Tech N9ne – “ENTERFEAR” review

Tech N9ne is an MC from Kansas City, Missouri who really doesn’t need an introduction at this point. The man has put in an insane amount of work over the course of his nearly 3 decade career from starting up the most successful independent label in hip hop Strange Music to a lengthy discography including Anghellic, Absolute Power, Everready [The Religion], K.o.D. (King of Darkness) & Special Effects. The last we heard from Tech was just about a year ago with N9NA & with the 1 year anniversary of that coming up, he’s back with his 22nd album.

The album kicks off with “Just Die?”, where Tech takes aim to those saying it’s falling off over a rap metal beat. The next song “Suckseed” with King Iso sees the 2 telling everyone to suck their dicks over a rock/trap fusion while the track “Outdone” talks about going from rapping for the first time in 1985 to being co-signed by some of the greats & I love how layered the beat from MIKE SUMMERS a.k.a. 7 gets as it progresses. The song “Look What I Did” with the Flatbush ZOMBiES talks about making it in the industry over a cavernous trap beat while the track “Yeah No!” talks about being reclusive now over a dark instrumental.

The song “Dr. Sebagh” with Landxn Fyre sees the 2 showing off their skills over a spacious beat while the track “Question Mark This!” with Lex Bratcher sees the 2 talking about backstabbers over a druggy beat. The song “Snake & the Batman” is a short yet merciless flex over a slow yet suspenseful instrumental while the track “Feel So Sad!” talks about how he isn’t perfect over a dreary acoustic instrumental.The song “Leave It on the Flo!” talks about hooking up with 2 women over a sensual beat & an awkward Landxn verse in the middle while the track “Phonk” with Merkules & Scru Face Jean is a decent sequel with a soulful boom bap beat.

The song “Angel Baby” talks about all the times he’s survived death over a funereal instrumental while the track “On the Outside” talks about getting money over an upbeat instrumental. The song “Smell Good” with Krizz Kaliko sees the 2 getting flirtatious over a smooth instrumental while the track “Stoli Doli” continues the same themes over a more meditative beat.The song “For Ya Love” talks about this woman holding a grudge over an intoxicating beat while the track “B.I.B. (But I’m Blessed)” sees Tech & Krizz talks about being grateful despite their shortcomings over a calming yet atmospheric beat. The song “Saw Somethin’” with Iso sees the 2 talking about the supernatural over a ghostly instrumental & then the closer “KC Smile” pays tribute to his hometown over a jazzy beat.

Tech has always been one of my favorite artists in all of hip hop & this just goes to show why. A couple of the features could’ve been better at points, but I really like how the album takes a much more darker approach than N9NA did.

Score: 3/5

Tech N9ne – “N9NA” review

This is the latest full-length outing from the highest-selling independent hip hop artist of all-time; the King of Darkness himself: Tech N9ne. If anyone is far behind in his catalog, the dude has made himself one of the hardest working men in the culture by dropping at least 1 or 2 albums a year since 2016 & his previous one Planet ended up being one of his best ones yet. However with a new tour starting earlier this week, he’s celebrating by releasing his 21st album.

After the “Le Horde” intro, we dive straight into the first song “Lord of Weird”. Where Tech pretty much proclaims himself as just that over a gloomy trap beat. The title track serves as a reintroduction for N9na’s new fans with MIKE SUMMERS a.k.a. 7’s trunk-knocking production fitting like a glove while the song “Hit the Ground Running” with JL & King Iso sees the 3 talking about how no one can stop them over a trap beat with some acoustic strumming over an eerie beat. The track “Like I Ain’t” reflects on his accomplishments while the song “Green Lit” with Iso alongside Tech’s latest Strange Music signee Maez301 sees the 3 calling out people who double crossed them over an infectious instrumental.

The track “Chuki Fever” is a shot at everyone jealous of his success over a somber trap beat while the song “Fuckin’ Do It” with Futuristic & JL is a decent alcohol anthem with a skeletal trap beat. The track “Don’t Let Me Fall” is a boring diatribe of a 1-night stand with a simplistic beat while the song “You Line!” with Krizz Kaliko viciously attacks frauds with a perfectly suiting beat. The track “EDI’s” serves as a tribute to edibles with a monstrous beat while the song “Rata” takes a surprising direction in Latin territory & it somehow works.

The track “F.T.I. 2.0” serves as a vicious sequel to the iconic “Fuck the Industry” off his 2001 classic Anghellic while the song “She Fell” is a moody sex tune with a horrendous hook. The track “Sink” talks about depression with a gorgeous bass-line while the song “H.O.B. (History Of Bitches)” talks about crazy chicks trying to come back into his life over an atmospheric beat. The track “Ion Memba” recalls his past addiction with an average C-Mob verse over a spacey bass-heavy beat while the song “Active” talks about gang life over a nocturnal instrumental.

The track “EF U (Easier For You)” with Jelly Roll is a heartfelt dedication to the broken with a pretty guitar passage while the song “I’m Caught Crazy! (4Ever)” is essentially Tech embracing his insanity over a nocturnal instrumental. The closer track “I’m Sorry” is a triumphant ode to his family & then there’s the bonus track “Disparagement”, where he & King Iso diss their haters over a generic trap beat.

While I personally prefer Planet, this is still a solid listen. Of course Tech brings his A-game lyrically & I like how he kept the features minimal just like that previous album, but some of the production choices on this one in comparison could’ve been better.

Score: 3.5/5

Tech N9ne – “Planet” review

After dropping 2 Collabos albums in 2017, the legendary & ever so hardworking Kansas City MC Tech N9ne is now dropping his 20th full-length album. The album opens with “Habanero”, where he talks about how hot he is over a futuristic trap beat from MIKE SUMMERS a.k.a. 7 (who produced all but 5 songs). The next track “Fresh Out!” with Swisher Sleep sees the 2 going back & forth about not giving any more fucks over a skittering electronic beat from mR. pOrTeR & while the song “Kick It With Myself” does touch down on loneliness, both the 7 instrumental & the hook are just alright to me. The track “Drink Up” is of course an alcohol-themed club banger & the song “Don’t Nobody Want None” is an ode to the all the b-boys with an instrumental kin to the classic Afrika Bambaataa track “Planet Rock”.

The track “Bad JuJu” with King-I.S.O. sees both MCs getting confrontational over an eerie instrumental & the song “Comfortable” is basically about feeling just that over a spacey trap beat. Also, the sample during the hook is alluring. The track “No Reason (The Mosh Pit Song)” is basically about fucking people up over an eerie trap beat from 206derek & Frizz that kinda fits the vibe. However, the auto-tuned Y2 hook sound annoying, but the MGK feature is really trite to me. Especially with the corny Dr. Dre reference at the very beginning of his verse. After the “Brightfall Confession” interlude, we then go into the next song “Brightfall”. Here, Tech delivers a cool throwback to K.o.D. (King of Darkness) from the spiritual content to the orchestral strong-tinged production.

The song “Red Byers (Say Som’n Do Som’n)” gets conscious over some live instrumentation with some hi-hats & the track “Never Stray” talks about how far he’s come with his label Strange Music over an ambitiously atmospheric beat. The song “Sho Nuff” continues where the last one left off as it talks about about celebrating where he’s at now over a bouncy beat from Dem Jointz while the track “How I’m Feeling” with Snow Tha Product sees both MCs saying what’s on their minds over a dinky piano with some rattling hi-hats. The song “Not a Damn Thing” vents about having a day off from his usual grind over some ambitious keys with some funky guitars while the track “My Fault” addresses his supposed beef with the Insane Clown Posse along with a story about a legal issue revolving around the classic 816 Boyz banger “Areola” over a smooth beat. The song “Tappin’ In” recalls the story of a 21 year old Tech fucking his homie’s 40 year old girl & I absolutely love the way he incorporates Joey Cool on here as he delivers from the point of view of Tech N9ne’s friend. The penultimate track “Levitation” talks about succeeding over a beat that’ll make you feel like you’re in space & then the album finishes off with “We Won’t Go Quietly”, where he insightfully gets conscious again over some beautifully played keys.

To be honest, this is Tech N9ne’s best album since Special Effects in 2015. Aside from 1 track I could do without, you can’t deny that his pen-game is still deadly for someone who’s this deep in his career. Most importantly too: it’s mostly focused & consistent, both of which are what I feel like his last couple albums lacked. Just goes to show Tecca Nina isn’t leaving his place as the biggest independent artist in hip hop any time soon

Score: 4.5/5

Tech N9ne – “Strange Reign” review

Strange Reign artwork

When it was announced in January that indie hip hop icon Tech N9ne was releasing 2 Collabos albums this year & his next solo album being in 2018, I didn’t really mind it at all. However, I found the first one of the year Dominion that dropped back in early April to be average at best due to feeling like his Strangeulation duology due to the entire Strange Music roster being the sole features & having the label’s in-house producer MIKE SUMMERS a.k.a. 7 produce in it’s entirety. And while that is being repeated on this new Collabos album here, I think Strange Music is one of the best indie hip hop labels of all-time & that’s why I’m still giving it a shot.

The album opens with “Cold Piece of Work”, in which a 30 second snippet of closed out Dominion. Here, Tech teams up with JL alongside Strange Music’s 2 newest signees Jay Trilogy & Joey Cool to compare their flows to cocaine over a creepy trap beat. The next song “Minimize” with Stevie Stone & Krizz Kaliko is a jab at all the shit-talkers & the production is absolutely HAUNTING! The track “Let’s Go” with Big Scoob & Darrein Safron spits that g shit over a hard hitting instrumental, but Darrein’s rapper verse isn’t as obnoxious like his usual singing voice that’s blatantly bitten off of Chris Brown. The song “Happen” is pretty much Tech by himself talking about how the label stays working & not only is the instrumental super funky, but Tech’s signature chopper-style delivery is insane too. The track “Dangerous” with AboveWaves is a beautiful romance tune, as frontman Ryan Bradley & Tech N9ne are telling their significant others about how deadly their love is & the instrumental is dreamy yet gorgeous.

The song “Stick It In” sees Tech getting braggadocious over a demonic instrumental & the Krizz Kaliko hook is great as well. The last 2 tracks in the standard edition “These Hands” with Prozak, Wrekonize & Mackenzie Nicole as well as the Bad JuJu preview seem very similar to how Dominion’s standard edition ended. “These Hands” like a sequel to “Jesus & a Pill” off the last Collabos album as it contains spiritual lyrics & an explosive rap metal instrumental while the Bad JuJu preview is a 30 second snippet of a song with King-ISO that‘s more than likely gonna pop up on Tech N9ne’s next solo album Planet. I’m not gonna get too deep into the bonus tracks as almost all of them sound like they’re gonna be on upcoming albums, but I do wanna talk about the 2nd one “Off My Square” with ¡MAYDAY! & Rittz. It’s the only one out of the 5 bonus tracks where Tech N9ne appears on, but I do enjoy it as they tell you that they can’t be to fucked with over some funky bass along with some explosive drums & a psychedelic-esque guitar.

While I did have some concerns given that the last Collabos album was just ok, but I’m glad that this new album put them to rest because it overall sounds more well-put together Dominion from removing the needless interview skits to the step-upped performances

Score: 3.5/5

Tech N9ne – “Dominion” review

Only 4 months after releasing his last album The Storm, Kansas City indie hip hop icon Tech N9ne is now returning with the first of 2 new Collabos albums that’re set to be released this year. Much like the last 2 Collabos albums Strangeulation & Strangeulation 2, Tech N9ne has the entire roster of his Strange Music record label solely featured on here & he has enlisted his label’s in-house producer MIKE SUMMERS a.k.a. 7 to produce it in it’s entirety. The album’s first song “Drama” is a response to Missouri passing a bill that allows anyone to carry a handgun over a heavily sinister beat. The lyrics on the next song “Casket Music” with the CES Cru are definitely hardcore & the Wrekonize hook is on point, but the beat holds me back from fully enjoying it. The track “Put ‘Em On” with Stevie Stone & Darrein Safron is a bit self explanatory, as it talks about how they started out broke putting the listener onto their label over an eerie beat. The track “Wheels Like Hill” sees Tech solely talking about getting away from all the gold diggers out there & the production is just THUNDEROUS! The song “Some Good” with JL is a weed track & unsurprisingly, the instrumental has a relaxing tone to it. However, the finger snaps were unexpected & I actually didn’t mind them at all. The song “Salute”‘ with ¡MURSDAY! is basically telling the haters not to fuck with Strange over some catchy horns & a funky bassline. Even though Tech himself has said there are no plans for a 2nd ¡MURSDAY! album, this song actually gives me hope for it. While I really like how the next song “Fish in a Pita” sonically sounds like something from the 70’s, the content about vaginal odor is just really lame to me. The following track “Mo’Ammo” with MURS & Rittz has this decent guitar loop, but all 3 of them flow really well over it. I also really love the hilarious “gag reel” line during Rittz’ verse. The track “Jesus & a Pill” with Prozak & Krizz Kaliko talks about seeking inner peace & while the rap metal instrumental is mainly a down-tuned guitar with some drums, it predictably gets heavier during the hook. I understand that Tech N9ne wants to showcase every single person on his label & I think he achieved that with his last 3 Collabos albums (especially on my personal favorite Collabos album Welcome to Strangeland), but I would REALLY love it if he got a lot more non-Strange artists on the next Collabos album that he’s dropping later on in the year. Don’t get me wrong I like everyone that’s signed onto Strange, but solely hearing every signee being featured on there for the 3rd Collabos album in a row is actually getting tiring for me
Score: 3/5