D Smoke – “Wake Up Supa” review

This is the 4th studio LP & Death Row Records debut from Inglewood, California emcee/producer D Smoke. The older brother of R&B singer/Top Dawg Entertainment signee SiR, he made his full-length debut in almost 2 decades ago with Producer of the Year & re-emerged in 2019 off his debut EP Inglewood High & the Grammy nominated sophomore effort Black Habits. His last album Wars & Wonders broke down what it was like for him growing up in the City of Champions & has returned almost 4 years later for Wake Up Supa.

The title track with co-production from Terrace Martin drumlessly talks about people not listening to correction & shining when it comes to connection whereas “Na Na Na” featuring LaRussell finds the pair feeling like no one can tell them shit over an instrumental from both Larrance Dopson of 1500 or Nothin’ & Turbo. “No Passes” works in a heavy sample courtesy of Mike & Keys to drop some gas on these bitch asses leading into “Chin Up” talking about not letting anyone smaller than him outbox him.

“Fire” moves forward with a self-produced reflection on choosing a path different from the bloods & crips just before “Biscuits” featuring Nana & WWE Hall of Famer Snoop Dogg asking God for Him to bless their visions & carry them from insanity. “Count Cha Blessings” featuring Jane Handcock takes a smoother approach instrumentally talking about focusing on the Ws more than the Ls while “Energized” refuses to let anyone steal his energy & dismiss them in the coldest fashion.

Lucky Daye joins Smoke on the soulful “Frequency” talking about needing love, support & encouragement along with asking why they keep getting declined whilst seeking a silver lining while “Jackie’s Triumph” strips the drums again so he can tap into his storytelling abilities lyrically. “Stomp” featuring Miles Minnick continues the sampling to talk about stepping on Satan while “Proud of You” produced by DJ Battlecat tells the individual it was written towards that he’s been watching them & that he’s pleased of them.

“Good Morning” nears the conclusion of the LP by stating that he doesn’t think anything will get the attention of those sleeping on him if Wake Up Supa doesn’t & the final song “So Good” ends the Rhythm + Flow season 1 winner’s inaugural release through Tha Row with a funky drumless outro talking about looking around & refraining whenever he feels like complaining because he’s ok as long as he’s still alive.

If you preferred Black Habits over Wars & Wonders by a slight margin like the majority of people, you’re probably gonna like D Smoke’s highly anticipated debut under Death Row Records as much if not more coming exactly 2 years since he became the 4th artist to sign with the most controversial record label in history’s current incarnation. Primarily because I feel like the conscious hip hop & R&B fusions that made him break out a month prior to the beginning of the COVID-19 pandemic are being purified as he opens a window to his self-aware perspective.

Score: 4/5

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untiljapan – “BornUnderPunches.” review

Here is the 6th EP from Atlanta, Georgia recording artist untiljapan. Putting out his last 5 EPs & landing a feature on “light ice” off Sk8star‘s 2nd mixtape whole new meaning, it wasn’t until his own full-length studio debut album Safe Travels where he established himself as an up-&-comer in trap, emo rap, cloud rap, alternative R&B & neo-psychedelia that landed him a contract with Interscope Records. His sophomore effort Trompe-L’oeil almost 3 months since it dropped has become one of the most beloved trap albums of the year, uploading BornUnderPunches. on SoundCloud without any warning.

“SoClose” starts with a rage beat talking about being here to take the throne & all the hoes whereas “NeverForget” doesn’t shy away from admitting he’s got lot of drugs running through his body & wanting money instead of rules over a CXO instrumental. “AcceptingMyFlaws” produced by Clayco & OPM BABI finds himself wanting this woman he’s been seeing to be truthful for once while “SayPlease” talks about feeling like he’s living every day the exact same.

To begin the 2nd half, “Showin’” samples “You’re Always on My Mind” by SWV keeping rounds of guns & sluts on him while “FuckedUpPeople” talks about the people he grew up around. “GunPowder” speaks on seeing somebody for who they really are while “PeopleNeverChange” talks about his gang going crazy in the back. “RealFunk” finishes BornUnderPunches. sampling “Cha Cha Slide” by the late DJ Casper cooking down those playing with fire.

Rather than sticking to the rich lusciousness than made Trompe-L’oeil the beloved major label debut it’s been rightfully hailed as being almost 90 days after if initially came out, the production on this EP sees untiljapan taking a more firm direction regarding the modern trap sounds that’s caused many heads to be turned these past 23 months although the usage of samples are equally impeccable as the predecessor earlier this summer.

Score: 4/5

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Ghostface Killah – “Supreme Clientele 2” review

New York veteran Ghostface Killah of the almighty Wu-Tang Clan with his 17th solo LP. One of hip hop’s most prolific storytellers & easily the most consistent member of the Clan exemplified by Ironman, Supreme Clientele, FishScale, Apollo Kids, 12 Reasons to Die & Sour Soul just to name a few. Ghostface Killahs in the fall of 2019 stands as one of the only few duds in his discography along with More Fish & the Mass Appeal Records debut Set the Tone (Guns & Roses), continuing the Legend Has It series with Supreme Clientele 2 finally seeing the light of day.

After the Redman intro, the first song “Iron Man” opens with a boom bap instrumental talking about having Wall Street bugging over helium stocks whereas “Sample 420” featuring M.O.P. sees the trio coming together for a fly gangsta rap cut. “Curtis May” featuring Conway the Machine & Styles P talks about their bars being prescribed out here like it’s medicine while “4th Disciple” dustily tells the story of a homie of his losing his life in a shootout.

“Windows” embraces a more soulful direction stylistically talking about his crew mobbin’ & him dartin’ but after the “Pause” skit, “Georgy Porgy” exuberantly clarifies that he ain’t here to play no games. After the “Force MD” skit, “Break Beats” jazzily flexes that he can get right with God & go back to Hell just before the funky “Beat Box” talks about a shawty who happens to be in her own lane.

Scram Jones producing the lead single “Rap Kingpin” sampling “My Melody” by Eric B. & Rakim for a sequel to “Mighty Healthy” while “The Trial” featuring GZA, Method Man, Pillz, Raekwon & Reek da Villain after the “Sale of the Century” skit vividly portrays themselves in a courtroom with a judge. Nas joins Starks for the soulful “Love Me Anymore” talks about how foul people can be while the crooning “Soul Thang” featuring DriZ, Iceman, Pillz, NEMS, Reek da Villian, Supreme-Intelligence & Sun God finds everyone going back-&-forth with one another.

“Metaphysics” was a tight remix to “Typhoon Rap” by Meyhem Lauren featuring Action Bronson while the soulful “Candyland” unpacks tons of candy & drug wordplay. After the “Lenny Green” skit, “The Zoom” samples “Zoom” by the Commodores for a passionate love ballad & the final song “You Ma Friend” featuring Method Man ahead of the “Knuckles” outro finishes with an ode to friendship.

The 3rd entry in the Legend Has It saga & the Yapp City Records founder’s 2nd offering under the Mass Appeal umbrella redeems Ghostface Killah from the mediocrity of Ghostface Killahs & Set the Tone (Guns & Roses) by presenting itself as an echo of a chamber that never dosed although I’d prefer both Only Built 4 Cuban Linx…, Pt. II & Muddy Waters 2 when discussing sequel albums. One of hip hop’s greatest storytellers who’s seen it all & lived it twice feels more like his vintage self than his last couple albums except he’s sharper, looser, freer & finding new ways to flip the script.

Score: 4/5

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Earl Sweatshirt – “Live Laugh Love” review

Santa Monica, California emcee, producer & singer/songwriter Earl Sweatshirt surprise-releasing his 6th LP. Beginning his career in 2008 under the name Sly Tendencies as the son of Cheryl Harris & late poet Keorapetse Kgositsile, he posted a handful of tracks for a mixtape called Kitchen Cutlery on MySpace, but the tape would never be released to this day. Then he formed a rap trio with 2 of his friends called The Backpackerz & planned to release a mixtape together titled World Playground, but they disbanded sometime in 2009. Shortly after, he joined Odd Future & appeared on their 2nd & final mixtape Radical that May. 10 months later, he put out his only mixtape to date Earl with OF’s de facto leader Tyler, The Creator producing a bulk of it. The tape received a lot of buzz, but Earl’s mother would send him to a therapeutic retreat school for at-risk boys in Samoa sometime after until February of 2012. He was then granted his own Columbia Records imprint Tan Cressida Records & released his full-length debut Doris a decade ago to critical acclaim right before I started my junior year of high school for his clever rhyme schemes & the gritty production from The Neptunes to even the RZA. He then formed the duo Hog Slaughta Boyz with OF affiliate Na’kel at the beginning of 2015 & released his sophomore album I Don’t Like Shit, I Don’t Go Outside. a couple months after. Many of which consider to be better than Doris for its darker aesthetic. Some Rap Songs not only wound up being my favorite album of 2018, but also bastard child of one of my all-time favorite albums: Madvillainy. Feet of Clay the year after marked a new distribution deal Tan Cressida signed with Warner Records was a cool collection of SRS outtakes preluding his full-length debut on the label Sick! about 3 & a half years ago, coming off one of my top 10 producers of all-time The Alchemist for the flawless Voir Dire to drop Live Laugh Love almost a week since the listening party.

“GSW vs. SAC” starts with a throwback to the Some Rap Songs era talking about how he’s always been a slow roller whereas “Forge” hooks up a Middle Eastern sample advising to stick along for the ride. “Infatuation” goes for a drumless chipmunk soul direction referencing the Bessie Anderson Stanley poem Success leading into the funky “Gamma (Need the <3)” giving a nod to the late Roy Ayers’ biggest hit “Everybody Loves the Sunshine”.

The strings that Navy Blue heavily samples during the course of “Well Done!” reminding us that he already said nobody could get a rise out of a real one just before the 2-parter “Live” produced by Black Noi$e cautions not to get beheaded with only a month left of summer. “Static” drumlessly references WWE Hall of Famer Muhammad Ali at the beginning & later Jean Dawson at the halfway point of his verse while “Crisco” continues to strip the drums to talk about his upbringings.

“Tourmaline” counts down the final minutes of Live Laugh Love by coming to his senses while “Heavy Metal aka Ejecto Seato!” recalling a dream he had in 2016 vaguely similar to a scene in the movie Trainspotting where Renton began hallucinating as a result of him detoxing from heroin. “Exhaust” lastly sends off the album sampling a flute advising that it’s really just you & whatever you think at the end of the day, to which he’s not entirely wrong about.

If Some Rap Songs had a sequel that bridges the teenager we were formally introduced to 15 years earlier & the family man Earl Sweatshirt has become presently, you’d get Live Laugh Love. The production is a little more experimental than Voir Dire’s was 24 months previously & it brings a smile to my face knowing that the most skilled lyricist to come out from the OF camp is in a better place mentally.

Score: 4.5/5

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Mac DeMarco – “guitar” review

Mac DeMarco is a 35 year old singer/songwriter, multi-instrumentalist & producer from Edmonton, Alberta, Canada who I became a fan of during my adolescence off the debut EP Rock & Roll Night Club, his debut album 2, my personal favorite Salad Days & his 2nd EP Another One. I highly enjoyed This Old Dog too, although I can’t really say the same for either Here Comes the Cowboy or 5 Easy Hot Dogs with all respect to the guy. 1 Wayne G on the other hand was actually a pretty decent compilation despite it’s 9 hour runtime, clinging to the expectation of his 6th album surpassing both it’s predecessors in becoming his strongest material since forming his own record label.

“Shining” starts with a bedroom pop/indie folk crossover singing about his love possibly being broken & trying to figure out what’s going on whereas “Sweeter” acoustically observe that some things don’t ever change. “Phantom” continues to head down the prominent bedroom pop direction singing about the ghost of a person that he still lives sitting besides him when he’s by himself while “Nightmare” suggests maybe this individual would’ve stopped lying had they known they’d be in tears later.

Meanwhile on “Terror”, we have Mac singing about him being the type of person that reeks of annoyance or problems in addition to opening up regarding his fear of death while “Rock & Roll” breaks down the dichotomy of screaming in excessive joy & feeling down on himself mentally. “Home” finds himself preferring to be alone because of a dissolving friendship & his welcome with this former colleague becoming worn out leading into “Nothing at All” observing a spiraling relationship.

“Punishment” reaches the final leg of guitar by singing about his mother teaching him that those of us who don’t what we were made to do are gonna get what’s coming to them while “Knockin’” takes a more mature approach to his songwriting. “Holy” blends bedroom pop, slowcore & folk rock together so he can sing for a miracle to reveal itself to him while “Rooster” finishes off by optimistically rising up despite the future looking dimmer with each day.

Offering a close representation of where Mac DeMarco’s at in his life today, guitar feels like a step in the right direction for the jizz jazz pioneer & it’s easily the most I’ve enjoyed something from him since This Old Dog almost a decade earlier. His production is more minimal than 1 Wayne G’s taking the styles of bedroom pop, indie folk, folk rock, soft rock & slowcore to be more emotionally open than he has been in the past.

Score: 4/5

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Coast Contra – “The 5th” review

Here is the 3rd EP from Los Angeles, California jazz rap/trap group Coast Contra consisting of RioLoz, Eric Jamal & Ras Kass’ twin children Taj Austin & Ras Austin. Their debut album Apt. 505 in the spring of 2022 received significant acclaim & their debut EP The Old Way the next fall, coming off being featured on Masta Ace & Talib Kweli’s latest albums Richmond Hill & The Confidence of Knowing respectively followed by the Austin twins’ appearance on Kamasi Washington’s 5th album Fearless Movement a year ago. Marco Polo produced my favorite EP of theirs yet In Case You Forgot at the start of 2025 & The 5th has arrived on DSPs after being exclusive to EVEN for a month.

“Rulaz” produced by Dem Jointz aggressively opens up shop talking about having no weak links around them whereas “Don’t Worry” hooks up a piano instrumental from Tae Beast suggesting not to stress over money because it doesn’t make you rich. “N2G” dabbles with trap to talk about them runnin’ it up in the midst of their new beginning while the 5 & a half minute “Woman” finds themselves experiencing a love like no other. “God’s Grace” lastly caps off the EP by smoothly talking about everything being alright & today being a good day.

I wouldn’t put it above In Case You Forgot personally, but The 5th still marks a sharp evolution from Coast Contra’s viral freestyles to fully-formed songs by showcasing the group’s lyrical depth along with their commitment to legacy & the cinematic sound they’ve become known for. The production has more trap elements than its predecessor did almost 8 months ago & I don’t mean that as a con, it just further cements the quintet’s variety.

Score: 3.5/5

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The World’s a Beautiful Place & I’m No Longer Afraid to Die – “Dreams of Being Dust” review

The World’s a Beautiful Place & I’m No Longer Afraid to Die are a midwest emo band from Willimantic, Connecticut consisting of bassist/keyboardist Josh Cyr, drummer/percussionist Steven Buttery, guitarist/trumpeter Chris Teti, keyboardist Katie Dvorak, guitarist Anthony Gesa & frontman David Bello. These guys’ full-length debut If Ever & their Epitaph Records debut more specifically Harmlessness would both win me over as a fan of theirs in high school although Always Foreign was merely ok. Illusory Walls thankfully marked a step in the right direction & hoped they’d continue to head down that trajectory for their 5th studio album.

“Dimmed Sun” makes for an alternative metal intro talking about how it’s merely them in the rudderless world we’re living in whereas the melodic post-hardcore single “Se sufre pero se goza” pulls further inspiration from alternative rock & metalcore feeling as if their prayers for their souls & land have all gone to waste. The melodic elements get ditched on “No Pilgrim” to take on a politically charged approach to the songwriting while the hardcore punk single “Beware the Centrist” sings about biting their tongues until they can feel their teeth.

We get a response to the ongoing famine at the Gaza Strip on “Oubliette” from asking what kind of king uses widespread hunger in the poorest of children as a lesson to the blue tarp used to cover up the corpses of the casualties while “Captagon” embraces the alternative metal vibes once more singing about being high off fenethylline. Alternative rock, alt-metal & metalcore all collide during “Dissolving” taking us into the woods late at night noticing the fuzziness of the boundary between our protagonist & the rest of the outside world while “Reject All & Submit” shows off more influences of melodic hardcore singing for a plot to be sold to help them relax.

“December 4, 2024” conceptually takes it’s inspiration from the morning Luigi Mangione killed UnitedHealthcare CEO Brian Thompson last winter embracing the sounds of progressive metal while “Auguries of Guilt” fuses post-rock, alternative rock, post-hardcore, Emo & progressive rock talks about the villains being seen as the heroes. “For Those Who’ll Outlive Us” lastly concludes the LP by referring to themselves as bugs that can think of the most invasive game on Earth without trust.

Pulling no punches in addressing the crises that’ve developed as a result of the world as we know it becoming ravaged & devastated by late-stage capitalism alongside neo-liberalism & neo-fascism, Dreams of Being Dust provides the soundtrack to these harrowing times by having The World’s a Beautiful Place & I’m No Longer Afraid to Die focusing more around post-hardcore & progressive metal using alt-metal & metalcore as secondary influences for their most political work ever.

Score: 4.5/5

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2 Chainz – “Red Clay” review

Atlanta, Georgia rapper 2 Chainz finally releasing his 7th studio LP. Coming up as 1/2 of the duo Playaz Circle, they eventually signed to Disturbing tha Peace Records & Def Jam Recordings in the 2000s releasing only 2 albums. He eventually ventured off into a solo career, with the biggest standouts being Pretty Girls 👍 TRΛP MUSIC & Rap or Go to the League. He recently teamed up with Larry June for the collaborative effort Life is Beautiful produced by The Alchemist & has dropped a soundtrack to his new short film.

“Mutual Bonds” was a great drumles intro produced by STREETRUNNER talking about only fucking with people who fuck with him whereas “Not the Same” samples “Silly Love Song” by the late Enchantment explaining that some things have changed with him in his life. “Thought You Loved Me” fuses chipmunk soul & trap suggesting one would laugh if he was struggling at the moment just before “Sista Wives” featuring Lil Yachty talks about people not respecting them over a Buddah Bless instrumental, which in Yachty’s case is bad timing because of his recent PlaqueBoyMax stream.

YoungBoy Never Broke Again provides the weakest guest appearance on “I Wanna Win” despite the 30 Roc beat & the desire they express of wanting to catch Ws leading into the drumless chipmunk soul crossover “Flow Switcha” talking about his success invoking people. “Free” featuring Vory finds the pair calling for all their incarcerated homies to be let out & once “Deadbeat Moms” talks about those specific kind of mothers being at an all-time high, “The ATL Experience” ends with a tribute to his city sampling The Isley Brothers.

Some of the teasers that we got building up towards Red Clay had me hoping that it was gonna be an improvement from 2 Chainz’ final Def Jam offering Dope Don’t Sell Itself, but his inaugural solo release under The Real U Records’ new distribution deal with none other than EMPIRE honestly reached the same level of mediocrity. It actually starts off stronger than I would’ve thought & I’d like it a lot more if he condensed it down to the first half since those’re the most salvageable tracks of the bunch, the 2nd leg of it is really where the album starts to fall apart.

Score: 2.5/5

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Teyana Taylor – “Escape Room” review

Teyana Taylor is a 34 year old actress, singer/songwriter, rapper, dancer, model, music video director & choreographer from New York City who briefly signed to Star Trak Entertainment in the mid-2000s until going over to G.O.O.D. Music & Def Jam Recordings at the start of the previous decade. Her full-length debut VII during my senior year of high school & K.T.S.E. (Keep That Same Energy) produced by Ye formerly known as Kanye West stands as the most underrated offering of the Wyoming sessions. Fulfilling her G.O.O.D. Music contract with The Album during the COVID-19 pandemic, she’s returning to Def Jam for her 5th LP.

After the Taraj P. Henson intro, the first song “Fire Girl” opens with a delicately drumless instrumental singing about the impossibility of her soul being burned whereas “Long Time” after the Sarah Paulson interlude fuses afrobeats & R&B addressing her ex-husband Iman Shumpert. “Hard Part” featuring Lucky Daye follows 2 back-to-back interludes with a duet asking if their partners want a relationship or not leading into “Back to Life” singing about her dissolving marriage.

“All of Your Heart” after the Jodie Turner Smith interlude expresses her desire to be loved & trusted while “Shut Up” ends the 1st leg of Escape Room pleading for her limits to be pushed & likening sex to a weapon. “Pum Pum Jump” featuring Tyla links up for a duet singing about getting too crazy with their lovers whenever they get lit while what could possibly be my personal favorite track here “Open Invite” produced by KAYTRANADA gives her partner a chance to come inside & get this right.

After the Issa Rae interlude, “In Your Head” sings for her new man to drown in her love waiting for him in his bed while “Final Destination” explains that it’ll always be love no matter where they take it. After another Issa Rae interlude, “Bed of Roses” embraces a contemporary R&B direction singing about wanting to be close to someone & “In Your Skin” after the Kerry Washington interlude lusts to be pressed up against her lover all the time. “Always” after the Regina King interlude finishes up with a heartwarming tribute to her children.

Exploring themes of heartbreak as well as healing & finding freedom, Escape Room makes for a solid comeback to music for Teyana Taylor excluding her feature on Will Smith’s 5th album Based on a True Story earlier this spring. The narration interludes can be a little excessive at times personally, but the production is a step up from The Album & it’s gratifying to hear her breaking free from the mental prison she was in.

Score: 3.5/5

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Mariah the Scientist – “Hearts Sold Separately” review

Mariah the Scientist is a 27 year old singer/songwriter from Atlanta, Georgia whom Tory Lanez signed to 1 Umbrella Records & RCA Records following her debut EP To Die For. Once her full-length debut Master & the sophomore effort Ry Ry World came out, she would go on to start her own imprint Buckles Laboratories distributed by Epic Records & it’s inaugural release To Be Eaten Alive made her one of the most popular R&B artists today. She even had one of my favorite songs on KAYTRANADA’s 3rd album Timeless & that was a factor in me checking out her 4th album.

“Sacrifice” produced by 1985 makes for a nostalgically lush intro basically reflecting on her being separated from her current boyfriend Young Thug for a period of 300 days because of the latter’s R.I.C.O. case leading into Rogét Chahayed cooking up the calculated 2-parter “United Nations + 1,000 Ways to Die” sings about Thug getting her high off their love.

Meanwhile on “Eternal Flame”, we have Mariah over a funkier yet atmospheric instrumental feeling confident that nothing will tear her or the YSL Records founder apart even if it almost did when the latter was incarcerated just before “Is It a Crime?” featuring Kali Uchis finds the pair asking what the problem is with them falling in love a couple times.

“Burning Blue” blends alternative & contemporary R&B with alt-pop to use the hottest form of fire as a striking metaphor for the deep connection that she shares with Thug must before “All I Want + In Pursuit” begins the 2nd half of Hearts Sold Separately with another track split into 2 halves singing about her desire to have her mans by her side.

Themes of self-reliance bleed heavy during the course of “More” stylistically throwing it back to the ‘80s & ‘90s while “Rainy Days” throws it back to the Master era singing about her being naive as opposed to ignorance as well as asking if it’s possible for one to to make mistakes & lose their way.

“Like You Never” embraces a trap soul vibe to ask if Young Thug would love her like he’s never loved anyone in the past & trusting her as if he doesn’t have inhibitions prior to the bittersweet l “No More Entertainers” finishing the most important entry in Mariah’s discography airing out an ex of hers over an addictive London on da Track beat singing that he was more of an entertainer than a lover.

Honoring the legacies of R&B greats like Sade or Babyface to name a couple, Hearts Sold Separately feels completely different from anything Mariah the Scientist has done previously with a contemporary R&B full-length that ventures out to the depths of synthpop, sophisti-pop, neo-soul & alternative R&B vitally addressing modern society’s war on love. Refusing to be led by heartless womanizers, she pictures herself & most women as toy soldiers who will lay their lives on the line for the sake of love only to realize that men view them as nothing more than disposable playthings used strictly for entertainment.

Score: 4.5/5

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