Tampa, Florida emcee Sleep Lyrical making his Dirtcore Music debut with his 3rd studio LP. Known for his M.S.B.K. series of mixtapes, he discography further includes the Watch Me Work EP followed by the debut album The 12th Hour & the sophomore effort Broken Hearts on My Face. Coming off M.S.B.K. 6 last summer, Sleep’s looking to switch it up by giving the underground what they ain’t used to hearing from him getting a lot off his chest throughout the course of Broken Hearts on My Face 2 coinciding Valentine’s Day.
After the intro, the first song “Stay a While” produced by Crossworm is a somber trap opener suggesting that you shouldn’t be making any promises to him if you’re gonna fold whereas “Dealing With” featuring Senorita Sin finds the 2 talking about making it through this rough patch. “Trying Not to Fall” soulfully fights against the fog in an effort of saving his shine just before “Ease My Mind” get rid of the pain by smoking it all away.
“Back To” shows more of a hyphy influence instrumentally talking about initially thinking he was done dealing with all these broken hearts leading into “Hole in My Heart” talks about focusing on himself & still falling apart. “Circles” goes for a trap vibe to the beat feel like he’s moving around in circles some days, but then “Mission by Myself” eerie talks about being alone with his thoughts.
As for “Might Go Crazy”, we have Sleep Lyrical openly discussing the possibility of him losing his mind that’s already on the brink of sanity while the syrupy “Insignificant” shows a romantic side to him. The song “Fight” featuring Samson Samson gets aggressive over a dusty boom bap instrumental while the trap-rock fusion “Roll Alone” talks about rollin’ by himself. “Let Me Down” wraps up his Dirtcore debut talking bout the only thing he needs is his partner next to him.
The homie Rone Bone of The Beneath the Dirt Podcast was the one who put me into Sleep Lyrical several years ago & for his first album on Dirtcore Music, the sequel to Broken Hearts on My Face surpasses it’s predecessor. A personal catharsis, Sleep works through the trauma of betrayal, the death of his ex & the closure he never got from years of toxicity over some of the strongest production that I’ve ever heard him on.
French-American veteran Napoleon da Legend wasting no time on his 30th studio LP. Heads in the underground should already be familiar with him due to the lengthy discography that he’s built up for himself for nearly the past decade including Coup D’État, it’s sequel, Street Universe, Dragon Ball G, the Sicknature-produced Colossus of GOATs, Buckets or the DJ D-Styles-produced Invincibl Rap Mislz & the DJ Rhettmatic-produced Legmatic. He & JR Swiftz came together on the outstanding Great Minds last month, bringing Giallo in the fold again on F.L.A.W. (Following Lies Always Wounds).
“Chasing Shadows” ominously kicks off Napoleon’s 2nd body of work this year by talking about being on the verge of doing something drastic whereas “Life or Death” featuring Jay Royale finds the pair talking about this being survival of the fittest. “That Ain’t It” keeps it in the basement to break down the concept of hustling on the daily prior to “Welcome 2 the Theater” featuring Ghost Machine working in some strings referencing WWE Hall of Famer, former 3-time WWE world champion, 3-time WWE United States Champion, 2-time WWE Intercontinental Champion, 9-time WWE tag team champion, 8-time WWE Cruiserweight Champion, アイアンマンヘビーメタル級チャンピオン & The Crash’s inaugural Mundial Pesocompleto Campeon Rey Mysterio.
Invisible Handz joins Napoleon for the drumless “Unforgiving” talking about the game never being fair from what they understand & their former opps ain’t breathing no more leading into “No Morals” returning to the boom bap suggesting that conscious hip hop & gangsta rap are the same other than being packaged differently. “Doing What I Gotta Do” speaks of one doing what has to be done in order to get by, but then “Nesquik” eerily talks about making everyone take Ls quickly.
“Solar Opposites” featuring Eloh Kush finds the 2 including a reference to SpaceX founded by Tesla CEO, Neuralink founder & Nazi Elon Musk while “Motivation” hollowly talks about everyone having it if it was much easier. Sunez Allah teams up with Napoleon on the title track so they can explain one always being wounded by following lies while the piano-driven “Peace” talks sitting back & counting his stacks.
Nejma Nefertiti appears for “Presume the Unpredictable” to get the final moments of F.L.A.W. (Following Lies Always Wounds) calling themselves the deadliest you’ve ever seen on the mic from the womb to the tomb & the closing track “Marathon” completes the 2nd consecutive classic in Napoleon’s catalog within 2 months tackling the Japanese philosophy of having 3 faces.
Exactly 4 weeks after Great Minds marked the halfway point of the first month of this year, Napoleon gets back with another album maintaining the high quality underground hip hop that it’s predecessor & even Legmatic achieved. Giallo Point’s production is on par with JR Swiftz’ & although I will say I wasn’t as big on the features since I preferred the couplet of guests last time, I appreciate Napoleon warning everyone of the consequences that come with following lies.
Detroit, Michigan veteran Fat Ray returning after 4 years for his 4th album. A member of the trio B.R. Gunna alongside Black Milk & Young RJ, he would eventually go solo in 2008 by dropping the criminally slept-on The Set Up, but it wouldn’t be until a full decade later when it was followed with both The Lunch Room mixtape & then his sophomore effort Perseus. Santa Barbara proved to be the strongest since his debut & he’s taking it back to where it all began on Food From the Gods.
After the “From the Gods” intro, the first song “Elderberry” starts with a trippy boom bap instrumental wanting to know how to sow & reap whereas “Talcum” psychedelically talks about having that powder. “Cane” featuring Guilty Simpson works in a guitar sample to warn that you’ll get popped for playin’ with them, but then “Just Say No” featuring Danny Brown fuses jazz rap & drumless together cautioning that this ain’t chess.
“Double It” continues the sampling boasting that he’s been doubling up while “Franky Lymon” featuring Bruiser Wolf atmospherically talks about who these hoes think they are. “El Hongo (The Mushroom)” explains that you either fight or fly heading for a rap rock vibe just before the orchestral “Stash” talks about cashing ruling. The final song “Gotta Know” ahead of the “Daily Bread” outro charismatically shows off his brilliance to finish his best album since his debut.
Over 15 years after Black Milk helped cook up Ray’s acclaimed debut, they get back together for a successor that show’s how much both of them have grown since then. Granted that Food From the Gods can be quirky sometimes, it’s mostly a grimey sonic ride through the streets of the Motor City with raw tales told through the lens of the ever so sharp & witty standout of the Bruiser Brigade crew.
Detroit rapper WTM Solid putting out his long-awaited debut studio album. A member of the WRLD Tour Mafia, he also embarked on a solo career of his own beginning a couple years ago with the debut EP Originatour followed by both Matter of Time & What’s the Difference?. The most recent EP in his catalog Bigg dropped last spring shortly following Tourmania II & became my favorite of the 4 that Solid has put out. 9 months later, he’s ready to take his career to the next level on Imagine That.
“Nobody” sets the tone of what’s to come with a sample-driven trap opener flexing that no one can fuck with him whereas “Umbrella” maintains a prominent Detroit trap sound instrumentally talking about it being go-time after being pissed off. “Richer Than Them” featuring Warhol.Ss brings the 2 together so they can discuss working too hard to lose everything for nothing while the synth-based “Ballin’ a Bitch” talks about understanding the way shit get sometimes.
As for “Can’t Relate”, we have Solid maintaining the Detroit trap vibes breaking down the fact that nobody around him is fake & getting his shit together just before “Not My Hoe” talks about being a God & assuming that he probably got resurrected. “Joaquin Guzman” uncannily suggests to feed your family instead of that nonsense if you really wanna be gangsta leading into “Lani” confessing he wants to put Rick Owens on his daughter.
“To the Max” featuring Rafa & Samuel Shabazz finds the trio joining forces to dabble with plugg a bit interestingly taking shots at people tryna be them when they can be themselves while “Girls Around the WRLD” puts a heavy chopped & screwed effect on his vocals even with the Detroit trap beat. “Krusty Krab” asks what the fuck $20k is when he’s a trillionare while “Best of You” featuring WTM Re clarifying that they can’t tell you of the shit they involved in.
To get Imagine That’s final leg going, “Now You Get It” wants to know why every song that wins of these muhfuckas be making lately be about a specific opp in mind referring to himself as rightfully being fresher while “No Tomatoes” talks about keeping your shit away from him since he don’t fuck with flukes. “Venom” laughs off the stupidity of people nowadays calling them wack on the mic anyway & “Toast Up” featuring CL4Y ends the album talking about being a different breed.
All 4 of the EPs in WTM Solid’s discography has all been building up to this point & with Bigg showing considerable improvement above its predecessors, I was confident that Imagine That was going to take it even higher & that’s exactly what it does. I find the production to be on par with the EP that came out last spring & lyrically, Solid goes even harder than he did 9 months ago although a couple of the guests missed the landing.
The Punchline Academy is a collective formed by The Bronx, New York producer, videographer, entrepreneur & Sirius XM host Da Inphamus Amadeuz. Exemplifying what it means to be a modern hip hop mogul, he brings together a powerhouse roster featuring iconic names & underground talents to bridge hip hop’s golden era with its evolving modern landscape on the Academy’s first lesson being taught through their full-length debut studio album entirely produced by none other than it’s leader.
Onyx & Ricky Bats get together for a 5 minute freestyle as the intro with Onyx outshining Ricky over a horn-heavy boom bap instrumental whereas “Delay the Drama” by Styles P & Blazin was a great choice of a lead single as they get together telling y’all to come fuck with the real. “It’s Like a Jungle” by Blazin, Kiko Medina, Rah tha Ruler, Shortee Sha, Spittin Image & Tahmell brings the sextet together to showcase their punchline abilities in 3 & a half minutes, but then “Another Day” by Amber Simone & Tahmell heads for a jazzy boom bap direction giving a look at another day in their lives.
“Can’t Do Nothing Right” by G. Dep showcases how much he still has it lyrically even if one of my top 10 producers of all-time Ye formerly known as Kanye West is demanding that disgraced Bad Boy Entertainment founder Puff Daddy a.k.a. P. Diddy or Diddy should be freed from federal custody & even going as low as to release Free Puff merch on his Yeezy webstore in a 50/50 collaboration with Diddy’s own fashion-line Sean John when his abuse of women has been well documented at this point just before “ICU” gives Rah tha Ruler a chance to shine on his own.
Kiko Medina & Tahmell link back up with each other on “Dope Spot” refusing to stop until they run the whole block while “Keeping the Culture” by Da Inphamus Amadeus himself reminds the world of his MCing skills coming off The Diam Piece 3: Duo last month. “Character” by Rah tha Ruler, SOS Bishop & Spittin Image addressing those who wanna know if they feel the pressure while “Air Traffic Control” by Canibus & Tahmell flexes how fly they are. “I Don’t Like That” by Blazin, Kiko Medina, Rah tha Ruler & Tahmell ends the colelctive’s debut expressing their dislikes in people.
This guy has proven himself as a driving force both on stage & behind the scenes moving hip hop culture forward, so for him to come together by naming this new collective after his weekly show on SiriusXM’s Shade 45 only makes sense. His production is primarily based in the traditional boom bap sound & all the guests showcasing their punchline abilities. If there’s an ever another lesson in The Punchline Playbook as its title suggests, I think the saga could get even better as it is with time.
Vallejo, California rapper & songwriter Larry June joining forces with Atlanta, Georgia rapper, actor & songwriter 2 Chainz for a brand new collaborative studio LP. Both of whom have already crossed paths with one another a couple times in recent years on the tracks “Still Boomin’” & “Ocean Cuisine”, ultimately deciding to get together with one of my top 10 producers of all-time The Alchemist to entirely produce Life is Beautiful after being teased on Twitter a couple months ago sparking interest even further by letting off a couple singles the previous month & 2 Chainz appearing on WWE’s flagship program Monday Night RAW on Netflix a couple weeks ago.
“Munyon Canyon” is a drumless intro with both of them talking about needing everything whereas “Colossal” works in a reversed sample to admit they find it therapeutic counting it up referencing WWE Hall of Famer Arnold Schwarzenegger & calling it exactly the way they see it. “I Been” continues to strip the drums as they discuss minding their own business leading into “LLC” talking about how there’s so much money to get bringing a boom bap flare to the table instrumentally.
The jazzy, drumless & boom bap lead single “Bad Choices” was one to begin the rollout perfectly wanting to know where all the good women who make bad decisions are at in the building while the title track has a flute sample that I really enjoy as they discuss the beauties of life. “Generation” dabbles with trap again talking about being the ones getting kids doing drugs, but then “Any Day” strips the drums to talk about giving their all.
“Epiphany” begins the final leg of Life is Beautiful on a mellow note flexing that their cribs be looking exactly like an Airbnb & “Tru Organics” continues to keep the drums out the equation talking about money being the motivator. “Jean Prouvé” psychedelically comes to the realization of them getting their minds right while “Days Like This” starts the deluxe run praising God daily for their blessings. The final bonus track “Spy Hunter” featuring The Alchemist ends with the trio chillin’ on a yacht & staying forever hungry.
Larry has brought the best out of 2 Chainz in the past throwing it back to his Tity Boi days & even though I initially thought that Jay Worthy was gonna be on here a couple months ago, the former Playaz Circle member taps in with The Freeminded Records founder to take their chemistry to the next level. Alchemist’s production is mostly drumless other than some hints of boom bap & trap for both of them to drop their signature luxurious raps.
Yung Fazo is a 19 year old up-&-coming recording artist from New York City notable for making waves in the plugg & rage subgenres of trap music by releasing a total of 2 EPs & a full-length debut studio album only halfway through the current decade. He dropped off a couplet of tracks last spring & granted it’s only been 9 months since, he’s back with a sophomore effort a little over 26 months after he broke down the internal conflict he was prominently portraying during the course of the last LP.
“B4U” kicks the door down with this rage-inducing opener produced by Ginseng telling his romantic interest exactly how much he adores her whereas “Ed Hardy” references the current TNA World Tag Team Champion in his 3rd reign & inaugural 4th Rope World Tag Team Champion Jeff Hardy of The Hardy Boyz. “Bang Bang” cautions to be careful if you ever step around his parts since he’ll let the chopper sing, but then “All in Motion” electronically switches up his flow to talk about ambition, heartbreak & self-discovery.
Moving on from there, “Bring It Back” works in some catchy synthesizers to discuss the woman he’s currently seeing being different & that he’s been fighting demons trying to move on while “Fuk Love” gets back on the hypertrap vibes pondering if the drugs are really fucking up his soul leading into “Moving On” telling his ex he doesn’t want to do her wrong.
“Me, Myself & I” tells a hoe that he’s gonna blow telling her that he wishes he could love except he’s off that drank while the synth-heavy “Psycho” talks about being insane after a girl that he was seeing observed his psychosis. “Run” throws it back to “Headlines” by Drake acknowledging that he knew he would make bands while “Geeked Up” brings back the rage talking about being geeked.
The penultimate track “Rip My Soul” begins the final moments of Yung Fazo’s full-length studio debut coming clean of the biggest mistake in his life being him giving his heart away being on the go as of late with n9ck & the closer “Kurt Cobain” takes it’s name after the iconic Nirvana frontman feeling exactly like him after a bitch has fucked him up leaving a couple scars after stabbing him in the back in the end.
Compared to his 2022 debut, I find myself gravitating more towards Fazo’s highly-anticipated successor than a lot of what I’ve heard from him until now. The production is heavily built around the rage sound & by the title taking its name from an abbreviation of his moniker, he lets listeners in as to who he is personally.
EST G is a 30 year old rapper & songwriter from Louisville, Kentucky who put out his first 3 mixtapes independently until Interscope Records signed him for his 4th tape I Still Don’t Feel Nun & later signing with Collective Music Group the next summer to put out Bigger Than Life or Death. His debut album I Never Felt Nun finally came after Bigger Than Life or Death 2 & the Last Ones Left collab tape with 42 Dugg, following it up with Mad & El Toro 2. Couple years later, he’s returning for his official sophomore effort.
“Free Rico” is this Detroit trap intro wanting everyone that’s listening to follow his lead whereas “The Streets” was a decent 2nd single building up anticipation for I Ain’t Feeling You bringing trap & gangsta rap together. “Houstonatlantaville” featuring Lil Baby & honorary WWE Hardcore Champion Travis Scott blends horns & hi-hats recommending y’all to take your time when you gettin’ it out the oven while “Right Now” brings the Detroit trap vibes back talking about someone who ain’t learn shit.
The 3rd single “R.I.P. Lu Mike” remembers a friend of his who was tragically taken from us last summer just before the lead single “Go” sticks to a general trap sound altogether talking about being too high to the point where he can barely even think. “Plug Motivation” admits it didn’t hurt when someone who lied to him regarding being turnt died since he changed on him, but then “Do My Own Stunts” likens himself to the late Evel Knievel.
TM88 saves what’s by far my favorite instrumental on the album for “Crash” turning baby-mama drama into opportunities while “Slime” talks about having too much on his mind & the time for another killin’. The final single “My Love” featuring CBFW Records labelmates Rylo Rodriguez & Veeze finds the trio wishing their love was good enough on top of Veeze having the best verse of the 3 & the outro makes a clear-eyed accounting of his imperfections or mistakes that make him even more relatable.
“Flash” featuring Bloodhound Q50 gets the deluxe run going with both of them sampling “Flashing Lights” by Ye formerly known as Kanye West promising that their chains won’t ever get snatched while “Free Z5” talks about being raised way differently than the average person in the streets. “Free Leaf” calls for the squad to point out an opp whenever they come across one trappin’ viciously & the final bonus track “It Ain’t Work Yet” talks about using percocets to unsuccessfully numb the pain.
Keeping up with the CMG camp’s rise in popularity for almost 4 years now, I’ve given praise to a handful of their artists in that span of time whether it be 42 Dugg or Mozzy & more recently Glorilla. That in mind: I Ain’t Feeling You maintains the mixed reception of his output in the last few years due to it’s relatable themes getting drowned out as a result of uninteresting production.
Farma G is a 40 year old MC/producer from London, England, United Kingdom known for being a member of the Mud Family collective & 1/2 of the Task Force alongside his brother Chester P. He would go on to produce for several big names within the underground from Rome Streetz to Vinnie Paz & the latter’s Heavy Metal Kings cohort Ill Bill. However after signing to High Focus Records as a solo artist, he’s ready to show the world what he’s capable of doing on the mic & dropping a full-length solo debut a month after Michael Oku became a 2-time RPW British Heavyweight Champion.
“Cats & Dogs” begins with a cumbersome beat from Relense referring to the titular idiom used when it’s raining really hard just before “Bearskin Coats” shifts towards a boom bap direction so he can liken himself to a walking killer carrying a harpoon. The self-produced “Junkyard” sticks out to me as a favorite of mine from the overall mafioso vibe to the lyrics detailing the kind of business you can’t get out of once you’re in while “Say How You See It” speaks of calling things the way they are.
Moving on from there, “Classic Tech” instrumentally somewhat reminds me of Griselda’s late 2010s output talking about a bad moon rising & a new sun’s quest to take it’s 1st breath leading into “Here Come the Gods” works in a gritty piano flip to explain that he was born to rock clubs. “Peet” samples an organ so he can a couple minutes to remember his late father while “In Between the Lines” talks about how he feels trapped whenever he’s writing songs over a Cuth & DJ Jazz T beat.
“Found That Funny” laughs at rappers who only have money on their minds while “Angels” talks about hearing messengers of God speaking to him. “Me Oh My” dustily offers an easy listening experience for the drug dealers & their victims while “Goat Shit” featuring Jehst finds the 2 over a woodwind instrumental talking about ranking amongst the greats. “The Start & End” finishes up the LP by jumping over a drumless loop suggesting death runs the numbers until our time comes.
Hanging up the mic in 2013 following the completion of the Task Force’s 6th & final album Music from the Corner 5 so he could focus more on his production skills, How to Kill a Butterfly thematically connects itself to Farma G’s origins as part of the Mud Family duo he & his younger sibling formed 3 decades ago officially closing that chapter of his life & beginning anew. I understand him only producing a few cuts so he can let his pen shine, but I’d love to hopefully hear the guy fully produce a future sophomore effort all by himself now that his solo career’s begun.
Toronto, Ontario, Canada singer/songwriter The Weeknd ending a 5 year trilogy with his 6th studio LP. Rising to stardom in the early 2010s with a trilogy of highly acclaimed mixtapes, he then made his full-length debut in 2013 with Kiss Land which was a decent attempt at symbolizing tour life forming his own Republic Records imprint X❤️O Records after nearly signing to Drake’s label OVO Sound. The sophomore effort Beauty Behind the Madness proved to be even better as it started to incorporate elements of pop, although Starboy ended up being another mixed bag much like Kiss Land except he embraced a more electropop sound. Abel’s debut EP My Dear Melancholy, though was a solid return to his alternative R&B roots & let’s not forget After Hoursgoing on to becoming the best album of his career thus far in my opinion. Dawn FM picked up right where it left off & the final chapter Hurry Up Tomorrow is finally upon us.
“Wake Me Up” produced with Oneohtrix Point Never & Mike Dean is this epic 2-part intro to begin the end balancing synthwave & synth-funk started singing about his legacy being the only thing he has & it feels as if he’s dying whereas “Cry for Me” works in more synthesizers & hi-hats thanks to Metro Boomin’ interpolating “Within” by Daft Punk hoping that a woman I presume to be his ex Bella Hadid still cries for him. After the “I Can’t Fucking Sing” skit which I highly disagree with it’s title, “São Paulo” featuring Anitta was the weakest single of the 3 although I appreciate the fusion of funk mandelão, alternative R&B, synthwave, funk automotivo, mega funk & Brazilian phonk.
After the “Until We’re Skin & Bones” skit, the 3rd single “Baptized in Fear” dives into the feeling of being overwhelmed by guilt & regret going for more of a general alternative R&B vibe while “Open Hearts” explores themes of healing from heartbreak & learning to love again treats his love interest as an angel in disguise. The criminally short “Opening Night” sings over a futuristic instrumental to give him what I want & the show will start just before “Reflections Laughing” featuring a verse & drumless production from honorary WWE Hardcore Champion Travis Scott fresh off appearing with former WWE Intercontinental Champion & 10-time WWE tag team champion Jey Uso at the Netflix premiere of Monday Night RAW made possible by TKO board of directors members WWE President Nick Khan alongside TKO President & COO Mark Shapiro brings the 2 together to talk about vulnerability, self-reflection & the pressures of fame.
“Enjoy the Show” featuring Future has a clever interpolation of “Can’t Feel My Face” making way for both of them coming together for a light R&B-inspired duet revolving around the concept of heartbreak leading into the 2-parter “Given Up on Me” asking God for his company preferring the final half more personally. “I Can’t Wait to Get There” brings a synth-funk flare to the table singing about the darkness keeping his romantic interest shining ahead of the official WrestleMania XLI theme song “Timeless” featuring Playboi Carti with Doechii on the remix uniting over a Pharrell beat uniquely molding trap, pop rap, alternative R&B, synthwave, cloud rap, trap soul, wave music & plugg.
Meanwhile on “Niagara Falls”, we have another 2-part track portraying The Weeknd looking back on a woman he used to love & got to hold until the sun used to come up while “Take Me Back to LA” comes across as a official sequel to the After Hours highlight“Escape from LA” wanting to return to the very city that he wanted to escape from nearly 5 years ago. “Big Sleep” hooks up some prominent synths telling his lover that she knows she loves it when she’s angry while the synth-funk driven “Give Me Mercy” sings about wanting God to grant him leniency.
“Drive” starts the final leg of Hurry Up Tomorrow confessing fame being a disease & not wanting to waste others’ time while “The Abyss” describes the fleetingness of love between him & his partner in the midst of the world erupting into despair. “Red Terror” goes for an electro-pop direction showcasing a distanced relationship that never loses its primary spark while the synth-based “Without a Warning” hopes his fans will love him until his final day.
The title track officially concludes The Weeknd’s swan song hoping he finds what he’s looking for being done with the lies & the loss genuinely hopping his confession of wanting to change is enough transitioning into “High for This” while “Dancing in the Flames” starts the deluxe run with a decent teaser of what was to come synthpop, dance-pop, synthwave, freestyle & Hi-NRG encapsulating the idea of a passionate love that endures through risks & chaos. “Runaway” acoustically assures all are safe in the afterlife while “Society” is a dance-pop number wanting to show his lover how it feels. The final bonus track “Closing Night” that the Swedish House Mafia & Wheezy laced together ends with a “Opening Night” sequel that’s more fleshed out than the predecessor.
Whatever’s next for Abel this point forward, the new trilogy of albums that he’s put out during the first half of this current decade shows how much he’s grown since House of Balloons, Thursday & Echoes of Silence all put him in the forefront of alternative R&B & now pop music in general. The production culminates in alternative R&B, synthpop, synthwave, trap, progressive electronic, dance-pop, synth-funk, drumless, funk mandelão, funk automotivo, mega funk, Brazilian phonk, pop rap, cloud rap, trap soul, wave, plugg, synthpop, freestyle & Hi-NRG music reaching a point in his life where he wants to to shed skin & be reborn.
Legends Will Never Die 