Tha God Fahim – “Dump Gawd: Hyperbolic Time Chamber Rap 3” review

Tha 70 Tape Legend himself Tha God Fahim getting back with Nicholas Craven for his 49th EP. Starting as an affiliate of Griselda Records as well as being 1/3 of the Dump Gawds alongside Mach-Hommy & Your Old Droog, we also can’t ignore the massive discography that he’s managed to build for himself, some of the standouts include Breaking Through tha Van Allen Belts & Dump Assassins. That said: dude has been on a CRAZY ass run in 2023 with the standouts being the Camoflauge Monk-produced Dark Shogunn Assassin, the Nature Sounds-backed Iron Bull & the Nicholas Craven-produced Dump Gawd: Shot Clock King series, the Oh No-produced Berserko, Dump Gawd: Rhyme Pays produced by Mike Shabb, Tha Supreme Hoarder of All Pristine Wealth. Supreme Dump Legend: Soul Cook Saga produced by Cookin’ Soul & Machine Gun Vocabulary produced by Cartune Beatz. We got a 2nd AND a 3rd installment of Tha Myth Who Never Quit couple months ago but coming off Dump Gawd: Hyperbolic Time Chamber Rap & the sequel, it’s time to close out the trilogy.

“The Intent of Vengeance” kicks off Hyperbolic Time Chamber Rap 3 with a soulful boom bap instrumental talking about having to get right because shit could possibly change tonight whereas “Bullet Proof Confidence” works in some keys, kicks & snares flexing that his self-assurance is indestructible. The piano sample on “Senzu” feels reminiscent to “On My Block” by Scarface to talk about him still having it lyrically just before “Not for Sale” wants to know if you’re a foe or friend to him.

Getting the other half going, “Heavy Handed” brings a soulfully dusty flare back to the table comparing his longevity to current Los Angeles Lakers player LeBron James while “Kumite” Keeps it in the basement instrumentally promising to waste y’all like it’s Grand Theft Auto. “Makankosappo” ruggedly promised to take everyone’s words regarding him & making them eat ‘em at the end leading into “A Step Further” closing it out telling everyone to be good sports watching him making half court shots.

Ending his 2024 with a bang, the Dump Gawd teases big things coming down the pipe throughout 2025 by completing another trilogy of projects with one of the greatest producers of this current decade firstly. Nicholas Craven’s production carries on the boom bap emphasis both prior installments of the Hyperbolic Time Chamber Rap series had put on themselves 6-7 weeks ago & Fahim outdoes himself from a lyrical standpoint.

Score: 4.5/5

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Chief Kamachi – “Godbody” review

Philadelphia, Pennsylvania underground veteran Chief Kamachi releasing his 6th studio LP & the first after 10 years. A member of the JuJu Mob & formerly of the Army of the Pharaohs collective, his first couple solo efforts Cult Status & Concrete Gospel came out prior to his departure after AotP’s sophomore effort Ritual of Battle & followed the latter 2 up with The Clock of Destiny as well as Rise & Rhyme and of course Radio Raheem. Couple days after Christmas, he’s back with that Godbody.

“The 4th Lecture” is this triumphantly hardcore intro talking about being from a different pedigree & refusing to compromise his integrity for celebrity status whereas “Solar Return” compares himself to a section 8 Egyptian on top of a piano-driven instrumental. “Dime Bags of Divinity” embraces a gospel boom bap sound calling himself the sun rising over the slum tomorrow ahead of “Storm the Capital” calling for us all ready to be freed.

Moving on from there, we have Kamachi on “Sold the Soul” coming clean regarding every step he takes feeling like as if it’s the last dawn wanting to know who withdrew the light leading into “96 Fatigues hooking the kicks & snares back up to talk about freedom being a dirty flag to stand in the rear. “Earth Mecca” soulfully recalls the last time he saw this queen was when she was in the block looking up at the sky just before “Concrete Prayer Rugs” gives everyone the sound of repentance.

“Astral Prison” produced by Domingo happens to be a personal favorite of mine from the drumless keys to the lyrics clearing his name as prisoner of the stars while “Breakfast in Babylon” feasts on knowledge rather than bread tasting like ash & despair. The self-produced “Lil Kev Ain’t a Killer” tells the story of a church boy with a pure soul spending the rest of his life behind bars but prior to the titular outro, “NTB” ends by wanting to show him that you got it.

Returning after a decade away from the game, it’s only right that Kamachi returned with album that redefines the boundaries of spiritual, lyrical & raw hip hop. Godbody takes underground heads on sonic journey through the streets, the soul & the cosmos delivered with the precision & power that only Kamachi can bring sparking a whole entire movement rather than being written off as simply music.

Score: 3.5/5

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WTM Miles – “Road Music” review

Here we have the 4th EP from Detroit, Michigan rapper WTM Miles. A member of the WRLD Tour Mafia, he would properly introduce himself at the beginning of this current decade off his first couple EPs I Shoulda Been Dropped & Trapped n L.A. ahead of the full-length debut studio album Crackhouse Mafia. Miles’ previous EP Cross State Lines celebrated its 1-year anniversary this fall & is preluding the upcoming Shortstop mixtape by dropping off some Road Music.

“Shandeur Sanders” is this stellar Detroit trap opener produced by WTM Niketech boasting that he got more bags than Michael Kors whereas “Cup Dirty” puts a morbid flare to the Motor City’s unique take on trap music talking about a woman letting him know she’s worthless by looking for a come-up. “Future Bright” has a dark Detroit trap atmospheric remaining optimistic regarding his future while “Bad Habits” featuring Homealone Drock trades the mic back-&-forth over a Carlo Anthony instrumental. “Racing to Ms” ends with a 1 more Detroit trap joint talking about being on track when it comes to getting closer making millions.

I can only assume that we’re gonna get Shortstop at some point following R.A.F.A. (Rockstars Are Fuckin’ Awesome) in a few weeks until we get to crossing that bridge, Road Music will hold off fans well enough. The production primarily bases itself around the Detroit trap sound that the group he’s a part of made a name for themselves off & giving a taste of what’s to come in the form of a gift before the year ends.

Score: 3.5/5

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Dirtcore Music – “Dirtcore” review

Dirtcore Music is an independent record label based out of Grand Rapids, Michigan founded by local rapper, singer/songwriter & producer Crossworm. The sole artist officially signed for its first 2 decades of existence until bringing Samson Samson whom he formed Bodies Below Sea Level with, Madd Maxxx, Mumm Ra, Sleep Lyrical, J Reno whom he formed Misery Coast with & Grounds all on board. Others such as Gavyn Gunn & Oblivia have spent a brief amount of time signed to Dirtcore with Gavyn’s debut EP Malevolent being a great start to his ongoing trilogy & the rest of the current roster dropping off a showcase compilation on Christmas.

“You Can Get It” by Grounds, Mumm Ra, Samson Samson & Sleep Lyrical produced by Crossworm follows the “Good Evening” intro fusing electronic & trap to -leave enemies toe-tagged whereas “Burn It All Down” by Bodies Below Sea Level industrially finds themselves in a pyromanic type of mood. “The Split” by Misery Coast & Sleep Lyrical meshes these acoustics & hi-hats to talk about this being their life’s work prior to “Kill Em All” by Madd Maxxx & Misery Coast spitting the wicked shit over a trap instrumental.

Madd Maxxx gets his own solo cut with “Zatoichi” aggressively promising to take you out over a cold blooded aboom bap instrumental from J Reno leading into the cutthroat “Landmine” by Madd Maxxx & Misery Coast talking about rollin’ with villains & henchmen. “Keep You Safe” by Grounds, Madd Maxxx & Sleep Lyrical aesthetically somewhat reminds me of 1,000 Suns/Living Things era LINKIN PARK just before “Wear Them Kicks” by Madd Maxxx after an interlude from Dirtcore’s label manager Bando suggests to slide by him if you wanna try him.

“Heavy Babies Weigh Too Much” by Grounds teases his upcoming EP Walking into Tragedy this spring with a self-produced alternative rock track that breaks down during the 2nd half of it but once “Ill” by Madd Maxxx & Samson Samson gets back in their wicked bags decimating a boom bap instrumental, Bodies Below Sea Level goes into “Killmode” for the final song on the comp with the occasional guitars reminding me of “My Last Breath” by Evanescence serving as the entrance theme of former 2-time AEW TNT Champion, AEW World Trios Champion, 2-time NWA World’s Heavyweight Champion, TNA World Champion, 6-time WWE world champion, 4-time WWE Intercontinental Champion, WWE Hardcore Champion, 9-time WWE tag team champion & The Patriarchy leader Christian Cage.

Making my holiday season a little better, all 8 artists get together to end what’s been an outstanding year for music by compiling a collection of songs that’ll get the average listener unfamiliar with Dirtcore familiarized with who everyone is from an artistic standpoint & a little bit as people. The production from the trio of in-house producers displays the Grand Rapids imprint’s prominently underground wicked shit sound & expanding beyond it for industrial music, rock music, boom bap, electronic rock & trap signaling that everything they’ve done these past few years was only the beginning.

Score: 4/5

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Redman – “Muddy Waters 2” review

Newark, New Jersey veteran Redman returning after a decade for his 9th full-length studio LP as a Christmas Eve miracle. A member of the Hit Squad, he later signed to Def Jam Recordings & saw success during the 90s & 2000s as a solo artist & later with Method Man as a duo after his first 3 albums Whut¿: Thee Album alongside Dare iz a Darkside & Muddy Waters cemented his icon status. The latter turned 28 a couple weeks ago & is returning after almost a decade for Muddy Waters 2.

After the “Welcome” intro, the first song “Da Fuck Goin’ On?” kicks the door down with a 77 second self-produced hardcore hip hop joint gettin’ on his grind whereas “Whut’s Hot” goes for a bit of a rap rock vibe instrumentally courtesy of Khrysis talkin’ about not being told what’s poppin’ & what isn’t. “Jersey” produced by Rockwilder goes for a soulful vibe representing his turf & after the “Fat Shirley” skit, “Lalala” by Method Man & Redman moves forward with a fun look at their back-&-forth chemistry although I prefer the DJ Premier remix.

“Don’t You Miss” reflects on the old days since he’s a 90s boy who never gives up & giving everyone exactly what they pay reuniting with his mentor Erick Sermon behind the boards for leading into “Ignant” talking about the fact that there ain’t nobody else around his city like him bringing his classic ignorance using the same sample as “Tearz” by the Wu-Tang Clan. After the “Uncle Quilly” skit, “Aye” takes it to the streets over a funky ass beat while “Hoodstar” brings a disco flare to the table talking about being well known in the streets.

The lead single “Don’t Wanna C Me Rich” samples “Luck of Lucien” by A Tribe Called Quest letting everyone know that he’s been doing alright for the past 9 years just before “I’m on Dat Bullshit” dabbles with trap a bit thanks to Hallway Productionz talking about those runnin’ their mouths behind his back & to get a life. After “Da Trunk” skit, “Pop da Trunk” hooks up some synthesizers & handclaps showing off his mob ties while “Gheddo Motivation” goes trap again to provide street gospel.

“Dynomite” featuring Sheek Louch finds the pair linking up reminding everyone that both of them be movin’ while “Wave” takes a minute & half to discuss being all about real shit & shrugging off anyone who tries to be all up in his business. After the “My Weed’s Been Taken” skit, “Kush” featuring WWE Hall of Famer Snoop Dogg brings the synths back in the fold for a stoner’s ballad while “Booyaka Shot” aggressively talks about fuckboys never winning & that the G’s stay up.

Ke Turner joins Funk Doc on the Mike & Keys laced “Goofy” so they can poke fun at all the weird muhfuckas out here these days & after the “Obama Stick Up” skit, “1:00” ruggedly let’s y’all know the way shit’s going down from the cannabis king’s side of things. “Lite It Up” strips the drums for a star-studded New Jersey posse cut featuring El Da Sensei, Hakim Green, Heather B, Lady Luck, the Lords of the Underground, Naughty by Nature, Nikki D, Queen Latifah, Rah Digga & 4-time NBA Champion Shaquille O’Neal sampling “Rapper’s Delight” by the Sugarhill Gang while “Wudeytauknbout” playfully talks about having a look at all his haters.

“Why U Mad?” featuring Mr. Cream & Runt Dawg sees the trio wanting to know the exact reason for everyone walking around so pissed over a Rick Rock instrumental & after the “Soopaman Luva 7” skit, we are treated to the 7th installment of Reggie’s beloved series of tracks split into 2-parts. “Looka Here” featuring KRS-One nears the conclusion of Muddy Waters 2 with both of them assuring that everything’s in order & “Smoke wit Me” ends by addressing his legend status.

Funk Doctor Spock’s been teasing this for so long to the point where people were calling it the east coast’s answer to Dr. Dre’s mythical Detox album & now that we finally got it after 15 years, it’s his most consistent body of work since Red Gone Wild: Thee Album roughly 18 years ago this spring. I find it to be more well-produced than the commercial Reggie & Mudface were in addition to the Brick City Masher making a returning to form to the humorous hardcore approach he’s known for.

Score: 4.5/5

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SZA – “Lana” review

St. Louis singer/songwriter SZA finally releasing her 3rd studio LP. Breaking out over a decade ago in the alternative R&B scene off the strength of her first 2 EPs SEE·SZA·RUN & S, she would eventually sign to Top Dawg Entertainment in the summer of 2013 & has since made herself home with the west coast label by putting out her 3rd EP Z alongside the RCA Records distributed full-length debut CTRL. Her sophomore effort S.O.S. went more contemporary & is celebrating it’s 2-year anniversary with Lana.

“No More Hiding” produced by Michael Uzowuru is this drumless, acoustic R&B opener singing about having to build everything twice over whereas “What Do I Do” takes the moody trap soul route instrumentally thanks to benny blanco & Cashmere Cat telling her ex that called her on accident that it’s too late & their relationship won’t be the same ever again. “30 for 30” featuring Super Bowl LVI & Super Bowl LIX halftime show performer Kendrick Lamar samples “Throw Some D’s” by Rich Boy saying “fuck you” to the haters if they’re saying it first while “Diamond Boy (DTM)” strips the drums again to sing about being addicted to her new man.

Meanwhile on “BMF”, we have SZA coming through with some summertime vibes describing a young & handsome man from southwest Detroit who happens to be fly & bossy just before the atmospheric “Scorsese Baby Daddy” admits to hating being the one that’s doing the most & being addicted to the drama. “Love Me 4 Me” slickly sings about romanticize the scariest things & asking her new partner if they love her for herself, but then “Chill Baby” gives off a moody boom bap approach courtesy of Cade & Lil Yachty finding a bitter piece.

“My Turn” brings a trap soul flare back to the table giving her partner his turn to do the hurtin’ because she deserves it & still digs him even if life ain’t fair at all while “Crybaby” lusciously addresses the public’s perception of her being overly sensitive & emotionally vulnerable. “Kitchen” has some cool psychedelic guitar licks throughout breaking down the difficulty of doing the right thing sometimes & after the “Got Behind Me” interlude, “Drive” returns to a drumless edge singing about driving in the middle of the night.

Reaching the final moments of Lana, “Another Life” hooks up some synthesizers knowing that she & her partner could ride down asking him if he would still love her in an alternate reality wanting to be by his side & the lead single “Saturn” finishes the S.O.S. follow-up that’s been in the making ever since the predecessor initially came out a couple winters ago blending neo-soul, alternative R&B trip hop, psychedelic pop & psychedelic soul explaining her confusion of this world.

Don Toliver joins SZA on the contemporary/psychedelic folk-inspired “Joni” to start the deluxe run of Lana sampling “Angeles” by Elliott Smith written from the perspective of Joni Mitchell while “Take You Down” asks her lover if he you mean all the shit he said the other day & if he was just talkin’ or tryna swing her way. The final bonus track “PSA” takes it back to her alternative R&B roots singing that she doesn’t want anyone calling her anything other than #1.

Hitting a healthier mental state than when she recorded her past 2 albums, Lana only a month after her upcoming Grand National Tour co-headliner Kendrick surprise-dropped GNX feels more ready to move on & let go as opposed to being overly burdened by past hurt. Finding solace in meditation & yoga, her growing sense of inner peace reflected on the most personal body of work that the generational talent of an alternative R&B singer has ever crafted giving the world a look at where stands presently expanding on S.O.S.’ contemporary sound in favor of trap soul, neo-soul, alternative R&B, bedroom pop, contemporary folk & psychedelic folk.

Score: 4.5/5

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Elcamino – “Full Moon” review

This is the 18th EP from Buffalo emcee & singer Elcamino. Blowing up in 2017 off his self-titled EPwith Griselda Records, his profile increasingly grew after being followed up by Walking on Water mixtape in the summer of 2018 along with dropped 2 studio albums & a few EPs the year after that. They Spit on Jesus proved to be a well received Black Soprano Family Records debut becoming the first Camino project that I had covered since On the 3rd Day & that much like No Weapon Formed Against Me was an improvement over some of the material we’ve gotten from him in recent memory. 6 months after having Real Bad Man produce The Game is the Game followed by Ill Tone recently producing Built for Cuban Links named after Raekwon’s iconic solo debut Only Built 4 Cuban Linx…produced by RZA, Meech started the final quarter of the year flexing his Millionaire status & is ending it with a look at a Full Moon.

“Who Braggin’?” awkwardly kicks things off by impersonating Future for whatever reason while “Legal Money” takes the atmospheric trap route instrumentally doing shit that no one else can compared to him. “Forever” works in some background vocals & hi-hats talking about being too valuable whereas “Real” featuring Duckman vibrantly flexes that they’re still clappin’ out here. “Dat’s My Bae” feels like another Future-inspired song & so does “Back Ballin’” except it’s more playful. “Everything He Knows” lavishly ends with promising that he’ll do this shit for life.

Not trying to make it to sound like that I’m hating on the guy because I’ve been listening to Elcamino ever since he first signed to Griselda almost 8 years ago & have given him his praise in the dozen of projects I’ve reviewed him in the past, but I’m kinda torn on this EP personally. He can very much sing as well as he can rap on trap production like he can on traditional east coast sounds, it’s that the heavy-Future influences can be a little off-putting to me.

Score: 2.5/5

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Frayser Boy – “Christmas Trees” review

Memphis, Tennessee emcee Frayser Boy ringing in the holidays with his 4th EP. A member of the Hypnotize Camp Posse, his first 3 albums under Hypnotize Minds Productions produced by his mentors DJ Paul & Juicy J would solidify himself as one of the label’s biggest acts ever as did the B.A.R. (Bay Area Representatives) collab effort with fellow Hypnotize Minds alumni Lil Wyte a decade ago already. Coming off the Bay Day trilogy of EPs however, Bizzle’s got Christmas Trees for everyone.

“Bah Humbud” is this choir-trap opener about smoking weed whereas the title track takes the Memphis route instrumentally telling us how he spending Christmas Eve gettin’ stoned. “Fly Away” gives off a dirty south vibe altogether talking about wanting to take a flight while “Let Me Smoke” returns to a trap direction inhalin’ & exhalin’. “High” featuring T-Rock formerly of the Prophet Posse ends with them flexing that you’re now smoking with the best.

Frayser for me has always stood out within the Hypnotize Camp Posse & I still hold his first 3 LPs in high regards when it comes to his discography. That said: Christmas Trees as a stoner myself is a fun holiday themed stoner’s EP to smoke to during the holiday season heavily basing it’s theme off puffin’ that good good in the middle of winter on top of production built around trap, the Memphis scene that made him who he is or even a hint of dirty south thrown in.

Score: 3.5/5

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Boondox – “Black Winter” review

Covington, Georgia emcee Boondox releasing his 7th EP. Coming up as 1/3 of the trio Southern Hustlas Inc. under the moniker Turncoat Dirty, he would go on to sign with Psychopathic Records in 2005 following the release of his debut EP Dama Blanca & remained under the Insane Clown Posse’s wing for about a decade putting out his first 4 albums along with his 2nd EP PunkinHed through the Detroit label that runs beneath the streets. “Sippin’” off his debut The Harvest is also the entrance theme for former 5-time JCW World Juggalo Heavyweight Champion & JCW Hall of Famer 2 Tuff Tony if you watch JCW Lunacy. Former labelmates Twiztid later brought the Killer Scarecrow on board over at Majik Ninja Entertainment in the winter of 2016, whom he’s still signed to today. So Much Blood a couple years ago marked his return to the wicked shit & is now returning for a Black Winter.

After the titular intro, the first song “Punisher” produced by MIKE SUMMERS a.k.a. 7 is this dark trap intro likening himself to the titular Marvel antihero whereas “2 Wrongs Make a Right” embraces a rap rock vibe instrumentally warning that you don’t really want it with him. “Intermission” keeps the guitars in tact feeling like he won’t be forgiven because of the life of sin he lives while “War Journal” chaotically gets ready for a massacre.

“Vigilante” gets back on the trap metal tip again to talk about the season of killin’ shit coming as well as never being the same & undertaking in public safety or retributive justice without commission, but then “Vae Victis” suggests that everyone pulls the curtain down to see for themselves that everything really ain’t what it seems making sure they know who he is in the midst of giving everyone else the 3rd degree.

Both of the previous EPs that Boondox had put out through Mobstyle Music in tandem with MNE under his original Turncoat Dirty stage name has shown how much the persona has grown artistically in the past 2 decades & Black Winter reaffirms that. 7’s production is mainly trap-based with some trap metal undertones sprinkled in & Boondox’ lyricism tends to be more hardcore as opposed to the gangsta-concept of Cryptodirt over 3 years ago.

Score: 4/5

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Wildcard – “The Zodiac Project” review

California emcee Wildcard linking up with C-Lance for his 8th studio LP. Coming up in 2007 off the debut Dark Night of the Soul, he would go on to build up an impressive discography for himself from there whether it be The Odyssey & The War or even his last couple efforts Shadow Work & Change in Cabin Pressure. Last summer’s Western Promises resulted in one of his finest albums of his entire career yet & is now looking to up the ante by dropping The Zodiac Project.

“Aries World” opens up with a horn-heavy boom bap instrumental referring to a bunch of rats on meth as being Disney on Ice while “Taurus Jacket” maintains the sonic vibes of the predecessor talking about what he spent his 1st rap check on. “The Gemini Dance” featuring Kail Problems fuses rock & trap discussing themes of romance just before “Cancer Circle” featuring BARZ! finds the 2 talking about pushing until the wheels fall.

Apathy joins Wildcard for “Leo Lounge” returning to the boom bap promising that everyone’s getting clapped as if it’s gonorrhea leading into the soulful “Virgo Lane” apologizing for causing pain when he was selfish to the core. “Libra Season” featuring Dead Poet Devil hooks up a gospel sample to talk about going through it all while “The Scorpio Element” goes rap rock acknowledging that the hardest thing for him to do is change.

“Sagittarius Soul” has these prominent organs mixed with kicks & snares for a dedication to his mother while “The Capricorn Game” featuring A-Wax finds the 2 linking up & talking about their trigger fingers getting cold. “Aquarius Blue” shifts gears back in trap territory encouraging to drown out the voices in your head, but then “A Pisces Tomorrow” featuring Endr Won introspectively wants those who’re not in their lives anymore that they love them if they were here.

Pizzo comes into the picture on the song “Summer Snow” dropping hardcore lyricism on top of this crooning boom bap instrumental while “Brutal Blue” featuring B-Guy Griffin blends some hi-hats with melodic background vocals talking about the wild & lawless lifestyles that they live. “All Above the Above” ends The Zodiac Project with 1 more soulful boom bap joint pouring heart in his music only providing y’all with his side of the story.

C-Lance has become one of the best underground producers within the last 15 years & for anyone who loves the tracks that he’s done with Wildcard up to this point, you’re gonna love The Zodiac Project equally if not a tad bit more than the Western Promises he made almost a year & a half ago. The concept if you couldn’t tell is built around the zodiac signs & C-Lance’s diverse production carries over the consistency of the predecessor.

Score: 4/5

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