Wildcard – “The Secret Tape” review

Here is a brand new mixtape from San Gabriel Valley, California emcee Wildcard. Coming up almost 2 decades earlier off the debut Dark Night of the Soul, he’d go on to build up an impressive discography for himself from there whether it be The Odyssey & The War or Shadow Work & Change in Cabin Pressure. His last couple albums Western Promises & The Zodiac Project produced by C-Lance have both become his greatest yet, returning to drop off The Secret Tape in time for spring.

“The Natural” comes out the gate with this sample-based trap instrumental explaining that he makes music for those specific kind of people whereas “Take Flight November” aggressively talks about growing up to become a screwup. “Janice Rossi” featuring Celph Titled maintains the trap vibes so they can get on their hardcore shit together lyrically while “Carmona Cocaine Phase” compares being talented & broke to a torture device.

Matty Boy’s appearance on “Ghost Light” was average to me although I appreciate the shift towards a boom bap sound & the reference to WWE Hall of Famer Mike Tyson leading into “The January Flame” produced by Johnny Slash carrying over the rawness for a dedication to all the kids who’ve been through Hell & back. “Wine” on the other hand talks about all the things he tried to tell the person he’s addressing prior to “Half Moon Bay” finishing the 1st leg of the tape with a cloudier beat refusing to give up.

“Fire Ants” gets the 2nd half going issuing a warning of possibly winding up in prison after getting revenge on one’s enemies while “Abby” occasionally sprinkles some rock undertones in so he can make something that the woman who can be heard at the beginning can dance to. “Hitchcock” talks about another night cruising around his street feeling like an O.G. while “Smallpox” passionately assures that it’s never too late to make a fresh start.

C-Lance hops behind the boards during “Sunny Day in October” talking about not wanting to lose himself to the fray while “Endless August” treads the trap waters once again making something that any abused stepchild can relate to. “Adulthood” winds down The Secret Tape’s last few minutes passionately talking about the hardest travelled road being the changes made to what he knows while “The December Shelter” finishes with him detailing his & his wife’s experiences of having PTSD.

Gearing up for a 4-month national tour set to begin next weekend & lasting until the end of the summer, I wouldn’t consider The Secret Tape to be on the same pedestal as Wildcard’s last couple full-lengths were although that’s not to say I disliked it. It’s less conceptual than The Zodiac Project was & I like that he toned down the amount of guest appearances, but the primarily trap-oriented production feels less interesting compared to that or Western Promises.

Score: 3.5/5

Keep up with @legendswill_never_die on Instagram & @LegendsllLiveOn on Twitter for the best music reviews weekly!

dälek – “Brilliance of a Falling Moon” review

dälek is an industrially abstract hip hop outfit from Newark, New Jersey now comprised of producer Mike Mare & none other than MC dälek himself. Their 1998 debut Negro Necro Nekros was a great introduction except the sophomore effort From Filthy Tongue of Gods & Griots and Absence are both widely considered to be their best. Abandoned Language, Gutter Tactics, Untitled, Asphalt for Eden, Endangered Philosophies & Precipice were all solid with some being better than others. My personal favorites around that time gap being Abandoned Language & Gutter Tactics. Anyways, they’re reuniting after 4 years for their 10th LP.

“Better Than” sets the tone for this new era of the pairing’s career with an industrial boom bap instrumental venting they’re frustration with everything going on nationwide since last January whereas “Knowledge | Understanding | Wisdom”goes for a noiser vibe defying the oligarchs who want to keep us stupid. “Normalized Tragedy” fuses industrial hip hop & boom bap talking about never going numb to brutality while “Expressions of Love” talks about suffering after the voices have been given to the dumb.

Kicking off the 2nd leg, “Substance” takes a jab at all these rappers whose music lacks any significance while the dustily haunting “I’m a Man” reiterates the message that African American men used to protest segregation 6 decades earlier in a modern context. “For the People” combines industrial hip hop & boom bap again talking about refusing to stop the fight until all US citizens are equal while “By The Time We Arrive in El Salvador” criticizes the maximum-security Terrorism Confinement Center where 300 Venezuelan migrants accused of being gang members were sent despite only 12 of whom being charged with crimes.

These guys have been amongst the most underappreciated industrial hip hop acts alongside The Disposable Heroes of Hiphoprisy, but dälek’s comeback nearly a decade in the making will undoubtedly be heralded as their strongest opus since Untitled. Mike Mare’s production embraces an experimental boom bap sound rather than sticking to their industrial roots & MC dälek’s lyrics are heavily inspired by what’s been happening throughout the world, more specifically the rise of fascism in America & resisting it.

Score: 4.5/5

Keep up with @legendswill_never_die on Instagram & @LegendsllLiveOn on Twitter for the best music reviews weekly!

Yeat – “A Dangerous Lyfë & A Dangerous Love” review

Brand new double album & the 6th overall from Portland, Oregon rapper Yeat. Emerging in 2018 off his debut EP Deep Blue $trips, he’s been dominating the mainstream since 2021 whether it be him dropping a plethora of projects or receiving cosigns from the likes of Drake & Earl Sweatshirt. He eventually signed to Geffen Records, who backed his sophomore effort albeit major label debut 2 Alivë few years ago & it’s companionable deluxe EP Gëek Pack shortly after. Coming off his 5th mixtape Lyfë a few summers ago alongside Aftërlyfe & the experimental Capitol Records debut 2093, he went back to his roots to rep the Lyfestylë & came off a Dangerous Summer to describe A Dangerous Lyfë & A Dangerous Love.

“Purpose General” produced by BNYX of Working on Dying atmospherically begins the 2-disc adventure talking about paving checks after paving the way for others whereas “Face the Flame” featuring YoungBoy Never Broke Again finds the 2 teaming up so they can describe getting geeked off ecstasy, going for a more trap vibe. “Lose Control” samples “Someone Saved My Life Tonight” by Elton John talking about passing the wheel to God leading into “Griddlë” admits to falling in love with a freak.

We have BNYX bringing the bells back for “What I Want” boasting that his sales double every time he puts out new music just before “Liv Likë Dis” asks his girl why his wealth got her acting funny over an Honorable C.N.O.T.E. & Sonny Digital instrumental. “Tallër” has a more lively vibe to it courtesy of Cade talking about him trying to make his money larger than the rest while “My Way” tritely tells his partner that she has to make up her mind & take as much time as she needs.

“Let King Tonka Talk” was a disappointing single largely because of the unnecessary Kylie Jenner feature, which is a shame because I like the way Dylan Brady fuses jerk & industrial hip hop with pop rap. “Dangerous House” however picks up with a 2-parter that Shlohmo cooked up talking about keeping things hazardous around his parts while “No More Ghosts” featuring KiD CuDi ends Disc 1 with both of them fed up with everything that isn’t real.

To begin Disc 2, the song “2Nite” embraces a more standard trap sound once again talking about waiting at the fire & his detractors not wanting to see him catching Ws while the self-produced “Geek Luv” describes a kind of love where the sex feels like a drug. The beat on “Naked” is ok except it could be my least favorite track here because it feels like a repetitive 92 second interlude, but then “Went Wrong” decently talks about him & an ex waitin’ for their relationship to fail.

“Real Life Shit” incorporate some heavy synthesizers admitting that he’s been looking for a reason to tweak & after “My Time” instrumentally gives props to The Neptunes talking about going bigger than he can imagine since he was destined for this music shit, “2Planës” reunites with Internet Money Records in-house producer Synthetic sampling the 2023 leak “Wanna be më” flexing that he has a couple airplanes respectively carrying money & his own people.

The song “Silk Facë” brings the synths back in full effect to push closer near A Dangerous Lyfë & A Dangerous Love’s conclusion talking about feeling the same & looking to run shit up again while “Back Home” featuring Joji returning to their respective cribs because something at the function feels off to both of them. “Up From Here” ends the LP talking about going rock bottom & elevating past that point.

Originally announced nearly 2 years ago already, A Dangerous Lyfë & A Dangerous Love has since evolved into a double full-length that I’d sincerely have to put behind Lyfestylë as the 2nd weakest project Yeat has ever put out. I can appreciate him telling 2 completely different stories across the hourlong runtime, although the predominant trap production feels like he’s playing it safe & a few of the guest appearances were pointless.

Score: 3/5

Keep up with @legendswill_never_die on Instagram & @LegendsllLiveOn on Twitter for the best music reviews weekly!

Chief Keef – “Skeletor” review

Right in front of us is the 6th studio LP from Chicago, Illinois rapper, singer/songwriter & producer Chief Keef. Rising to stardom over a decade ago off his 6th mixtape Back from the Dead & the full-length debut Finally Rich, he would go on to become a progenitor for drill music popularizing it in the Windy City inspiring the likes of Lil Uzi Vert & 21 Savage or even Billie Eilish. Other standouts in Keef’s discography include Bang 2, Almighty So, Back from the Dead 2, GloToven, 4NEM, the Mike WiLL Made-It produced Dirty Nachos & Almighty So 2. It’s already been a couple years since the latter, returning to end the first quarter of 2026 with Skeletor.

The self-produced “Break Down” aptly sets the tone of what’s to come even if it’s said to be an outtake from the Almighty So 2 sessions whereas “The Real Chief Keef” boisterously calls for all these puny fuckboys to get their paper up. “24Hrs” works in some 808s & bells talking about being up every hour of the day just before “Video Shoot” featuring Ian proved to be an underwhelming trap single being fed up with hoes telling sob stories.

“Mark of Buddha” continues from there talking about bleaching his eyes after everything he’s seen over the course of his career leading into “Harry Potter” making vast improvements above the previous single blending hardcore hip hop, trap, the Flint sound, Chicago drill & cloud rap confessing he would’ve gone to the NFL had his music career failed. “Only for the Night” ends the 1st half going full pop rap additionally showing off his ear for sampling while “#2” hops over some synths keeping that green & blue shit on him.

G Herbo joins Keef on “Slide” to get on some Chicago drill gangsta rap shit together for 6 minutes while “Shrek & Donkey” produced by Murda Beatz energetically talks about how zooted he is. “PS5” featuring Rich the Kid finds both of them speaking of looking at Satan in his eyes while “Good” checks in on those near him making sure they’re fine. “Talking Ish” featuring Ballout was a decently cloudy trap single discussing of the gangsta lifestyle & “Doja” ends with him flying straight to the bag.

In no way would I consider Skeletor to be in the same field as Almighty So 2 & 4NEM or even Dirty Nachos, but I did enjoy a majority of what this album had to offer. His production puts a bigger emphasis on trap similarly to 4NEM, except it’s not as adventurous other than the secondary influences of Chicago drill & pop rap as opposed to the latter experimenting with subgenres like crunk. I also felt that only a couple guests stood out, which was justified by most of them getting outperformed.

Score: 3.5/5

Keep up with @legendswill_never_die on Instagram & @LegendsllLiveOn on Twitter for the best music reviews weekly!

Central C – “All Roads Lead Home” review

Here we have the 6th extended play from Ladbroke Grove, London, England, United Kingdom rapper & singer/songwriter Central C. After putting out a total of 4 EPs & a couple mixtapes in addition to his Split Decision collab EP he & Dave did, the 2023 XXL Freshman Class member signed to Columbia Records & his full-length debut Can’t Rush Greatness was received mixed-to-negatively even if his popularity keeps growing. 14 months later, All Roads Lead Home has arrived following it’s delay last weekend.

The introductory freestyle was an mediocre choice of an intro considering he’s just going off the top promoting Drake’s upcoming 9th album Iceman whereas “Slaughter” featuring J Hus blends UK drill & 3-step, countering each other by spitting forgettable verses of their own. “Wagwan” kinda has this lo-fi drill vibe to it talking about a shorty he hasn’t seen in a minute prior to the self-produced “Feelings” acknowledges what it’s like when nobody believes in you.

“DC10” winds down the last few minutes of All Roads Lead Home talking about being inside of a McDonnell Douglas DC-10 with Amazon CEO Jeff Bezos until Einer Bankz produces what could be my favorite instrumental on the EP during “Maka” featuring A2Anti, even if the latter’s guest appearance was worse than the other one. “Y Fi Dat” finally ends All Roads Lead Home talking about having his eye for sexy women & saving a hoe like he’s Spider-Man.

You’re better off listening to the new Fliptrix album Elevation produced by Telemachus if you’re looking for some new UK hip hop this weekend because not only has Can’t Rush Greatness aged like milk, but Central C’s newest EP preparing for his sophomore effort is somehow worse. A lot of that would attribute to a great deal of the beats feeling pretty cheap for this style of drill as well as his singular flow & basic lyrics.

Score: 1.5/5

Keep up with @legendswill_never_die on Instagram & @LegendsllLiveOn on Twitter for the best music reviews weekly!

Juvenile – “Boiling Point” review

Juvenile is a 51 year old rapper, songwriter & actor from New Orleans, Louisiana introducing himself 3 decades ago his full-length debut Being Myself. Forming the Hot Boy$ with The B.G.’z & Turk after signing to Cash Money Records, his sophomore effort Solja Rags showed greatly improvements over it’s predecessor & 400 Degreez would become the greatest album in the label’s history even now. Tha G-Code, Project English & Juve the Great would all be received positively in their own rights, leaving Cash Money & releasing Reality Check under his own imprint UTP Records in tandem with Atlantic Records to divided feedback. Juvie’s first LP in over a decade & his 12th overall however gave me hope since Cocky & Confident, Beast Mode, Rejuvenation and The Fundamentals were all forgettable.

After the intro, the first song “Lenny Kravitz” produced by Mannie Fresh blends trap & rock to talk about being too clean to fuck with dirty hoes whereas “Drop the Location” works in some hi-hats & a chipmunk soul sample to address those who don’t want to see him at the top. “Pay Me” makes it clear to this woman throwing it back for him that he wants to be paid back in sex while “You Mad” hops over some strings from Swizz Beatz clapping back at the people who envy him.

“Juvie Beverly” combines elements of gospel & trap talking about making some changes in his life just before “Hot Boy Summer” featuring B.G., Jacquees & Trombone Shorty finds the quartet embracing a dirty south vibe dropping an anthem for their city ahead of the weather getting nicer. After the “Doze Off” interlude, “The Reunion” featuring Birdman & B.G. reunites so they can talk about the Cash Money Millionaires’ return while “The Hottest” featuring B Streezy, Roi Anthony & Young Juve opens up regarding seeing a whole lot of bodies.

Megan Thee Stallion’s appearance on the remix of “B.B.B. (Big Booty Bitch)” was far more entertaining to me than the original version of it with Genesis da Gawd kicking off the 2nd half of Boiling Point with an ode to the strip clubs while “Meph Town” issues a stern warning about methamphetamines. “Pull Up” featuring Birdman, Goodfella & Lil Bryan brings all 3 of them together for a decently cloudy pop rap cut while “Fuego” dedicates itself to the ladies, having DJ Khaled bringing back the rap rock influences.

“WYM (Whoa)” featuring Akeem Ali talks about both of them being picky with their bitches due to their own biases while “Neva Go Broke” gives off a bit of a tropical atmosphere courtesy of London on da Track declaring that he ain’t ever losing all of his money. “1 More Round” fuses trap & rock again for a carefree dedication to all the drinkers & once “He Gone” featuring Dee-1 talks about the kind of people who are gonna blow up because of their credibilities, “Yeah Yeah Yeah Yeah” boisterously ends by assuring that he only cares for results over a Timbaland instrumental.

There are some Hot Boy$ fans that’ll tell you that Juvenile is the greatest member & I can’t even argue that considering 400 Degreez’ impact, although I have a feeling most of them will feel vindicated once they find out Boiling Point surpasses both B.G. & Lil Wayne’s latest full-lengths Freedom of Speech & Tha Carter VI. Putting its flaws in terms a few of the guests performances missing the landing & some of the production aside, it’s refreshing to hear Juvie sounding this confident after continuously putting out duds.

Score: 3.5/5

Keep up with @legendswill_never_die on Instagram & @LegendsllLiveOn on Twitter for the best music reviews weekly!

Elcamino – “Bruv” review

2nd extended play of 2026 & the 22nd overall from Buffalo, New York emcee & singer Elcamino. Blowing up almost a decade ago off his self-titled EP with Griselda Records, his profile increasingly grew after being followed up by Walking on Water mixtape in the summer of 2018 along with dropped 2 studio albums & a few EPs the year after that. They Spit on Jesus proved to be a well received Black Soprano Family Records debut becoming the first Camino project that I had covered since On the 3rd Day & that much like No Weapon Formed Against Me was an improvement over some of the material we’ve gotten from him in recent memory. Real Bad Man would produce The Game is the Game followed by Ill Tone producing Built for Cuban Links named after Raekwon’s iconic solo debut Only Built 4 Cuban Linx… produced by RZA in addition to flexing his Millionaire status & Full Moon showing a heavy Future influence. Martyr’s Prayer III produced by 38 Spesh made for a gratifying conclusion to the beloved trilogy as did Mino, but now he’s coming off the Ill Tone-produced God is Love to drop Bruv.

“London Bruv” hops over a soulful boom bap instrumental to give his flowers to the United Kingdom’s capital whereas “Green Beret” produced by Ill Tone continues the chop up the soul samples talking about those kind of people not getting a whole lot of love. “Adele” keeps the crooning chipmunk soul vibes going using the same rhyme scheme for a couple minutes while “You’re Here” talks about doing it all for the glory & taking pride in the joys of him being African American.

The song “Getting Old” continues Bruv’s last leg going completely drumless to speak of knowing he’d lock himself in since there was always more in store for him than what he’s already achieved while “Eating Steaks” brings back the sampling techniques so he can talk about being in Paris for Fashion Week last year, embracing some jazzier undertones additionally. The closer concludes the EP with a chipmunk soul outro calling out a backstabber who doesn’t wanna see the “Other Side”.

Although I lean a little more towards God is Love, I can appreciate Elcamino getting in passport mode for Bruv since France & the UK have always been my 3rd & #1 biggest audiences outside of the States respectively. The production’s more soulful than it’s primarily drumless predecessor & Meech details a hustler philosophy with runway lighting including overseas backdrops, designer details & war-ready bars balanced by flashes of family, memory, the weight of who didn’t make it, grief, pressure & discipline through flexes that he earned himself.

Score: 4/5

Keep up with @legendswill_never_die on Instagram & @LegendsllLiveOn on Twitter for the best music reviews weekly!

Fliptrix – “Elevation” review

Here we have the 11th solo LP from South London, England, United Kingdom emcee Fliptrix. The founder of High Focus Records as well as a member of The 4 Owls, he made his debut in 2007 off Force Fed Imagery followed by Theory of Rhyme and later Third Eye of the Storm & The Road to the Interdimensional Piff Highway. Polyhymnia came out a couple years later as did Patterns of Escapism & Inexhale. Light Work was alright & Mantra #9 took a more mature approach, coming off the Leigh Brothers-produced Dragonfly to have Forest DLG a.k.a. Telemachus soundtrack his Elevation.

“Teacher” begins with them providing a ray of light during these troubling times whereas the 3rd single “Transform” takes the soulful boom bap route instrumentally providing more insight penmanship. “1 Heart” continues from there brutally observing the modern condition leading into the 4th single “Better Watch Them” jazzily leans towards conscious vibe lyrically.

As for “33 Vertebrae”, we have Flip embracing a hip house sound talking about the part of our body that helps us elevate just before “The Divine Feminine” makes a powerful statement condemning misogyny. “Energy! Energy! Energy!” featuring General Levy fuses hip hop with jungle for a captivating teaser that could be played at EDM festivals to come while the 2nd single “Floodlights” talks about rebellion.

“Who’s the Saviour?” calls for everyone listening to rise up while the 7th single “Freedom?” featuring Coops talks about the world spiraling downward in real time. “Do You Wanna See” featuring Da Flyy Hooligan dismisses those who don’t wanna see the forest like they say they’d like to while “Dangerous” by The 4 Owls featuring Coops, Cracker Jon, Dabbla, Farma G, Harry Shotta, Babylon Dead frontman Jman, Kemastry, King Kashmere, Ramson Badbonez, Renelle 893, Sparkz, Truemendous, Verbz & Vitamin G comes through with an outstanding High Focus posse cut.

Continuing the 2nd half, “Tears in the Eyes of Gaia” has a more emotional approach to it talking about the way perceives beauty while “Chilling” dedicating this one to all the people who’re typically calm out in public rather than wylin’ out or getting hyped. “Ups & Downs” talks about life being similar to a rollercoaster while the 8th & final single “Visionaries” featuring Frisco adamantly expresses their desire of making perfect use of their final breaths.

“Mighty” featuring Kamakaze joins forces for a grime track cautioning not to make any moves unless you’re strong enough to bare the tussle while “It Ain’t Easy But I’m Surfing” talks about staying focused & determined although it’s not a breeze to do by any means. “I Be on My Way” sends off the Elevation with Flip discussing that the pain he’s endured can be seen on his face & carving his own path for 16 years via the biggest underground UK hip hop label.

Desiring to make something completely different compared to Dragonfly, Elevation takes the maturity of it’s predecessor & Mantra #9 by delivering an album that joins the ranks of Fliptrix’ last couple except I love this one slightly more. Telemachus’ production is more experimental than the Leigh Brothers’ was & Fliptrix’ lyricism aims to lift the world to higher state of consciousness & trigger conversations regarding the state of the world in the hope of enacting positive change during everything that’s happened in these past 14 going on 15 months. There are also a few guests that he’s never worked with before & did so in attempt to sought out new energies after collaborating with all the greats in his scene.

Score: 4.5/5

Keep up with @legendswill_never_die on Instagram & @LegendsllLiveOn on Twitter for the best music reviews weekly!

iyrus – “III” review

Up-&-coming Philadelphia, Pennsylvania rapper & producer of Nigerian descent iyrus is back for the final installment of his ongoing extended play trilogy. Emerging in the summer of 2024 after doing an On the Radar freestyle, he would later introduce himself more properly last spring off his debut EP Resurgence until continuing to make waves with I & II. It’s only been a couple of months since the latter began turning more heads & III has dropped exclusively on his SoundCloud page.

“Scarlett Johansson” begins with him looking to turn up the streets whilst driving a trackhawk Jeep over a sample-based trap instrumental whereas “Igbo Man” turns up the rage so he can talk about the way he’s been living. “Noise” featuring diamond* finds the 2 boisterously boasting their top shotta statuses leading into the self-explanatory “Make Money” talking about waking up every single day to stack up his bread.

Wrapping up the 1st half, “oK” discusses walking off the stage & going back to his hood a lot similarly to Miley Cyrus prior to “Blessed in Hell” incorporating some heavy 808s to talk about his confidence of always doing all of this without needing any help. “Spam” featuring Zukenee claims to be damned if they fall off harder than Lil Xan when both of them are more talented than he ever was while “Big Red Dog” talks about paying the cost of any artist wants to be at his level.

“Get Money” winds down III’s final minutes flexing that he’s been letting his expensive habits get to him, coppin’ an expensive palace out in Calabasas over more rage beats & once “Kunta Kinte” talks about going from middle schoolers insensitively calling him the main character of Roots: The Saga of an American Family during his adolescence to the one their bitches want, “Pablo” ends the EP talking about feeling like Gregg Popovich whenever he’s in Texas & the reputation he has in his own hometown.

Local artist slayr has been making a lot of waves this month because of his 2nd mixtape Half Blood being reissued, recently joining ApolloRed1 & 9 Vicious in the studio last weekend. iyrus on the other hand already began revealing his artistic potential back in January although it hasn’t been fully realized this, continuing to flourish throughout his 4th extended play. I can appreciate him taking a backseat in terms of production compared to its predecessor like I to focus more on lyrically spazzin’ alongside both guests.

Score: 3.5/5

Keep up with @legendswill_never_die on Instagram & @LegendsllLiveOn on Twitter for the best music reviews weekly!

Pradabagshawty – “5 Problems” review

Brand new mixtape & the 3rd overall from Columbia, South Carolina born albeit Atlanta, Georgia rapper/producer Pradabagshawty. Introducing himself in the spring of 2023 off Bloxk Addiktion, his popularity within the plugg subgenre of trap continued to grow last year by putting out 3 more EPs in 1 Love as well as his Cegular Records/Sony Music debut 10 Freak Ho’s & of course and Forever & After. His last few projects B What You B as well as Home Invasions and Red Flags & Roses have become his most celebrated material thus far, coming off B45P to drop the main course.

“RL Gang” hops over a plugg beat to get things going talking about rocking out a sold out show with all of his homies whereas “I’m Upset” boasts of him having an X on his chest & only doing what he feels is necessary. “Drop Dat Bag” gets back on a lavish plugg vibe instrumentally talking about giving someone some cash only for them to come back & blow it all prior to “Beat It” fusing cloud rap & rage for a nod to the late Michael Jackson’s iconic single of the same name.

b4l.scrap’s appearance on “Hootie Hoo” doesn’t really captivate me that much despite returning to a pluggier sound & the gangsta themes Pradabagshawty’s become known for leading into “My Ho” talking about his girl pulling up whenever she’s feeling horny. “Chopstick” incorporates more hi-hats as synthesizers explain explaining that life’s too short to be pissed off daily just before “Ain’t Wok” talks about missing his high when he’s feeling low.

“Domain Expansion” kicks off the 2nd leg of 5 Problems observing a snake who’s desperate to hang out with his crew over a self-produced beat while my favorite single “I Know” produced by Whyceg talks about treating his bitches like gold & playing it cool the second they turn their backs on him. “I’m Scared” discusses the guy having a yerc waiting for him at their designated spot while “4Ever” references WWE Hall of Famer, former 3-time WWE world champion, 3-time WWE United States Champion, 2-time WWE Intercontinental Champion, 9-time WWE tag team champion, 8-time WWE Cruiserweight Champion, The Crash’s inaugural Mundial Pesocompleto Campeon & アイアンマンヘビーメタル級チャンピオン Rey Mysterio.

Rounding out 3rd, the song “What I Was Sayin’” talks about the fact he’s done a lot to get his career moving full motion while “Gun Kick” featuring yotti contains one of my favorite instrumentals throughout the tape thanks to Whyceg again doing an average job at depicting the gangsta lifestyle they’ve come to know very well. “Tin Foil” cloudily speaks of staying loyal to the streets after everything he’s done for his streets & after “Night Sight” clarifies to a woman who had her chance to be with him that she filed it up, “Lies” spends the last few minutes talking about his relationship experiences.

B45P still remains one of the weakest things Pradabagshawty has done ever since his Cegular Records deal came to fruition alongside 10 Freak Ho’s, but 5 Problems thankfully makes a couple of improvements although I wouldn’t rank it up there amongst his strongest output like Forever & After or Red Flags & Roses. The argument of him being the greatest artist on the label can still be made, although both guests leave little to be desired & the plugg production’s a tad bit superior than the prelude EP almost 2 months ago.

Score: 3.5/5

Keep up with @legendswill_never_die on Instagram & @LegendsllLiveOn on Twitter for the best music reviews weekly!