Dody6 – “Dodyworld” review

This is the 4th full-length studio LP from South Central Los Angeles, California rapper Dody6. Beginning at the start of the decade with a couple EPs Deep in da Gang & Sumn 4 the Streets, his debut album #FreeDody & the sophomore effort Property of the State made a name for himself as someone to keep an eye out for in the nervous scene as did The Godfather. Few months after his appearance on “hey now” off Kendrick Lamar’s 6th album GNX last fall, we’re entering the Nightshift & Dayshift of Dodyworld.

“Who” gets things going with this nervous instrumental talking about being 40 crips deep whereas “Stomach Ache” hooks up some pianos to promise that he’ll always be himself without a giving a fuck what others say. “Savage Mode” featuring R3 da Chillman finds the 2 showing off the ruthlessness that’s inside of both of them keeping the traffic music vibes in tact while “Rich as Fucc” talks about not being the one to fuck with.

Yatta joins Dody for “‘Bout My Life” keeps the nervous atmosphere going cautioning that they stay carrying the sticks on them just before “Dead Homiez” featuring Lefty Gunplay & X4 has my favorite beat on the album from Hit-Boy bring a Mobb-heavy there to the table matched with the trio displaying their gang ties. “Not the Same” featuring HBK Jachi goes for a traffic vibe talking about doing what they had to, but then “Cold N Here” featuring X4 links up so they can get money over on their side.

“Pressured Up” lets out some anger he’s been bottling up prepared to slide & people annoying him with a bunch of weird shit leading into “Demons” featuring Li Rye talks about nobody touching them because their homies got guns. “Party of Your Life” featuring Tru Carr works in more pianos to point out the amount of bitches in this party while “Sleeping Without You” featuring 03 Greedo talking about their lovers keeping them focused.

The penultimate song “Girls Gone Wild” welcomes everyone to the wildest party you’ve been to getting shit hype with him as the pilot of it all with heavy sub-basses, simple melodies, slow, sparse & slamming drums backing him that is until the closer “Air CNC” finishes it all up by getting this bitch jumpin’ advising for everyone to listen up if you want him to explain how you can be living. “Changed Me” begins Disc 2 boasting how smooth he is on the mic over some keys while “Trippin’” fuses g-funk & hyphy together talking about touching more chicken than the pots.

“Hating on Me” works in a woodwind warning that he shouldn’t be one to be pushed clapping back at his detractors in light of his biggest feature yet while “Day 4” featuring X4 looks at both of them tryna get their bust-downs whether it be their teeth or wrists. “Why” featuring Lil Vada returns to the nervous wheelhouse double-crossing hoes in the vein of Kyrie Irving while “Big Sandwich” goes off the top backed by some finger-snaps feeling more like himself.

Not too surprised by the Detroit trap feels of “Dozing Off” since some of that style borrows from the traffic scene a bit keeping his circle small enough excluding his own friends around him while “No Competition” featuring Shybelligerent talks about everyone making it to the top when it’s all said & done. “Just Bait” menacingly keeps a 3-headed snake on him betting his mother’s life on it while “Another Dimension” gives a glimpse of him getting extremely fucked up.

“Off Drugs” talks about spazzing out so hard to the point where a lot of people speculate that he’s geekin’ off substances while “Class Over” featuring 03 Greedo & Ralfy the Plug surpasses “Sleeping with You” from Disc 1 as a collaboration. “Troop By Myself” stunts on everything who disses Hood Trophy Records & confidently dismisses the need for any backup regarding them being handled while “Dody Did It” ends by talking about feeling like he has to lie since the truth hurts.

Dody’s been working on Dodyworld for a little while before GNX randomly came out & shocked the whole world, so hearing that this was gonna be a double LP made the stakes even higher for it although I probably would’ve enjoyed it more if you took the highlights from both discs & combined them into 1. There’s nothing wrong with the nervous-heavy production nor are there any issues with Dody’s own performances; the main critique that I have of this is the feature performances are generally hit or miss.

Score: 3/5

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LaRussell – “Rent Paid” review

Vallejo, California emcee & the leader of the Good Compenny collective LaRussell linking up with Surf Club Inc. founder Hit-Boy once again to put out his 27th EP & the sequel to Rent Due. For the past 7 years, the man originally known under the moniker Tota has been steadily hustlin’ in the west coast underground by putting out over 2 dozen EPs along with 3 full-length albums & 7 mixtapes as of me writing this. The 1-year anniversary of Rent Due happens to be next weekend, so Hit-Boy’s getting back with him on Rent Due.

Lefty Gunplay joins LaRussell on the intro “I Thought I Told Y’all” to tell everyone listening that they can get it on their own & do everything in their raps over a west coast trap instrumental whereas “Let Me Know Sum” featuring E-40, Mistah F.A.B. & Richie Rich puts it down for both Vallejo & Oakland respectively. “Rollin’” featuring Malachi cloudily talks about shit being bigger than a moment to both of them, but then “50 Broke N****s” shows confidence of him not being one of the 50 broke people that’s in the room.

“Oprah” goes for a morbid trap atmosphere wanting to know who’s stopping everyone from being interviews from the OWN network majorily owned by Discovery Global while “Life of a Star” featuring Tierra doing a spoken word bit talks about how things been since his popularity is growing. “Mass Appeal” featuring Malachi & Michael Prince suggests they should’ve signed to Nas’ label of the same name while “Sacrifices” talks the things he had to give up to get to where he is today. “Leeches” featuring Malachi lastly ends the EP by discussing burning those type of people since you can’t fuck off them.

The mixed reception of Rent Due & Rent Paid are both pretty surprisingly to me since I enjoyed his features on DJ Drama’s 6th album I’m Really Like That, E-40’s previous album Rule of Thumb, Courtney Bell’s sophomore effort Microdose & Tech N9ne’s most recent Collabos joint C.o.S.M. (Class of Strange Music). The successor of Rent Due itself, I like more than the previous one whether it be the guests or Hit-Boy’s production & LaRussell’s own performances.

Score: 4/5

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Ohgeesy – “Paid N Full” review

Ohgeesy is a 31 year old rapper from Los Angeles, California notable for being a member of the seminal nervous group the Shoreline Mafia now consisting of him & Fenix Flexin’ as of me writing this. Following their hiatus as a unit, Ohgeesy has since put out 2 solo mixtapes GEEZYWORLD & GEEZYWORLD 2 under Atlantic Records to mixed reception. In light of him signing a new deal with 300 Entertainment though, his official full-length solo debut is coming in time for Valentine’s Day although it’s not lovey dovey necessarily.

The title track begins with this sample-driven trap intro talking about getting the money, flipping it & stacking it higher whereas “Keep Goin’” produced by Hit-Boy is a highlight for me personally advising to not give up & move forward on top of what I consider to be amongst the strongest instrumentals. “Fa Real” brings more of a bouncier flare to the table boasting that he’s the one calling shots while “What It Iz” featuring Lefty Gunplay highlights their success & relentless hustle in the street & music.

Charlotte Hornets player Miles Bridges has one of the weaker guest appearances on the song “Digital” referencing WWE Hall of Famer, former 3-time WWE world champion, 3-time WWE United States Champion, 2-time WWE Intercontinental Champion, 9-time WWE tag team champion, 8 time WWE Cruiserweight Champion & アイアンマンヘビーメタル級チャンピオン & The Crash’s inaugural Mundial Pesocompleto Campeon Rey Mysterio fresh off staring at the newest Monday Night RAW superstar in former AEW World Tag Team Champion, AEW World Trios Champion, HoG Tag Team Champion, TNA World Champion, 2-time TNA World Tag Team Champion, the longest reigning 3-time AAA Mundial Parejas Campeon, AAA Mundial Mixtas Parejas Campeon, AAA Latinoamericano Campeon, The Crash Pesocrucero Campeon, The Crash Parejas Campeon, MLW World Tag Team Champion, PWG World Tag Team Champion & ROH World Tag Team Champion Penta to start this year’s Royal Rumble leading into “Cuttin’” featuring Saweetie making up for it as they talk about making it rain in the west coast today.

“Cropped Out” kinda gives off some Mobb vibes altogether assuring that he ain’t on some middle man shit at all & he loading up with the chopper with his gloves on prior to the Shoreline Mafia reuniting for “Heat Stick” including a reference to 16-time WWE world champion, 4-time WWE tag team champion & 5-time WWE United States Champion John Cena who recently put over former WWE Intercontinental Champion & 10-time WWE Tag Team Champion Jey Uso at this year’s Royal Rumble that is until “Tell Me Something” featuring Kalan.FrFr boasts about them doing drank in the club.

Meanwhile on “Let It Be Known”, we have Ohgeesy telling his girlfriend the name of this very album we’re dissecting start to finish in advance & it’s her world while “Novio #2” featuring Jr. H tells their ex-girlfriends that they completely understand of them moving on to new men. “Babygirl” hits on a woman who’s been looking for a thug in her life while “Wanna Fuck” by Jeeezy, Kalan.FrFr & the Shoreline Mafia shows a sensual side to them.

The BlueBucksClan & Wallie the Sensei get together for “Wet” continuing the themes of list while “Work” feels more like an Ohgeesy solo track with Fenix Flexin on the hook than a Shoreline Mafia joint. “Refrigerated” featuring Luh Tyler boats they both of them stay ice cold out in the streets & “Yacht Master” addresses not taking credit for every time his brother slides homaging the titular brand of Rolex watches.

Geezy has always being a personal favorite member of the Shoreline Mafia & regardless of the divided responses both GEEZYWORLD tapes got, he really takes it up a couple notches for what he’ll even tell you himself is the official debut album in his discography. The production refines the nervous elements of both of those mixtapes & the guest list isn’t really all that bad either.

Score: 3.5/5

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Skaiwater – “#mia” review

Skaiwater is a 24 year old rapper & producer from Nottingham, East Midlands, England, United Kingdom who began in 2019 off their debut EP After God Fear Eve. The 4ersona member would go on to put out 3 more EPs along with a mixtape & a couple of full-length studio LPs, the most notable being their sophomore effort #Gigi from last summer under GoodTalk Records & Capitol Records fully realizing on the potential that was shown on their earlier material. 7 months later, Skai’s looking to prelude their 3rd album with their 5th EP.

The intro “pop” brings together trap, pop rap, alternative R&B, rage, pluggnb & industrial hip hop telling their bae that they’ve been hustlin’ extra hard for her as of late whereas “feral” talks about being the one to find a reason to run away. “by the moon” expresses the fear of losing the woman they’ve seeing currently just before “wolf” featuring Rada talks about a chick who hasn’t slept in 4 days falling in love with the drugs they doing not even knowing either of their names.

“You don’t feel the same.” reaffirms the love they still has for this woman & suggesting she must think they’re a clown when they’re far from it just before “maria” addresses an individual with that very name wanting to own their heart. “ur song” is a tribute to their soulmate loving her for the way she is just before “manicinamerica” ends the the EP by confessing they’re far from sober wanting to hold Mia in their bleeding arms & asking if they can be a home to their partner.

Young Skai managed to push themself artistically back in June & they prelude the next LP in their disposal with what’s definitely the most I’ve enjoyed an EP from them. The production takes the UK hip hop sound & fuses it with pop rap, plugg, jerk, electropop, trap, alternative R&B, rage, pluggnb & industrial hip hop once more leveling up their pen-game like Skai did previously.

Score: 3.5/5

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Pradabagshawty – “B What You B” review

Columbia, South Carolina born albeit Atlanta, Georgia up-&-comer Pradabagshawty releasing his 5th EP. Introducing himself in the spring of 2023 off Bloxk Addiktion, his popularity within the plugg subgenre of trap continued to grow last year by putting out 3 more EPs in 1 Love as well as his Cegular Records/Sony Music debut 10 Freak Ho’s & most recently Forever & After a few months back. That said: I personally wasn’t too familiar with him up until the beginning of this week gearing up for B What You B.

“Gfreak” starts with a plugg instrumental telling a hoe to not get offended after he passed on sleeping with her whereas “Brew Love” featuring yotti finds the 2 talking about their romantic interests having love for the alcohol. “Black N’ White” encourages everyone to watch the magic he can do with the stick he’s carrying that is until “Outta State” featuring Baby Auto & imsomarcus talks about them slammin’ along with them refusing to do half a pill & even airing out those who be cappin’

To get the EP’s other half going, “Tinder Date” hits the streets so hard where his whole entire body began shaking while “Cash Cow” talks about getting active from the east to the south. “P Wit Ha” maintains a plugg vibe discussing the fuck shit that comes across his line while “Heart 2 Heart” produced by WhyCeg talks about a woman wanting to have his son for the money. “AR Inna Trenchcoat” finishes the EP with a 9 Vicious solo song since Prada does the hook, which I don’t mind since I like Young Thug’s nephew artistically.

Really since catching up to Pradabagshawty’s music, Forever & After quickly became my favorite EP of his going into B What You B & the actual finished product right in front of us recaptures every quality that made it’s predecessor a standout in his discography & an exciting artist in the plugg scene to keep an eye on going forward. The production’s a more consistent than both its predecessors were & Prada’s nack for catchy songwriting reveals itself much like he did 10 months ago.

Score: 4/5

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D. Savage – “We Love D. Savage” review

D. Savage is a 28 year old rapper & songwriter from Los Angeles, California who signed to Victor Victor Worldwide & Capitol Records for his debut EP D Phoenix & the full-length debut Trust No One shortly after his debut mixtape Born a Savage dropped. The sophomore effort BPL marked his debut for EMPIRE Distribution & with the 2-year anniversary of Mafia Musik approaching in a few days following this ongoing weekend, D.’s dropping his 4th studio album to coincide with Valentine’s Day.

“Kick ‘Em Out” starts the album with a plugg instrumental talking about hoes not wanting him back then & all of the sudden wanting him now that he’s becoming a popular artist whereas “Woozy” turns the cloudiness up so he can get fucked up off the lean he poured up. “2025” flexes that he got all the hoes he wants without it even mattering ahead of “Slow Rise” talking about refusing to slow down.

The intoxicating atmosphere of “Like Me” is fitting telling this woman he sees running around that she won’t find anyone else on his level out here leading into “Been a Joint” featuring 310babii finds the pair talking about building an EMPIRE a lot like the label D. Savage is signed to. “How Many Grams?” wants to know the exact amount of weed that was put into the blunt prior to it being rolled while “Palm of My Hand” asking why the fuck everyone soft as they are nowadays.

“Donut” featuring Dave Blunts brings the 2 together wanting to have fun & the killas by their side going up with them just before “inthej” featuring the streamer who finally got DJ Akademiks cancelled PlaqueBoyMax addresses every single person who wants to see them down & failing. “Geek’d Up” featuring Ty$ pours up the lean high enough where it’ll knock them out, but then “Until I Fall” boasts being as wealthy one of the greatest boxers of all-time & Mayweather Promotions founder Floyd Mayweather.

As for “Sin4thewin”, the conclusion of We Love D. Savage draws even closer getting back on his bullshit carrying a machete on him taking his meds to calm his ass down “Fr!ed” rounds out the LP by talking about being back in his bag grindin’ on the road & geeking up with 100 other rich homies outside with him as well as promising to kick the asses of anyone he catches speaking ill of him.

Given that I’ve never reviewed D. Savage up until now, I was first introduced to him when D Phoenix came out & felt that he was a good fit for Victor Victor until his departure. We Love D. Savage as far as his EMPIRE output goes stands as my new favorite compared to his last couple offerings. It’s produced better, the guest-list is tight & he returns after almost 2 years to deliver some of the most enjoyable performances I’ve heard from him in a while.

Score: 3.5/5

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Josiah the Gift – “The Happening” review

This is the 7th full-length studio LP from Brooklyn, New York emcee Josiah the Gift. Emerging in the late 2010s by releasing his first 2 EPs Jack Johnson & Raw, he later broke out within the underground back in the summer of 2020 off his acclaimed debut album Iron Mic. His profile continued to elevate with the debut mixtape Remain Raw, the sophomore effort Mightier Than the Sword as well as the sequel, the True Cipher-produced TOGO, God’s Gracious, The Glorious Si’s eponymous debut & his previous album Lavish Language from last summer. Over 5 months later, Machacha’s being listed to fully produce The Happening.

“Jeux” featuring Vega7 the Ronin sets the tone of what’s to come with both of them over a drumless loop talking about the flowers they tried to water being hydrophobic whereas “Honor” featuring Willie the Kid taking the boom bap route showing off a savage psychiatry. “Guess Who” featuring Eddie Kaine reminds that they were the ones down with the drama & left in the end leading into “Thor” stripping the drums asking how you want it.

M.A.V. joins Josiah on “Royalties” returning to the boom bap talking about stacking up their dough & “Teflon” keeps it in the basement instrumentally showing us what his legend status has made out of. “The Lord is My Sheppard” aggressively makes it a mission for him to go hunting for dead meat while the flute-tinged “Heroes” talking about every single way that people could imagine a hero being refusing to get political in the process.

“When the Pen Hits” brings the woodwind-heavy boom bap sound back in the fold once again boasting his lyrical ability that’s been elevated, but then “The Reality” featuring Jamil Honesty talks about being prisoners feeling the conviction beforehand asking why they have to comprise themselves for their safety. “Trivial” finishes my new favorite Josiah project with him over a vocal sample turning shit into gold possibly only bodying your soul with his skills.

Familiarizing myself with the Gift of the Umbrella several years ago through several features he’s done, his first offering of 2025 & the Lavish Language follow-up surpasses his debut from 5 years ago as the strongest & most cohesive thing he’s ever done. Machacha’s production outstandingly balances drumless & boom bap on top of the well-assessed guest appearances leveling Josiah’s penmanship.

Score: 4.5/5

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Pasto Flocco – “Rebirth” review

Queens, New York rapper Pasto Flocco returning after a 2 year hiatus for his 8th EP. Coming up as an associate of Lil Tecca, he’s seen quite the success off his own once branching out on his own by dropping his first 2 albums March Madness & Dreams 2 Reality along with a debut mixtape Surf to Kill (SGBSTK) as a member of the Surf Gang collective. Pasto rang in 2022 by dropping sophomore tape R.O.A.M. (Rich Off A Mic) under his newly founded Ghetto Luxury Entertainment & continued to build upon the sample drill sound on March Madness 2 & Walking Glitch. The Way Lyfe Goes was a solid mix of all kinds of sounds & is returning for a Rebirth following up Flocc4President.

“My Aura” is this cloudy trap intro produced by Swervo of Vanguard Music Group talking about the chick that’s seeing him feeling the vibes he gives off generally whereas “Nick Cannon (Wylin’ Out)” works in some synthesizers to flex that he still gets these hoes going crazy even after his sabbatical. “D Rose” maintains a synth-heavy sound comparing himself to the Windy City Assassin who retired after the previous NBA season, but then “Mentally Stable” talks about stepping away to get right.

Moving on from there, “Off the Grid” goes for a plugg vibe refusing to go for 2nd place while “Jimmy Butler (Sean John)” makes a bold nod to disgraced Bad Boy Entertainment founder Puff Daddy a.k.a. P. Diddy or Diddy & that he feels like the Golden State Warriors player. “Hot Like Summer” has these fabulous synthesizers showing off his stunner status leading into “Keep It 100” calling for everyone to be legit around him.

“Accident Prone” starts the encore of Pasto’s first body of work in 2 years with a colorful plugg track talking about a clumsy woman trying to get with him & basically telling her to back the fuck up from him that is until the official closer “Lobotomy” finishes off the EP with these psychedelic synths talking about having too much on his mind calling out every fuck boy copying him these past couple years when he stepped away.

The Surf Gang nowadays is mostly known for their run as a production team since a lot of their vocalist members have departed the collective & for Pasto’s comeback effort, quite possibly my favorite member of the collective departs from the sample drill sound that was prominent on his most recent material in favor of plugg rapping as if he never even had to take a step back.

Score: 4/5

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NEMS – “America’s Sweetheart” review

Brooklyn, New York emcee NEMS celebrating Valentine’s Day by putting together his 5th studio LP. Coming up in the battle rap circuit, he would go on to have a brief stint with Psycho+Logical-Records in the late 2000’s before dropping the debut Prezident’s Day under Creative Juices Music back in 2010. This was followed up almost 9 years later when he & JAZZSOON teamed up for the damn near flawless Gorilla Monsoon, but the follow-up Congo received more mixed results despite it’s highlights like “Wow” & “Cousins”. Paul Rosenberg signed the Mayor of Coney Island to Goliath Records & Virgin Music in the summer of 2023 for his Scram Jones-produced Goliath debut Rise of the Silverback which I liked more than Congo, building further anticipation ahead of America’s Sweetheart.

Following the “America’s Intro”, the first song “Go Fat Boy” produced by Cartune Beatz was a fun hardcore hip hop & boom bap lead single warning that your face will get cut quickly if you talk shit to him whereas “CTE” keeps it in the basement courtesy of Vinny Idol to get on his battle rap shit lyrically. “My Side” featuring Millyz finds the 2 dabbling with trap a bit stealing your bitch while “2 Live & Die in NY” featuring Leeky Bandz maintains a trap vibe thanks to Statik Selektah talking about his home state.

“Gunther” not to be confused with the current World Heavyweight Champion, the longest reigning WWE Intercontinental Champion & former PWG World Champion whose Imperium tag partner in former 2-time NXT Tag Team Champion Ludwig Kaiser is dating the current WWE Women’s Champion Tiffany Stratton returns to the boom bap airing out his grievances towards a woman who holds genuine hatred towards him just before the 2-parter “Coney Island” represents the part of Brooklyn that made him who he is today. “Light the Room” hooks up some organs maintaining a dusty edge once again belittling everyone who wants to step up to him, but then “God’s Hands” shows an inspirational side to the Fuck Ya Lyfe general talking about everything being God’s plans & not yours.

Tony Touch joins NEMS on the horn-infused “Afuera” aggressively making it clear that absolutely no one wants smoke with either of them while “Amouna” talks about trying to get right & everything in him died. “Big Shot” brings a trap flare back to the table flexing his newfound popularity in recent years & “Viral” featuring Dios Moreno ends America’s Sweetheart promising to keep winning whether others like it or not.

After the “America’s Reintroduction” skit, “Son Shines” starts the deluxe run with a Shortfyuz instrumental talking about the rain clearing up whenever he steps out during a rainy day while “Zoo” reminds everyone where he comes from over more horns. “Count It Out” talks about it taking a while for him to get his foot through the door over a Ron Browz beat & the final bonus track “Go Realer” dustily suggests you do your research.

A year & a half after signing to a major label, the Mayor of Coney Island reinforces his status by cooking up an album that showcases his gritty lyricism & charismatic storytelling paired with his signature humor & wit even if I think the production on the predecessor was more consistent. The same can be said about the guests even though I can appreciate him bringing on a lesser amount than he did last time.

Score: 3.5/5

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Drake & PARTYNEXTDOOR – “$ome $exy $ongs 4 U” review

Toronto, Ontario, Canada rapper, singer/songwriter, actor, producer & entrepreneur Drake taking a break from his ongoing lawsuit against Republic Records’ parent company Universal Music Group for the 5-time Grammy winning Kendrick Lamar single “Not Like Us” spreading a “false & malicious narrative” when he was actually getting destroyed in a rap beef to do a collaborative LP with local singer/songwriter, rapper & producer PARTYNEXTDOOR in time for Valentine’s Day. One of whom is a pop rap star getting his start as an actor before becoming a Lil Wayne protégé signing to Young Money Entertainment/Cash Money Records over 15 years ago & the other was the very first artist OVO Sound ever signed. Take Care & If You’re Reading This, It’s Too Late will always stand as Drake’s best full-length studio album & mixtape respectively with PND’s strongest material to me being his eponymous debut EP & the sequel debut album PARTYNEXTDOOR 2. The idea of $ome $exy $ongs 4 U doesn’t sound too far off since we’ve heard these 2 together on plenty of songs in the past like “Over Here” & “Preach”, it’s that Sony Music will notably be putting it out since I want to clarify for those confused that OVO as a label signed a new distribution deal with Sony last year & Drake has been on Republic as a solo artist since his YMCMB days seemingly trying to get out of his deal with everything going on.

“CN Tower” produced by Noel Cadastre expresses their feelings for their significant others through the colors of Toronto’s most popular tourist attraction over a moody instrumental shares concerns about their lovers’ thoughts whereas “Moth Balls” feels more like a Drake song with PND on the hook talking about being unable to get the smell outta their clothes. “$omething About You” psychedelically finds the 2 thinkin’ of lovin’ their partners all the way like nothin’ is holdin’ them back that is until the 2-parter “Crying in Chanel” stands as first of 6 Drake solo cuts feeling like an Honestly, Nevermind outtake.

PARTYNEXTDOOR links up with his mentor again on “$pider-Man $uperman” telling the women in their lives to admit that they wish both artists could save them over some guitar like while the only PND solo joint “Deeper” tells his girl to chill because he feels like he hasn’t been loving her properly rather get it right than wrong tonight. Drake pops back in for the woozy “Small Town Fame” talking about his girl having a brat summer & “Pimmie’s Dilemma” by Pim serves more as an acoustic interlude.

“Brian Steel” by Drake takes the trap route instrumentally publicly thanking YSL Records founder Young Thug’s lawyer of the same name for helping Big Slime come home last Halloween after the ridiculous R.I.C.O. case just before “Gimme a Hug” is another Drake solo cut reuniting with Gordo behind the boards responding to Ye formerly known as Kanye West saying that Kendrick eliminated in him in their beef when he really did & the questionable line “Fuck all rap beef, I’m trying to get the party lit. Trying to get the party lit for the bitches”. He even references the inaugural IWGPヘビー級チャンピオン, former 12-time WWE world champion, WWE tag team champion, 2-time WWE Hall of Famer & Real American Beer founder Hulk Hogan.

The penultimate & 3rd consecutive Drake solo joint “Raining in Houston” gets on the 2-parter vibes once more a bit talking about chilling with the guys on a Friday evening & arguing on a rainy day in H-Town itself while “Lasers” marks the return of PARTYNEXTDOOR singing about staring at their lovers’ tattoos during intercourse. “Meet Your Padre” horrifically shows a bit of a Latin influence drinking like it’s Friday on a Sunday & the final Drake solo cut “Nokia” easily sticks out as the most hideous of the 6, later becoming the official theme song of the WWE’s inaugural ESPN pay-per-view Wrestlepalooza V.

Jordan Ullman of Majid Jordan saves one of the more interesting beats for “Die Trying” has even if it feels like another Drake song with PND on the hook unable to decide if he should stay or leave with the woman he has in mind specifically while “Somebody Loves Me” featuring Cash Cobain on the remix sings about turning up in Miami knowing their special someone is out there. “Celibacy” is pretty much an R&B equivalent to “Life is Good” by Future which Drake is featured on while “OMW” works in synths & hi-hats getting calls from the condo to pick their partners up.

The song “Glorious” again feels like another Drake track featuring PARTYNEXTDOOR on the hook to kick off the encore of $ome $exy $ongs 4 U telling this woman to fuck him like she really means it while “When He’s Gone” that Internet Money Records in-house producer Niketaz laced finds the 2 hitting on women who’ve recently broken up with their previous boyfriends wanting them to call them once their exes leave. “Greedy” rounds out the collab project we should’ve gotten a decade ago with them talking about being gluttonous for love.

Don’t wanna come off as biased here because I still tend to enjoy Drake’s music from 2007-2015 & even For All the Dogs although “First Person Shooter” hasn’t really aged well. Point is: “euphoria” as an attack on Drake’s authenticity & personal image even naming itself after the Warner Bros. owned HBO show that Drake is the executive producer of currently preparing for their 3rd & final season has been proven to be the case considering John River claiming that the artwork concept was stolen from him & Bootleg Kev confirming the $ome $exy $ongs 4 U title was taken from Freddie Gibbs’ final Warner Records album $oul $old $eparately not to say that’s why I’m not a fan of the music on here. Feels dated.

Score: 2/5

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