Mariah the Scientist – “Hearts Sold Separately” review

Mariah the Scientist is a 27 year old singer/songwriter from Atlanta, Georgia whom Tory Lanez signed to 1 Umbrella Records & RCA Records following her debut EP To Die For. Once her full-length debut Master & the sophomore effort Ry Ry World came out, she would go on to start her own imprint Buckles Laboratories distributed by Epic Records & it’s inaugural release To Be Eaten Alive made her one of the most popular R&B artists today. She even had one of my favorite songs on KAYTRANADA’s 3rd album Timeless & that was a factor in me checking out her 4th album.

“Sacrifice” produced by 1985 makes for a nostalgically lush intro basically reflecting on her being separated from her current boyfriend Young Thug for a period of 300 days because of the latter’s R.I.C.O. case leading into Rogét Chahayed cooking up the calculated 2-parter “United Nations + 1,000 Ways to Die” sings about Thug getting her high off their love.

Meanwhile on “Eternal Flame”, we have Mariah over a funkier yet atmospheric instrumental feeling confident that nothing will tear her or the YSL Records founder apart even if it almost did when the latter was incarcerated just before “Is It a Crime?” featuring Kali Uchis finds the pair asking what the problem is with them falling in love a couple times.

“Burning Blue” blends alternative & contemporary R&B with alt-pop to use the hottest form of fire as a striking metaphor for the deep connection that she shares with Thug must before “All I Want + In Pursuit” begins the 2nd half of Hearts Sold Separately with another track split into 2 halves singing about her desire to have her mans by her side.

Themes of self-reliance bleed heavy during the course of “More” stylistically throwing it back to the ‘80s & ‘90s while “Rainy Days” throws it back to the Master era singing about her being naive as opposed to ignorance as well as asking if it’s possible for one to to make mistakes & lose their way.

“Like You Never” embraces a trap soul vibe to ask if Young Thug would love her like he’s never loved anyone in the past & trusting her as if he doesn’t have inhibitions prior to the bittersweet l “No More Entertainers” finishing the most important entry in Mariah’s discography airing out an ex of hers over an addictive London on da Track beat singing that he was more of an entertainer than a lover.

Honoring the legacies of R&B greats like Sade or Babyface to name a couple, Hearts Sold Separately feels completely different from anything Mariah the Scientist has done previously with a contemporary R&B full-length that ventures out to the depths of synthpop, sophisti-pop, neo-soul & alternative R&B vitally addressing modern society’s war on love. Refusing to be led by heartless womanizers, she pictures herself & most women as toy soldiers who will lay their lives on the line for the sake of love only to realize that men view them as nothing more than disposable playthings used strictly for entertainment.

Score: 4.5/5

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Dominic Fike – “Rocket” review

Dominic Fike is a 29 year old musician, singer/songwriter & rapper from Naples, Florida who Columbia Records signed in 2018 off his debut EP Don’t Forget About Me & later What Could Possibly Go Wrong? during the COVID-19 pandemic. He would later join the cast of the Warner Bros.-owned HBO series Euphoria during it’s previous season & the sophomore effort Sunburn was more well received than it’s predecessor. 14 Minutes last spring preluded his debut mixtape here to mixed feedback & he’s finally dropping it after the recent formation of Geezer this summer.

To get the tape going, “All Hands on Deck” comes out the gate by displaying his range singing & rapping about wanting to inhabit the safe zone of an individual he deeply cares for whereas “Aftermath” goes into an indie rock direction finding him trying to get over an ex of his. The cheerful atmosphere of “Smile” suits it’s lyrics about how it’s not what you’re missing or could’ve done better prior to the funky “Sandman” inviting this woman to be his drifter.

“Great Pretender” colorfully tells this influencer who always spoke so kindly that he sees right through their bullshit & that they do a really good job at making it seem as if their words are sincere while “$500 Fine” talks about having the feeling that he could’ve made the relationship work if he didn’t fuck up 3 times. “1 Glass” despite it’s underwritten structuring embraces the indie rock sound again advising to come get him if he’s lying while “Quite the Opposite” talking about the only thing he knows how to do is make songs that’re apologetic.

Reaching the 3rd & final act, “Upset & Aggressive” realizing that he’ll get rolled over every time he would come over to see this woman who would eventually cut him out while “David Lyons” references Gene Wilder’s character in the film See No Evil, Hear No Evil. The epilogue takes a more soothing route instrumentally singing about being left behind & astray while the self-produced “Still Feel It” ends by explaining that there’s no backstory or words used in vein.

Reflecting on recent life events whilst showing personal growth & maturity, Dominic Fike continues to seek beauty in harrowing-but-tender emotional bloodletting with the most deeply personal collection of ideas. The production here primarily focuses on bedroom pop aside from occasional detours into pop rock, indie rock, alt-pop & pop rap to provide a new perspective in light of him becoming a father.

Score: 3.5/5

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Concrete Rekordz – “5$tarCrete” review

Concrete Rekordz is an Atlanta, Georgia record label founded by Lil Yachty as a subsidiary of Quality Control Music & Motown Records. He has since signed Camo!, Dc2Trill, Draft Day & formerly KARRAHBOOO. They released a debut showcase compilation It’s Us receiving mixed-to-negative feedback & is having PlaqueBoyMax host a debut EP ahead of It’s Us 2 over exactly 4 months since Boat was at WrestleMania XLI sporting a shirt of the inaugural AEW tbs Champion & former 2-time WWE Women’s Tag Team Champion Jade Cargill.

“Go” starts with a trap instrumental lenient towards sampling talking shout them not breaking any sweats whenever they issue any threats whereas “Big Spender” featuring PlaqueBoyMax references TKO Group Holdings co-founder Vince McMahon fresh off his recent interview regarding the death of the inaugural IWGPヘビー級チャンピオン, former 12-time WWE world champion, WWE tag team champion, 2-time WWE Hall of Famer, Real American Beer founder, Real American Freestyle Wrestling (RAF) co-founder & known racist Hulk Hogan.

Former 2-time NXT Tag Team Champion Ludwig Kaiser may or may not have been referred to on “It’s Us” nearly a week after him, the current WWE Intercontinental Champion Dominik Mysterio & former AAA Mundial Parejas Campeon Dragon Lee failing to end former The Crash Pesocompleto Campeon El Hijo del Vikingo’s ongoing 2nd reign as AAA Mega Campeon at Triplemanía XXXIII while “Life’s Proper” by Lil Yachty proves to be my favorite song of the 4 talking about the way life is trading him.

It’s Us wasn’t really all that interesting to me personally because it felt like KARRAHBOOO was the only signee that was actually entertaining besides Lil Yachty himself & 5$tarCrete feels like a step further down from it. Far less interesting production & the true star of it is Yachty, even if I felt that a bar he had regarding the late Screwed Up Click member Big Floyd during a livestream earlier this month was done in horrifically stomach churning taste.

Score: 2/5

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Deftones – “Private Music” review

Deftones are a groundbreaking alternative metal band from Sacramento, California consisting of DJ/keyboardist Frank Delgado, bassist Fred Sablan, drummer Abe Cunningham, lead guitarist Stephen Carpenter & frontman Chino Moreno. Adrenaline, Around the Fur, my personal favorite White Pony, Saturday Night Wrist, Diamond Eyes & Koi No Yokanwould all become classics for their own individual reasons & are returning 5 years after Ohms made up for Gore’s averageness to put out their 10th full-length album.

The lead single “My Mind’s a Mountain” sets the tone by combining alternative metal, shoegaze, post-hardcore, post-metal & doomgaze singing about the cycles of depression & non-depression whereas “Locked Club” suggests to either join the parade or be left out entirely. “Ecdysis” throws it back to the band’s nu metal origins singing about a new phase arriving just before the alt-metal/shoegaze crossover “Infinite Source” realizing a love they were chasing has been found.

“Souvenir” pushes forward with a 6-minute skull smasher singing about hurdling through space & discovering each other’s ways embracing the night leading into “cXz” finds their thoughts reappearing as lost time. “I Think About You All the Time” reminisces over a friend of the band’s who passed away some time ago leading into the 2nd & final single “Milk of the Madonna” blending alt-metal, post-hardcore & shoegaze to sing about being lost in religious ecstasy.

What could possibly be the heaviest track here “Cut Hands” assuring that they can’t be pulled out of their graces in the midst of these adversaries hitting a crossroads because of their lives failing in front of the band while “~Metal Dreams” sings about envisioning the gold drenched days laid ahead & sinking in perfect pose forever sooner rather than later. “Departing the Body” sends it all off with the realization that a brand new phase of their movement has started to change.

Private Music not only continues the ethos of Koi No Yokan & Ohms, but it’s another testament to Deftones rightfully becoming the Radiohead of alternative metal whilst striking a middle ground between the rest of their discography. Contemplating the attractiveness & dangers of nature as well as the challenges of tending a positive mindset & images of a trip beyond the physical realm, they revisit all 4 styles of it’s predecessors explored during the COVID-19 pandemic with more interesting ideas & intricate pacing.

Score: 4.5/5

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quannnic – “Warbrained” review

quannnic is a 19 year old singer/songwriter, producer & former rapper from Florida widely introducing themself in 2022 off their acclaimed full-length studio debut Kenopsia ditching the digicore sound they originally came up on because it felt like their attempt at that whole subgenre of trap music was creatively unnatural & an untitled EP experimenting with ambient trip hop merely months a part from each other. They would go on to sign with deadAir Records for the sophomore effort Stepdream matching the praise of it’s predecessor & has unveiled his 3rd album ahead of the supporting tour kicking off a couple weeks from now.

“Prunesnail” begins with a noisy grunge intro singing about the difficulty of trying to maintain a relationship with someone in their life who isn’t as close as they once were prior to the lead single “Wrenches” fusing noise rock, indie rock, grunge, emo & slacker rock to take on themes of self-deprecation.

The 3rd & final single “Aviator” seamlessly blends noise rock, post-punk, dream pop, gothic rock, post-punk revival & slacker rock feeling like there’s so many things they wish they didn’t care to do while the shoegazey “Scolder” sings about missing the times when their ex rebuked them.

“Torch” takes the halfway point to address an individual who they personally feel as if has lost their spark yet becoming surprised by the realization that they’re just like them leading into the shoegazing “Paperweight” singing about how they worked a miracle & finding nothing special regarding yet another victim of their own.

We have quannnic on the wombadelic “Heavensafe” venting that they’ve been contained in this ongoing war for the pearly gates while “Observer” combines noise rock, alternative metal, grunge, shoegaze, nu metal & post-rock to sing about sheeple stepping in to preach nothing but sounds as well as all of us winning only to lose something.

“Floorface” gets the clock started on Warbrained’s last 9 minutes by throwing it back to the days of ‘90s alternative rock with a small hint of grunge becoming delirious by the quiet depths becoming increasingly deadening & the piano-heavy “Wardeath” finishes the LP singing about considering themselves as more of a topic than a hero, yearning to hand out all of their importance.

deadAir Records has been on prolific run in 2025 constantly dropping digicore landmarks like the new Jane Remover album Revengeseekerz, & the new Lucy Bedroque mixtape Unmusique, but Warbrained carried the momentum with the darkest thing quannnic has ever made. Their production here focuses less around noise pop than Stepdream did couple years previously shifting it’s attention towards alt-rock, shoegaze, grunge, noise rock, Emo, alternative metal & slacker rock to compliment the depressive songwriting.

Score: 4.5/5

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Wildchild – “Child of a Kingsman” review

Oxnard, California veteran Wildchild hitting us with his 5th album. A member of the Lootpack alongside DJ Romes & one of my top 10 producers of all-time Madlib, his first couple solo efforts Secondary Protocol & Jack of All Trades under Stones Throw Records & Fat Beats Records respectively, although T.G.I.F. (Thank God It’s Funky) & Omowale would be received more moderately in comparison. Regardless, I still went into Child of a Kingsman hoping for it to be his best since Jack of All Trades.

“A Kingsman’s Flowers” begins by take everyone on a trip down memory lane in order to explain the definition of a kingsman whereas “Season of Kingsmen” produced by Nottz talks about preserving hip hop since he like many holds it dearly to his heart. “Change for My 2¢” heads for a jazzier direction instrumentally to make some powerful social commentary just before the synth-heavy “Wing Chun” talks about remaining undefeated.

Things take a funkier turn on “Multiverse” feeling as if the boom bap in him has been restored whenever his feet touch the floor leading into “Bat Signal” talking about how he don’t play. The beat Nottz whips up on “Mr. Pinocchio & Positive People” feels reminiscent of the late J Dilla touching base regarding crooked cops while “Freedom Riding” talks about the late John Lewis.

“Black Man Blues” turns the jazz influences back up so he can break down the hardships of being an African American feeling as if his glory is trying to be silenced & after the “Where the Poem Lady?” interlude, MAYAH takes over a good portion of the vocals during “Kingsmen” for a neo-soul jam continuing the themes of preserving the culture’s 4 elements & the overlooked element of knowledge.

The song “My Utopia” brings a drumless guitar beat into the picture describing what a perfect world would look like to him & after the “Brown Identity” interlude, “Welcome Home” ahead of the Antwone Fisher outro officially completes Child of a Kingsman by recapping a trip that Wildchild took to Soweto, South Africa with the MC/producer superduo Liberation.

Conceived during his time away from making music to focus on being a father, Child of a Kingsman stands out as potentially the finest example of Wildchild’s ability to make room in his songs for other artists to shine. Blending jazz & neo-soul together, he makes it a commitment to unify cultures through music & paying homage to all of hip hop’s veterans with intricately powerful songwriting.

Score: 3.5/5

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Hand Habits – “Blue Reminder” review

This is the 4th studio LP from Amsterdam, New York singer/songwriter Hand Habits. Following their first 5 EPs & of course the last 3 albums, they would go on to sign with Fat Possum Records for their last EP Sugar the Bruise to moderate reception although I personally thought it was Meg’s strongest one yet. They’ve put out a small handful of singles already to generate buzz for Blue Reminder, which is Fat Possum’s first offering in over 3 months & their first full-length under the label.

“More Today” sets the tone with a crossover between indie rock & singer/songwriter feeling like their romantic interest’s words are tearing her apart in a good way whereas the lead single “Wheel of Change” maintains both elements of the previous track & combines them with alt-country & folk rock to sing about needing their lover now more than ever.

As for “Nubble”, we have Meg fusing alt-country & dream pop together confessing that they feel like life has been treating her well outside of a few regrets they has just before “Dead Rat” recaps a true story of a mouse’s corpse rotting away from within the walls of their own home & advising people to let nature take it’s course.

“Jasmine Blossoms” was a great b-side to the latter single depicting the contradictions between the neighborhood of Mount Washington out in Los Angeles, California as well as the horrifying things one may come across on social media & the TV news stations leading into “Way It Goes” singing about the ups & downs of a relationship.

After the jazzy piano heavy “(Forgiveness)” instrumental composition, “Beauty 62” shows a bit of a Bob Dylan influence singing about finding beauty within all the chaos while the 4th & final single “Bluebird of Happiness” draws inspiration from the extensive amount of time Meg had spent on the road.

The title track easily sticks out as the most emotional & confessional moment on Blue Reminder wanting to prove that the love they have for their partner is true by doing literally anything over more keys while “Quiet Summer” sings about wanting to lie down during a warm evening around this specific time of the year. “Living Proof” wraps it all up with a subdued tone admitting they never knew what love could do.

Walking an emotional tightrope between hope & quiet anxiety, Hand Habits’ 2nd offering under the Fat Possum banner departs from the insularity that their previous material had become known for & it takes over Wildly Idle (Humble Before the Void)’s spot for Meg’s greatest LP of the 4. Their indie rock & singer/songwriter production has evolved greatly almost a decade in pulling from indie folk, slowcore, folk rock, americana, alt-country & dream pop to thematically attach itself to the idea of committing in many ways.

Score: 4/5

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Offset – “Kiari” review

Atlanta, Georgia rapper Offset returning after 22 months for his 3rd studio LP. Starting out as 1/3 of the Migos with Unc & Phew, he released a fantastic collaborative project with 21 Savage & Metro Boomin’ on Halloween 2017 called Without Warning only to make his solo debut Father of 4 the best of the 3 compared to QUAVO HUNCHO & The Last Rocket. Set It Off wasn’t too bad either, but Kiari has been shaping up to be his most personal since Father of 4 & had me anticipating it.

“Enemies” produced by Metro Boomin’ & Honorable C.N.O.T.E. begins by asking for God to protect him from his friends whereas “Pills” featuring YoungBoy Never Broke Again samples “Don’t Let Me Be Misunderstood” by Nina Simone to talk about drug usage “Professional” mildly boasts of him getting bitches like it’s a skill leading into the underwhelming “Back in That Mode” featuring YFN Lucci talking about them getting in their bags again.

Gunna joins Offset on “Different Species” bringing an acoustic guitar & some hi-hats together so they can discuss the baddies they stole livin’ the dream just before the WWE’s official Elimination Chamber XVI there song “Bodies” featuring J.I.D paints poignant imagery of the gangsta lifestyle combining trap & chipmunk soul thanks to Vinylz, FNZ & BoogzDaBeast or trap metal if you include the remix from BNYX of Working on Dying. “Love You Down” by Ready for the World gets smoked during “Love You Down” courtesy of London on da Track telling his new chick that he’ll start trusting her while “Run It Up” featuring Key Glock talks about having money on their minds over.

“Set It Off” oddly enough ends Kiari’s first leg with a demo quality title track that didn’t make his previous album while “Folgers” references my 2nd favorite basketball player of all-time Kobe Bryant & refusing to trip since he’s been bettering himself. “All of My Hoes” incorporates these psychedelic guitar licks & hi-hats talking about his hoes stealing each other while “Calories” flexes that he made $20M from his sound this summer.

As for “Checkmate (Smooth)”, we have Offset talking about making it onto the news because he’s a fashion week killer & flooding his new bitch out in the pool while “Backends Fasho” boasts of him making finer materials out of the regular things. “Prada Myself” talks about how everything he has makes him the person he is now while “Never Let Go” pays homage to Takeoff.

“Favorite Girl” counts down the final minutes of Kiari with a dedication to the most special woman in his life & “Move On” ties it all up by reflecting on his marriage to Cardi B, explaining that she’s happy for her moving on & asking why she doesn’t feel the same way about him. He even touches base regarding their little back-&-forth convo on Twitter at the beginning of 2025, rightfully explaining that it made them look foolish.

Starting the deluxe run, “Athlete” cloudily talks about getting geeked up on ecstasy on a boat while “History” mixes some horns & hi-hats to give game for free. “How Did We Get Here?” takes full accountability for his divorce from Cardi B while “Swing My Way” links up with Turbo for a cloudy pop rap/trap hybrid. “Style Rare” featuring Gunna shows off their senses of fashion & the final bonus track “10” was a weaker pop rap attempt.

Putting his artistic persona aside, Offset or in this case Kiari looks at himself in the mirror to see how far he’s come & what he’s done whether it’s good or bad. Soul-searching without sacrificing the technical precision he’s been known for, the ex-husband of WWE’s SummerSlam XXXVIII hostess gearing up for her comeback next month peels the layers back & gives the audience a better look at himself as a person.

Score: 3.5/5

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Ami Taf Ra – “The Prophet & The Madman” review

Moroccan born albeit Los Angeles, California raised singer/songwriter Ami Taf Ra making her full-length studio debut. Her husband Kamari Washington has become the most revered saxophonist of the past decade, dropping the crown jewel of Brainfeeder Records’ entire catalog with The Epic during my senior year of high school. However, she’s signing to Flying Lotus’ independent imprint distributed by Ninja Tune herself & introducing the world to who she is artistically through The Prophet & The Madman.

After the “Speak to Us” intro, the 2nd single “How I Became a Madman” begins with Ami & her husband taking inspiration from “Packard Goose” by Frank Zappa for a spiritual vocal jazz opener whereas the 4th & final single “The Prophet” asks herself how can she go in peace without sorrow. “God” goes for a Parliament-Funkadelic vibe continuing to depict themes of spirituality just before the soulfully jazzy “Love” yearns to be spoken to of affection.

“My Friend” incorporates some jaw-dropping guitar work from Brandon Coleman likening herself to a garment she wears rather than what she sees while “Children” sings over acoustics suggesting to give your children your love instead of your thoughts. “Gnawa” comes through with a passionate love letter to her Moroccan roots & after “Gibran” compositionally enhances the spiritual jazz fusions, final song “Khalil” ahead of the “Speak to Us” outro sends off the LP with a powerful 10 minute vocal jazz closer.

The Epic remains my favorite jazz album of the 21st century, so I was all on board the idea of Kamasi Washington returning to the label he dropped it under to help his wife produce her own debut & I think Ami Taf Ra can reach that point of making something as equally groundbreaking a few years from now. The Prophet & The Madman is basically her take on the spiritual jazz/jazz fusion sound her husband has become known for except she’s putting a vocal soul jazz twist to it confronting topics like duality, healing & ancestral memory.

Score: 4/5

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KiD CuDi – “Free” review

Cleveland, Ohio rapper, singer/songwriter, producer, actor, fashion designer, model, director & filmmaker KiD CuDi making another stylistic departure with his 11th LP. Blowing up in 2008 off his debut mixtape A KiD Named CuDi as well as his songwriting credits on his mentor Ye formerly known as Kanye West’s 4th album 808s & Heartbreak, his profile from there would increasingly grow off his groundbreaking debut & sophomore albums Man on the Moon: The End of the Day & Man on the Moon II: The Legend of Mr. Rager. But following the self-produced & overlooked Indicud, CuDi would leave G.O.O.D. Music amicably to form his own Republic Records imprint Wicked Awesome Records. Satellite Flight: The Journey to Mother Moon though was mediocre at best & who could forget when CuDi attempted to go alt-rock on the critically panned Speedin’ Bullet 2 Heaven? Luckily he would redeem himself on his next effort Pain & Demon Slayin’ in 2016 along with the self-titled album from him & Ye as the duo KIDS SEE GHOSTS couple summers later & even Man on the Moon III: The Chosen the day after my 24th birthday despite it’s blatantly heavy Travis Scott influence. Entergalactic was released mixed reviews as was INSANO, but I enjoyed how both LPs took it back to his roots along with mixing old & new sounds together respectively. INSANO 2: NITRO MEGA continued the energy of its predecessor & is staying on Republic to drop Free fresh off his appearance in Happy Gilmore 2 with the longest reigning AEW World Champion & current CMLL Mundial Peso Semicompleto Campeon MJF and the current WWE Women’s Intercontinental Champion Becky Lynch.

“Neverland” after the self-produced “Echoes of the Present” compositional intro fuses pop rock, alt-pop, stomp & holler and synthpop to sing about love & embracing life whereas my favorite single “Mr. Miracle” culminates in pop rock, alternative rock & power pop feeling like he’s found his way back home. “Opiate” spaciously sings for the city to turn the lights off leading into “Deep Diving” finding himself having enough of no love.

Pop rock & alt-rock cross paths once again on “Truman Show” referencing the classic Jim Carrey film of the same name just before “Submarine” sings about feeling like he’s to deep into this psychedelic dream he’s having. “Ashes” goes for a moodier direction in sound wishing this person would lie to him & tell him they still mean something while the emo-pop rock single “Grave” sings about life eating him alive.

“Past Life” vents over the dichotomy of simultaneously being a winner & a loser in the same mind over a synthpop instrumental while “Picnic in Paris” sings about a soulmate waiting his whole life from him mixing the positives & negatives. “Stargazing” considers himself lucky if freedom was garden & sending love letters to this woman for eternity while “Salt Water” produced by BNYX of Working on Dying ends by singing about calling his life 1 hell of a ride.

The idea of KiD CuDi foraying into pop music doesn’t sound bad at all on paper, but Free as an attempt to provide the world with hope in the midst of our country’s current political climate leaves me a little torn. I have no issues with his vocals or songwriting & I’m proud he’s the happiest he’s ever been. My main criticism here though is that the production doesn’t grab me the same way INSANO 2: NITRO MEGA or the original INSANO did.

Score: 2.5/5

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