Manhattan, New York emcee & songwriter A$AP Ferg finally releasing his 3rd studio LP. One of the most prominent members of the A$AP Mob, his 2013 solo debut Trap Lord & the debut mixtape Ferg Forever both cemented that further although the sophomore effort A.$.A.P. (Always $trive And Prosper) received mixed responses for its more commercial heavy-sound. Still Striving & Floor Seats both marked a return to form for Ferg although Floor Seats II got divided feedback during the 2020 COVID lockdowns, Darold based on the singles had me hoping it would be another step in the right direction artistically.
“Light Work” featuring Bloody Osiris & DD Osama starts off by dabbling with the New York drill sound telling everyone to go get their lights whereas “Thought I Was Dead” produced by Lex Luger & Mike WiLL-Made It works in some horns & hi-hats to talk about his return to music after so long. “Alive :(“ has a passionate tone altogether admitting he’s been trying to his find his passion for this rap shit lately prior to the lead single “Allure” featuring Future taking it live from Atlanta.
Denzel Curry joins Ferg on the energetic “Demons” to talk about being on the corner, making the hood go brazy just before “Messy” take the trap out talking about everything being disorderly & keeping it that way. “French Tips” has a bit of a boom bap vibe instrumentally keeping it hot, but then “Dead Homies” brings a soulful flare to the table remembering all of his friends who unfortunately can’t be here with us today.
“Casting Spells” hooks up a classy beat from Mario Winans, Lil Rod & disgraced Bad Boy Entertainment founder awaiting trial next spring Puff Daddy a.k.a. P. Diddy or Diddy keeping the hate away from him wanting to live & take care of his family while “Pool” strips the drums completely hoping that one never changes on him. “Chosen” maintains a drumless edge pushing towards the final moments of Darold showing a bit of introspection, which the bombastic title track expands on boasting that he’s been outside.
A rich auditory experience, Ferg’s first full-length in nearly a decade echoes his enduring impact on hip hop combining seasoned artists & rising stars offering something for everybody. This goal is achieved by the production drawing inspiration from boom bap, trap, neo-soul, contemporary R&B, pop rap, hardcore hip hop & the New York Drill scene refining the personal themes of A.$.A.P. (Always $trive And Prosper).
This is the 3rd mixtape from Carson, California emcee Ab-Soul. Coming up as 1/2 of the duo Area 51 alongside Snake Hollywood, Soulo would go on to sign to Top Dawg Entertainment after their disbandment & has remained under Top Dawg’s wing since. Dude’s first 2 mixtapes Longterm & Longterm 2: Lifestyles of the Broke & Almost Famous would begin to turn heads & I can’t forget about his first 2 full-lengths Longterm Mentality & Control System going on to become the Black Lip Bastard’s most acclaimed efforts to date, but These Days… & Do What Thou Wilt. were both released to mediocre reception from many including myself. Herbert marked a return to form for him a couple years ago & is now remembering Doeburger throughout Soul Burger.
“9 Mile” is a drumless/boom bap 2-parter sampling the iconic Mobb Deep single “Shook Ones, Pt. II” talking about how caine never really left his side whereas “Paiday” takes the trap route instrumentally demanding he gets paid. “All That” featuring Jason Martin & produced by Tae Beast goes for a bit of a gangsta rap vibe representing their west coast street ties just before the sample-driven “California Dream” featuring Vince Staples with 9th Wonder behind the boards shows love to their home state.
Moving on from there, “B.U.C.K.O. Jr.” returns to a trap sound touching on his soldier mentality leading into Doechii joining Soulo for “I, Myself & Me” brings back a bit of a boom bap edge talking about it simply being themselves. “DND” featuring Notorious N.I.Q. pulls inspiration from the trap scene once more thanks to Beat Butcha & Sounwave running the checks up tryna pay the price, but then the symphonic trap hybrid “Don Julio 70” by Soul Fre$h demonstrates the duo’s chemistry.
“Go Pro” featuring Ty$ starts the 2nd half of the tape boasting that the real ones are back in style while the catchy “Saudi Sweats” makes it clear that if it ain’t about the money, he ain’t really having it. “Squeeze 1st 2” is this jazzy sequel to the JAY-Z joint “Squeeze 1st” letting the gun off & asking questions later while “Crazier” featuring J.I.D brings the 2 together for a drumlessly experimental ride showing off abstract lyricism.
The song “Peace” featuring Lupe Fiasco & Punch strips the drums once more showing a bit of a conscious side to them for 5 & a half minutes while the penultimate track “The Sky’s Limitless” heads for a psychedelic trap direction courtesy of Terrace Martin whom Kendrick Lamar mentioned on “The Day The Party Died” encouraging listeners that they can have & be whatever they want in this life. “Righteous Man” properly ends the tape on some hardcore shit keeping a bullet with your name on it.
For his 1st mixtape in nearly 14 & a half years, Soulo maintains the consistency of Herbert by cooking up a homage to Doeburger that I feel does his memory justice. The production ranges from boom bap to trap & drumless with the lyricism offering a look at the gangsta life, consciousness & even a hint of abstract through use of metaphors along with symbolism & cryptic meanings.
Detroit emcee Babytron delivering his highly anticipated sophomore effort. Coming up as a member of the trio ShittyBoyz along with his childhood friends Stanwill & TR Dee signing to Lando Bando’s own The Hip Hop Lab Records, he also branched out on impressive solo career for himself as well as the side groups Lewis & Clark and the Dookie Brothers. But the last couple years was probably his biggest yet landing interviews ranging from No Jumper to even Rolling Stone following the release of Luka Trončić a couple summers prior to signing with EMPIRE Distribution later that same month & then Bin Reaper 2: The 2nd Coming that same fall. Bin Reaper 3 ended the trilogy with a 2-disc effort, the bootleg Style EP wound up being disappointing, the full-length LP 6 made up for it as did his previous tape Megatron 2. His collaborative mixtape Mario & Luigi with Certified Trapper wasn’t all that great either, so I was hoping Tronicles would bounce back again.
“1 of Them Ones” is this robbery Detroit trap opener talking about being in the kitchen suggesting you go get some pans since it’s too much work in here whereas “Yew!” has a bit of a dancy trap vibe instrumentally wanting to get tapped in with Warner Bros. alongside referencing both SMW Tag Team Champion, WWE Tag Team Champion & 6-time WWE Hardcore Champion Al Snow AND 10-time WWE world champion, 2-time WWE Intercontinental Champion, 5-time WWE Tag Team Champion, United Football League (UFL) co-owner, TKO Group Holdings board of directors member, $7 Productions co-founder & the final boss of professional wrestling The Rock whose 2nd cousin once removed Nia Jax is the current 2-time WWE Women’s Champion.
The grim atmosphere of “Nightmare on Yo Street” was perfect, considering the fact that it was released as a single this Halloween shrugging off his ex moving on to finer things in life while “Hawk Tuah” references Hailey Welch becoming a meme earlier this summer. “Hellraiser” likening the Dog $hit Militia to terrorists suggesting he should rock shorts the way he balls just before “Neymar” offers a delicate trap flare homaging the Brazilian soccer player of the same name including a reference to former 2-time ECW World Heavyweight Champion, FTW Champion, ECW World Television Champion, 3 time ECW World Tag Team Champion, JCW World Juggalo Heavyweight Champion, NWA World’s Heavyweight Champion, IWGPジュニアヘビー級チャンピオン & the longest reigning XPW World Heavyweight Champion Sabu.
“TRX” maintains a Detroit trap edge asking how you fly when he ain’t even past TSA leading into “Tronald Trump” talks running for president since the bigoted, misogynistic 45th president of the United States Donald Trump is now unfortunately the president-elect & will be inaugurated as the 47th president in January although I’m not saying I support the current Vice President Kamala Harris & “Is You Serious?” featuring Project Money flexes they’re more macho than WWE Hall of Famer, former 6-time world champion & Intercontinental Champion Randy Savage.
Meanwhile on “Haunted House”, we have Babytron cautioning that you won’t ever step out of the D$M haunted house once you set foot in that bitch prior to “3 OT” talking about putting a triple overtime, assuring that it wasn’t luck at all for him. “Lost in the Sauce” produced by Certified Trapper stands out as a lowend hit throwing in a bar referring to former WWE Intercontinental Champion, WWE United States Champion & 2-time WWE tag team champion Carlito ahead of “Headbop” cleverly referencing Eminem over a Danny G & Jakesand instrumental since he was featured on THE DƎATH OF SLIM SHADY (COUP DE GRÂCE) this summer.
“DPOY” finishes the first half of the Tronicles boasting that he feels like San Francisco 49ers QB Brock Purdy the way he touches down in the Bay Area of California while “Me & My Bitch” fuses Detroit trap with chipmunk soul flexing that he & his new girl are chillin’ in a 2-seater. “Funnybutt” makes something outta nothing as if the D$M crew are really a bunch of magicians while “Clark Fent” pokes fun at a fiend who thinks he’s Superman.
Lazer Dim 700’s feature on “Lion’s Den” doesn’t do much for me although I love Tron referencing 2-time WWE Champion, 8-time WWE Intercontinental Champion, 2-time WWE United States Champion & 9-time WWE tag team champion The Miz a.k.a. The Mid that is until “AMP” makes a dope reference to former No Limit Records founder Master P. “What Type?” wants to know the bullshit people on pointing out the fact WWE Hall of Famer Mike Tyson will literally beat the living shit outta Jake Paul a week from today on Netflix while the piano-driven “Poison Oak” admits being stingy with the Quagen.
“Lame Asl” contains one of my favorite beats on the entire album courtesy of Helluva dissin’ everyone out here for being as corny as they are while “Home Run” featuring Dave Blunts dismissing those who bullshit with the bags they make in contrast to them legitimately making theirs. “Silly Goose” flexes everyone better get a raffle ticket if they really want a chance to win including a bar referring to the current UFC Heavyweight Champion & former 2-time UFC Light Heavyweight Champion Jon Jones while “Really Jimmy? blows through 50 states poppin’ out with $3M.
The song “Summer ‘24” pushes towards the final moments of the Tronicles talking about the block scorching as much as it was earlier this past summer while the penultimate track “Heavy Mental” fuses Detroit trap & orchestral talking about how nobody asked for any favors in regards to what he did out here in the streets. “Legend of Tron” ends the Tronicles brushes off not getting enough respect since the ain’t done yet.
Clocking in at almost an hour & 15 minutes, Babytron reaffirms exactly why he’s the biggest member of the ShittyBoyz & one of Detroit’s finest in general. His production stands out amongst his local contemporaries sounding similarly to one another making further room for his unique punchlines to reveal himself as one of the Motor City’s best in recent memory.
This is the 5th full-length studio LP from Charlotte, North Carolina recording artist BigBabyGucci. Start in the summer of 2016 off his debut EP ART HOE Collection, he would continue to build a name for himself by putting out 19 more EPs as well as his last 3 full-lengths & a mixtape along the way. Baby 5 came off some of his best LPs & EPs to date When U Wake Up & When You Go to Sleep respectively continued the acclaim, which the alternative-heavy ANTI nearly a month after Jake Doyle became the oldest DPW Worlds Champion will surely elevate.
“Senzu” starts by singing over a rage beat from thr6x that he would never make someone do anything they won’t ever want to do poppin’ a band whereas “Lost Control” featuring Aloïs brings the 2 together for a smooth duet revolving around themes of love. “How U Feel” psychedelically sings about people keeping it trill & others switching up ratting on him leading into the pop rap/trap crossover “Givenchy Paintings” featuring MDMA co-produced by Rafmade assuring his lover they know he’ll be there soon.
Meanwhile on “Xo”, we have BBG singing over synthesizers about an ex of his having a new man on top of a new bag & new problems just before “Cheap Thrills” goes full-blown cloud rap asking those using a short-lived moment of excitement or pleasure that is ultimately unsatisfying when they’re gonna pay. “Badina” has a bit of a Ye formerly known as Kanye West influence promising he’ll never keep her waiting while “The Fall Thru” is a 2-parter going through the motions.
“Sandbox Raps” starts the 2nd half of ANTI flexing that he got bigger toys in his sandbox while “Cape Town” instrumentally pays homage to The Neptunes down the 4-start count at the very beginning rapping about not knowing any mercy. “Under the Influence” hazily wants everyone that tells him they have his back to actually prove it, but then “Fancy & Focused” luxuriously suggests he might buy the bank since he’s so money hungry.
Nearing the final leg, “Hype” gives off a stripped-back trap vibe hearing the pussy fire only for him to leave after hitting it since people were gassing it up to him while the cloudy “Linkup USA” sings that he hope his lover follows him whenever he dips out. Bad Kids” featuring Thouxanbanfauni pushes further towards the conclusion boasting that both of them are 1 of a kind & “Air” finishes with a catchy heater needing his romantic interest to come on by.
Originally intended to be an EP, ANTI surpasses both When U Wake Up & When You Go to Sleep as the most essential entry in BigBabyGucci’s discography elevating his artistry to newer levels. The alternative production is a refreshing change of pace for him compared to his earlier material, demonstrating his range both as a rapper & most importantly as a singer.
This is the 6th full-length studio LP albeit posthumous debut from East Orange, New Jersey emcee Chino XL. Breaking out in the mid-90s after signing to American Recordings & releasing the classic full-length debut Here to Save You All, he eventually went on to beef with 2Pac & I genuinely feel sorry for anyone who writes him off to this day because of that. Especially since that I Told You So, Poison Pen & the Viper Records-backed RICANstruction: The Black Rosary all contain some of the best songs in his whole discography. Stu Bangas was brought in to produce God’s Carpenter last summer & that became a near-flawless comeback, so I was interested in hearing Darkness & Other Colors recorded back in 2020 ahead of God’s Carpenter 2 following Chino’s passing this summer.
The self-produced “Words in the Color of Death” sets the tone of the album perfectly morbidly acknowledging his departure from beyond the grave whereas “Sermon in Crimson” works in a drumlessly symphonic loop talking about putting bars over bullshit. “Sepia Files from the Last Supper” hooks up a boom bap instrumental so he can take selfies at the final meal Jesus shared with his apostles in Jerusalem prior to “The Red You Deserve” finding Body Bag Ben keeping things in the basement flexing he’s iller than anyone who’s still alive.
After the organ heavy “Saged Sleep” interlude, “Byzantium Darkness” mixes this eerie backdrop with kicks & snares addressing the darkness that was following him at that point in time leading into “Blue Obsidian (Been Telling You)” strips the drums once again telling anyone who’s listening to this that he’s in the darkness with all of them. “Burn in Ivory” returns to the boom bap airing out those who ain’t ever stand beside him just before the somber, guitar-driven “Black Room” talks about getting back to people from the titular room.
“Lumps of Silver” samples soul & rock declaring that absolutely nothing can break him regardless of him suffering greatly while “Grey Discipline” featuring Eto after the “Chardikala (Chardi Color)” interlude DJ Sam Seed helped put together grittily talks about others only respecting the bickering instead of the discipline. The spine-tingling “Lifted Gods Auburn” featuring Sauce Money shows off the wild style both MCs are known for & “Vanilla Sky” ends the LP soulfully reassures listeners he’s still alive within lucid dreams.
I’m well aware of the drama between Chino XL’s estate & Holy Toledo Productions founder/A&R extraordinaire M-80 surrounding the release of this album but I gotta admit as someone who admires Chino’s art, I can see why M80 wanted to drop Darkness & Other Colors since it very much offers explanation that he was clearly adamant of perfecting it back in 2020 when he was still here with us during the COVID lockdowns.
Psycho Les is a 52 year old MC/producer from Queens, New York notable for being 1/2 of The Beatnuts alongside Juju as well as 1/5 of the Liknuts supergroup with Tha Alkaholiks. He eventually started carving a path for himself as a solo artist in the spring of 2007 with the debut album Psycho Therapy & returning almost a decade later for the weed-themed, feature-heavy sophomore effort Dank God. Ahead of the Real Psychos’ eponymous debut with B-Real next month, Eric Bobo & Stu Bangas are getting together to help Escape the Matrix on his 1st solo EP.
“S.O.S.” starts by spitting conscious lyricism over a boom bap instrumental cautioning of the world we know it today being in danger & considering yourself lucky if you’re still alive refusing to get on his Chuck D shit whereas “Crooks” featuring Snyp Life works in more kicks & snares with a delicate backdrop referring to themselves as the last ones of their kind pleading for everyone to take facts over fear. “Fire” featuring Blahzay Blahzay properly ends the EP with Outloud joining Les with PF Cuttin’ on the scratching to talk about the world burning.
Dank God had its high points, but I’ve always felt like it was overloaded with features in comparison to Psycho Therapy. And although Escape the Matrix only became a 3-track EP instead of a full-length studio album, what it offers in nearly 10 minutes is better than a lot of what was on that previous LP almost a decade ago. Eric Bobo & Stu Bangas both recapture the magic of their production throughout their Empires collaborative effort on 4/20 2021 keeping it underground traditional boom bap vibes alive & Les himself offers more politically conscious subject matter.
This is the 9th EP from Englewood, New Jersey emcee Sule. Signing to Benny the Butcher’s very own Black Soprano Family Records at the end of 2022 after putting out 7 EPs over the course of a decade, he’s also notable for his guest verse on the Biggest Since Camby closing track “White Lives Matter” produced by Havoc formerly of Mobb Deep & of course the well received Black Soprano debut Written on Wide’s Corner earlier this spring. Fast forward to Election Day 2024, we’re being treated to a sequel.
“New Jersey State of Mind” is a boom bap opener, letting us know what it was like for him growing up in the titular state whereas “Trois Sopranois” featuring Benny the Butcher & Fuego Base finds the trio representing B$F to the fullest for a few minutes. “Victor Cruz” produced by STREETRUNNER offers a soulful trap flare referencing the WR for the New York Giants, but then “Cutz” featuring Flames Dot Malik gets the 2 together for an aggressive hardcore hip hop joint breaking generational curses.
To start the other half, “My Brother’s Keeper” soulfully talks being known for making promises instead of threats while “Sule Common Wealth” featuring Lo Pro works in more kicks & snares so they can refer to themselves as the same ones who ran it. “I Made You Wealthy” featuring Fuego Base maintains a boom bap flare addressing people who’ve betrayed them after making them rich & “The Crash Out Story” ends by teaching everyone to leave their valuables at the stash house.
Sule has quickly risen to become one of the best artists on the Black Soprano Family roster in the past 8 months & in contrast to Written on Wide’s Corner achieving his goal of making Englewood a landmark, the follow-up elevates that further. The production is a mix of boom bap & trap just like the predecessor was, a couple of the guests stick the landing performance-wise & the New Jersey artist himself continues to tell us what it’s like where he’s from.
This is the 14th EP from Cobb County, Georgia rapper SoFaygo. Cementing himself as one of the biggest faces in the plugg/pluggnB & rage scenes in recent memory, he’s since gone on to drop a dozen EPs & it’s even resulted in Houston trap trailblazer Travis Scott signing him signed to a Cactus Jack Records for his long awaited full-length debut Pink Heartz couple years back even though reception towards it was generally mixed. He coincided with the 1-year anniversary of both him making it on the XXL Freshman Class & the release of B4Pink with Go+, returning to once again apply Pressure.
“Big Body” produced by thr6x starts by mixing trap & pop rap together melodically flexing that he’s been on that shit hopping out of the big bodies whereas “Road Rage” takes a bit of a psychedelic trap route instrumental staying geeked 24/7 including a dope reference to Nettspend. “Pointers / Act Up” is a 2-parter to begin the other half of Pressure rockin’ out with the diamonds around his neck making plays in the field & “Minute Maid” properly ties up the EP with an incredibly loud snare leaving the bank boasting that he might let it rain.
There’s been a lot of speculation in regards to whether or not SoFaygo had actually quit making music & not only did he debunk all of that by surprise releasing a 4-track 10 minute EP, but one that serves as a prequel to his upcoming sophomore effort Mania that was originally conceived as a sequel to his 2019 EP War. Even if I think the production is average for the most part, his performances aren’t too bad.
Mitcham, London, England, United Kingdom singer/songwriter Ella Mai celebrating her 30th birthday with her 4th EP. Signing to DJ Mustard’s very own Interscope Records imprint 10 Summers Records, her first few EPs Time as well as Change & Ready were all solid preludes ahead of her acclaimed eponymous full length debut studio album. Her sophomore effort Heart on My Sleeve would also be well received & 2 years later, she’s dropping off a 3-track offering produced by Mustard.
“Hearts on Deck” is this infectiously catchy ass opener singing about how this person’s next move better be the best one whereas “One of Those” samples I’ll Be Around” by Gnarls Barkley frontman Cee-Lo Green of the Goodie Mob subunit of the Dungeon Family collective admitting that she can’t get her boyfriend Jayson Tatum of the Boston Celtics off her mind. “Little Things” ends the EP on some trap soul vibes wanting to take some time thank y’all & just let you know just how you make her proud.
Introducing a fresh chapter in Mai’s career now that her 20s are behind her, 3 finds her & DJ Mustard’s reinforcing her signature soulful sound bringing listeners into a journey of love, connection & self-awareness. It also mirrors her personal growth & evolution, aligning beautifully with the themes of maturity & discovery reflected throughout the course of a 10 & a half minute listening experience without any features whatsoever.
Indiana emcee Freddie Gibbs returning after Halloween for his 5th LP. Coming up in 2004 with his debut mixtape Full Metal Jackit. he would then sign to Interscope Records for a brief period of time until he left without dropping an album with them. This was made up for with the mixtapes The Miseducation of Freddie Gibbs & Str8 Killa No Filla, which would catch the attention of Jeezy & land Freddie a contract with CTE World in 2011. However, Gibbs eventually left CTE the following year after releasing the tapes Cold Day in Hell & B.F.K. (BabyFace Killa). In 2013, he decided to form his own label E$GN Records & finally dropped the full-length album E.$.G.N. (Evil $eeds Grow Naturally). He & iconic Oxnard producer Madlib would drop their MadGibbs debut Piñata the year after that, which is EASILY one of the greatest hip hop albums of the previous decade. Gibbs continued to grow his profile after that with Shadow of a Doubt, You Only Live 2wice, Freddie, the Curren$y collab EP Fetti & who can forget MadGibbs’ sophomore effort Bandana or Alfredo produced by The Alchemist? E$GN signed a new distribution deal with Warner Records in tandem with $oul $old $eparately to positive reception & returning to that You Only Live 2wice essence on You Only Die 1nce.
“Status” is this drumless intro talking about currently being at the throne of the rap game whereas “Cosmo” works in these exuberant ass piano chords continuing to win as long as everyone else keeps singin’. “Wolverine” produced by 454 stays in the castle since the streets ain’t worth the hassle hookin’ up some layering & background vocals, but then the soulful trap crossover “Brick Fees” gets in his hustler bag.
Moving on from there, “Rabbit Island” discusses life being exactly what you make of it over this calming & crisp instrumental while “It’s Your Anniversary” offers a west coast flare likening his MCing abilities to that of a crack attack. After the “Nobody Like You” interlude, “30 Girlfriends (Yeah Yeah)” shifts into a lush trap direction refusing to let anyone make a move on him just before the highlight “Steel Doors” that BNYX of Working on Dying laced with iloveit! seals his legacy.
“Walk It Off” starts the final leg of You Only Die 1nce on the symphonic trap tip courtesy of 454 pointing out how everyone wants to see us against each other while the chilled out “Ruthless” featuring Leon Thomas III on the remix thanks to Freddie’s manager Lambo interestingly talks about maintaining the titular mentality. “Origami” finds BNYX excellently dabbling with boom bap so Gibbs can try to get paid & “On the Set” gives his flowers to the late Rich Homie Quan.
Starting the deluxe run, “Outside” talks about staying strapped whenever he’s out in the streets while “Axxtion” after the “Pain from Paradise” interlude samples “Flex” by Mad Cobra encouraging a woman to get in his 2-seater to fuck. “Immigrants” details laughing to keep himself from crying & a homicide staying on his mind over a Boi-1da beat while “Summertime Homicide” brings in a Swaggyono instrumental to talk about driving with the top off regardless of the weather.
“Torture” confesses that the fame has left him scarred & being unable to handle it but after the “Heartbreak in Heaven” interlude, “Rabbit Mode” boasts the fact that his shows have been selling out when Instagram constantly banned him for the wild memes he posted. The final bonus track “Nobody Like You” ends on a more self-reflective note talking about his childhood experiences & relationships with women.
Coming off one of the best verses of his entire career on “Back to Me” off ¥$’ debut album Vultures at the beginning of the year, You Only Die 1nce proves quite the treat for devotees for his razor-sharp raps. The production ranges from boom bap to drumless, jazz rap & trap holding off on having any guests join him, giving himself further room for the Freddie Kane persona’s return now that he’s off Warner.
