Z-Ro – “Unappreciated” review

Houston, Texas emcee & singer/songwriter Z-Ro celebrating another winter with his 28th studio LP. A member of the Screwed Up Click collective, he’s been holding it down for 3 decades already whether it be the Rap-A-Lot Records debut & my personal favorite in his discography The Life of Joseph W. McVey or his output as part of the Guerilla Maab & later the duo ABN. He dropped both The Ghetto Gospel & Call Me Rother last year, venting 53 weeks later that he feels Unappreciated.

“KKK” begins with a bluesy trap intro airing out his grievances towards crooked cops in light of it already being half a decade since his SUC brethren Big Floyd was murdered until “Famous Again” goes for a cloudier trap vibe instrumentally talking about his detractors giving him free promo because they have no motion. “I’m Tryin’” blends soul & gospel wanting his people to know that he’s been doing his best in case this is the last we’ll hear from him while the summery “So So” tells us the way he’s been feeling.

As for “Do Less”, we have Z-Ro continuing to jump over atmospheric trap beats talking about minimizing his output if it turns out people don’t appreciate everything he’s doing while “Would’ve Known” swaps out the cloudiness in favor of more gospel influences pondering if he would’ve still done the shit he did if others were already aware that he’d be gone. “Ro Come Bacc” brings back the soul suggesting for people to never return if they ain’t feelin’ him no more just before “Me Against All Y’all” aggressively channeling his inner 2Pac.

“Gotta Maintain” pushes the 2nd half forward reminding himself of keeping his composure because the rest of the world doesn’t want to see him shine while “Heart of a Hustler” featuring Lil’ Keke has my favorite guest appearance of the 4, talking about the grind always being in their hearts & instrumentally fusing soul with trap. “I Swear” featuring Kook has an admirable theme of betrayal & the latter also delivering a solid verse, but I can’t say the same regarding Yella Fella’s contribution to “Don’t Judge Me” despite the subject matter.

The song “On My Side” gets Unappreciated’s final moments blending the Houston sound with dirty south aesthetics talking about keeping a firearm close to him while the funky trap hybrid “Do You” assures the world that success is making sure your loved ones are good as opposed to having a private-gated estate. “Too Much Patron” finishes up advising to be left alone because he’s in his zone smoking the most potent weed he could get his hands on & drinking tequila.

Call Me Rother still has moments that I’ll go back to every now & then but a lot like his ABN partner-in-rhyme Trae tha Truth put out a late career highlight with the love letter to his daughter Angel on his birthday this summer, Z-Ro has done the exact same thing except he’s reiterating the statement of him becoming Unappreciated in recent memory hinting at retirement once again like he did thorough the last album of his I enjoyed this much initially did: No Love Boulevard.

Score: 4/5

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Trae tha Truth – “Angel” review

Houston, Texas veteran Trae tha Truth celebrating his 45th birthday with his 17th studio LP. A member of the Screwed Up Click collective, he would go on to join the Guerilla Maab & ABN with over a dozen solo efforts under his belt. Stuck in Motion & Crowd Control were both received mixed-to-negatively in the past couple years, hoping of making up for the lackluster reception of his most recent outputs by channeling all the pain he’s endured onto Angel pushing it back from it’s initial May release.

The intro opens up with Trae singing his heart out over bare pianos of losing faith & needing a savior whereas “All This Time” passionately admits to feeling like the world around him wants him deleted. “Letter 2 Truth 2” brings a drumlessly cloudier vibe instrumentally speaking to his daughter until “Alright” featuring Lecrae blends some synths & gospel choir vocals for a religiously themed direction in terms of subject.

“Where Did You Go?” gives off a cloudy trap feeling addressing the people he wishes he could see for the last time just before “The Gathering” featuring Vory finds the 2 talking about feeling like they’ve been on the edge lately & other going as far to thinking they were finished. “Lord Know” speaks of everything he’s been going through in recent years being the type of shit to give you grey hairs leading into the gospel-trap crossover “Amen” talking about his being head down because he was praying.

Chance the Rapper joins Trae on “Thank You” turning the gospel influences up even higher giving their praises to God for everything he’s done for them while “Daddy Miss You” strips the drums & pens an open letter to his daughter on the road telling her how much he misses her. Kocky Ka makes for the weakest of the 2 guests on the “Alone” remix despite Lil Poppa’s verse being no issue, but then the acoustic trap fusion “Out Here” talks about people being a joke lately.

“I’m Human” pushes the 2nd leg further responding back to the people who’ve turned on him & suggesting some of it might have to do with his own mistakes he’s taking accountability for while “Reaching Arms” advises not to blow the only few chances you got at making it over a drumless gospel flip. “Bet on Me” radiates a sample-woven trap energy in terms of the beat talking about everything being heavy on him while “Ain’t tha Truth” featuring Hunxho asks what the deal is with the cap.

Dave East & Trae get together during “Down on Me” talking about needing to get better over a trap instrumental with sped-up sampling & after “All Luv” featuring Jeremih takes a trap soul route always standing up for something different, “Before I Die” atmospherically finds himself with the foot on the gas taking aim at the individuals who think they know what his eyes have seen.

“I’m In” laughs off those who think they’re bigger than the program & getting honest of this becoming his moment of revenge on ‘em while “S.4.T.W. (Struggle 4 the World)” suggests the idea of their hardships being for entertainment purposes only & to stand on business if it’s pressure. “Let It Go” caps off Angel with a drumless soul flip not needing the pain because he’s big alone along for you to wake up.

For at least several months, Trae tha Truth has been saying for the past several months that Restless could have competition for the #1 spot in his discography & I can completely understand what he meant by that since it’s far well conceived than his last couple dudes. Heavily inspired by his daughter & the journey they’ve taken together, it all made for the most deeply introspective he’s been in his almost 3 decade career.

Score: 4/5

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Z-Ro – “Call Me Rother” review

Here we have the 27th full-length studio LP from Houston, Texas emcee & singer/songwriter Z-Ro. A member of the Screwed Up Click collective, he’s been holding it down for 3 decades already whether it be the Rap-A-Lot Records debut & my personal favorite in his discography The Life of Joseph W. McVey or his output as part of the Guerilla Maab & later the duo ABN. He dropped The Ghetto Gospel earlier this spring & fast forward 9 months later, he’s coming back telling everyone to Call Me Rother.

After the “Geto Boys Reloaded” intro, the first song “Charging” is this trap opener talking about it living life on the grind & getting his every single time whereas “Kingz” maintains a vainglorious trap vibe instrumentally rather keeping it peaceful when it’s anything but. “Live My Dreams” featuring Slim Thug keeps it rollin’ by talking about wanting to build shit with their cliques prior to “Side Dicc” gets back in the trap tip showing a sensual side to him.

“No Ice” mixes elements of dirty south & trap refusing to let anyone else sip with him admitting that he’s drunk as fuck already leading into the hypnotic trap joint “Paybacc” talks about getting his lick back & owing someone an ass-whoopin’ out of pure vengeance. “Vandross” produced by N.O. Joe boasts that he’s the young Luther Vandross & asking for everyone to keep their hands off while the guitar-driven trap joint “My People” makes a plea for everyone in his life believing it’s time for us all to come together.

As for “Log On”, we have Z-Ro over a moody trap beat finding all the haters runnin’ their lips whenever he turns around assuming that the circus is in his city with all these clowns just before “Love in These Streets” talks about his legacy out in the city that made him. “Rother” has a cool interpolation of “In the Air Tonight” by Phil Collins on the hook not shrugging off his detractors while “Him” featuring Cee-Lo Green is another favorite from the Cory Mo instrumental to the boastful lyricism.

“Neva 4get” reaches the encore of Call Me Rother by hooking up an acoustic guitar & hi-hats with an occasional saxophone bringing all his guns for a specific individual promising that he’ll be a muhfucka that one won’t ever forget of going forward while “Motion” talks about having the very thing that a lot of these other people out here are severely lacking in. The closer “Die” wraps up his 2nd offering of 2024 by pondering where he’ll actually end up going in the afterlife.

Z-Ro’s recent output has ranged from introspection of No Love Boulevard to the mediocrity of SäDISM & for his 2nd album this year, I happen to like it more than the predecessor. The production has improved, there are lesser guest appearances in comparison & he seems to be more comfortable playing the villain in your story this time around.

Score: 3.5/5

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