Here we have from the 20th EP from Woodbridge, Virginia recording artist & producer Harto Falión. Originally known as Trip Dixon, he would later make a bigger name for himself after joining the Surf Gang totaling his discography to 3 albums along with 3 mixtapes & 19 solo EPs in addition to Hall00 Hart’s eponymous debut. He’s been locking in with Evilgiane as of late, continuing the acclaim of im_my_best_friend & .BloOdY-gEeKeR* by putting out The Hurtless.
“Dreams turned Nightmares” is this cloudy intro feeling like he’s in the middle of a nightmare most of the time whereas the guitar-trap fusion “Don’t believe ‘em” talks about turning the horrors in his head into a musical. “Unloveable” brushes off any time he has for the bullshit & referring to love as a drug over a plugg instrumental, but then “Keep! Out!” co-produced by Harrison psychedelically likens life to a Ferris wheel asking to be left alone.
Harto discusses getting his hands dirty being the only way he’s feeling everything on the chaotic “pH” & after an intermission, “i really don’t give a fuhck” goes for a woozier vibe talking about giving 0 fucks whatsoever. “Like Lain” has a cloudy drill tone to it airing out those who falsely claim they real just before “Life’s Corny” talks about the world as we know it today going to shit.
“Different places still feel familiar” discusses walking on the sky until I space out, everything still feeling the same to him everywhere he goes & taking his own route as opposed to going the fast lane like everyone else while “Long story short.” completes The Hurtless by getting stupid high, feeling departed as of recently & being unable to sit still since the nights are getting longer the way he’s seeing it.
The Surf Gang has been constantly elevating Trip for the past 4 years now & The Hurtless could be my new favorite of the 8 projects they’ve done with each other. Evilgiane steps out of his comfort zone expanding his sound from cloud rap to plugg, experimental hip hop, drum & bass, indietronica and emo rap on top of Harto keeping up elevating his pen-game.
Ill Tone is a producer from Buffalo, New York known for his collaborations amongst the iconic underground labels Griselda Records, Drumwork Music Group & Black Soprano Family Records. His resume beyond that whole realm further includes the likes of Krayzie Bone & Project Pat, signing to B$F to put out an official debut album of his own through the local indie enterprise staying increasingly consistent with the output a week after Duffel Bag Hottie put out his new EP Shut Down the Dance Floor by recording his vocals through a prison phone.
After the Westside Gunn intro, the first song “Impossible” by Conway the Machine along with Jae Skeese & Rome Streetz fuses rap rock & boom bap doing what others thought couldn’t be done whereas the title track by Benny the Butcher ruggedly talks about his flow being unmatched when it is. “Supper Immaculate” by AZ & Elcamino doesn’t disappoint with its name since both of them kill it over some magnificent sampling & “Pick a Side” by Conway after the Ghostface Killah interlude talks about being either with them or against them.
Following the “Journey” skit, Benny gets another solo cut with “36oz & a Mercedes” discusses not being as humble as everyone else backed by this crooning soul sample just before “Raw Cain” by Elcamino reflects on the way things used to be for him back then. “The Mood” by Flee Lord & Gully talks about them holding it down for several blocks even if they don’t rule the world leading into “I See” by Elcamino & Player K soulfully promising the player shit coming with them when their time comes.
“Supreme Balla” by Elcamino & Smoke DZA brings a jazzy boom bap vibe to the table as both of them admitting that these weak MCs out here be pissing them off acting like they the shit when they’re gonna call them as they see them while “Punctuality” by The Black Abstract, Chase Fetti & Jae Skeese maintains the jazzily dusty flare talking about missing your future if you dwell on the past. “B.T.L.” by Elcamino, O.T. the Real & Stove God Cook$ ends with pure lyrical pressure from all 3 of them with some fresh ass sampling behind them.
Starring the deluxe run, “My Side of the Story” by Rick Hyde & Sule unites the pair to talk about the blood, sweat & tears that’ve led them to glory & no longer being ignored while “Colosseum Rap” by Elcamino & Fuego Base explains that this is for the men trying to get the bread & not for the suckas. The final bonus track “Kenny Solomon” by Jae Skeese & YoungstaCTP gets on some mobster shit instrumentally bridging the gap.
Showcasing the distinct sound of B$F that has drawn acclaim from critics & fans alike, Ill Tone’s full-length debut studio LP will easily stand until December as one of if not the best producer album that has come out in 2025 because the hard-hitting verses from a near-flawless list of guests over the Buffalo beatsmith’s dynamic production balancing boom bap, drumless, chipmunk soul, jazz rap & rap rock remain consistently aggressive from start to finish.
Whitechapel is a deathcore band from Knoxville, Tennesse consisting of drummer Brandon Zackey, lead guitarist Ben Savage, rhythm guitarist Alex Wade, the 3rd guitarist Zach Householder, bassist Gabe Crisp & frontman Phil Bozeman. They would later fit right in with Metal Blade Records following their debut The Somatic Defilement by putting out This is Exile, A New Era of Corruption,self-titled, Our Endless War & Mark of the Blade. Their last couple The Valley & Kin have proven to be their most acclaimed, returning after 6 years for the band’s 9th full-length studio LP.
“Prisoner 666” opens with this hellish deathcore intro bearing the number of the beast whereas the title track further integrates brutal palm-muted & tremolo-picked riffing, blast beat-focused drumming & guttural vocals with groovy breakdown sections coming to consume all the seas. “Diabolic Slumber” talks about life being a lie & suggesting that everyone meets their demise just before the lead single “A Visceral Reach” throws it back to The Somatic Defilement era.
After the “Ex Infernis” instrumental cut, “Hate Cult Ritual” begins the 2nd half revealing themselves as disciples of hate as well as rage & murder leading into “The Abysmal Gospel” talks about having a silver tongue continuing to fuse death metal & metalcore together. “Bedlam” reassures everyone listening that they’ll never be reborn descending towards the mouth of failure & doubt while “Mammoth God” talks about his greed growing strong. “Nothing’s Coming for Any of Us” ends with 1 more deathcore track revolving around nothing being real.
It’s really a sequel to This is Exile, but the band residing in the same city that made former 3-time WWE women’s world champion & 2-time WWE Women’s Tag Team Champion Bianca Belair returns to their heavier roots prominently shown throughout their earlier material on Hymns in Dissonance following the story of a cultist who’s gathering worthy people to join his cult including moments in the storyline where the cult followers are singing an evil hymn to open a portal for the head cultist to enter. Some of the characteristics that made The Somatic Defilement so special notably seep their way throughout the dynamic, brutal musicality backing the compelling lyrical story.
This is a brand new EP from Detroit trap veteran & Iced Up Records founder Icewear Vezzo. For over a decade now after appearing on the studded “Detroit vs. Everybody” remix, this dude has been making waves locally by releasing the Rich Off Pints trilogy of LPs & over a dozen mixtapes. The previous tape Paint the City hosted by DJ Drama preluded his Quality Control Music debut album Live from the 6 celebrating it’s 1-year anniversary a little over a month ago & remains Undefeated after the sequel.
“Fuck the Internet” gets the door broken down with an ominous Detroit trap intro talking about refusing to chase trends whereas “Streets Ain’t the Same” samples “Regulate” by Warren G & the late Nate Dogg letting off his observations of shit changing in the hood & getting the actual Warren G himself on the remix. “Geeks” references WWE Hall of Famer, former 6-time WWE Champion, 2-time WWE Intercontinental Champion, 2-time WWE United States Champion, 5-time WWE Tag Team Champion & NWA World Tag Team Champion Stone Cold Steve Austin just before “Cake & Rice” pours up enough drank that can give him stomach aches during the evening.
Meanwhile on “Good to Me”, we have Vezzo talking about a woman who wants someone rich leading into “Worth Something” featuring Big Sean & Skilla Baby finding the trio making the whole block jump. “Minnesota” morbidly takes the wocky to the North Star State while “Richer Than I’ve Ever Been” featuring GT of course boasts their wealth. “Dumb Dumb” finishes by leaving the plug & coming right back since his packages be slapping.
It’s been 4 months since the Detroit trap star & IUR CEO celebrated his birthday by putting out a Live from the 6 successor that explored 6 Mile even further than the predecessor did & he warms up the streets for whatever has coming next by cooking up 9 tracks bringing along a few of the city’s biggest artists for the ride letting y’all into the way they be living over the Motor City’s unique take on trap music.
Dough Networkz is a music management executive & underground hip hop curator from Inglewood, California notable for having the duo DirtyDiggs produce his full-length studio debut LP Above Cloud Vision in the summer of 2019. He even helped curate an East to West compilation from Lord Mobb Music about a year & a half ago, turning the sophomore effort here into a double album except both discs were released a week apart from each other.
“Niyyah” by Osbe Chill & Tek is a soulful intro talking about being strong & wrong simultaneously whereas “A Day Late & $1 Short” by Boldy James & Trizz featuring Jay Worthy on the remix was a great lead single linking up to boast they’ve been getting money since prior to them getting laid for the first time. “Fake Dead” by Jason Martin formerly known as Problem, Jayson Cash & WeSSmont SSkeme brings a west coast vibe with Jason Martin having the best verse while “Dreamin’” by Big Twins soulfully feels like the hood is his.
Conway the Machine & Sirrealist join forces for the gully boom bap joint “Sawed Off” talking about getting your nose blown the fuck off if you stick it where it shouldn’t be leading into the cloudy “3 Hours Past Noon” by Jay Worthy boasts that it ain’t a party until he pulls up to the spot. The soulful “Never Knew” by Jameel Na’im X, King Akeem & Young Roddy admitting they didn’t think the love the trio have would be the way it is & “Sunsets Over Inglewood” by Domo Genesis featuring Smoke DZA on the remix proved to be another great single choice representing the southwest.
“Old Rules” by N8NOFACE angrily gives a middle finger to the kids who be calling him an old head when he feels like you should rightfully have pride in your shit just before “Automatic Lovers” by Airplane James & The Jack Moves switches gears stylistically departing from hip hop in favor of a smooth soul ballad. “Rap Camp” by Ab-Soul, Baron Davis, Dazy Lyn, LaRussell, Malachi & Mani Coolin is this cool 7 & a half minute posse cut while “Crime Networkz” by Crimeapple & RLX feels reminiscent of their recent collab album Los Pollos Hermanos.
Tha God Fahim jumps on top of this haunting instrumental throughout “Eyes of the Beholder” doing squats with the weight of the world on his shoulders while “Goodbye Twice” by Baron Davis & T.F. soulfully talks hitting the parlay like it’s Uncut Gems. The song “Lil Bobby” by Hyde Park Firebug & Traffic discusses the realest shit meaning more to them & “Play Your Role” by Cala the Prophet & Eastside K-Boy offers nothing more than advice.
“Don’t” by Drebo sets off Side B with a west coast g-funk banger with a hook reminiscent of the late, great Nate Dogg carrying over elements from that era onto “Black Bentley” by Black C & Lil Woofy Woof except both of them are showing off their gang ties. “Player Made” by Brodie Fresh & The Musalini hops over a sample to talk about them being the players they are while “Beverly Hills Car Club” by AJ Snow finds therapy within wiping down the rims of his ride.
Osbe Chill & Rome Streetz appear for the crooning “However” talking about getting rich while “Phone Call from Dough” by Westside Webb jazzily making it clear that he really be hustling & flowing out here staying in his own zone. “Cash Rules” by Kai Ca$h goes boom bap so he can explain that money talks while “West to East” by Flee Lord & MC Eiht perfectly represents both Queens, New York & the city of Compton, California.
“Sticks & Scars” by Da$h & Win or Lose Records has a slower boom bap tone realizing that the payback is way past due the way they see it while “Mika & Sef” by Baron Davis & 2-1 keeps it in the basement showing off the different type of skill they’ve already mastered. “Center of Change” by Chance Infinite grittily performs prayers instead of a seance in the middle of chaos observing the devils having awareness of being wrong & “Designer Drugs” by Jonah Love makes me feel like I’m listening to Boldy James.
Mitchy Slick & Trizz come together to make “Money on the Fly” backed by a sample while “The Invitation” by Vel 9 finds her drifting on a star. The song “No Fronts” by Huey Bliss cloudily talks being reliant on his clientele & “Where We Are” by Sadat X opens up on only needing a few individuals by his side rather than a whole army with these piano chords playing behind him. “Time is Now” by Big Cheeko & JAY NiCE closes Side B with them talking about what a shame it is that people act lame & gossip.
After the “Follow Your Dreamz” skit, “Clearing My Mind” by G Perico starts the deluxe run with a drumless sample looking to free himself mentally while “3 for 50” by O.T. the Real soulfully talks about trappin’ since his halfway house days. “Allahu A Lem” by Osbe Chill & Tha God Fahim teams up together again to discuss God eternally knowing best while the funky “Black Business” by All Hail Y.T. & EDIDON talks about African American entrepreneurship.
“Came from the Bottom” by Morray cloudily admits to the mistake of bringing too much fake in his mix & not having anything growing up while “Cocaine Heroin” by G4 Jag & T.F drumlessly talks about pushin’ weight. “Darkside” by Reaper Mook continues the bare sampling to state he was in the trap too long because he felt like it was the only way while LIFEOFTHOM’s title track bodies a jazzy boom bap beat for 112 seconds.
After the “Follow Your Vision” spoken word interlude, “Handle Business” by Southside Vic smoothly talks about running up the money with bad ambition & his girl’s response when he told her he was in the lab while “It’s a Compton Thang” by Mari Ruger & MC Eiht represents their hometown with a g-funk flare. “Limo Tints” by Jay Worthy & Tiona Deniece experiments with trap soul hoping to make haters sick with their success while “Stronger Than My Pain” by EDIDON & Tha God Fahim talks about there being no love lost because it doesn’t cost shit.
Warren Wint gets introspective over some keys during “Out My Window” simply trying to survive around his parts livin’ to get by while “Triumph” by Bale & Neko Brim soulfully talks about this sounding like a victory lap to them. “Patterns” by Boldy James, Grafh & T.F. unites so each of them can describe livin’ like legitimate gangsters while the funky “Sliding” by B-Legit & LE$ talks about tying up anyone who tries to mess with their bread.
“Paisa” by El Nino switches up with a full-blown Latin rap song backed by a classy instrumental while “Yote Networkz” by Coyote makes up for it’s minute & a half brevity with both LadiesLoveGuapo & Ricky Blanco spitting aggressive verses in that matter of time. “Sushi” by Sirrealist & Starz Coleman prefers to peak out the window like Malcolm instead of turning the other cheek while the final bonus track is pretty much Win or Lose Records speaking “Straight from the Heart”.
Since both discs of Dis for the Project are finally in front of us now, it reveals itself to be an exciting double LP following up on Dough Networkz’ official debut Above Cloud Vision. I prefer the production that NoyOne & J.R. cooked up 6 years ago, except I appreciate the quality list of performers that he had to bring on board whether it be established veterans or some lesser-known names looking break down the wall of obscurity & get themselves out there.
Washington, D.C. emcee/producer Ankhlejohn teaming with Cookin’ Soul for his 7th mixtape. Breaking out off his Big Ghost Ltd.-produced sophomore effort Van Ghost, he’s given the underground a total of 6 full-length studio albums as well as 27 EPs & his last 6 tapes in almost a decade. Other favorites of mine in his discography include the Navy Blue-produced As Above, So Below & the Rome Streetz collaborative effort effort Genesis 1:27. I was however interested in hearing The Michelin Man after his verse on Gangrene’s comeback effort Heads I Win, Tails You Lose.
“Landlord Member” sets the tone by hooking up this gospel sample to talk about being the kind of father that actually lives with his children whereas “Rump with Me” takes the boom bap route instrumentally asking if anyone out there wants smoke with him. “The Hell Pit” goes drumless talking about everyone already knowing the deal with him for these past several years leading into “Lance Vance” featuring Premo Rice praising God for keeping their affairs in order.
As for “Deuteronomy 28”, we have Cookin’ Soul continuing to strip the drums once again making way for Ankhlejohn feeling like Onyx telling everyone to do the knowledge just before “Seed of Chucky” featuring Tony Shhnow marks the soulful collaboration I never thought I needed to hear. “Sturgeon Eggs” returns to the boom bap putting his street life on full display lyrically while “Halfway” featuring Mike Shabb sees the 2 leaving y’all shot in the mouth.
“Riga Mortis” officially starts the final moments of The Michelin Man referencing WWE Hall of Famer, former 6-time WWE Champion, 2-time WWE Intercontinental Champion, 2-time WWE United States Champion, 5-time WWE Tag Team Champion & NWA World Tag Team Champion Stone Cold Steve Austin following the premiere of the WME Group-owned TKO Group Holdings division WWE’s new developmental brand Evolve revived by EVOLVE Wrestling’s original founder Gabe Sapolsky showcasing talent under the WWE ID (Independent Development) program on tubi yesterday prior to “Feel the Breeze” finishing us off on a jazzier note making his mother proud with his words.
Some of LORDY’s output in the past 7 years has been hit-or-miss & heads I know who’ve been following him for the same amount of time as me have agreed on that when engaging in conversations of his discography, but The Michelin Man easily sticks out as Anhklejohn’s finest offering of the 2020s elevating Cookin’ Soul’s production run that began last year & the D.C. artist’s finest performances in a while.
This is the 6th EP from Belleville, New Jersey emcee/producer Action Figure 973. Somebody whose growing discography comprised of 2 mixtapes & 5 EPs has been steadily making waves in the underground for a few years already, gearing up for the hit Vice docuseries Dark Side of the Ring’s upcoming 6th season at the end of the month 48 hours succeeding John Cena’s shocking heel turn attacking the current WWE Champion Cody Rhodes at Elimination Chamber XV this past weekend.
“Villain Eyes” sets it all off with an uncanny boom bap instrumental talking about the way he sees the game whereas “Rap is Crap” gives a nod to The West Texas Rednecks from WCW’s dying days led by the late WWE Hall of Famer, former 2-time WWE Intercontinental Champion, WWE United States Champion & WCW World Tag Team Champion Curt Hennig and calling the game cornier than WrestleMania IX.
WWE Hall of Famer Gene Okerlund gets referenced on the jazzily drumless “Laughing at Your” just before “Mook vs. Arty” references both the late 3-time ECW World Tag Team Champion & SMW Tag Team Champion New Jack and WWE Hall of Famer, 7-time WWE world champion, 7-time WWE tag team champion & WWE Hardcore Champion The Undertaker.
“Skip the Pleasantries” goes for a jazzier direction instrumentally talking about being stronger than record 10-time WCW World Tag Team Champions Harlem Heat just before “Jack Veneno vs. Carlos Colón” acknowledges the former NWA Worlds’s Heavyweight Champion & WWE Hall of Famer of the same name respectively. “Are You Not Entertained?” sends off the EP with a boom bap outro talking about his presence drawing results.
Focusing on topics like former ECW World Tag Team Champion Eddie Gilbert & WWE Hall of Famer The Sheik to name a couple this spring regarding the show itself, the Dark Side of the Ring EP musically takes the love Action Figure 973 has had for the professional wrestling business throughout his career & incorporates it significantly heavier into his music with a hardcore boom bap project turning up the amount of nods to it’s long & rich history.
Albuquerque, New Mexico emcee, songwriter, producer & architecturalist Lost Membranes dropping his debut EP on his YouTube channel. Inspired by a multitude of artists in different genres from the almighty Wu-Tang Clan to post-punk pioneers Joy Division & the pioneering nu metal band KoЯn, he first introduced himself at the very beginning of 2022 & has put out numerous singles since then. However, he’s opening The Empty Diaries as his 1st official body of work in order to make a broader statement in the underground.
“Awakening” starts the EP by screaming in the brightest moonlight until it’s time for the almighty to show him what he has in store for him next whereas “Bleached” has this occult atmosphere that I find fitting talking about how the world got him feeling & he’ll never be the same again. “Confront” goes for a rap rock to discuss life being a daily struggle while the solemn “Discord” marches on to a war’s parade. “Paradox” ends by talking about everything coming down to the decisions he’s made.
Each song on this 5-track EP gives you an inside look into the constant grind & fights we have with the battles we face in life such as our personal struggles, our faith, our ups & downs, our hopes & dreams, having loved ones or losing loved ones & what we do to maintain our sanity through it all. A mix of hip hop as well as punk & metal music, The Empty Diaries is an emotional journey from beginning to end.
Deep Sea Diver are an indie rock band from Seattle, Washington consisting of drummer Peter Mansen, guitarist Elliot Jackson, bassist Garrett Gue & frontwoman Jessica Dobson. Their 2012 debut History Speaks followed by Secrets & Impossible Weight were all solid in their own rights, eventually garnering the interest of the biggest local indie label Sub Pop Records & them fittingly signing the hometown act for their 4th full-length studio album in their discography having the potential to become their most important one ever.
The title track mixes indie rock, dream pop, neo-psychedelia, indie pop, new wave & post-punk revival together singing about welcoming the future by letting go of it whereas the existentially tongue-in-cheek “What Do I Know?” asks why Jessica feels so complicated. “Emergency” turns the punk influences back up warning she doesn’t anyone shit when she really doesn’t while “Shovel” blends new wave, post-punk revival & alternative dance gets at Jessica’s most angular & dualistic.
“Tiny Threads” comes through with a sweeping anthem for anyone trying to hold anything together just before “Loose Change” brings a heavy singer/songwriter vibe to the table with it’s acoustic heavy sound singing about all of us standing up to our mistakes. “Always Waving Goodbye” goes for their signature indie pop/indie rock sound hoping that we all stop hiding one day while “Let Me Go”featuring Madison Cunningham stands out with them giving flowers to PJ Harvey.
To begin the encore of Deep Sea Diver’s official Sub Pop debut, “Be Sweet” calls for everyone to give her more flowers than she can take only for the sole purpose of smelling them in the flesh & promising we’ll survive the bullshit in the past month or so while “See in the Dark” sings about having the ability of having night vision & there being no need for anyone else around her to find another way out. “Happiness Isn’t a Given” concludes the band’s most exciting offering perceiving joy as not being specified.
For a personal breakthrough that prompted an artistic one, Billboard Hearts exemplifies Seattle’s biggest label signing the local act & they hand them a defiant & brilliant exclamation mark at the end of a long period of wandering. They expand the indie rock/indie hybrids they’re known for venturing out in favor of new wave, synthpop, shoegaze, garage rock revival, post-punk revival, singer/songwriter & dream pop peeling back a renewed self of self Jessica has.
This is the 5th mixtape from Carson, California rapper Reason. After releasing his first 4 tapes, Top Dawg Entertainment signed him in the middle of 2018 by reissuing the one that landed him the contract in the first place: There You Have It. However, his official full-length debut album New Beginnings received more mixed reception when it came out the fall where COVID had the whole world shut down & Anthony “Top Dawg” Tiffith’s son Moosa subsequently got into a heated exchange of words with Reason the week Porches dropped saying former employee & pgLang co-founder Dave Free regrets even signing him in the first place. Understandably, he left TDE & is returning to his independent roots by telling the game I Love You Again in light of starting his own label Do More Records.
“Fly Away” is this 1 minute drumless intro tackling the theme of escapism whereas “MY Own” featuring Junii takes the trap route instrumentally talking about keeping your head up whilst treading them waters. “Stuck on Moments” featuring Kota the Friend goes for a summery vibe to the beat taking a road different from the proper trail just before “Fleece” hooks up these pianos & hi-hats showing off his young ghetto n***a status.
The soul-trap hybrid on “Not What You Think” featuring Bas crosses the halfway mark of I Love You Again nicely turning all of their demons into meanings but after the “Do More with Thoughts & Ideas” interlude, Ben Reilly joins Reason for “100” going off the top together that is until “Hol’ That” featuring Coyote & Ransom reveals to be the most fun collab here. The final song “Cross the Waters” ahead of the “I Really Do Love You Memoir” outro wraps it up with him & Hit-Boy sharing a moment on the mic together over a Supah Mario instrumental.
After the “I Still Love You Memoir” interlude, “Count It Up” gets on a soulful trap note taking happiness over money & fame while “Tears Over Rose Petals” featuring Cozz cumbersomely talks about wanting people to feel the words they’re speaking instead of simply listening. “On Site NE” hooks up a vocal sample & some finger snaps saying he needs his paper pronto & after the “Spin the Block Memoir” interlude, “I Hate You. I Love You.” dustily breaks down his love/hate relationship with the game.
Once the final bonus track “Home to Me” featuring Chris Patrick excluding the “Support Ya Ppls” outro finishes the deluxe run with a pop rap joint feeling safe around the love of their lives, I wanted to take an opportunity to discuss both “The Dead Apple” & “New York Crash” since both of them were released in the midst of Ray Vaughn & Joey Bada$$’ series of friendly competition disses. The first is a 2-parter replying to a jab Joey threw during “The Finals” & the other finds himself tempted carrying a .40 on him at all times.
Sitting in the weight of reflection, contemplation & healing, one of the industry’s most compelling young voices renowned for his gift for narrative & storytelling prowess makes his highly anticipated return as he embarks on creating his own path & proves that his star is as bright as ever now that’s independent free to drop whenever he wants as opposed to a major label holding his creativity hostage.
Legends Will Never Die 