Juicy J & Wiz Khalifa – “Stoner’s Night” review

This is a brand new collaborative album from Juicy J & Wiz Khalifa. One is iconic for co-founding the seminal Memphis, Tennessee outfit Three 6 Mafia with the other coming straight outta Pittsburgh, Pennsylvania gaining worldwide attention in 2010 off his classic 7th mixtape Kush & Orange Juice. These guys have been working with each other ever since Wiz signed Juicy to Taylor Gang Entertainment the following year & they even went on to form the trio TGOD Mafia with TM88 in 2016, dropping their only album to date Rude Awakening that summer. However, it was announced last fall that they were working on Stoner’s Night & now we’re actually being treated to the final product.

“Testin’” is an explosive opener pondering why anyone wants to fuck with them whereas “Weak” almost sounds like a parody of “Weak Azz Bitch” down to the redundant Big30 feature. “Pop That Trunk” however takes a grimier approach talking about having toolies in their whips leading into the nocturnal “Big Game” co-produced by 808 Mafia co-founder Lex Luger getting materialistic.

Meanwhile on “Backseat”, we have Project Pat joining Juicy & Wiz on top of a cloudy trap beat talking about being the realest dudes their women have ever been with just before the horn & chime-laced “Throw It” reveals itself to be a fun strip club banger. “Try It” takes a mistier trap route talking about fighting fire with fire, but then “They Wanna See You” keeps it rolling by angrily clapping back at those praying on their downfall.

“Ass for Days” almost has this symphonic trap quality to it talking about a woman with Cake who goes both ways while “Club Close” has a more vibrant tone speaking on acting a fool. The song “Blaze Up” of course comes through with a cloudy weed anthem while the penultimate track “Why Do I Stay High?” picks up where the predecessor left off except it’s more melodic. “Invest” then ends the album with a celebratory ballad about them investing the money they already have.

It’s always exciting when these 2 link up with each other & Stoner’s Night was definitely an enjoyable listen for me. It’s pretty much what I expected as far as subject matter goes, but Juicy’s production once again takes listeners back to Three 6’s heyday & his chemistry with Wiz Khalifa remains unmatched even a little over a decade later.

Score: 3.5/5

Brillo Beats – “Mommy” review

Brillo Beats is a producer from Rochester, New York who got his start by dropping his debut beat tape Seeds on SoundCloud at the beginning of 2016 & following it up that summer with Stems. He then went on to release 2 more beat tapes the next summer & form the duo Cigarillion with Sai, but is taking it back to basics by dropping a 5th beat tape on sites like YouTube & Bandcamp.

After the “Kids” intro, the first actual track “Lifted” sets off the tape well working in a bass-line & a glitchy vocal sample whereas “Shoulder” follows it with a a more tribal feel down to the infectious loop throughout. “Watch” goes right into the chipmunk soul route that RZA started back in ‘96 but after the “Huh” interlude, “Even” picks the album back up by displaying a crooning sample.

Meanwhile on “Quack”, we have Brillo showing some really cool chopped & screwed influences just before “Lilly” incorporating some violins & the loop here is actually pretty catchy. “LaughC” shoots for a more dustier sound with some repetitive vocal chops & after the “Club” interlude, “Pajamas” mixes together these strings with a slowed down sample much like “Quack”.

“Furry” has this gospel quality to it that I was admittedly not expecting at all & “Cathedral” follows it up with some tense piano chords & a chilling vocal flip. “Elk” continues to expand on the sound that “Shoulder” was shooting for, but then the harmonizing on “Tea” is entrancing as fuck.

The track “Meadow” keeps it rolling with a bass-line & these groovy vocal melodies while “Bomb” is a final continuation of “Shoulder” & “Elk” sonically. But prior to the spoken word outro “Problem”, the final actual beat on the tape “Extreme” sends it all off with some handclaps & empowering chants.

Of all the instrumental projects that this guy has under his belt so far, I feel like Mommy might be the best of the bunch. You can definitely tell he’s a crate digger because the samples that he uses throughout this tape are very unique & obscure, which I admire because it reminds me a little bit of Madlib in a way.

Score: 3.5/5

Dubbledge – “10 Toes Down” review

This is the 3rd studio LP & Potent Funk Records debut from Watford, Hertferdshire, England, United Kingdom emcee Dubbledge. Emerging in 2005 off his debut mixtape The Fist of Jah, this was followed up in 2007 with both the 777 extended play & full-length debut The Richest Man in Babylon under Low Life Records. He would later drop the sophomore effort 1 Inch Punch! a couple years later after the demise of Low Life in addition to forming the quartet Problem Child alongside Dabbla, Illaman & Sumgii. However, he & Telemachus are unearthing 10 Toes Down a whole entire decade since they began working on it.

The title track blends rap rock & boom bap proving he can still get straight to the point when it’s time to start smashing shit until the rock elements get swapped out in favor of electronic music so every last person who think’s they’re a “Soopa Gangsta” can get scoffed at. “Itchy Itchy” takes a few minutes to send a shoutout to all the crackheads out there & after “Tear Dem Apart”chaotically tries to see what his competition’s made up, “Takin’ Libs” ends the 1st leg guaranteeing those who link up with him will have a ball.

“Chess” begins the 2nd half by hopping over an energized boom bap instrumental comparing life to a strategy game in that you’re either a pawn or a king while “Mad Dogs” featuring Kyza, Micall Parknsun & TBear finds the quartet coming for profits. “Lend a N***a a Pencil” might have the quirkiest beat of the bunch talking about being a bad MC & once “Awkward” suggests to think twice before switching up, “Your Mum” ends on a funkier note comedically depicting haters as disappointments to their mothers.

It’s pretty surreal to think 10 Toes Down was largely recorded during my freshman/sophomore year of high school because if this is the last time we’ll hear Dubbledge on the mic for an entire body of work since he’s been looking to become an author, I’d say this or The Richest Man in Babylon are the most entries in his discography. Many of the subjects he addresses are very relevant to the present day & Telemachus’ production is more varied than anything Edge has done over the course of the 2000s.

Score: 4/5

Axel Holy – “Got It Down” review

This is the 2nd extended play from Bristol, England, United Kingdom emcee/producer Axel Holy. Originally known under the moniker Baileys Brown producing for several local underground hip hop artists, he would eventually make his full-length solo debut in the spring of 2020 during the COVID-19 pandemic with WonderWorld & went on to follow it up with his previous EP God Comflex produced by Jack Danz the following summer. However, he’s decided to enlist Micall Parknsun to solely produce Got It Down in it‘s entirety.

The title track opens up with a bloodcurdling boom bap beat talking about making his own rules whereas “Loop Digger” sonically brings a funkier vibe to the table discussing that he’s flipping more paper than origami these days. Kicking off the 2nd half, “Boomboomdahdah” instrumentally puts a cavernous spin on the traditional boom bap sound talking about him always winning & the outro “Talkin’ Landscape” finishes up on a cloudier note explaining he’s not around much since time’s money.

As someone who appreciates the contributions Micall Parknsun has made for both Low Life Records & his recent Boot Records output, I went into Got It Down expecting it to surpass God Comflex to become Axel Holy’s greatest solo EP as much as I liked the latter & am hopeful this will only be the beginning of what’s to come. Axel holds down the verses by himself compared to WonderWorld’s inclusion of guests & sounds great over Micall’s production varying between boom bap, cloud rap & funk.

Score: 4/5

Keep up with @legendswill_never_die on Instagram & @LegendsllLiveOn on Twitter for the best music reviews weekly!

Dr. Dre – “The Contract” review

Dr. Dre is a 56 year old producer, rapper & entrepreneur from Compton, California who came up in the mid-80’s as part of the World Class Wreckin’ Cru octet. They would only put out 2 full-lengths before disbanding, but would go on to have a HUGE impact on the culture. Popularizing gangsta rap as part of N.W.A, getting everyone in the whole west coast to ride the g-funk bandwagon with his solo debut The Chronic, expanding that sound on 2001, the Beats headphones & who can forget introducing likes of Eminem or Kendrick Lamar to the world? His previous album Compton: A Soundtrack by Dr. Dre in the summer of 2015 was said to be his “grand finale” but ahead of his Super Bowl LVI halftime performance next weekend, he’s dropping off 6 new songs attached to GTA V’s latest DLC.

“Falling Up” is an entrancing yet charismatic opener co-produced by Dem Jointz with Dre spitting some braggadocio whereas “Gospel” finds him rightfully calling his ex-wife a gold digger & I don’t mind the piano instrumental backing him, but the Eminem verse will test your patience. Bink! weaves in a soul sample for “Black Privilege” to get in his grown man bag while the late Nipsey Hu$$le tags along for “Diamond Mind” to talk about how crazy their lives have been & those guitar licks that Alchemist uses throughout the beat just gives you nothing but summertime vibes.

The penultimate track “ETA” with has an insane sample of “You’re the One For Me” by The Edwards Generation starting off with Anderson .Paak & Dre going back & forth with one another leading into the playful hook that WWE Hall of Famer Snoop Dogg lays down as well as a monstrous Busta Rhymes verse to end it. “The Scenic Route” closes out the EP on a somewhat jazzier note with Dre going back & forth with none other than Rick Ross to talk about putting their families first in line.

A lot of music tie-ins with movies as well as TV shows & video games have become pretty boring in recent years. However, I knew for a fact that this wasn’t going to be the case with this & I stood corrected. The production & guests all come correct as always, but I should also note that The D.O.C. recently replied to a fan on Twitter saying that Dre’s starting to write his own verses now. If that’s indeed the case, then it’s definitely impressive.

Score: 3.5/5

@legendswill_never_die on Instagram for the best music reviews weekly!

Kain Cole – “S.U.M.P. (Survival Under Major Pressure)” review

Kain Cole is a 38 year old MC from Belleville, Michigan who’s actually been making music ever since he was in high school. He’s since perfected his craft after spending 8 years in prison but now that he’s out & back home, it makes perfect sense for local independent powerhouse & one of the hottest labels in the underground Middle Finger Music to sign him & have it’s co-founder Foul Mouth produce his full-length studio debut entirely from start to finish following his appearance on Belushi on Gawd last summer.

“The Arrival” sets the album off with a drumless yet buzzing instrumental letting motherfuckers know he’s officially here whereas “The Bag” works in some suspenseful keyboards & dusty drums getting in his hustler bag. “Ain’t My Home” takes a more soulful route looking back on the days when he was locked up just before “L.M.K. (Let Me Know)” has a bluesy quality to it talking about being back in his old ways.

Meanwhile on “Feel This Way”, we have Kain jumping on top of a grimy boom bap beat confessing that he has no idea why he feels the way he does leading into the disgusting drug dealer’s ode “Kain”. Things go into a funkier direction for “Have You Ever” talking about being one of a kind, but then “Fuck ‘Em If They Mad” takes a more alluring turn clapping back at those who’re envious of him.

“Run Away” weaves in a perfect vocal loop talking about how he has to find another way whereas “Rock n Roll” returns to boom bap territory letting listeners know how reckless he truly is. “K Cole Shit” gets in his battle rap bag with the instrumental taking it back to the days of 70’s action films just before the eerie “D.O.G (Definition Of Greatness)” speaks for itself lyrically.

Following this, “Do My Thang” brings in the horns to talk about how all he does is own thing while the track “Church” has a more colorful tone to the beat encouraging listeners to praise God after him. The penultimate song “Count Stacks” comes off as a sequel to “The Bag” that lives up to the predecessor & the title track sends the album off with a synth-laced instrumental talking about how no one can knock him down.

It’s always exciting when a Middle Finger Music artist drops an album & even more so when they add fresh new faces to the roster because S.U.M.P. (Survival Under Major Pressure) definitely surpassed my expectations even though they were high to begin with. Kain sounds hungry as fuck on the mic & Foul Mouth cooks up some of the best production of his career thus far.

Score: 4/5

SABA – “Few Good Things” review

SABA is a 27 year old MC/producer from Chicago, Illinois who came up as the co-founder of the Pivot Gang collective a decade back. He then broke out in the fall of 2016 off the full-length solo debut Bucket List Project, but it wasn’t until his sophomore effort CARE FOR ME where his potential would be put on a much more broader display. A lot of people (including myself) have been patiently waiting to hear this 3rd album of his ever since & I’m so happy that the day’s finally come.

Cheflee tags along for the colorful opener “Free Samples” confessing it gets harder to spend less as you get more famous whereas “1 Way or Every N***a With a Budget” goes into a funkier, boom bappy direction talking about how there’s a million ways to get by. “Survivor’s Guilt” has this more energetic tone comparing his city’s love for him to the way Dublin loves former UFC Lightweight & Featherweight Champion Conor McGregor matched with G Herbo detailing still being wild even though he is rich but then “An Interlude Called “Circus”” mixes some hi-hats & an acoustic guitar reminiscing on the days before their first tape dropped.

Meanwhile on “Fearmonger”, we have SABA on top of a summery boom bap beat confessing his feeling of hunger just before Krayzie Bone comes into the picture for the heavenly “Come My Way” talking about thinkin’ how to get some money & then they’ll be good. “Still” has a more enticing vibe as he & Smino get romantic, but then the Mereba-assisted “A Simpler Time” takes a more settler route continuing to get more reflective lyrically.

“Soldier” reveals itself to be a hypnotizing Pivot Gang posse cut proclaiming that they’ll be buried as legends whereas “If I Had a Dollar” with Benjamin Earl Turner weaves in an acoustic guitar talking about he’d be rich if he got paid every time he failed. “Stop That” showcases some stellar flows even the the instrumental isn’t all that great while the track “Make Believe” is a touching open letter to SABA’s mother.

The penultimate song “2012” works in a peaceful instrumental detailing why that particular year will always hold a special place in his heart & the title track couldn’t have finished the album any better as Black Thought of none other than The Roots pops in for an epic 3-parter to talk about going back where they started.

I might catch some heat from people for saying this which I’m completely fine with because I’m used to people coming at me for saying how I feel, but this is what Cordae’s latest album From a Bird’s Eye View should’ve been. SABA’s lyricism is more transparent than it’s ever been & the production that’s backing these subject matters are just completely breathtaking.

Score: 4/5

Claas – “This is Revenge” review

Claas is a 40 year old MC from Arlington, Texas who’s been putting it down in the underground for almost 2 decades at this point whether it be on it his own or as a member of groups like The Underground Avengers or VLNC. But right before the pandemic started, he’s been teasing his 6th album (albeit 3 with Lyrikal Snuff Productionz) & even dropped a trilogy of EPs leading up to it much like Strange Music used to do in 2019/2020. Couple years later, we’re finally being treated to This is Revenge in it’s entirety.

“Sweartagawd” is a rowdy boom bap-tinged opener talking about how some people got him fucked up referencing WWE Hall of Famers D-Generation X whereas “Foxtrot. Echo. Alpha” follows it up with a more trappier sound getting in his hardcore bag. Keagan Grimm tags along for the rock-tinged “Friends” talking about burying their competition, but then Kung Fu Vampire & The R.O.C. come into the picture for the rugged “Devil May Cry” detailing what they’ll do when they get down to Hell.

Meanwhile on “Feast”, we have Claas angrily calling to be let off his leash just before the rowdy “What Does That Make You?” talks about how cats need to know their placements even though neither Chxxmpa or Sicnoizednice’s verses. Keagan returns for the trap metal-flavored “Revenge” expressing their desire for vengeance leading into the hellish “Come & Get It” lashing out to those who want to bring him down.

“Legen (Wait for It) Dary” is a riot starter tackling his legacy with a reference to former IWGPヘビー級チャンピオン, 3-time IWGPジュニアヘビー級チャンピオン, NEVER無差別級チャンピオン, ROH World Television Champion, United Empire leader & the longest reigning RPW British Heavyweight Champion Will Ospreay of 新日本プロレス while “Crowns” goes into a more morbid direction sonically talking about how his throne remains untouched. “Time Bomb” goes straight metal getting ready to explode mentally whereas “Gone (Never Comin’ Down) takes a spacier, trap route talking about never touching the ground again. Boondox & Cage link up with Claas for the creepy “Dichotomy” confessing being in the middle of a Holy war while “Outlaw” with JP tha Hustler & 1 Ton has a more operatic sound comparing themselves as such.

“Smoke” keeps the uncanny trap vibes going challenging anyone to step up to him lyrically & “The Sinners Win” returns to a more rock-centered sound talking about trying to evolve & survive. The song “Burn It Down” with Bukshot sees the pair telling the frauds to stay away from them over a rambunctious beat while the penultimate track “Fuckin’ Dope” reunites with Chxxmpa & Sicnoizednice for a more triumphant tune boasting their skills. “Suffocation” ends the album with yet another rock banger calling out those who don’t want him to succeed.

For as long as this guy’s been in the game, I think he really came through with his best solo effort yet & it absolutely makes up for the 2 year wait. Claas has always been a lethal wordsmith, but he really turns it up to 11 on here & I’m very impressed with the amount of different sounds that he goes for throughout.

Score: 4/5

2 Chainz – “Dope Don’t Sell Itself” review

2 Chainz is a 44 year old rapper from Atlanta, Georgia who came up as 1/2 of the duo Playaz Circle. They eventually signed to Disturbing tha Peace Records & Def Jam Recordings in the 2000s releasing only 2 albums. He eventually ventured off into a solo career, with the biggest standouts being Pretty Girls 👍 TRΛP MUSIC & Rap or Go to the League. Last we heard from him was a little over a year ago with So Help Me God! but after dropping 2 singles last month, Tity Boi is returning in the form of his 6th full-length outing.

“Bet It Back” starts off the whole album with a rubbery bass-line & a sputtering sample talking about working hard to be well made whereas “Pop Music” with Moneybagg Yo & BeatKing comes off as a boring strip club anthem. “Kingpen Ghostwriter” picks things back up as Lil Baby tags along over a symphonic Buddah Bless instrumental talking about money coming in a hurry leading into “Outstanding”, which has a high spirited Hit-Boy beat & lyrics paying tribute to his lifestyle.

Meanwhile on “Neighbors Know My Name”, we have 2 Chainz bastardizing the classic D4L joint “Laffy Taffy” for 2 minutes just before 42 Dugg comes into the picture for “$1M Worth of Game” to talk about how shit can’t change them accompanied by a mediocre Lil Ju instrumental. “Free B.G.” takes a more wavier route with the help of Mannie Fresh obviously calling for the former Hot Boy$ member of the same name to come home, but then “10 Bracelets” has a more feel good tone to it as he & YoungBoy Never Broke Again get materialistic.

“Lost Kings” with Lil Durk has some woozy synthesizers throughout pondering how they’re supposed to breathe if all people do is kill & fight while the song “Caymans” with Swae Lee goes into a more stripped back direction talking about taking care of you & yours if you got something that people wanna see or be a part of. The penultimate track “Vlad TV” with Major Myjah, Stove God Cook$ & Symba finds the trio over a funky ass beat calling out the interview platform for being the feds & “If You Want Me To” just seems like an awkward send-off to the album trying to get seductive.

Coming from someone who’s enjoyed his last 3 albums, I feel like Dope Don’t Sell Itself is slightly above average in comparison & could’ve been a tad bit better. 2 Chainz’ lyricism is absolutely not the problem at all because he’s the been the best he’s ever sounded throughout the past 5 years. The main problems I have with this album are the production & the features being hit or miss.

Score: 3/5

Babyface Ray – “Face” review

This is the sophomore album from Detroit rapper Babyface Ray. Coming up as a member of the Team Eastside collective, he’s gone on to drop 5 mixtapes & 5 EPs within the last 6-7 years before turning heads worldwide & becoming one of the biggest up-&-comers in the city signing to EMPIRE Distribution roughly 11 months ago making his his debut on the label with Unfuckwitable. But with his born day approaching in a few weeks, he’s celebrating a little bit early by releasing Face.

The album starts off with Sosshouse Records’ very own Kura sampling the 1Republic cut “Apologize” for the conclusion of the “My Thoughts” trilogy whereas “6 Mile Show” finds him & Icewear Vezzo tossing braggadocious rhymes back & forth on top of a ghoulish Southside beat. “Sincerely Face” has a bit a hyphy feel to it with some alluring piano chords spitting nonstop about how everything’s a profit leading into the smoky “Tunnel Vision” proclaiming being locked into such.

Meanwhile on “Overtime”, we have Ray delivering a cloudy love ballad with Yung Lean on the hook & Carlo Anthony behind the boards sounding like he really doesn’t wanna be there just before G Herbo tags along for the extravagant “Blood, Sweat & Tears” talking about how their fame didn’t come overnight. “Go Yard” has a more chilled out vibe with the help of DJ Esco reminding listeners that he’s living better these days, but then “Me, Wife & Kids” talks about blowin’ money fast on top of a woozy Pooh Beatz instrumental.

“Idols” goes into a funkier yet cloudy route detailing him looking up to the thugs while “Same Pain” works in some catchy background vocals talking about everything being different from the day prior. 42 Dugg comes in the picture for the piano/hi-hat laced “Let Me Down” calling out those who disappointed them & the horns throughout “Steak N Lobster” are incredible as he gets back in his flexing bag.

“Needed Some Love” marks a return to a more hyphy-influenced sound talking about the Bonnie to his Clyde while “M.O.B. (Money Over Bitches)” has a bit of a Neptunes influence to the beat & the title of it pretty much says it all as far as subject matter goes. “Dancing with the Devil” with Pusha T was a stellar lead single as OG Parker takes things into a more moodier turn pondering if people would treat them the same if they ain’t had shit whereas the brief piano ballad “Palm Angels, Palms Itching” undeniably wears his heart on his sleeve lyrically.

Sledgren works in some flutes for the drug anthem “Kush & Codeine” with none other than Wiz Khalifa while the song “Seduction” comes off as a hilariously bad country trap cut trying to get romantic. The penultimate track “Richard Flair” named after 2-time WWE Hall of Famer, former 16-time WWE world champion, WWE Intercontinental Champion, 6-time WWE United States Champion, 6-time WWE tag team champion & 9-time NWA World’s Heavyweight Champion Ric Flair has a more demonic tone to the beat talking about treating lames like Air 1’s prior to “Motown Music” sending things off with a glossy tune saying he’s gonna get this money & stay humble.

“A1 Since Day 1” gets the deluxe going by reaffirming his legitimacy from the very beginning while “Spending Spree” featuring Veeze produced by DY finds the 2 talking about fucking around & blowing everything they had. “Big Estate” shows y’all some shit that you ain’t ever seen coming really heavy with it while “100s” talks about turning up the city & fucking up the whole summer.

Lucki joins Face on the highlight “Back N Action” with LulRose behind the boards discussing being active once more while “Congratulations” featuring Lil Yachty gives a toast to everyone who made it in the rap game up to this point. “Family > Money” reminds everyone with the help of Pooh Beatz that real ones prioritize their own families more than the paycheck itself & “R.I.P.” rounds out the bonus track run by confessing he feels numb with all the losses in his life personally.

From the moment I heard Unfuckwitable last year, I knew he was continue to go up from there & Face definitely lived up to the expectations I had going into it. I like how he steps out of his comfort zone by experimenting with new sounds even though not all of them stick the landing & letting a wider audience in as to who he is.

Score: 3.5/5