O.T. the Real – “Possession with Intent” review

Philadelphia, Pennsylvania emcee O.T. the Real making his TCF Music Group debut with his 9th studio LP. Getting his start in the underground almost a decade ago after coming home from prison & dropping his debut single “Papercuts”, his profile began to grow from there after showcasing his skills on radio stations or dropping his last 8 albums as well as a mixtape & 8 EPs. My favorites being the Heatmakerz-produced 3rd EP The Irishman & the DJ Green Lantern-produced 3rd album Broken Glass that dropped on my 25th birthday & the Statik Selektah produced Maxed Out. No Matter What, Desperation of December, It’s Almost Over & Red Summer were all hit or miss for me until O.T. finally signed to Black Soprano Family Records & enlisted araabMUZIK for Zombie to critical acclaim. Prepare for War & Pale Horse were ok, following up Moving Base O.T.’s eponymous debut showed improvement as did the Nickel Plated produced Cost of Living & The Devil You Know. That said: 38 Spesh fully producing Possession with Intent had me feel like this could be a special entry in O.T.’s catalog & the singles hinting towards it. Especially ahead of Shane Taylor Promotions becoming the new ROH World 6-Man Tag Team Champions & La Facción Ingobernable becoming the new ROH World Tag Team Champions when Death Before Dishonor XXII takes place at 2300 Arena a.k.a. ECW Arena.

“18 Ballgames” opens with some jazzy horns splitting a rat’s shit in half & dipped before the cops came whereas “Never Saw Me” hops over a boom bap instrumental with some pianos to talk about having people who depend on him. “Big Fish” featuring Grafh brings the brass instrumentation back in effect referencing my favorite show of all-time Breaking Bad leading into “For the Face” talking about friends becoming foes & grams turning into ounces.

Amir Ali joins O.T. for a shimmery “Philly Special” advising to make money because money won’t make you while “Americans” talks about the possibility of his enemies winding up dead or behind bars serving life. “Grease” featuring Dave East chops up a soul sample so the pair can talk about the work their plugs gave them just before “Warlock” takes it back to the basement instrumentally pleading not to blame him since he doesn’t mess with fentanyl

“Richer” featuring Flee Lord gets the ball rollin’ on the final leg of Possession with Intent responding to criticisms of being in their bags too much while the cinematically grimy “Jon Jek” talks about lasting longer than the beef you got if you mind your business. The jazzy “Streets Alone” speaks on putting family over everything & “Doin’ Bad” finishes the LP with 1 more boom bap joint addressing his past beefs.

Granted I did enjoy O.T. the Real’s last couple projects with Nickel Plated, the singles we got out of the Possession with Intent rollout had me feeling like it would become another one of his most essential LPs. Lo & behold: The most I’ve enjoyed an O.T. solo project since Zombie. A good 75% of the guests stick the landing in terms of their performances, but he & 38 Spesh both make for a pretty damn good MC/producer pairing.

Score: 4.5/5

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Elcamino – “Martyr’s Prayer III” review

Here we have the 19th EP from Buffalo emcee & singer Elcamino. Blowing up in 2017 off his self-titled EP with Griselda Records, his profile increasingly grew after being followed up by Walking on Water mixtape in the summer of 2018 along with dropped 2 studio albums & a few EPs the year after that. They Spit on Jesus proved to be a well received Black Soprano Family Records debut becoming the first Camino project that I had covered since On the 3rd Day & that much like No Weapon Formed Against Me was an improvement over some of the material we’ve gotten from him in recent memory. 6 months after having Real Bad Man produce The Game is the Game followed by Ill Tone recently producing Built for Cuban Links named after Raekwon’s iconic solo debut Only Built 4 Cuban Linx… produced by RZA in addition to flexing his Millionaire status & Full Moon showing a heavy Future influence. 2 months later, he & 38 Spesh are back for Martyr’s Prayer III.

“Last Prayer” aggressively starts the Martyr’s Prayer trilogy chapter talking about everyone knowing the deal with him richer than a muhfucka whereas “Hustler Highway” reflects on being stuck in the streets all night as a way of getting by. “Animal Life” keeps it boom bap instrumentally to talk about rightfully earning his stripes staying on the grind his whole life while the drumless “Once in a While” seeing bitches acting like they know him & dudes acting like they homies.

Moving on from there, “Offend You” looks back on when he used to take the bus to get around town & now taking the Benz while “Mossberg Pump” aggressively talks about keeping the shotty on him standing on top of the hill staying in the hood. “Mobile Phone” featuring Benny the Butcher discusses making money feeling right to him while “JPay” talks about meeting him on the block with the AK over horns. “Shirley” soulfully shows off the long-ass sticks they carry & the closer “Babygirl” shows a romantic side to him.

Full Moon was easily the most daring EP that Elcamino has ever made & I appreciate him for taking the risks he did for it even though the music wasn’t for me personally, but Martyr’s Prayer III completes one of my favorite trilogies in his whole catalog with an entry that embodies everything that made it so memorable whether it be 38 Spesh’s consistent production reverting back to his signature sound as opposed to Full Moon’s trap-heavy direction & Camino himself giving better performances.

Score: 4.5/5

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Stuyville – “Welcome to Stuyville” review

This is the 3rd collaborative project between Brooklyn, New York duo Stuyville consisting of emcees Eddie Kaine & Rim. Both of whom initially got together over 4 years ago on Devil’s Night 2020 for their moderately received 1st collab effort BK Caminates produced by iamT2 followed by the Meta EP a couple summers later to more mixed reception across the spectrum. Welcome to Stuyville on the other hand here had high potential of surpassing both of it’s predecessors soon as it was announced than 38 Spesh & Camoflauge Monk would both be producing it on top of Holy Toledo Productions & Compound Interest Entertainment backing it.

“What’s This” eerily welcomes everyone to Stuyville by spitting that real shit over a grisly boom bap instrumental from Camoflauge Monk whereas “Ice Cold” takes a more soulful route thanks to 38 Spesh talking about their hearts being as cold as they are refusing to fold. “Never Stop” featuring Che Noir hooks up an organ with kicks & snares promising not to hang it up leading into “Check Check” talking about bench-pressing whenever they be lifting weight off the scale.

Hus Kingpin joins Eddie & Rim on “Da Whispers” fusing cloud rap & boom bap into 1 boasting that all 3 of them stay war ready & keepin’ it gutter while “Stay Focused” motivationally talks about still getting to the dough even when the odds are against them. “Salute” featuring Benny the Butcher goes drumless as the trio do exactly what they have to, but then “Breakfast” talks about focusing on being great.

“Reminisce” featuring Kurupt begins the final leg of Welcome to Stuyville on a jazzier note reflecting on the fact that the block ain’t the same these days while “Chop House” strips the drums again in favor of a bare flute suggesting not to ride the wave if you ain’t the skipper. The closing track “Made Men” featuring the late Fred the Godson finishes the LP with everyone talking about their successes in the rap game.

Only a week into the new year, Welcome to Stuyville greatly surpasses BK Caminates & META in being the best collaborative effort that Eddie Kaine & Rim have done with one another & an early Album of the Year candidate that’ll hold it’s strength until next winter. Camoflauge Monk & 38 Spesh’s production here is more palatable than the last couple & the chemistry that the individually talented Brooklyn lyricists share gets elevated.

Score: 4.5/5

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Benny the Butcher & 38 Spesh – “Stabbed & Shot 2” review

Here we have the 2nd collaborative LP between New York rappers Benny the Butcher & 38 Spesh. One comes straight outta Buffalo becoming 1/3 of the core Griselda Records trio & the other hails from Rochester. There was even a point in time where Benny was signed to TCF Music Group years before Griselda went on to take over the underground altogether & they’ve worked with each other numerous times over the course of their careers. 6 years later, they’re linking back up for a sequel to Stabbed & Shot.

After the “Still Better” intro, the first song “1st of April” produced by V Don starts with a dreary boom bap instrumental talking about being staples in their corners whereas “High Stakes” finds the 2 showing off their street ties maintaining a dark atmosphere to the beat. “Thruway Music 2” is a sequel to a highlight off the first Stabbed & Shot continuing where the predecessor left off prior to “Who Really the King?” talking about people acting like family when that isn’t an action word over strings, kicks & snares from Chup.

“Center Stage” heads for a soulful direction thanks to Harry Fraud reminding us that they actually be living that life just before the 2nd & final single “Brick Specials” comparing their lifestyles to that of a lit movie. The lead single “Jesus Arms” featuring Busta Rhymes was a step above the b-side from the Bink! beat to the mobster-themed lyrics, but then “Hometown Hero” talks about their statuses in Buffalo & Rochester respectively.

Dave East & Klass Murda join Benny & Spesh on “Bad Guy” pointing out the fact that some don’t show you love until you start catching Ws while “Money Counter” hooks up some sampling teaching us that jealous friends happen to be the most foolish in the circle. “Internal Affairs” featuring O.T. the Real brings the trio together over a raw Daringer instrumental bringing it hardcore while the STREETRUNNER-laced “Intent to Sell” gets back on the hustling tip.

The song “Coke Runs” featuring Ransom gets the encore of Stabbed & Shot 2 going by making it clear that you haven’t seen the impressive traits that they all share in the past while “Watchlist” gives off more of a jazzier vibe to the beat talking about making $100M requiring risk. The closer “Power” featuring Elcamino finishes the Stabbed & Shot sequel talking about power becoming the cause of separation in the room while “ICE” looks at both sides of the streets they played. The titular freestyle lastly shows a back-&-forth chemistry from them for 3 & a half minutes.

Much has changed in the interim in the past 6 years including the respective statures of Benny & Spesh as they have both grown, elevated & evolved. Stabbed & Shot 2 though has made it’s case in being the rare sequel that surpasses it’s predecessor with Benny returning to his roots by reconnecting with the TCF founder to go on another round of paper chasing shooting for a sound that can only come from experienced street hustlers.

Score: 4.5/5

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Planet Asia – “Trust the Chain II” review

Fresno, California veteran Planet Asia back with 38 Spesh to produce his 12th EP & a sequel to one is his best EPs in recent years Trust the Chain. Emerging as 1/2 of the duo Cali Agents, he would also go on to have a very successful solo career & has made a lengthy yet consistent discography for himself. This includes The Grand Opening, The Medicine, the DJ Muggs-produced Pain Language, Abrasions, the Apollo Brown-produced Anchovies & Sardines backed by Mello Music Group, the Evidence-produced Rule of 3rds & the Snowgoons-produced U.Z.I. (Universal Zeitgeist Intelligence). Now with the 1-year anniversary of Sardines approaching in a few weeks, Trust the Chain II is finally here.

“Checking Traps” sets the tone of what’s to come with a rich instrumental talking about the whole team out here getting fat whereas “Inertia” takes a cloudier route expressing his gratitude to be alive serving a purpose. “Crumble Cake” works in some pianos preparing everyone for the poisonous arrows that have yet to be unloaded, but then “BBQ” goes head-on boom bap talking about bringing out the drink & partying.

Starring the EP’s other half, “Players & Dons” has a blaxploitation flare to the beat telling us the difference between the 2 types of people while the sample-driven “Illuminati Money” by the General Monks featuring Klass Murda calls out everyone on their weirdo shit. “Upscale” featuring A Plus tha Kid & The Musalini brings a blusier vibe to the table refusing to do deals with bitches in the field & “Greatness” ends Trust the Chain II peacefully brushing off that he’s on some fake shit.

Of the small handful of projects that Asia has given us in the last 11 months, Trust the Chain II easily stands as his best of 2024 so far surpasses last month’s God’s Timing or even last weekend’s Mother & Gun as my personal favorite from the TCF camp. Spesh’s production is more consistent than some of the Fresno emcee’s output in these last 8 months, the features are toned down significantly & the dude himself sounds as focused as he was on the predecessor 5 years ago.

Score: 4.5/5

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38 Spesh – “Mother & Gun” review

Rochester, New York producer/MC 38 Spesh is back for his 5th solo LP. Known for being the leader of the Trust Army & founder of TCF Music Group, he’s been steadily busy throughout the last few years whether it be him producing projects for the likes of Planet Asia & Elcamino or his own solo output. Coming off lacing Grafh’s 4th album God’s Timing a few weeks ago however, Spesh’s hopping back on the mic for Mother & Gun almost a year after the Gunsmoke EP.

“Early Morning” is a soulful opener to the album talking about the fact that they didn’t believe him when he initially said he was gonna be rich whereas “Sacrifice” works in some hi-hats sampling soul music once again thanks to STREETRUNNER hustling hard. “Spesh is Back” moves forward going for a self-produced orchestral vibe instrumentally to talk about him returning to the mic while “Del Lago” shifts gears back in trap territory flexing his power was imposed.

Havoc & Lloyd Banks join Spesh for the rugged “Had It Coming” cautioning to build the ark because they gonna be flooding shit just before “Burn Marks” asks how he couldn’t hold a grudge towards his cuzz since the opps been chillin’ with him lately. “Speshal Methods” introduces the world to the titular east coast duo over boom bap production applying lyrical pressure, but then we’re treated to the latest installment of the “Can’t Show Love” trilogy.

“Only You” featuring Klass Murda nears the conclusion of Mother & Gun hooking up a crooning sample responding to the bitches who say they got them clarifying that they aren’t idiots while “Underestimated” featuring Benny the Butcher & Che Noir wraps things up with all 3 of them talking about people estimating them lower than they actually are.

In case some of you forgot, 38 Spesh has always been as much of a quality MC as he is amongst the most in-demand producers that the underground has to offer & his first full-length in almost 4 years here has to be the most intimate of his entire career. He takes a backseat behind the boards allowing other beatsmiths to gain more exposure laying out some of the most personal lyrics that he’s laid out on wax yet.

Score: 4/5

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Grafh – “God’s Timing” review

Queens, New York emcee Grafh linking back up with 38 Spesh for his 4th LP. Coming up in 2003 off his debut mixtape The Bang Out, he went on to release 7 more tapes before dropping his first full-length album Autografh only a few years later continuing that with a total of 10 mixtapes & an EP. The sophomore effort Stop Calling Art Content produced entirely by the late DJ Shay & released through Benny the Butcher’s very own MNRK Music Group imprint Black Soprano Family Records as well as his TCF Music Group debut Art of Words would become his most acclaimed material to date, so I didn’t expect less going into God’s Timing.

“Language” begins by jazzily calling out those who ain’t gang like they say they are whereas “Fight for Love” featuring Method Man takes the soulful boom bap route instrumentally getting in their hardcore shit lyrically. “Rock, Paper, Scissors” featuring 38 Spesh himself displays a back-&-forth chemistry between the 2 accompanied by a rugged beat just before “Roc-A-Fella Chain” featuring Freeway, Memphis Bleek & Peedi Crakk turns the jazz rap influences up paying homage to the Roc La Familia Dynasty.

Papoose joins Grafh for the grimy “Straight Shooter” reminding that you’re either legit out here or you’ve never had any losses whatsoever leading into “Take Risk” featuring Dre Island & Vado aggressively explaining that one has to take risks out where they from. “Glory” featuring Wretch 32 has possibly the weakest hook on the album despite the mature subject matter, but then “Remember Who You Are” featuring Jim Jones incorporates an organ talking about staying true.

“Coolin’” has a slicker vibe to the beat providing a calming & charming smoker’s anthem while the groovy “Poetry” touches on raunchier subject matter. “Right Now” featuring Talib Kweli returns to the boom bap not giving a fuck if the radio plays them due to their nasty styles while the rhythmically produced “Bullet Proof” featuring Don Paul & Dope Gang Porter talking about running this shit. “Give Praise” featuring Spesh again ends the LP with a dusty gospel flip talking about giving praise to God.

Even if I came away enjoying this a little less than I did Stop Calling Art Content & Art of Words, I can still say that I enjoyed a good amount of what I heard & hope that Spesh continues working with Grafh as much as possible. Only a select few of the guests miss the mark, but most of them throughout God’s Timing stick the landing & match Grafh’s level of penmanship scored by the mostly traditional boom bap production that made Spesh as big as he is of a beatsmith in the underground.

Score: 4/5

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Elcamino – “Martyr’s Prayer II” review

Buffalo emcee & singer Elcamino back with his 15th EP. Blowing up in 2017 off his self-titled EPwith Griselda Records, his profile increasingly grew after being followed up by Walking on Water mixtape in the summer of 2018 gradually building up a solid discography for himself along the way. But coming off a well received Black Soprano Family Records debut They Spit on Jesus earlier this month, Camino’s gonna keep it rolling by linking back up with 38 Speshfor a Martyr’s Prayer sequel.

“Streets Don’t Love Us” is minimally-produced opener explaining to everyone why he feels that the streets really don’t have love for him & his crew at all whereas “You Made It” gives off a warmer boom bap groove to it talking about celebrating success. “Kill Switch” delves further into his hardcore bag detailing that the best way to kill ‘em is by fucking their while “Weighing Options” somberly talks about another body dropping with each day. “Dope Talk” obviously spits that drug shit over some pianos & “No Drums” happens to be an appropriately drumless closer discussing his acquired tastes.

As much as I still like They Spit on Jesus for a B$F debut, Camino’s never missed over Spesh beats & it really doesn’t come as a surprise to me that I would view Martyr’s Prayer II as the best 2023 offering in the Buffalo recording artist’s discography. Spesh’s production is a slight cut above what we heard from Elcamino’s latest LP at the beginning of the month & the dude has some of his strongest performances in a while.

Score: 4/5

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Speshal Machinery – Self-Titled review

Speshal Machinery is a newly formed New York superduo consisting of Rochester emcee/producer & TCF Music Group founder 38 Spesh as well as Buffalo emcee, entrepreneur, Drumwork Music Group founder & my personal favorite of the Griselda Records roster Conway the Machine. These guys have worked with one another on numerous instances like “2 23’s” or more recently “Lalo”, but are looking to kicking things up a notch by coming together for an eponymous full-length debut album.

The intro sets it off with drumless organs so both MCs can trade the mic back & forth with one another excellently for about a minute & a half whereas “Latex Gloves” featuring Lloyd Banks goes for a groovier direction sonically talking about pushing weight. “Last Week” dives into spacey boom bap territory boasting that they were gone 3 days flat the week leading into “Been Through” featuring Elcamino finding the trio making it clear that people don’t know everything each artist has experienced up to this point over horns, kicks & snares.

The title track is sample-based boom bap heater talking about both of them being as rare form as they come just before “Fireplace” is more of a 38 Spesh solo cut lasting only a couple minutes ruggedly comparing the trap house to a place for domestic fire with an angelic loop on top of kicks & snares. La Maquina returns for the angelic boom bap single “Goodfellas” featuring Benny the Butcher so all 3 of them can air out those salty that they ain’t on their level, but then “Unruly” works some jazzy undertones into the fold explaining how disorderly they are.

“Made Bosses” draws near the end of Speshal Machinery’s eponymous debut by cooking up a luxurious boom bap ballad with Emanny on the hook boasting about the fact that both of them have made it in the industry & “We Outside” featuring Che Noir& Pharoahe Monch closes out the album in the form of a 3-minute soulful barfest.

TCF & Griselda have long maintained a mutual respect & prosperous working relationship with one another like I mentioned at the beginning, so it made since for Spesh & Con form a duo & drop a full-length album together because I’m positive that it’s a little bit better than the Pain Provided Profit EP that Conway dropped with Jae Skeese earlier on in the year. 38 Spesh’s production is stronger & he keeps up with the Drumwork founder on the lyrical end just fine.

Score: 4/5

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Grafh – “Art of Words” review

This is the 3rd full-length album from Queens emcee Grafh. Coming up in 2003 off his debut mixtape The Bang Out, he went on to release 7 more tapes before dropping his first full-length album Autografh only a few years later continuing that with a total of another 10 mixtapes & an EP. But as his sophomore effort Stop Calling Art Content produced entirely by the late DJ Shay & released through Benny the Butcher’s very own MNRK Music Group imprint Black Soprano Family Records turns 2 this fall, Grafh is enlisting 38 Spesh this time around to discuss the Art of Words backed by TCF Music Group

“Life’s the Same” is a symphonic boom bap opener with Grafh remind everyone of the fact that time’s passing us all by at an incredibly fast rate & it ain’t waiting on on a single soul out there whereas “Rain Falls” with Conway the Machine finds the 2 telling their mothers to pray for them. Bun B & Stove God Cook$ both come into the picture for the jazzy “Life’s Beautiful” to talk about the beautiful things that this life has to offer leading into Dave East tagging along for “Every Day” over some kicks & snares letting ‘em know this be daily shit for them.

Moving on to “Maggie Simpson”, we have Giggs accompanying Grafh over an operatic boom bap instrumental repping the sick out in Queens & the real ones Kingston just before “Already” weaves some pianos so dude can talk about how people already know what the deal is. “Goin’ Up” has a slicker tone sonically addressing the glow up, but then “Finesse” with Rome Streetz returns to the boom bap as both MCs let y’all know how bossy they are. The penultimate track “Dirty Work” has a despondent sound explaining someone’s gotta get their hands grubby & “36 Chambers” by grimily getting on his Wu-Tang shit.

Stop Calling Art Content quickly surpassed Autografh in quality to become my favorite body of work throughout Grafh’s ever-growing discography & there’s no way that anyone can tell me Art of Words isn’t up there too. Spesh’s production is as raw as the late DJ Shay’s was on the last album that we got from the Queens lyricist a year & a half ago on top of the man with the pen himself making hip hop meet art.

Score: 4.5/5

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