Von Pea – “Putcha Weight on It” review

Brooklyn, New York emcee/producer Von Pea reuniting with The Other Guys for his 4th solo LP. Currently 1/2 of Tanya Morgan with Donwill, he would later embark on a solo career with 2007 debut mixtape Grand Vonye as well as it’s follow-up So Motivational: The Most Skullduggery of Mixtapes & the full-length debut Pea’s Gotta Have It. Right after the Duly Noted. EP was when Mighty Joe & Isaiahstarted working with Von however, producing the To: You EP along with the sophomore effort The Fiasco & the I’m Good Luv, Enjoy EP respectively. Last we heard from Von by himself was his previous album City for Sale & Duly Noted 2, running it back with The Other Guys suggesting to Putcha Weight on It.

“More Johnny” opens up with a boom bap instrumental explain it that his legendary status will continue to be spoken of even when he’s gone whereas “Roadblock” featuring Che Noir finds the pair talking about people clapping at barriers & trying to rap with Black Thought. The title track by Tanya Morgan featuring Skyzoo gives off a dusty jazz rap vibe coming in stronger than initially said while “Lights On” talking about phase 4 being the type of shit that keeps the power on.

Meanwhile on “Slide Off with Her Homie”, we have Von continuing to bring that old school boom bap style to the table telling us what he’ll do to a skeezer if she doesn’t see how dope he is until “Hains Point” heads for a jazzier direction once more spitting like they gave him some kind of bribe. “Knew It All” featuring Oddisee crosses over elements of jazz rap & boom bap responding to the people who act like they know everything just before “Love Over Like” soulfully talks about romance.

“Shown Up Me” begins Putcha Weight on It’s final moments by having the drums constantly fading in & out like ocean waves flexing that be doesn’t need more than 7 people whenever he makes an album leading into “Bway & Myrtle”talking about trying to get on during the off-season sampling an organ. “Root for the Villain” sends it all off with a funky outro remembering one of hip hop’s greatest lyricists & producers, which happen to be none other than the late MF DOOM.

The Fiasco up until this point has been my favorite Von Pea solo effort & to commemorate it’s 8-year anniversary passing yesterday, Putcha Weight on It improves from the divisive feedback I’m Good Luv, Enjoy received although I personally didn’t mind when it came 10 months succeeding the album that preceded City of Sale. He & The Other Guys liken their chemistry to the late King of Pop himself Michael Jackson & the revolutionary composer Quincy Jones linking back up after 7 whole years for a collection of jazzy boom bap hits.

Score: 4/5

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Tezzus – “##FilthyLikeMax” review

Atlanta, Georgia rapper Tezzus making his YSL Records debut with his 8th EP. Introducing himself with his first few EPs Hard2Kill as well as Hellraiser & Everyday’s Halløween, his debut mixtape Tezzus Khrist last holiday season would significantly elevate his profile locally as did the handful of appearances he made on The XA Tape earlier this year. He’s given us the Søufside collaborative EP with Percaso, Backrooms, King Phønk, I Phønk, U Phønk and Tezzy Pendergrass until Young Thug signed him following 9 Vicious’ departure due to him & Tezzus beefing. Nonetheless, getting ##FilthyLikeMax a couple days succeeding Savior was still a welcoming surprise.

“Animal 🐕‍🦺🐍🐲” starts with an industrial hip hop intro likening himself to a beast whereas “I’m Røyal 👑🤴🏿👑” goes for a rage-inducing vibe talking about his royalty status. “Bacccarat 💁‍♀️🛍️💝” featuring Skaiwater & 1300SAINT finds the trio buying out a while Chanel store over a hypertrap instrumental but once “Krøssed Ø Gang 🚂🚫🖤” featuring billi0n & ShawtyRokk angrily refuses to argue with peasants, “Life øf a Dølla 🕊️❤️‍🔥🕊️” finishes by remembering maxon over a rage beat.

Thug continuing to shift his focus towards rebuilding YSL Records ever since Uy Scuti polarized both critics & fans alike couldn’t have been a smarter move & ##FilthyLikeMax properly introducing himself to the label over 84 hours succeeding his labelmate’s greatest body of work the previous weekend. The production is more prominently centered around the rage subgenre of trap as opposed to Tezzy Pendergrass’ blatant pop rap influence as he & all 4 guests pay tribute to maxon a week after his death.

Score: 4/5

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Daz Dillinger – “Rowtation” review

This is the 23rd solo LP & 3rd of 2025 from Long Beach, California rapper, producer & songwriter Daz Dillinger. Some of his cousins include Brandy & her brother Ray J, WWE Hall of Famer Snoop Dogg & the current AEW tbs Champion, CMLL Mundial Femenil Campeon, RPW British Women’s Champion and the new ROH Women’s World Television Champion Mercedes Moné. He eventually signed to Death Row Records & became an original in-house producer under the guidance of it’s co-founder Dr. Dre, forming Tha Dogg Pound with Kurupt not too long afterwards. Daz finally made his solo debut on ‘98 by putting out Retaliation, Revenge & Get Back on Death Row until departing rather quickly to put out 20 more albums of his own with almost 3 decades of experience in the game. Retaliation, Revenge & Get Back 2 took it back to the essence of his debut earlier this summer and Retaliation, Revenge & Get Back 3 a couple months ago found some clarity regarding his complicated history with Tha Row. In preparation for Kurupt’s upcoming 7th album said to be fully produced by DJ Battlecat though, Dilly’s gonna make sure the west coast keeps him in Rowtation.

After the intro, “I’m Daz Dillinger” begins by properly reintroducing himself over a self-produced g-funk beat whereas “I’m a Dogg from Tha Dogg Pound” keeps that same vibe talking about coming up from the underground. The only single “DPGC” dabbles with trap maintaining the lowest prices ever when he touches the plug while “Indictment” soulfully looks for the line between the truth & divinity.

“Snitches” nears closer towards the end of Rowtation’s first half expressing his disdain for rats leading into “Fresh Outta Jail” talking about changing his fate now that he’s home from the penitentiary teaching the young shooters how to move right. “BangBang” once again takes the trap route instrumentally to spit that gangsta shit although I personally don’t care for the auto-tuned hook just before “Smokin’ on the Best” talks about the type of weed he stays puffin’.

As for “The Streets Will Miss You”, we have Daz reminiscing over a big homie of his who passed away while “When a Gangsta Loves a Woman” talks a out knowing when a G is lovestruck. “Superstition” fuses soul & g-funk speaking of chasing shadows regularly while “West Coast Legend” talks about his legacy over some synthesizers & hi-hats. The title track happens to be the actual song excluding the outro assuring that both coasts been known the deal with him.

Confirming in a recent interview with Da Inphamus Amadeuz that he’s no longer signed to Death Row as a solo artist because of him & Snoop getting into a catalog dispute, Daz Dillinger gears up to fully produce The LOX’s upcoming 5th full-length set to drop in 2026 by taking a more introspective approach conceptually for Rowtation exemplified with the inclusion of some of his family members throughout only hours following Mark Briscoe ending Kyle Fletcher’s reign as AEW TNT Champion & of course FTR defeating Brodido to become record 3-time AEW World Tag Team Champions & Samoa Joe becoming a 2-time AEW World Champion at Full Gear VII.

Score: 4/5

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1300SAINT – “Savior” review

Atlanta, Georgia recording artist 1300SAINT finally releasing his 3rd LP. Known for staying out of the box with a versatile sound & style drawing in listeners from all walks of life painting pictures of all colors & shapes to create a true experience for his audience, the heavy 808 based instrumentals he lays his smooth vocals over on his full-length debut Noir makes you feel every song a little more than usual & led to Young Thug signing him to YSL Records not too long after he came home last Halloween. All Hail marked his debut for the label, preluding Savior with Saint Season as well as 4 & NewDrug. respectively. However, the main course has arrived.

We get some background vocals & hi-hats colliding all over the intro “Bigger Than Life” so 1300 can describe how he’s been feeling this whole entire year to the world whereas “Kyoto” talks about being posted up in the capital city of the 京都 prefecture of 日本. “Stop Playin” finds himself refusing to go back-&-forth with these clowns online including a jab at his former labelmate 9 Vicious just before the cloudy “Slitherin’” talks about having his way.

Lil Gotit fresh off his new collaborative album with his late brother Lil Keed this past Halloween appears on “R.I.P. Pope” so they can sell swag & discuss the way both of them are living while “Heard It All” embraces a hazier trap vibe talking about how that bro shit don’t work with him anymore. “Divine” luxuriously breaks down his expensive habits & assuring the racks don’t speak for him while the flute-tinged “Mona Lisa” talk about possibly needing money counseling.

“Palm Springs” starts the 2nd half of 1300SAVIOR’s sophomore effort for YSL repping his squad for eternity & promising this fine woman that he’s been speaking to that he’ll buy her anything she wants leading into “Slimier > You” boisterously talking about how slimy he is. “Bounty” gives off a shimmery trap atmosphere suggesting you might need another engine to catch up with him while “Soulties” talks about not giving a fuck regarding all these broke ass rapper & not regressing to his past self.

Yung Heir makes the 2nd & final guest appearance of Savior on “Chainz & “Corvettez” decently clarifies they ain’t ever lonely because of the cash flow while “Flaws” talks about getting his killstreak back up. “Return You” likens himself to a pilot the way he make these muhfuckas flying while the “Interlude” feels more like a 3 & a half minutes song talking about going through it all. “Savior Solitude” spaciously concludes by showing off his singing chops over a beat kin to Yeezus.

Now it was confirmed yesterday that 9 Vicious is officially no longer on YSL Records despite Young Thug initially saying he was the weekend Uy Scuti dropped due to Tezzus recently joining the rebuilding label & 9 Vicious having beef with him, 1300SAINT has already paving the way for a new generation of YSL since late February & this could be my favorite project of the 5 he’s dropped since he got signed. The production is more detailed than NewDrug. a few months ago & despite Yung Heir’s feature being the weakest of the 2, I do admire that he & Gotit’s verses make Savior feel less monotonous than All Hail.

Score: 4/5

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Ouija Macc – “America’s Most Wicked” review

3rd album from Las Vegas, Nevada emcee Ouija Macc in 2025 & his 9th overall. Breaking out when the Insane Clown Posse signed him to Psychopathic Records shortly after putting out his debut EP Trashfire independently, Ouija has since proven himself as the hatchet’s biggest solo act dropping his last 8 full-lengths, 2 greatest hits compilations, 8 mixtapes & 5 EPs all in the span of nearly 8 years. He even started his own label Chapter 17 Records, with Darby O’Trill now being the only artist other than Ouija & teamed up with each other 13 months ago for the excellent collab effort Anemoia building up Darcc Planet to become the darccest material of his career last summer. Psycho Babbel came a couple months later, entering the Temple of Ash & Chlorine proved that he’ll always be a scrub no matter how clean he gets. Sunken Church however concluded the story that Darcc Planet began, declaring himself America’s Most Wicked a few weeks after Matt Cardona & The Outbreak became the new JCW World Juggalo Heavyweight Champion & JCW World Juggalo Tag Team Champions respectively on episode 64 of JCW Lunacy. Can’t forget to mention the controversial WWE, WCW & TNA Wrestling writer and WCW World Heavyweight Champion Vince Russo becoming the head writer of Lunacy’s either.

“Rigor Mortis” produced by Devereaux after the “John Walsh” intro begins talking about how juggalos don’t ever die & suggest that all the pussies knock it off with that shit whereas “Old Fashion Horror” locks in with DeadBoyGrim for response to the people asking what happened to traditional horror with a modern wicked shit banger he’s perfected up until this point. “Acqua Panna Tuscany” blends cloud rap & trap to talk about how you can’t fuck with the juggalo like him leading into “Offa Me” talking about giving 0 fucks whatsoever.

Moving on from there, “Stalker Jr.” talks about this woman blocking him & having 30 other different numbers so he can stay in contact with her while “Honky Tonk” boasts that he’ll buy a chainsaw off Amazon for the sole purpose of choppin’ up it’s CEO Jeff Bezos. “Phonky Homicidalyst” cleverly blends horrorcore & phonk music looking for cowards in a droptop until “Juggzilla” talks about being the juggalo version of ゴジラ.

“Let’s All Fly” continues with a ghostly trap vibe wanting the so as if there isn’t a fire blazing on the other side while the eerie lead single “Lil’ 1700” talks about creepin’ out the gutter ready to show the underground what the fuck it is. “Formaldehyde” pulls from the Memphis scene a bit making a dope reference to “Guts on the Ceiling” off Carnival of Carnage at the end of the 1st verse while “S.M.D.M.F.D. (Suck My Dick Muthafucka, Die!)” gives off that exact mentality.

Beginning the final leg of America’s Most Wicked, the cloudy trap crossover “Mama House” issues a warning that you don’t want to see him in Juggalo form while the psychedelic “Bong Rips” comes through with a stoner’s anthem for the playalos. “Cemetery Mane” cloudily talks about being haunted by an entity whispering his name while “Hypnotize” ethereally addresses those who have it out for him.

“Show & Tell” portrays himself as a teacher having the whole class yellin’ after swinging this hatchet & admitting that he likes to load a clip as much as choppin’ up bodies while “The Willows” talks about murdering sex offenders & bigots affiliated with all sorts of hate groups. “Build My Home” ends by suggesting he makes himself at home in a cemetery, unsure if God’s answering his prayers & realization the only thing left is the certainty of death.

Coming fresh off the news of Ouija Macc expecting his 3rd child & him buying a 17 acre farm that he calls Juggalo City, the CEO of the Psychopathic Records subsidiary Chapter 17 Records finishes his 2025 by rightfully claiming the title of America’s Most Wicked a few weeks since Ninja Mack became the new JCW American Champion. Filled with 20 tracks of certified wicked shit with 3 of them not being on streaming due to their extremities, it’s basically a soundtrack to the hypothetical situation of the country burning to the ground.

Score: 4.5/5

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De La Soul – “Cabin in the Sky” review

One of the most beloved hip hop groups of all-time from Amityville, New York consisting of Posdnuos, Dave & DJ Maseo a.k.a. De La Soul. Their first few full-lengths 3 Feet High & Rising, De La Soul is Dead, Buhloone Mindstate & stakes is high under Tommy Boy Records would all become some of the greatest of the late 80s & early/mid 90s. Art Official Intelligence: Mosaic Thump & Art Official Intelligence 2: Bionix were both solid although I wouldn’t call them classics like their earlier material, but The Grind Date might be the most underrated entry in their discography. 1st Serve came out during my sophomore year of high school through Duck Down Music Inc. & it was a fun conceptual listen, putting out & the Anonymous Nobody… under their own label AOI Records almost a decade ago next summer. Dave unfortunately passed away in 2023 of congestive heart failure & he still appears posthumously throughout De La’s 10th album, which marks their debut for Mass Appeal Records serving as the 6th & penultimate installment of their Legend Has It series.

After the “Cabin Talk” intro performed by Giancarlo Esposito from the Breaking Bad/Better Call Saul & The Boys/Gen V franchises, the first song “YUHDONTSTOP” beautifully opens up with the group assuring that the magic will forever come in 3 whereas “Sunny Storms” produced by DJ Premier takes a symphonic boom bap route instrumentally slowing down the sample he used during the final verse explaining there’s no need to grieve over the old you. “Good Health” keeps it dusty thanks to Supa Dave West for an ode to staying healthy in light of Plug 2’s death leading into “Will Be” colorfully talking about nobody stopping them.

Pete Rock flips both “7 Years” by The Impressions & “Uphill Peace of Mind” by Kid Dynamite during the lead single “The Package”for Posdnuos & Dave to trade verses with one another rightfully boasting their status amongst the finest in all of Long Island while “A Quick 16 for Mama” featuring Killer Mike talks about their respective mothers over a soulful Nottz beat. “Just How It Is (Sometimes)” turns up the funk so they can explain the way life goes occasionally until “Cruel Summers Bring FIRE LIFE!!” samples “Everybody Loves the Sunshine” by the late Roy Ayers fighting for love.

“Day in the Sun (Gettin’ Wit U)” featuring Q-Tip reaches the halfway point with the 2nd & final single talking about another day beginning with them having nothing to do while “Run It Back!!” featuring Nas joins forces over more sampling to get in their battle rap bags lyrically. “Different World” soulfully talks about being in a place in their career where they’re no longer tasting the grit that they were craving almost 4 decades earlier while “Patty Cake” heads for a conscious direction thematically over a soothing Jake One instrumental.

Meanwhile on “The Silent Life of a Truth”, we have Premier hooking up a gospel sample cautioning that parents will still push the harsh realities away from children to make sure the fairy tales stay in place & to stay vigilant while “EN EFF” featuring Black Thought jazzily suggests not to make them laugh because muhfuckas be funny out here. “Believe in Him” turns up the gospel influences a lot higher talking about spirituality while “Yours” featuring Common & Slick Rick advises to not to be left astray.

“Palm of His Hands” kicks off the final leg of Cabin in the Sky with some sumptuous pianos talking about not wanting to get any older & the truth being a little heavy to lift up at times while the title track remembers Trugoy the Dove on top of a Supa Dave beat that kinda reminds me of some of A Tribe Called Quest’s material. “Don’t Push Me” finishes De La’s debut for Mass Appeal with a bittersweet self-produced Dave solo joint homaging “The Message” by Grandmaster Flash & the Furious 5 during the hook.

As we prepare for Nas & Premier to end the Legend Has It series in 3 weeks, De La Soul’s return after almost a decade could most likely become my favorite of theirs since The Grind Date & rivals Mobb Deep’s final album Infinite for the right of being called the best entry in this whole run Mass Appeal Records has been on. Posdnuos & DJ Maseo not on oh honor the legacy of Trugoy a.k.a. Dave, but they extending that tribute much further to all the loved ones they’ve lost along the way 24 hours after what would’ve been the late Phife Dawg’s born day.

Score: 4.5/5

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Truth – “Nostalgia ThEraPy 2” review

Brand new EP from Queens, New York emcee Truth. Formerly of the trio Gods’Illa, he would start to build up a solo discography for himself the year after the group’s full-length debut Believe in Gods’Illa however with From Ashes to Kingdom Come. He later followed it up 3 years later by dropping the sophomore effort The Fight for Survival as well as For All Intents & Purposes. The latter of which was also produced by Da Beatminerz fully as was Nostalgia ThEraPy, running it back with DJ Evil D & Mr. Walt for a sequel.

“Painful Truth” set up shop with a gully boom bap instrumental suggesting to try fuckin’ with him in a battle just to see what would happen until “Want It Back” dustily talks about his desire for New York to take it back to it’s roots dismissing “mumble rap” when I feel like we’ve been past that phase for a grip already. “Redrum Seen” brings a murderous vibe from the beat to the relentless penmanship while “Cause for Concern” featuring Psycho Les & Tragedy Khadafi comes together for a lyrical onslaught.

The song “Done Did It” kicks off the 2nd half of Nostalgia ThEraPy 2 by having Truth hopping over some horns mixed with kicks & snares talking about doing this rap shit with ease while “Check It Out” unloads a couple of razor-sharp 16s with more authority than the MTA on top of an aggressive backdrop. “Get to It” featuring Royal Flush finishes the EP with both of them over a soul sample refusing to slow down until they get what’s owed to them.

Hungrier than ever, the 3rd dosage of potent east coast boom bap from Truth & Da Beatminerz continues the former Gods’illa member’s elevation as a solo artist that began nearly 4 years ago with For All Intents & Purposes alongside the original Nostalgia ThEraPy EP celebrating it’s 2-year anniversary in only a couple months. Everything regarding the latter being elevated throughout its follow-up from DJ Evil D & Mr. Walt’s production to the sharp lyricism.

Score: 4/5

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Haley Heynderickx & Max García Conover – “What of Our Nature” review

Portland, Oregon singer/songwriter Haley Heynderickx & Portland, Maine singer/songwriter Max García Conover reuniting for their 2nd collaborative project. Originally joining forces in the fall of 2018 for the final chapter of the Among Horses trilogy following Haley’s debut album I Need to Start a Garden, her sophomore effort Seed of a Seed celebrated it’s 1-year anniversary at the very beginning of the month & looks to recapture the late Woody Guthrie’s spirit from opposite corners of the country on What of Our Nature under Fat Possum Records.

“Song for Alicia” begins with a singer/songwriter intro telling the story of Alicia Rodríguez whilst further explaining that the Proud Boys & the Puerto Ricans are the only 2 groups convicted of American sedition. “Mr. Marketer” goes for a folkier vibe singing about Haley being told she was destined to grow a bold-hearted woman she thought she’d never know just before the stripped-back “Boars” feels optimistic of hipping through the cat grass living like the biggest little sluggers on the farm.

As for “Cowboying”, we have Haley & Max carrying the folky singer/songwriter sound over to sing about being unable to get these horses out of their heads & not being so sure as to what they want to eat while “In Bulosan’s Words” remembers the late Carlos Bulosan to end the 1st half. “This Morning, I’m Born Again” kicks off the 2nd leg with more acoustics singing that there’s only this emptiness against them while “Fluorescent Light” explains that the kind of lighting we’re living under is absorbing electromagnetic radiation.

“Buffalo, 1981” starts What of Our Nature’s final moments seeing about how this country hates the poor when that couldn’t be more relevant because of the whole SNAP benefits situation occurring during the new longest government shutdown while “To Each Their Dot” sings about humanity’s best interest being circular & simply making money off of us fighting the good fight. “Red River Dry” finishes by looking at Haley’s lineage like “Buffalo, 1981” did with Max’s.

Spending the last 12 months sharing creative ideas in the midst of reading Woody Gunthrie’s biographies & slowly exploring a patchwork of Americanism to see where their stories fit, Haley Heynderickx & Max García Conover find themselves with this collection of music Woody left behind channeling the union of spontaneity as well as sweetness & defiance that made him one of the most important figures in all of American folk music over guitars & percussion, carrying on his legacy with a singer/songwriter & indie folk LP that raises the stakes of their creative chemistry.

Score: 4/5

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Jalen Frazier – “Eye of the Beholder” review

Here is the 5th EP from Detroit, Michigan emcee Jalen Frazier. Getting his footing in during the fall of 2020 off the strength of his debut EP Expressions of the Neglected, he would continue to turn heads in the local underground scene last summer with the follow-up God Bless My Chalice. His debut album The Drop produced by Foul Mouth & Ethics of War produced by godBLESSbeatz elevated himself from both of its predecessors, aiming for a 3-peat with Eye of the Beholder produced by Machacha.

“The Luz” opens up with a somber boom bap instrumental trying to make a profit overnight & aiming guns at nosy muhfuckas whereas “Dolphins” soulfully talks about emptying clips on whole entire regimes. “Tale of the Streets”works in a guitar mixed with kicks & snares masterfully showing off his storytelling abilities for 111 seconds while “God Forbid” talks about needing a ticket to hear these thoughts.

J-Classic joins Jalen on the song “Duffel Bag Written” winding up the 2nd half of Eye of the Beholder with a crazy Crash Bandicoot reference in light of Netflix producing an upcoming animated series based on the iconic franchise while “Conflict Resolution” hooks up a reversed sample shouting out all his homies locked down behind prison walls. “Political Theater” featuring Isaac Castor finishes with both of them talking about there being 2 sides of America.

A tribute to those who carry the weight of being authentic in the world full of imitators & searching for meaning amongst the misunderstood, Jalen Frazier continues to put out some of the most essential material of his whole entire career throughout Eye of the Beholder continuing to improve above All Love Until It’s Not roughly 8 months ago. Machacha’s production is on par with The Most Interesting Man in the World’s & each verse feels like a testimony.

Score: 4/5

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Tha God Fahim – “Ultimate Rapper 5000 Guillotine” review

New EP & the 68th overall from Atlanta, Georgia emcee/producer Tha God Fahim. Starting as an affiliate of Griselda Records & being 1/3 of the Dump Gawds alongside Mach-Hommy & Your Old Droog, we also can’t ignore the massive discography that he’s managed to build for himself, some of the standouts include Breaking Through tha Van Allen Belts & Dump Assassins. He’s been putting out amongst his best material in the past few years like the Camoflauge Monk-produced Dark Shogunn Assassin, the Nature Sounds-backed Iron Bull, the Nicholas Craven-produced Dump Gawd: Shot Clock King series, the Oh No-produced Berserko, the Mike Shabb-produced Dump Gawd: Rhyme Pays, Tha Supreme Hoarder of All Pristine Wealth, Supreme Dump Legend: Soul Cook Saga produced by Cookin’ Soul & Machine Gun Vocabulary produced by Cartune Beatz. Coming off a Slam Dump with Drega33 earlier this week, the Ultimate Rapper 5000 Guillotine has emerged.

“50 Lunch Numbers” proves to be a great taste of what to expect whether it be the self-produced boom bap beat or the sharp lyricism talking about how nobody can take his musical accomplishments away from him whereas “My Off Day” goes for a jazzier vibe working when he wasn’t scheduled to. “Miseducation” hooks up some dusty vibraphones recalling a lot of people he knew having guns before graduating high school while “Mic Clutchin’” brings back the jazz suggesting separation can be for the best sometimes.

Meanwhile on “Modern Marvel”, we have Fahim going for a lo-fi boom bap vibe breaking & building empires leading into “Reigning Victor” talking about his state of mind scarily being out of planetary. “Tha Coming of Shogunn” keeps things in the basement instrumentally comparing his discography to a library of knowledge just before “Tha Dump” talks about his imperviousness. “Illusions of tha Mind” shits on those who’re still hating over a guitar & “Mortal Wounds” featuring Jay NiCE ends by thanking God they’re true Gs.

The only time we really got to hear Tha God Fahim over his own production in 2025 was the 42% of Dump Gawd: Hyperbolic Time Chamber Rap 15 (Final Explosion) that he did all by himself & Ultimate Rapper Guillotine 5000 makes up for the last few installments of the Hyperbolic Time Chamber Rap saga with the most I’ve enjoyed a project of his since Lethal Weapon 4. After spending the last 13 months sharpening his sword, he jumps back behind the board to prove that he hasn’t lost a step in that department.

Score: 4.5/5

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