6bill – “Pure Lust” review

This is the full-length studio debut from Queens by way of Jackson Heights, New York recording artist 6bill. Embracing a sound inspired by the electronic musician Burial, he would release his debut mixtape Live Laugh Count the summer prior to moderate reception although I did enjoy the features he did for the likes of Protect as well as southsidesilhouette & 730atMorning afterwards. He recently unveiled a tracklist for Pure Lust only 72 hours ago & now the final product is here at last.

We’re greeted to this rage-inducing intro talking about how the only thing he knows is to “Swerve” until things shift towards more of a spacier trap vibe instrumentally during “Reposado”, which is an ode to the tequila brand itself. “Venti” featuring ØWay co-founder diamond* finds the pair flexing that they have so much money to the point where they should open a bank & sipping lean while “Sevrage” talks about suffering withdrawals when he was out in Paris, France & riding foreign whips in London, England, United Kingdom.

“Bambie” continues from there touching base regarding his lifestyle once again leading into “Midnight Blue” talking about him being out in Miami, Florida riding a jet ski. “Beat It” reaches the midway point incorporating more rage beats cautioning to be mindful of not breaking his trust while “Masquerade” featuring Pz’ continues the 2nd half with another excellent guest appearance from the latter ØWay member, observing the pretense of everyone.

Meanwhile on “You Make My Desire Pure”, we have 6bill over another booming instrumental addressing a woman who he firmly believes brings authenticity out of his lustfulness just before “Back to Weho” talks about heading out to West Hollywood, California again following some time away from the sunshine state. “All for It” however winds down the last leg of Pure Lust explaining that money & hoes always get in the way of things for him.

Chuckyy’s guest appearance during “Wipe Ya Nose” was personally the weakest of the 3 & the only one I could’ve done without regardless of the rage beat & them talking about feeling like bitches are setting them up while “Clermont” admits he’s been fucking with Molly lately only because he wants to show everyone he can do it. “WYO / R.I.P. Tris” saves one of the most interesting moments for last, concluding the album with this satisfying 2-parter co-produced by LulRose clocking at almost 4 minutes.

Live Laugh Count still has some moments that I go back to regardless of it being an average tape, but thankfully Pure Lust makes up for it with 6bill’s finest collection of material to date & I say that since there’s a real possibility of him surpassing it going forward. Most of the guests deliver great performances other than the last one & it’d be interesting to hear him bringing in more notable producers who’d bring the best out of his take towards trap, rage & pop rap.

Score: 3.5/5

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Rocket Rese – “The Hardstyle Massacre” review

Brooklyn, New York rapper & producer Rocket Rese making his full-length studio debut. Known for being a Sematary affiliate, his debut extended play Doubted Me earlier this year was welcomed to lukewarm reception although the 2nd EP Let Ya Speakers Bleed only a month later saw people welcoming it a lot more experimenting with hardstyle & gangsta rap. He was even featured on the recent SosMula mixtape Yung Plane Krash earlier this summer, preparing for The Hardstyle Massacre that would come in time for the Halloween season.

After the self-produced “Solo Produced” intro giving us a taste of what’s to come for only 83 seconds, “Carry-A-Drum” unfortunately begins with this mediocre intro combining the hardstyle subgenre of the hard dance side of electronic dance music & gangsta imagery whereas “Blackout” runs it up with Internet Money Records in-house producer Synthetic talking about fucking with savages. “Show Me” featuring 13° moves on from there with the strongest guest appearances wanting to prove if one really has bands.

“6 Hours” doesn’t really impress me all that much from the hardstyle beat to the subject matter regarding him being up at 4am smoking weed while “Freaky Girls” talks about his preference in women. “Hood Ravers” continues from there advising that everyone enjoys it through the storm as much as they can even if the instrumental was ok just before “Black on Black” featuring Sematary ends the 1st half with both of them making it up wearing all black.

Meanwhile on “Devil Dance”, we have Rese kicking off the 2nd leg of The Hardstyle Massacre talking about feeling dead inside at only 7 in the morning preceding “Pop Out” moving forward looking rock out any speakers surrounding him. “Molly Watah” featuring Black Kray finds the pair bringing more gangsta raps to the table while “Body” produced by Shadow Wizard Money Gang was admittedly another favorite, putting a horror twist to hardstyle.

“Nanana” talks about taking bitches to Mardi Gras & to leave anyone fraudulent behind while “Love It” discusses cutting chops by the dozens. “Futures” vocally reminds me of Chief Keef at moments talking about his diamond chain looking like coke & after the uptempo hardcore “4 My Homie” promises he’ll fight anyone who disrespects those he considers friends, The Hardstyle Massacre spends the remaining minutes of the album talking about being caught up “In the Hills”.

Being introduced to him when that SosMula collab dropped several months ago, I still think it’s corny Rocket Rese was caught faking a co-sign from one of my top 10 producers of all-time Ye formerly known as Kanye West last weekend & The Hardstyle Massacre makes for an average debut despite having a better understanding of what makes this guy appealing. The production doesn’t really interest me much outside of a small handful of exceptions including Whethan & Vieze Asbak’s contributions, but I’m curious to know whether or not he’ll make more beats of own going forward like the intro cut.

Score: 3/5

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Lucki – “Last Laugh” review

Here we have the 8th mixtape from Chicago, Illinois rapper & occasional producer Lucki. Beginning to turn heads in the summer of 2013 when he released his debut mixtape Alternative Trap to critical acclaim, he would later go on to give his fans 6 more tapes & a dozen EPs with the last one being the F1LTHY-produced Wake Up Lucki a week before my 25th birthday in December 2021. The full-length debut Flawless Like Me saw Lucki finding his style & the sophomore effort s*x mon*y dr*gs was the most I enjoyed Tune’s music in a while, coming off Gemini as well as Daysb4bad* & dr*gs r bad having the Last Laugh.

“what it is” incorporates some 808s to open up the tape talking about no longer putting sad songs over thots leading into “all wock” going for a syrupy trap vibe instrumentally discussing his love for lean. My favorite track here easily goes to the Flawless Like Me outtake “60 mgs” talking about touring, his drug use & unpleasant relationship experiences just before the runner up “overseas” cloudily admits the fame hasn’t resolved his internal conflicts.

Moving on from there, “replica’s n capper’s” talks about how these muhfuckas be actors & that nobody can touch him as long as he feels like they don’t love him while the cloudy “high together” ends the 1st half detailing a relationship that’s being kept low-key. “psycho truck” kicks off the 2nd leg talking about spending money right when he gets up & raising his prices if his heart gets broken while “nun like y’all” flexes that he’s wealthier now than he’s ever been in his life.

“total” boasts that he has a bitch so bad, she’ll do a number on ya & the inability of sleeping because of a group of individuals waiting for him while “okay, copy!” energetically talks about putting his heart in this only to receive payback in return. “super brazy” includes a really great line in the middle of Tune’s verse where he says “Money ain’t rеaler than God but money’ll make n****s treat you like Him” until “knew what it was” finishes the Last Laugh talks about getting love & doing drugs everywhere he goes.

Now that he’s no longer signed to EMPIRE Distribution, the next phase of LUCKI’s career under Interscope Records gets preluded by digging up 12 grails that’ll simultaneously impress those who’ve never heard Tune’s music until now & the Day 1s who’ve stuck around from the beginning who’ll remember hearing these previously unreleased tracks being previewed regardless of some idiot in Interscope labelmate Playboi Carti’s entourage stabbing him at ComplexCon at the beginning of the month.

Score: 3.5/5

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Souls of Mischief – “Clean Getaway” review

Souls of Mischief are an alternative hip hop group from Oakland, California consisting of A-Plus, Opio, Phesto & Tajai of the Hieroglyphics collective. Their 1993 full-length debut ‘93 ‘til Infinity under Jive Records has since become a west coast masterpiece although the reception of their sophomore effort No Man’s Land as well as the Hieroglyphics Imperium Recordings-backed Focus & Trilogy: Conflict, Climax, Resolution were average at best. Montezuma’s Revenge mostly produced by Prince Paul & There’s Only Now produced by Linear Labs Music founder Adrian Younge both join ’93 ‘til Infinity amongst their top 3 material, coming off Hiero’s widely celebrated return All Said & Done to drop a new extended play of material.

“Believers” begins with the 4 showing off their chopper skills over a boom bap instrumental whereas the only single “Nothing Without You” featuring Brookfield Deuce & Damian Lillard shows their gratitude to their hometown although both guest appearances were simply alright in my opinion. “Road Runnin’” featuring Jay Worthy produced by A-Plus kicks off the 2nd half shrugging off any worries they have regarding law enforcement bumpin’ classics & “Up With the Sun” featuring Phonte ends the EP on a funkier note looking to have fun.

It’s already been confirmed via the Souls of Mischief’s social media platforms that they’re planning to release their upcoming 7th album soon & although I didn’t end up loving Clean Getaway as much as All Said & Done last month, it’s still a passable prelude. The way everyone trades verses with each other proves regardless of there only being a couple guests I could’ve done without, but I feel like there could’ve been some improvements made within the production department.

Score: 3/5

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Scum – “Nobody Spared” review

Denver, Colorado emcee & Lyrikal Snuff Productionz founder Scum back for his 17th LP. Starting as a member of an experimental grind/noise band called Down Syndrome about 3 decades ago, his solo debut Enter the Asylum arrived in the winter of 2003 & he’s outdone himself plenty of times since. Case in point: The Gorefather, Out with the Old & Bad Uncle fully produced by Chapter 17/Psychopathic Records in-house producer Devereaux. I also found myself enjoying the Dyin’ World Chroniclez trilogy, coming off Anti-Human & IOUz to make sure there’s Nobody Spared.

“On God” kicks things off with this 92 second trap metal intro talking about giving a fuck less if people get offended by him & his style of music whereas “Mass Murder” featuring Řezník finds the pair joining forces for a bilingual horrorcore anthem with a JP tha Hustler instrumental that has a boom bap quality to it. “Moovbaak” produced by Gibby Stites continues from there apocalyptically sending that very advise to anyone who’s in his way prior to “1 by 1” featuring King Gordy gets right back to the wicked shit.

Moving on from there, “The Final Straw” furiously talks about leaving a muhfucka face down if 1 more thing in his life goes wrong while “Chainsaw Gandhi” spends 101 seconds dropping horrorcore lyricism over an organ-inflicted beat. “Type O Fuck” featuring Bloody Ruckus & Donnie Menace finds the trio testing the world to really let them see what they’re really about while “T.M.K.Y. (They Might Kill You)” cautions what happens when you push someone too hard.

Chapter 17 Records signee & LSP alumni Darby O’Trill joins Scum for “Stop Playin’” telling everyone to quit fuckin’ around incorporating some secondary influences of trap metal in the picture while “Definition of Wrong” grimly talks about what he considers the meaning of incorrect hooking up these suspenseful piano chords. “Bleed Out” speeds up his flow so he can keep it wicked leading into “What Would Jesus Do?” grimly talks about the son of god having love for all the victims that’re being slaughtered.

“Like You” featuring RazoR has Sin Rip & Tha Roka both joining their mentor in discussing some people being better off dead while “Drugs” talks about the fact that more people in this country have lost their lives to opioid addictions more than gun violence in recent memory. “Hole in Your Neck” featuring Madopelli has Ant Dog & M.A.D accompanying the man who gave them a deal instrumentally going for a boom bap vibe while “Better” suggests it’s best he aims far until pulling the trigger of of shotgun.

Meanwhile on “Enjoy the Horrors”, we have Scum over another trap beat hoping that people enjoy the wickedness he was meant to please the underground with preceding “Point of No Return” by Devil’s Trident ruggedly talking about burning bridges without having any fear. “Drip, Drip, Drip” starts the deluxe run with a symphonic instrumental talking about blood dripping off the blade of his weapon while “Left Alone” featuring A.Z. the Fallen links up to explain that they’re better off on their own.

“Last Confession” finds himself asking what the fuck’s wrong with him while “They Don’t Want None” featuring Gibby Stites & Zak Pacillo returns to the boom bap talking about no one wanting any sort of smoke with them. “N.H.N.H. (No Help No Hope)” makes the clear distinction that one’s helpless if there isn’t anyone to assist them while “Nightmerica” featuring Mikahl Lawless & Skeezus talks about this being a nightmare one can’t wake up from.

There’s a heavy rap metal groove to “Originalz” looking to smash skulls with a spiked bat while “So Tired” featuring RG Stoner talks about being sick of giving in unprovoked. “Dig Deeper” throws shots at the people hating on his name while “Empty Shell” featuring metroGHOST talks about the other versions of them being dead for some time. “Living in a Nightmare” bombastically observes the world burning & the final bonus track “Death Choice” talks about having no fear of being incorrect.

This dude’s been experimenting with bars, dark humor, lyrical hip hop, personal songs & mental health anthems after bringing us the Gore Hop we’ve come to know The Gorefather for going on damn near 3 decades at this point & Nobody Spared takes it right back to his roots with some of the angriest, darkest & most violent material Scum’s recorded in a some time. I’d be remised if I didn’t mention the 2nd disc touching base regarding more introspective subject other than a couple occasional moments where he delves into butchery.

Score: 3.5/5

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Strange Fruit Project – “Beautiful Rage” review

The Strange Fruit Project is a trio from Waco, Texas consisting of Myth, Myone & S1. Forming as a duo 3 decades ago, they would eventually drop their full-length debut From Divine after Myone joined at the turn of the millennium & their sophomore effort Soul Travelin’. It wasn’t until The Healing dropped in the summer of 2006 where they started to gain traction, garnering comparisons to both Little Brother & the Native Tongues collective. Last time we heard from them was when the M.A.S.K. (Making Art Sound Kool) extended play & their previous album A Dreamer’s Journey came out, returning after over a decade for a new EP.

After the titular intro, “Stay Kings” opens up with this boom bap beat produced by none other than S1 talking about only the strong prevailing whereas “Superman” featuring Theory Hazit instrumentally takes a more soulful route explaining that everyone has their own kryptonite referencing the DC hero of the same name merely 72 hours following Warner Bros.’ oligarchic merger with Paramount to become the Skydance Corporation was finalized.

“Kast Out” hits the midway point of the EP confidently talking about spirituality & after the “Becoming” interlude, “See My Pain” featuring Deontaye Daywalker soulfully kicks off the 2nd half wanting the world to look at the suffering they’ve had to endure. “Won’t Back Down” featuring Rapsody finds all 4 of them talking about their refusal of surrendering under any circumstance while “Honor” featuring Blu dustily breaks down the things that humble them.

S1 has spent the last 16 years producing for some of the biggest names in music from Ye formerly known as Kanye West to Drake & Young Thug, so for him to run it back with Myth & Myone for a Strange Fruit Project reunion has been a long time coming & would probably prefer it over M.A.S.K. (Making Art Sound Kool) as far as their EPs go. The guests are all carefully selected & all add their own perspectives to the conscious lyricism these guys have become known for over S1’s rich boom bap production.

Score: 3.5/5

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Devstacks – “Soul” review

This is the 3rd studio LP from Boston, Massachusetts producer & rapper Devstacks. Emerging off the Now They Know Us trilogy with the first 2 installments being EPs & the concluding chapter becoming his full-length studio debut, 3rd EP Scriptures has proven to become his breakout project & has gone on to produce for the likes of Ty Fontaine to Kevin Abstract & Diorvsyou His sophomore effort 4SouljasOnly had primarily trap feeling to it regalia sound he popularized & the rumors of Soul being a Scriptures sequel ahead of him producing an upcoming EP for Bktherula called Dirty Sticks.

The self-produced “Hand Me Your Soul” fuses elements of chipmunk soul & jerk so he can talk about this burning desire he has for more whereas “Stand for It” triumphantly flexes his lifestyle since being stuck at the top, having 2 bad hoes by his side snorting lines. “I See Dead People” bombastically talks about having white women tryna hook up with him just before “#1” incorporates some sampling chops so Dev can get more sexual with his songwriting.

“Yes” takes a cloudier approach instrumentally boasting his new Jesus piece & outfit leading into “Soulja Swag” ending the 1st half going full regalia telling everyone at home who misses him to stay strong until he’s home from being on the road. “Save the Day” gets the 2nd act going treading the plugg waters talking about money making his day better while “Maybe I Can Save You” suggests he could potentially rescuing this hoe he’s addressing over a regalia beat.

The song “You Can Have It Too” properly begins the encore of Soul on some cloudy trap shit advising people that they can what they desire in life if they believe hard enough while “Wish You Well” talks about money smelling like the Mason Margiela fit he’s wearing. “Slit Her Wrists” details a woman getting reminiscent when scrolling through his Instagram page & “Feel Like Ye” wraps up Soul shouting out one of my top 10 producers Ye formerly known Kanye West.

Commemorating the 3 year anniversary of Scriptures earlier this week, Devstacks retains the same production ideas that made it’s counterpart stick out from regalia to plugg & cloud rap although there are some additional influences of the main trap style 4SouljasOnly embraced including chipmunk soul & jerk elements being sprinkled in. He’s certainly a capable performer too, handling the performances solely by himself much like Scriptures rather than the previous album having only 1 guest performance.

Score: 4/5

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Olu – “The 11th Hour” review

Olu is a 37 year old rapper & singer/songwriter from Atlanta, Georgia notable for being 1/2 of the EARTHGANG & a member of the Spillage Village collective. His partner-in-rhyme WowGr8 made his solo debut 12 months ago with Howl at da Moon leaning more towards a comedic hip hop style for something vulnerably dramatic compared to everything he’s done in the past, but Johnny Venus has been hinting towards a full stylistic departure for his own debut embracing an R&B sound & signing to Epic Records rather than putting it out independently.

After the “11:00” intro, “On & On & On” co-produced by Wu10 sets the tone of what’s to come with this R&B intro singing about being in love prior to the self-produced “Porsche 911” taking a smoother approach altogether pleading for her to break it down to the floor. “Runway Killer” moves on from there atmospherically singing about running away from heartbreak with a killer guitar during the hook while “Sarahtonin” featuring Alissia & Ink finds the trio bringing back the funk for some seductive vibes.

“American Dream” mixes elements of trap, rock & R&B singing about this woman’s religion being his peace to conclude the midway point of Johnny Venus’ debut just before “So Beautiful” featuring 6LACK kicks off the 2nd half with a duet yearning to call their partners throughout the whole evening over a slick Wu10 beat. Want to further mention Dominique Sanders known for his output for Strange Music as 1/2 of The Xtraordinair$ or solo getting behind the boards for “I Want You Back” was a pleasant surprise, where Olu’s singing about wanting to rekindle the flame with an ex.

The song “Feng Shui” slows it down admitting sex got ‘em fucking up the positive energy while “Swallowed Pride” would be another moment I’d revisit from the Patrick Paige II instrumental to the lyrics about putting his ego to the side. “Nightmares” hops over a guitar singing about having bad dreams being in love with this individual & “Can You Pray for Me” sends off The 11th Hour in the form of an appropriate Spillage Village posse cut featuring Asha Imuno clocking at almost 8 & a half minutes.

Now that both members of the EARTHGANG have their solo debuts out of the way, The 11th Hour makes me think of the comparisons that’ve been made between them & OutKast in the sense of this Howl at da Moonbeing like Speakerboxxx retaining a hip hop sound & this being a stylistic departure similarly to The Love Below. I felt like the funky & atmospheric R&B production Olu handles other than a few big names was superior to WowGr8’s album last fall & sings as well as he raps.

Score: 4/5

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ovrkast. – “Striking” review

New sophomore effort from Oakland, California emcee/producer ovrkast. in the midst of my favorite duo of all-time OutKast filing a ridiculous trademark infringement lawsuit between him a few weeks ago. For over a decade now, he’s been making waves by releasing a couple mixtapes on top of 13 EPs in his discography later landing production credits ranging from MAVI to Earl Sweatshirt & even Drake. KastGotWings produced by Cardo became my favorite EP of his even if some might still disagree, coming off his full-length studio debut While the Iron’s Hot a year & a half ago to drop Striking.

After the Ant Bankx intro, the self-produced “Windo” blends jazz rap & boom bap talking about finding himself in many situations he can’t control whereas “Static” featuring Joey Bada$$ finds the pair discussing the only thing they saw growing up around them over another jazzy beat. “Pane” takes a smoother approach instrumentally talking about indignation just before “WashedOut” wakes up thanking god for the storm & advising not to get washed.

“Home” soothingly up the 1st act of the album talking about usually resting on the edge of the studio instead of being on the wrong side of the bed when getting up in the morning while “ActTransit / Lemme at ‘Em” featuring DAVIDTHETRAGIC links up for a 2-parter with a soulful beginning until switching into trap territory. “Knock” featuring MAVI & Samara Cyn returns to the boom bap calling for people to cut the bullshit while “Heroes & Villains” featuring Ben Reilly & Marco+ plots world domination together.

The lead single “Wata!” featuring Niontay experiments with a jerk sound talking about not having time for everybody since they all want some shit & boasting that they got hotter every time they rap while “Hopecore!” hooks up a crooning soul sample so he can take a joint to the face along with trying to get through on his own. “Phree (Swing)” spends the remaining minutes of Striking talking about stitching up his wings, tryna break free.

Never in my life have I heard anyone get ovrkast. confused with OutKast & that’s a huge reason why many people are against this ongoing suit, but I digress. Striking however still comes out after some presumed it would get pushed back for a solid half hour although I don’t love it as much as either KastGotWings or While the Iron’s Hot. His jazzy production incorporates more live instrumentation & the abstract penmanship conveys the message of acting decisively & becoming comfortable with failure in the midst of pursuing personal evolution beyond traumatic situations.

Score: 3.5/5

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Joe Hendry – “Beyond Belief” review

Joe Hendry is a 38 year old professional wrestler & singer/songwriter from Edinburgh, Scotland, United Kingdom who’s also a former アイアンマンヘビーメタル級チャンピオン, TNA World Champion, the longest reigning TNA Digital Media Champion & NXT Champion. Some however might not be familiar with him being the former frontman of an alt-rock/pop punk band called Lost in Audio in the early half of the previous decade, having the WME Group-owned TKO Group Holdings division WWE financially back his 2nd extended play following the independent Total Hendry EP.

“Give Joe Hendry Every Single Belt (Right Now)” opens up with this pop rock intro interpolating “Know Your Enemy” by Green Day desiring to hold every championship in the WWE whereas the country rock-tinged “Tables, Ladders & Chairs” likens a bad relationship to the type of wrestling match pioneered by the inaugural 4th Rope World Tag Team Champions The Hardy Boyz alongside former 7-time WWE Tag Team Champions & AEW World Tag Team Champions Adam Copeland & Christian Cage and former NWA World Tag Team Champions, 2-time IWGPタッグチャンピオン, inaugural 2-time TNA World Tag Team Champions, WWE Hall of Famers & former 18-time WWE tag team champions The Dudley Boyz.

We have Joe demanding the WWE’s current Director of Live Events & general manager for Monday Night Raw in former 5-time NWA World’s Heavyweight Champion & PWG World Champion Adam Pearce to “Fire Logan Paul” considering that I’m not a fan of the former WWE United States Champion & WWE tag team champion as a person either just before the anthemic “If I Can’t Have Joe Hendry” sings about there being no one in the world like him. “If You Don’t Love Joe Hendry” contains an interpolation of “Love Yourself” by Justin Bieber discarding his haters as useless trash while “Going Up to SmackDown” sings about eventually moving over to Friday Night SmackDown working for their GM in former 2-time NWA World’s Heavyweight Champion, IWGPタッグチャンピオン, GHCタッグチャンピオン, 2-time TNA World Champion & TNA World Tag Team Champion Nick Aldis.

“Out of Nowhere” recalls his WrestleMania XLI match against former 14-time WWE world champion, 4-time WWE tag team champion, WWE Intercontinental Champion & WWE United States Champion Randy Orton for an upbeat rock track while “Highland Cow” represents Scotland alongside former 5-time WWE world champion, NXT Champion, WWE Intercontinental Champion, 4-time WWE tag team champion & TNA World Champion Drew McIntyre. “Everybody Else” cheerfully sings about being people’s favorite wrestler because of his abilities as a performer & as a musician while “Jingle Balls” pokes fun at 2-time WWE Champion, 8-time WWE Intercontinental Champion, 2-time WWE United States Champion & 9-time WWE tag team champion The Miz.

I do however appreciate the closing track “NXT Year” showing love to the WWE’s primary developmental brand NXT as well as the youngest DPW Worlds Champion Je’Von Evans and former PWG World Tag Team Champion, 2-time TNA World Tag Team Champion, EVOLVE Tag Team Champion, AAA Mundial Mixtas Parejas Campeon, NXT Champion & NXT North American Champion Ethan Page. Of course I can’t can’t forget to mention the shoutout to the AAA Mundial Mixtas Parejas Campeon co-holder during Ethan’s reign in the current WWE Women’s Champion Chelsea Green, who’s also the inaugural 2-time WWE Women’s United States Champion & a former WWE Women’s Tag Team Champion in addition to being a former TNA Knockouts World Champion & TNA Knockouts World Tag Team Champion.

Beyond Belief won’t make my Best of 2026 list or anything like that but I can’t deny Joe Hendry gave the WWE what probably the best musical body of work they’ve released in 2 decades since 17-time WWE world champion, WWE Intercontinental Champion, 5-time WWE United States Champion & 4-time WWE tag team champion John Cena fresh off his outstanding Coyote vs. Acme performance did the You Can’t See Me collaborative album with his cousin MC Trademarc that Spada4 of CZARFACE’s in-house production trio The Czar-Keys executive produced for Columbia Records. Especially when you compare it to def rebel’s formulaic entrance themes or that AFTERTHETIDES EP former 6-time WWE tag team champion Montez Ford put out couple months back.

Score: 3/5

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