Jamie Madrox – “The November Brain” review

Jamie Madrox is a 49 year old MC, singer/songwriter, Astronomicon co-founder & former Juggalo Championship Wrestling (JCW) commentator from Detroit, Michigan getting his start as 1/3 of the House of Krazees alongside The R.O.C. & Monoxide. The latter of whom would join Mr. Bones in signing to Psychopathic Records in late 1997 as Twiztid, becoming the biggest act to emerge out of the label that runs beneath the streets under the Insane Clown Posse’s wing next to Ouija Macc subsequently 2 decades later shortly after Majik Ninja Entertainment & PSY severed ties. Jamie briefly went solo in the mid-90s off his debut EP The Demon Inside & the full-length debut Sacrifice, returning over a decade later for the Psychopathic-backed sophomore effort Phatso. To celebrate Black Friday however, the multiple man’s returning for his 3rd solo LP to end his birth month.

“The Dice” is this melodic trap opener wondering if he can save himself again or being destined to die now whereas “Tell Me When” takes the tropical trap route instrumentally continually telling himself he’ll be fine with everything on his mind. “❤️ Me Then She ❤️ Me Not” samples one of my all-time favorite Sublime songs “Doin’ Time” letting this chick know that he’s a sure shot rather than a catch prior to “Mind Games” morbidly talking about your mind playing tricks on you.

The Green Kid a.k.a. Big Vin Dustin & Insane E join Jamie for “On the Spiral” giving off more of a hardcore hip hop vibe admitting that they’re over the edge & out of control while the grisly lead single “Dirt Sandwich” talks about self-happiness being the vibe that he promotes although I prefer the Stir Crazy remix. “G4” featuring G-Mo Skee shifts into boom bap territory for both of them dropping straight bars for 102 seconds just before “More Problems Than Yesterday” keeps the kicks & snares in tact wanting to know why his problems have increased.

“G9” featuring Boondox brings a trap flare back in the equation leading into “Blockin’ Out the Haters” featuring Blaze Ya Dead Homie returns to the boom bap talking about brushing off their detractors. “G6” featuring Hyro the Hero goes for a jazzier direction with the beat refusing to stop until the city goes down, but then “Can U Hear Me Now?” by Twiztid discusses being a part of the progress & dominating playlists.

Meanwhile on “G1”, we have Jamie & Young Wicked aggressively encouraging everyone to listen to their music on repeat when they both have material worthy of doing so while the soulful “Just a Little More” shows a mature side to the multiple man on the lyrical front. “Natural Born” featuring The R.O.C. hops over another boom bap instrumental displaying their murderous tendencies & “Impossible” somberly addresses the impossibility of life. “Ty (4Real)” finishes The November Brain with what feels like a successor to “You’re the Reazon” off Mirror Mirror.

You can only get The November Brain physically through the MNEStore because Jamie was jackin’ for beats from smaller & lesser-known underground producers. Either way, I still enjoyed it almost as much as The Chainsmoker II roughly 9 months ago & can say both halves of Twiztid put out their best solo efforts ahead of Welcome to Your Funeral this upcoming Valentine’s Day. The production although left uncredited in the hard copies more eclectic than Chainsmoker II going from boom bap to trap, jazz rap, hardcore hip hop & horrorcore introducing us to The Great Skull & the Graybow.

Score: 4/5

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Sam R I – “12 Monkeys” review

Sam R I is a 31 year old MC & producer from San Diego, California who first emerged within the west coast underground off his first 4 EPs Purple Cashmere, Rush Hour, Nickz & more recently Stax Payne over the summer. However after William Bostick heard Sam’s verse on “Rise in Winter Crime (Brrrrr)” off the Christmas EP that XP the Marxman put out last winter ‘Tis the Season, the New York producer has been brought in to produce Sam’s official debut album.

“Been a Buck” rawly sets it off by letting it be known he’s been the same from the very jump whereas “2 Types” incorporates some vibraphones to discuss the kind of people who say it without actually putting in the effort & the ones who actually do it. “TGFF” takes the boom bap route instrumentally showing off his storytelling abilities while “Art Basil in Spain” featuring Chester & Doza the Drum Dealer finds the trio coming together for a hardcore joint with a hook delivered in Spanish.

Meanwhile on “Blockbuster”, we have Sam on some more kicks & snares talking about letting shots ring out from the Benz just before “Freemason” after the titular interlude hooks up a soul sample to run the game as if he’s a part of the world’s first & largest fraternal organization. “Stick Up Kids” featuring 7ven 30 suggests their pen-games being Godly due to living in Hell, but then “Filthy” returns to the boom bap & lets his paper stack.

“Cul-De-Sac” featuring Kahlee nears the conclusion of 12 Monkeys needing a bigger truck with the work they be moving clarifying that there’s only 1 way out of the street or passage that’s closed 1 end while “Guilty” boasts his tax brackets being colder than Grand Rapids during the winter. “Take Time” finishes the LP on a more introspective note venting about the shit he’s dealing with whether it be his cousin possibly never walking again & a homie doing time behind bars.

In the 6 & a half years that Sam R I’s been around dropping projects, 12 Monkeys takes it above & beyond all expectations set by the small handful his previous EPs he had given us up until this point & culminating in a full-length debut showcasing the west coast lyricist’s elevation since 2018 on top of east coast production standing out in being amongst the best of William Bostick’s career thus far.

Score: 4/5

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Nowaah the Flood – “Plans of the Diligent” review

This is the 20th EP from Dallas, Texas emcee Nowaah the Flood. Breaking out in the summer of 2018 by releasing his first EP Trill Life Mathematiks around the same time as Nas’ 11th album NASIR fully produced by Kanye West, he would go on to drop his last 19 EPs along with The Nowaah & the Dewer’s eponymous debut album and roughly 6 proper full-lengths. Standouts for me personally include the DirtyDiggs-produced Private Stock, the Estee Nack collaborative effort Planted Seeds, The Infallible, the Stu Bangas-produced Respectfully, the Giallo Point-produced Right Over Left & it’s sequel, the DJ D-Styles-produced Crème de la Crème and finally the Kyo Itachi-produced Sudan Samurai Scrolls. However, he & Stu Bangas are celebrating Thanksgiving by laying out Plans of the Diligent.

“On King David” is this hardcore 86 second intro talking about being the one to rumble with & saying fuck the humble shit since others be clockin’ his style whereas “Don’t Get Spooked Now” takes the uncanny boom bap route instrumentally cautioning everyone not to get frightened. “The Criteria” goes for a luxuriously raw vibe altogether likening the EP to 80s dope while “To the Chest” samples a piano to talk about lyrical devastation.

Meanwhile on “Wisdom of the Ages”, we have Nowaah soulfully disses all the false prophets in the game these days just before “The Hellfire”aggressively pays tribute to both 12 O’Clock & the Ol’ Dirty Bastard. “Breaking Day” acknowledges that he’s never taken an L when working with Stu leading into “1 Chance” brings the keys back in the equation to talk about still having his distinct grit. “Keep a Banga on Me” finishes by keeping a heater on him even if he’s locked down in cellblock 3.

Tinted with Biblical references throughout in time for the holiday season in Nowaah the Flood’s inimitable fashion, Stu Bangas provides the antidote to drumless beats & quiet lo-fi sounds for the faithless to find solace in the gritty stories of the streets Nowaah so expertly tells on behalf of those who’re either dead or locked behind bars doing life sentences & unable to tell their own tales as a result of the statutes of limitation not passing yet.

Score: 4.5/5

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Sparkz – “Full Circle” review

Highly anticipated debut album from Manchester, England, United Kingdom emcee/producer Sparkz. A member of the LEVELZ collective & co-fronting The Mouse Outfit, he would later make appearances on projects like Verb T’s 8th album Good Evening & Pitch 92’s debut EP Lost in Space until Fliptrix signed Sparkz to his historic Hove, East Sussex underground imprint High Focus Records dropping the self-produced Overload following the Angle trilogy of EPs in preparation of Full Circle.

After the intro, the heavenly boom bap flavored title track talks about what goes around coming around in this world whereas the 2nd single “Start & Show” combines these luxurious piano chords with kicks & snares calling for the attention of all advising those offended to cry him a river. “Never” goes for a funkier vibe talking about not having to step back just before the smooth “Overnight” featuring Coops marks my favorite guest appearance of the 3 discussing their souls staying aligned.

“Got This” works in some more piano-driven boom bap instrumentation for a lead single talking about staying in the game now that he’s no longer sitting on the bench leading into the dustily summery “Supposed to Be” speaks of this breather he’s been looking for making time move slowly for him. The 3rd & final single “Genius” blends jazz rap & boom bap together for an aggressive look at his witty penmanship while “Can’t Limit” featuring oskarcw0 talks about the blessin’ of big steppin’ over keys, kicks & snares.

Starting the LP’s final leg, “Glass House” opens up regarding him losing money & eventually getting it bag while “Team Set” featuring Voodoo Black comes together to fire 3 hardcore verses over a fusion between boom bap & lo-fi hip hop. “Say” instrumentally honors the late J Dilla’s legacy telling people to spew whatever they want about him & after “Where We At” talks about cherishing memories with every act, “Got Me Here” soulfully ends with Sparkz looking to leave the whole scene shook.

Introducing himself as a solo artist by putting his dexterity in the limelight with the Overload extended play, I can’t complain that Pitch 92 fully produced Full Circle because it was really a matter of time given his & Sparkz’ history apart of The Mouse Outfit for over a decade already. A few guests join the latter during a few instances contrasting Overload having no features at all, made up for by Pitch 92’s buttery production & Sparkz’ confidence balancing elements of the timeless & new.

Score: 4/5

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WTM Scoob – “Peach Wolf” review

This is the 7th EP from Detroit rapper WTM Scoob. Formerly a member of the WRLD Tour Mafia, his solo career started in 2019 with his first few EPs Good Kid as well as When You Coming Home & A Beautiful Drug. Couple more EPs Euphoric Effects & Don’t Be Proud came out ahead of his debut album I Went to Plu2o, which was later followed by his first couple mixtapes Scoob & Sydney Tour the World and Unreleased Wav alongside his last EP Big Heart Small World. 13 months after the “Lil Motivator” single & the “Safety Route” b-side however, Scoob’s coming off the Scoob Wav mixtape from this spring to drop Peach Wolf a couple days before Thanksgiving.

“Greedy” opens with a piano trap instrumental talking about putting feelings into this shit since he can’t carry on & demanding his respect feeling like Birdman in reference to his historic Breakfast Club interview whereas “Loewe” cloudily brushes off the idea of making a relationship work when the other half fucked it all up. “Addict” featuring Taylor Bentley begins the other half of the EP psychedelically addressing shit getting wicked in his city & finally, the closer “LoveTheRealMe” ends it all by talking about his only fear being karma.

Admittedly, I haven’t heard much of Scoob’s solo output since he left WRLD Tour a few years ago. Either way, Peach Wolf for only a 4-track EP clocking in at 8 & a half minutes serves as a palatable prelude to whatever he has coming down in the pipe in 2025 whether it be a sophomore LP or a 4th mixtape. I enjoyed Lo Key P’s production as someone who wasn’t too familiar with him up to this point even with a couple projects under his belt already but most importantly, Scoob’s skills on the mic remain undeniable & I’m happy to hear he’s doing good.

Score: 3.5/5

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Mickey Diamond – “Gucci Gambinos” review

Detroit, Michigan lyricist & one of the finest in the underground currently Mickey Diamond returning for his 14th LP. Emerging at the beginning of 2020 off the strength of his debut EP Bangkok Dangerous, the dude has since gone on to turn quite a few heads in the underground by building up the impressive discography for himself with his previous 13 albums alongside 7 EPs & a mixtape. But for the past year, Mickey has been consistent putting out some of the best material of his career thus far. This includes the Gucci Ghost album & it’s sequel produced by Big Ghost Ltd., the Ral Duke-produced Oroku Saki EP, the Sadhugold-produced Death Threat$ album, the Camoflauge Monk-produced Capital Gains album or the the 3rd & 4th installments to the Gucci Ghost saga this past winter. Diamond & Ral Duke got back together for the outstanding Oroku Saki sequel Super Shredder & only 3 months after It’s 5:00 Somewhere, he & Big Ghost are linking back up for Gucci Gambinos.

“Fruits of Wisdom” featuring Pro Dillinger perfectly opens things up by hopping over an orchestrally drumless instrumental referencing former AJPWオール・アジア・タッグチャンピオン, 世界ジュニアヘビー級チャンピオン, KO-Dタッグチャンピオン, FMWインディペンデントワールド世界ジュニアヘビー級チャンピオン, 2-time IWGPジュニアタッグチャンピオン, GHCジュニアヘビー級タッグチャンピオン & current 新日本プロレス Jr. Heavyweight タカ みちのく of the ジャスト・フォー・ガイズ unit whereas “Word Bond” works in a sample-driven boom bap beat responding to everyone saying he ain’t outside.

Pro Dillinger returns on the soulful rock crossover “Green Paper” promising that the money will come if you keep pacing leading into “Truth or Dare” featuring Method Man taking it back to the basement instrumentally so they can talk about getting killed in the 313 & the 718 respectively advising to use y’all heads. “Speedknot” hooks the sampling back up for only a minute to make way for Diamond to shrug off these funny muhfuckas, but then the classy “Ice Cubes” talks about weatherin’ the storm & whippin’ out the pyrex.

“The Untouchables” featuring Pro Dillinger aggressively reaches the halfway point calling out those believing in their favorite rappers saying they finessed bricks when they were legitimately bullshittin’ just before the duo stick around for “A Man with a Dream” bringing the soul samples back cookin’ the dope up & baggin’ it in less than 80 minutes. “Cold Summer” gives off more of a solemn vibe to the beat reflecting on having the whole block in a submission chokehold prior to Pro Dillinger returning on “Rusty Blades”, promising to shoot back if they shoot 1st.

Getting the final leg of Gucci Gambinos going, “The Last Gangster” mixes a vocal sample with kicks & snares to talk about it being another day & another dollar while the song “Rockin’ a Gold Tooth” pays homage to the iconic Wu-Tang Clan single “C.R.E.A.M. (Cash Rules Everything Around Me)”. The title track featuring Pro Dillinger gets together for an orchestral boom bap joint kin to “Wu-Gambinos” & finally, “Crime Paradise” also featuring Pro Dillinger finishes the LP with both of them rawly breaking down their exquisite lifestyles.

Ghost & Diamond achieve their mission of restoring a feeling by taking equal inspiration from Raekwon’s solo debut Only Built 4 Cuban Linx…, early Hong Kong action movies, Martin Scorsese & Francis Ford Coppola films, the Avirex & Pelle Pelle fashion brands & finally the 90s dopeboy money gettin’ era. Pro Dillinger’s verses feel reminiscent to Ghostface Killah’s on OB4CL & it feels like the listeners are reliving or experiencing for the first time what it was like at the peak of the golden era of hip hop culture.

Score: 4.5/5

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Kendrick Lamar – “GNX” review

Compton emcee, songwriter & actor Kendrick Lamar surprise-releasing his 6th studio LP outta nowhere ahead of his Super Bowl LIX halftime show in a few months. Coming up in ‘04 off his debut mixtape Y.H.N.I.C. (Youngest Head N***a in Charge): Hub City Threat (Minor of the Year), he would go on to follow-up with 2 more tapes as well as an eponymous debut EP before breaking out in the fall of 2010 off his 4th mixtape O(verly) D(edicated) & then Section.80 that next summer. Then came him signing to Dr. Dre’s very own Interscope Records imprint Aftermath Entertainment, where Kendrick made himself home at for a decade. Especially given that good kid, m.A.A.d city & To Pimp a Butterfly have quickly become some of the most beloved hip hop albums ever made in their own rights for good reason whether it be gkmc coming off as a hood movie on wax or TPaB delivering relevant social commentary on top of jazzy, funky production. DAMN. however was definitely his most commercial one yet & I don’t listen to it as much as his other work, but it’s still a great listen nonetheless with its phenomenal duality concept. Mr. Morale & the Big Steppers fulfilled his Top Dawg Entertainment/Aftermath contract with a mature 2-disc effort, resulting in pgLang signing with Interscope for distribution. His beef with Drake this year has been absolutely prolific on his side from “euphoria” to my favorite “meet the grahams” & of course “Not Like Us”, returning a week ahead of Thanksgiving by pulling up in a GNX.

“wacced out murals” is this trap intro talking about Drake fans fucking up a mural of his in Compton a couple months ago additionally refusing to squash it with Drake himself, WWE Hall of Famer Snoop Dogg reposting “Taylor Made”, feeling like his hard work let Lil Wayne down & Nas being the only person to congratulate him for the Super Bowl LIX halftime show whereas “squabble up” takes the hyphy route instrumentally to talk about walking in & later walking out both sides. “luther” samples “If This World Were Mine” by Cheryl Lynn & Luther Vandross thanks to Jack Antonoff, Kamasi Washington & Sounwave envisioning a world where pain & conflict are eradicated prior to the calming “man at the garden” talking about deserving it all when he absolutely does.

Meanwhile on “hey now”, we have Kendrick & Dody6 over a ratchet instrumental from none other than DJ Mustard boasting that they’re way too important just before my 2nd favorite track “reincarnated” flips “Made N****z” by 2Pac letting off concentrated thoughts on who he used to be & putting 100 hoods on 1 stage at the Pop Out show this summer. “tv off” serves as this 2-parter with the 2nd half standing out the most explaining that someone gotta do something about these muhfuckas actin’ bad out here with only a few real ones left, but then the atmospherically funky “dodger blue” with co-production from Terrace Martin talks about the westside getting the money.

“peekaboo” featuring AzChike & Dody6 nears the end of GNX by getting back on the nervous tip dissin’ everyone for talkin’ a whole lotta nothing while my personal favorite track “The Heart VI” serves as the real 6th installment of his famous “Heart” series disregarding that awful diss Drake put out this spring, sampling my favorite SWV song “Use Your Heart” to take ownership in a Black Hippy album never materializing & explaining why he left TDE. The title track by Hitta J3, Peysoh & YoungThreat gets together over some keys to talk about being the ones while “gloria” tropically finishes by addressing a fear of forever.

“Not Like Us” was a firm reminder that Kendrick is absolutely more than capable of making fun music rather than certain individual having him pigeonholed as a conscious artist & GNX being his first body of work after leaving TDE/Aftermath if anything expands on that. The production showcases his versatility with a decent list of lesser-known local guests prominently going for a west coast trap vibe with additional elements of ratchet music, nervous music, conscious hip hop, hardcore hip hop & pop rap.

Score: 4.5/5

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Pradabagshawty – “Forever & After” review

Here’s the 4th EP from Columbia, South Carolina born albeit Atlanta, Georgia rapper Pradabagshawty. Introducing himself last summer off his debut EP Bloxk Addiktion, he would go on to follow it up with 1 Love & the Cegular Records debut 10 Freak Ho’s found Whyceg making him the 2nd artist to sign to his newly formed Sony Music imprint after Babystaydown. A couple months after his debut under the label Hate da Way Um Livin’, the pressure’s being applied with Forever & After.

The intro “Plate” clocks in at 108 seconds talking about loving paper more than hoes & staying on the block for days whereas “Living Room” doesn’t shy away from admitting that he pops an adderrall when he wakes up every single morning over a Hariroc beat referencing Eric André, host of the greatest talk show of all-time The Eric André Show that ran for 5 seasons on the Discovery Global owned Cartoon Network subsidiary [adult swim].

Babystaydown saves the best guest appearance of the 3 for “Clueless” offering a glimpse of their chemistry while “Sub 0” featuring Bakkdoeshawty references former 6-time WWE world champion, WWE Intercontinental Champion, WWE tag team champion, 2-time AEW World Champion, inaugural ROH Hall of Fame inductee, ROH World Champion, 2-time ROH World Tag Team Champion & 5-time IWA World Champion CM Punk over a Whyceg beat. “Tangled Up” takes a pluggier vibe instrumentally talking about getting caught up between 2 hoes while “Mary Jane” could probably be my favorite track personally being a stoner myself.

The song “U Cried” featuring ImSoMarcus & produced by SOULJASPIRITS begins the EP’s final leg with both of them reflecting on going from not having shit to being locked in but after “Green n Goin’” talks about not doing relationships because he’ll end up leaving a bitch if she happens to bore him over a piano instrumental from Wizardpem, the closing track “Rehab” finishes by admitting that he needs serious help with his addiction to drugs.

Bloxk Addiktion as well as 1 Love & 10 Freak Ho’seach had their own individual amount of standouts that captured Pradabagshawty’s potential in the plugg/gangsta rap scenes, but Forever & After surpasses 1 Love in becoming his greatest extended play yet & revealing that he a lot like Babystaydown are leading the charge regarding Cegular Records’ popularity increasing heading into the new year. Although I could’ve done without a couple guests, production is prominently centered around trap this time around with plugg still included as a minor influence & Prada’s pen further suffices.

Score: 4/5

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Ty Farris – “Timing of a Tarantula” review

Detroit veteran & Bars Over B.S. Records founder Ty Farris dropping off a physical exclusive 4th EP a week before Thanksgiving. Originally going under the moniker T-Flame being featuring on a lot of projects throughout the mid-2000’s until the very end of the decade, it was at that point where he started to put out solo stuff at a prolific rate by dropping 11 mixtapes, 11 full-lengths & his last 3 EPs. Standouts include the Room 39 duology & the No Cosign Just Cocaine series, the Machacha-produced Malice at the Palace & the Graymatter produced Sounds That Never Left My Soul. He just put out Enigma with an Attitude over the summer & is back with the Timing of a Tarantula.

“Gawd Mode Activated” is this drumless rap rock opener giving y’all the pain, the glory & everything that comes with it whereas “Trendsetter” gives off a mafioso vibe instrumentally talking about mixing longevity & high quality in addition to those tryna copy him when he’s building a monopoly. “Glass Joes” has a cloudy boom bap flare expressing his only concern now being the cash flow while the sample-driven “Venom in My Veins” talks his visions of living in flames.

Flames Dot Malik joins Ty on the piano boom bap joint “8 Eyes on the Paper” tryna maintain with 1 foot in the game each as they try to get paid just before a personal favorite of mine “Eat What You Kill” produced by Denny LaFlare keeps it in the basement suggesting that those thinking they better than him be mixing PCP in their blunts. “Top Rank” featuring Estee Nack aggressively reaffirms both of their statuses as lyricists & “Web of Lies” protects what’s his refusing to get involved with a network of deceit.

“You Bleed, I Bleed” featuring Rome Streetz reaches the final moments of Timing of a Tarantula with both of them hopping on top this crooning, drumless beat from Apollo Brown letting y’all know that it doesn’t even have to be this hard at all & asking why you can’t even see their stars while the closer “Heart of a Champion” finishes the EP by keeping the soul sampling in tact 1 last time flexing that he can simply email himself if he needs a raise.

For anyone who happens to love the conceptual street hip hop like some of Ty Farris’ previous releases, you’re gonna love Timing a Tarantula without question & it really might be my new favorite EP in his discography. His imagery makes sharp comparisons to the aptly named Theraphosidae family of arthropods & Divine Crime reveals himself as a future A&R that’ll be a force to be reckoned with over production balancing boom bap & drumless.

Score: 4/5

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Skribbal – “Electric Lungs” review

Los Angeles, California emcee Skribbal teaming up with both his uncle Katfish & the multifaceted SVH for his 4th studio LP. Coming up in 2016 off the strength of his full-length debut Drug Spun Funk, would catch the attention of the rising Wisconsin underground label Force 5 Records & they would put out his sophomore effort Skinwalker a couple years later. Once he dropped his debut EP Quarantine Sessions a month after the pandemic started, he would leave the label to form his own Splatterbrain Records & celebrated this newfound independence by dropping his 3rd album Black Eyed Children distancing himself from horrorcore in favor of a more hardcore hip hop style. Last time I covered him was the winter of 2022 with the Road to Dystopia EP & Electric Lungs is now making a daring shift from underground hip hop to nu metal/

After the intro, the first song “Gaslight” sets the tone of what’s to come with this nu metal opener rapping about the opps’ tactics backfiring on them & losing his own sight whereas “Suffer the Fall” works in some more heavy guitars except he’s singing this time looking to make the world believe. “Forged in Fire” kinda has this industrial hip hop vibe cautioning a violent storm forming since the Devil resurrects when the beat drops leading into “Torn” going full-blown rap metal to talk about being ready for war.

“Iron Sky” after the “Military Industrial Complex” interlude continues being hip hop & metal music together making room for conscious lyricism while “Start All Over (Bad Side)” kinda feels reminiscent to LINKIN PARK’s early 2000s output discussing coming from a broken home & having a broken mind. “This Graveyard Earth” takes the boom bap route instrumentally bringing hardcore lyricism to the table, but then the trap metal-inspired “Breaking Out” promises to never let them take away who he is.

Ashes Like Rain joins Skribbal on the song “Shadow Bleeding” getting back in his nu metal bag with rap verses & guttural screaming on the hook talking all these hoebags nowadays embracing the propaganda while “Run Rabbit!” featuring Myalansky of prior Wu-Syndicate fame & Praise1 just before the outro properly finishes Electric Lungs with more of a hardcore hip hop-driven closer talking about haters being mad over their return from Hell to rob rappers of their chains.

Combining the lyrical depth and underground sensibilities of hip hop with the aggressive instrumentation of metal, the Splatterbrain Records founder takes us on a genre-bending journey tackling subjects from government corruption to dark occult conspiracies in addition to inviting listeners to embrace their own strength and individuality in a world that often seems oppressive through his confidence & bravado.

Score: 4/5

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