pretty sure Jason Martin heard those criticisms since he takes up all of A Hit Dog’s Gonna Holla’s vocal performances by himself & results in an extended play that I prefer a lot more than the last 1 we got from him. Mike & Keys’ production returns to a traditional west coast sound coming off Tony Shhnow’s 8th album Self Portrait last month & Jason singlehandedly silences those who thought he had become reliant towards guests.

Score: 4.5/5

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Rich Amiri – “Grit & Grace” review

Here is the 5th studio LP from Boston, Massachusetts rapper & singer/songwriter Rich Amiri. Turning heads for 4 years now off the strength of his debut EP Ethereal, the 4ersona member would go on to follow it up with 6 more EPs before signing to Internet Money Records & introducing himself to a wider audience on the aptly titled Evolution followed by the sophomore effort Ghetto Fabulous. He landed a spot in last year’s XXL Freshman Class, coming off War Ready last winter to spread Grit & Grace.

“So Long” kick things off with Amiri talking about having to cut a few people off in order for him to blow up & having no regrets whereas “Lights Out” apologizes in advance if he’s been too serious since he dislikes young hoes until the buzzkill outro. “I Don’t Mind” assures that this chick will wish she picked him in a matter of time prior to “Flex N Finesse” talking about the 2 things that he likes to do.

The beat switch on “See Us Now” was enjoyable living like a player until he waits for karma gets him for all the bad he’s done in his life while the lead single “Paranoid” asks if the world’s against him or if Amiri’s buggin’. “Twin Flame” talks about feeling like he’s back in 2016 wondering how he lost his sauce when he’s the one who made it just before “Hoes Mad” turns up 1 time out of spite of these bitches.

“Homesick” starts the 2nd half with another highlight moment minimally diving into his spirituality while the final single “In & Out”responds to 9 Vicious wanting to beef with him, assuring that it had nothing to do with a woman. “Moving Dumb” talks about not fucking around with his payroll since he’s a $1M man & being made for this while “In That Mode” compares himself to a punk rockstar, cautioning that you don’t want smoke with him.

We have some cool sampling chops for the couple minutes “Never Had I” has to offer talking about focusing on stacking his cheddar & keeping his head to when his homie died since it always gets better while the rage-inducing “Brick Brick” confidently assures he’ll be fine. “Party Rock” produced by Synthetic could easily be my favorite track here dismissing a female calling him her Romeo while the closer “Code Red” talks about not coming to fuck around.

In no way am I trying to discredit Rich Amiri’s passion to expand by taking a different approach to Grit & Grace as well as taking heavy inspiration from one of my top 10 producers of all-time Ye or formerly Kanye West regardless of having to take a step back from the fandom because of his inexcusable behavior during the first half of the year, but I didn’t enjoy it as much as Evolution & Ghetto Fabulous or even War Ready mostly because the production isn’t as interesting.

Score: 3/5

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Mobb Deep – “Infinite” review

Queens, New York duo Mobb Deep consisting of Havoc & the late Prodigy teaming up with Mass Appeal Records for their 9th & final album. Releasing their debut Juvenile Hell under Island Records to mixed reception, The Infamous… & Hell on Earth through Loud Records & RCA Records would both become amongst the greatest east coast LPs ever. Murda Muzik distributed by Columbia Records would also be well received, but their final Loud offering Infamy as well as the Jive Records-backed Amerika’z Nightmare & of course Blood Money during a polarizing tenure on G-Unit Records/Interscope Records all left fans divided in the 2000s. Over a decade since The Infamous…Mobb Deep however, the 4th entry of Mass Appeal’s ongoing Legend Has It saga is now here preserving the Mobb’s Infinite legacy.

“Against the World” starts with Havoc sampling jazz & soul echoing the sentiments of former rival 2Pac’s magnum Me Against the World ending with Hav telling Bandana P that he’ll see him on the other side during the outro whereas “Gunfire” produced by The Alchemist takes the boom bap route to spit lyrical bullets at their competition. “Easy Bruh” stays in the basement instrumentally suggests to take things smoothly while “Look at Me” featuring Clipse unites 2 of the greatest gangsta rap duos of all-time.

Big Noyd joins forces with “The M. The O. The B. The B.” for a sinister dedication to the group itself leading into “Down for You” featuring Nas works in a string sample for the trio to show a romantic side to all 3 of them individually. “Taj Mahal” was another great single choice even if it’s pretty much Uncle Al remixing the 2011 leaked Prodigy track “Night Life” by flipping “[The Infamous Prelude]” & Havoc adding his own verse, but then “Mr. Magik” vividly compares themselves to magicians.

“Score Points” locks in with Alchemist for the 2nd to last time taking a luxurious approach to the beat trusting the process promising to make y’all disappear like rabbits in hat tricks referring to the previous song & “My Era” marks Uncle Al’s final contribution to Infinite, reminding that Enter the Wu-Tang (36 Chambers) & The Infamous… defined the east coast 3 decades ago. “Pour My Henny” featuring Nas links back up with each other for an ode to whiskey while “Clear Black Nights” featuring Ghostface Killah & Raekwon talks about being either with them or against them.

The song “Discontinued” winds down the LP’s final act by flexing that they don’t make ‘em like the Mobb anymore over a raw boom bap instrumental & unfortunately, “Love the Way” featuring Nas is a blatant remix of the final single “Down for You” that dropped yesterday. “We the Real Thing” however makes it up for it with them giving a middle finger to the idea of rap beef since they got real drama going on such as having people out in the streets plotting to put bounties on their heads.

Infinite thus far surpasses Victory, The Emperor’s New Clothes & Supreme Clientele 2 as the greatest entry of the Legend Has It series by making a full circle moment out of the batch of unreleased Prodigy verses Havoc & The Alchemist used all over Infinite. It additionally recaptures the classically raw, dark & genuine Mobb Deep energy & sound that shaped the beloved Queensbridge duo I was thankful to see live a decade ago whilst addressing the current state of the culture.

Score: 4.5/5

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The Cool Kids – “Hi Top Fade” review

The Cool Kids are a midwestern duo from consisting of Chicago, Illinois rapper & songwriter Sir Michael Rocks and Mount Clemens, Michigan rapper, producer & songwriter Chuck Inglish. Releasing 6 mixtapes between the mid-late 2000s, they made their full length debut in the summer of 2011 with When Fish Ride Bicycles & reunited for the 2017 sophomore effort Special Edition Grand Master Deluxe. Last we heard from them was the Before Shit Got Weird & Baby Oil Staircase / Chillout triple disc trilogy in 2022, returning to Fools Gold Records for their 4th studio LP.

“Cigarello Helmets” is a 61 second Mobb intro produced by Chuck Inglish to flex that they’ve re-up’d whereas “We Got Clips” takes the psychedelic boom bap route instrumentally getting in their battle rap bags lyrically. “Dang!” talks about how other rappers want rain & start complaining soon as they get clout while “Rockbox” throws it back to the mid-school thanks to none other than A-Trak styling on everybody.

As for the single “Foil Bass”, we have Chuck & Sir Michael hopping over a Neptunes-inspired beat to talk about the pair poppin’ like they got jalapeños on ‘em just before “95 South” throws it back to when Atlanta bass was becoming popular 3 decades ago to boast the motion they still got. “Banana in the Tailpipe” featuring Seafood Sam unites the trio to pay their respects to the late Drakeo the Ruler while “Blade Runner” featuring Radamiz asks who’ll be seeing heaven first.

“Crunch Rap Supreme” returns to the boom bap with some of the hungriest performances on the entire album (no pun intended) prior to “Don’t Say My Name” wanting to know why some call them by their governments when out in public. Pink Siifu saves the best feature for “Clean Linen Satin Pillow” tackling the theme of betrayal while the silky “Tryin’ to Get Like You” talks about there being a lot to being fresh that nobody really tells us.

The song “Cinnamon Part 2” kicks off Hi Top Fade’s final act with a sequel to a standout from their Gone Fishing mixtape & once “Live Wire” hooks up some prominent synthesizers for a more romantic vibe talking about keeping each other up all night dancing until dawn, the closer “Back Up Off Me” nostalgically feels reminiscent of 80s R&B with a hip hop spin being put on in.

Special Edition Grand Master Deluxe along with the Before Shit Got Weird & Baby Oil Staircase / Chillout series all had songs that I liked, but Hi Top Fade has gotta be the most consistent full-length that I’ve heard from these guys in almost 15 years right when I had finished middle school & probably outdoing it in terms of quality. Even with When Fish Ride Bicycles having better guests, the main focus of both Chuck Inglish’s production & his chemistry with Sir Michael Rocks are the most exciting it’s been in a while ahead of when or if Mannie Fresh produces their next album.

Score: 4.5/5

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