Dylan Brady – “Needle Guy” review

St. Louis, Missouri singer/songwriter & producer Dylan Brady dropping his 5th extended play under his own label Dog Show Records in tandem with Atlantic Records. Known for being 1/2 of 100 gecs, he would eventually carve a path of his own by releasing Saxophone Joe & Taste the Rainbow as well as the full-length debut All I Ever Wanted & Choker respectively. Dog Show would eventually catch the attention of Mad Decent, whom Dylan signed to for his previous EP Peace & Love. 8 years later, the Needle Guy ready to make his major label debut.

“Throat Song” co-produced by Skrillex kicks things off with the weakest composition of the bunch due to how repetitive it mostly is whereas “Stay High” could be my favorite instrumental here, leaning heavier towards the festival progressive house side of things. “Ashley” embraces a Dutch house vibe decently remixing the Afrojack single “Ashley” while the title track finishes with Dylan blending dubstep, tearout & hard techno

Peace & Love almost a decade later has been widely considered to be the finest entry of Dylan Brady’s solo career, but Needle Guy return to the averageness a lot of his individual output tends to suffer from. His production’s more catered towards the sounds of hardgroove techno, tearout, Dutch house, festival progressive house & tribal house than it’s hyperpop & alternative R&B predecessor except it isn’t as groundbreaking for those styles of electronic dance music than I would’ve hoped.

Score: 2.5/5

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