A$AP Rocky – “Don’t Be Dumb” review

Harlem, New York rapper, songwriter, actor, producer, model & fashion designer A$AP Rocky returning to music after 8 long years. A prominent member of the A$AP Mob, his only mixtape LIVE.LOVE.A$AP is one of the greatest tapes of the previous decade & his debut album LONG.LIVE.A$AP under RCA Records came during my sophomore year of high school to further acclaim. The sophomore effort AT.LONG.LAST.A$AP came the week of my high school graduation was highly praised too, going for an experimental direction with Testing & has finally dropped Don’t Be Dumb after starting a family with Rihanna.

“Order of Protection” begins Flacko Season with a self-produced drumless loop with some hi-hats incorporated at the halfway point talking about being back in his bag whereas the 2nd & final single “Helicopter$” goes for a Memphis vibe instrumentally homaging the Petey Pablo single “Raise Up”. After the “Interrogation” skit, “Stole Ya Flow” blends industrial hip hop & trap speculated to be a jab at Drake when he said in a recent interview that isn’t the case leading into the pop rap/R&B fusion “Stay Here 4 Life” featuring & produced by Brent Faiyaz with co-production from Hit-Boy.

Cardo & Thundercat jump behind the boards for the cloudy trap highlight “Playa” advising not to stare when the diamonds be goin’ on & teaching others how to ball just before the hypnotic “No Trespassing” that Take a Daytrip cooked up suggests he might move out to Texas & shut down anyone who enters his property without permission. “Stop Snitching” featuring Sauce Walka samples “Give This Love a Try” by Leroy Hutson talking about going through it all from the start while “STFU” featuring the Slay Squad gives off an electro vibe to the beat sending a message to those who don’t know when to shut up.

“Punk Rocky” combines post-punk revival, neo-psychedelia, psychedelic pop, indie surf, dream pop & rap rock alongside Ging pleading for him not to be left heartbroken while “Air Force (Black DeMarco)” talks about driving a Ferrari like it’s stolen. Can’t deny Digital Nas or Digital Nazi made one of the album’s craziest instrumentals alongside T-Minus during the jazzy “Whiskey (Release Me)” putting Digital Nazi’s ragebaiting & Twitter trolling aside trying to get high as possible while “Robbery” featuring Doechii references WWE Hall of Famer Mr. T continuing to carry over the jazz elements.

The title track embraces a happier atmosphere singing that he’d do anything to stay in Rihanna’s good graces prior to “Trip Baby” shaking it up with a chipmunk soul sample courtesy of Harry Fraud warning that anyone who fucks around near him will get clicked. “The End” featuring Jessica Pratt & will.i.am flips both “The Rip” by Portishead & “Ebony Glass” by Nancy Priddy drumlessly envisioning the apocalypse while “SWAT Team” talks about the Mob being rich thieves over a horror-inspired trap beat.

“Fish n Steak (What it Is)” by WANG$AP hooks up a prominent flute from Beat Butcha so they can speak of slowing the world down from the 713 to the 718 while “Sundress” starts the deluxe run after “Flackito Jodye” combines his most 2 prominent aliases having Danger Mouse sampling “Why Won’t You Make Up Your Mind?” by Tame Impala telling his ex she flat out fell in the wrong hands. “Babushka Boi” meshes Memphis rap & drift phonk for a song written about an experience where he had his face cut while “D.M.B. (Dat’$ Mah B!*$H)” talks about his love for drugs & women having both Skepta & Shlohmo helping him achieve a cloudy sound.

Outside the context of it opening the Need for Speed: Unbound soundtrack, “Shittin’ Me” directly asks why some would throw him under the bus when then they have no dirt on him whatsoever while the neo-psychedelically conscious “Same Problems?” remembers a number of artists who’ve passed away. Pharrell & Tyler, The Creator provide “Riot (Rowdy Pipe’n)” a lot of cloudy trap energy referencing the late WWE Hall of Famer, former WWE Intercontinental Champion, 3-time WWE United States Champion, WWE Tag Team Champion & 2-time WCW World Television Champion “Rowdy” Roddy Piper.

“Highjack” featuring Jessica Pratt collides cloud rap, trap, Memphis rap, neo-psychedelia, alternative R&B & neo-soul for a jab at Drake while “Tailor Swif” contains secondary influences of plugg talking about his agility. “Ruby Rosary” featuring J. Cole meshes jazz rap, cloud rap, drumless & illbient thanks to The Alchemist discussing their current artistic positions while DJ Dahi & James Blake sample “Time” by Hans Zimmer on the final bonus track “pray4dagang”tackling introspective subjects.

Testing nearly a decade later still contains some of my favorite A$AP Rocky tracks “Praise the Lord (Da Shine)” & “Gunz n Butter”, but Don’t Be Dumb marks a celebratory comeback I’d have to put above it’s 2018 predecessor. The predominantly experimental trap production occasionally sprinkles hints of cloud rap, Memphis rap, neo-psychedelia, drumless, industrial hip hop, pop rap, R&B, post-punk revival, psychedelic pop, indie surf, dream pop, rap rock & chipmunk soul throughout the hour portraying the man he’s become whilst dissecting 6 different alter egos of his.

Score: 4/5

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A$AP Rocky – “TESTING” review

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While he’s been dropping a project every 2 years since 2011, A$AP Mob member A$AP Rocky had a noticeably quiet 2017. However, he’s been trolling the public eye with his 3rd full-length album up until this point with some awful “dummy” singles & alas here we are.

The album starts off with “Distorted Records”, where Rocky brags about his place in the current hip hop landscape over a glitchy yet bass heavy instrumental. The “A$AP Forever” remix sees Rocky paying homage to the Mob while KiD CuDi’s verse talks about overcoming his depression over some symphonic strings with thunderous drums while the next song “Tony Tone” is a humble brag over a psychedelic guitar that FNZ hooked up while the track “Fukk Sleep” with FKA twigs sees the 2 talking about going from being poor to being successful over a murky electronic beat while the track “Praise the Lord (Da Shine)” with Skepta vividly talks about criminal activity over a bouncy woodwind beat.

The song “Calldrop” does have a beautiful acoustic guitar, I just wish it was structured better. Also, I found the Kodak Black feature to be pretty redundant. The song “Buck Shots” gets confrontational over a synth-heavy trap beat & while I do like the Playboi Carti’s verse as much as Rocky’s, the Smooky MarGielaa verse doesn’t really do much for me. while the track “Gunz N Butta” talks about wealth over a cloudy trap beat with a prominent chopped & screwed sample of “Ridin’ Clean” by Juicy J throughout. The song “Brotha Man” with Frank Ocean sees the 2 talking about fighting for something over a beautiful instrumental with prominent keyboards & occasional strings while the song “OG Beeper” reflects on his drug dealing past over a dinky yet bouncy beat.

The song “Kid$ Turned Out Fine” tells the world just that over an laidback electric guitar & hi-hats while the track “Hun43rd” talks about hustling over a cloudy synthesizers. The song “Changes” talks about an ex over an acoustic guitar that gets more layered as it progresses. There’s also a point where it switches up into something more atmospheric for about a minute & it’s not too bad either. The penultimate track “Black Tux, White Collar” talks about shining through it all over a cloudy trap beat from none other than Clams Casino & then the album finishes off with “Purity”, where he & Frank Ocean talk about finding a peace of mind over an acoustic guitar.

Like most people, I was pretty worried about this album based on a vast majority of the singles Rocky dropped leading up to this but at the end of the day, I think he came through. It’s definitely more experimental than his past efforts & yet, it’s just as equally fun as his last 2 albums

Score: 3.5/5