Teknology – Self-Titled review

Teknology is an east coast hip hop duo consisting of Tek & Termanology. One of whom hails from Brooklyn, New York & the other coming straight outta Boston, Massachusetts. Collaborating with each other multiple times over the years from tracks like “Walk with Me” to “Nobody” & “T2”, they’re coming off an appearance on UFO Fev’s 8th album Strapped from this summer to deliver a full-length debut of their own to start 2024’s final month.

After the intro, the title track produced by Statik Selektah sets the tone of what’s to come with a boom bap cut introducing us to both underground veterans as an official unit whereas “Hustler’s Soul” featuring Freeway groovily talks about the hustler mindset they have. “Money Deposits” featuring Ea$y Money works in more kicks & snares from Cartune Beatz advising to put your hands up just before “The Connect” featuring Bun B, Lil’ Keke & Paul Wall dabbles with trap for a homage to the south.

“I Got What You Need” featuring UFO Fev & Wais P atmospherically calls out those who don’t really want smoke when they be fakin’ it for the bullshit they be pullin’ leading into “She’s Got a Thing for Me” featuring 5 Mics shows off a more sensual side to all 3 performers & even the Statik beat gives off a laidback approach. “Boom Bap or Die” featuring Flash is Hip Hop pays homage to the titular sound that Nottz whips up, but then “The Sun Will Shine” featuring Steele warns the convo ain’t happening if money ain’t involved.

Meanwhile on “The Game Ain’t the Same”, we have Teknology atmospherically talking about the fact shit done changed while “What They Want” morbidly asks these bitches what exactly they want from them. “Toe to Toe” goes jazz rap & delivers well-articulated hardcore lyricism while “No Stoppin’” talks about them not slowing down over a Dom Dirtee instrumental. “Been Around” featuring UFO Fev ends it all by reaffirming their legacy on top of a Sndtrak instrumental.

Soon as I first heard “UFO Teknology” off Strapped during the summer, I knew that both of east coast MCs would eventually come together for an official body of work sooner rather than later & they sure did deliver on it. The production’s consistent, the guests all match the duo’s energy & they elevate their chemistry even further outstandingly bouncing off of each other’s intensities.

Score: 4/5

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Rich Amiri – “War Ready” review

Boston, Massachusetts up-&-comer Rich Amiri returning for the final month of 2024 with his 3rd full-length studio album. Beginning to turn heads since the fall of 2021 off the strength of his debut EP Ethereal, the 4ersona member would go on to follow it up with 6 more EPs before signing to Internet Money Records & introducing himself to a wider audience on the aptly titled Evolution followed by the sophomore effort Ghetto Fabulous. He landed a spot in this year’s XXL Freshman Class over the summer & is now War Ready roughly 6 months later.

“Amiri Trendsetter” featuring OsamaSon finds the pair kickin’ things off with this psychedelic trap instrumental talkin’ about people bitin’ their styles & that life can’t be any better in 2025 whereas “Oh Myy” has a bit of a rage influence living life as if it’s a movie. “Don’t Make Me” hazily suggests that he can show y’all how to move & finesse thanks to Internet Money in-house producer Synthetic & venny just before “U Want That?” flexes that he’s at Maggianos with a baddie over a siren & hi-hats courtesy of Rio Leyva.

OsamaSon & Amiri link back up on the futuristic trap joint “I’m wit It” explaining that shit’s getting gnarly in addition to showing off their new sticks & everyone else’s glitching while “Touché” works in a hypertrap beat talking about bitches tryna fuck him for his paper being outta their minds. “Count My Bandz” with co-production from Taz Taylor triumphantly clarifies that the world don’t owe you shit, but then the hypnotic “That’s It” boasts his lifestyle.

“Hunchos” ends the first half of War Ready expressing his fear of telling a bitch that he loves her because he’ll feel completely stupid if she ends up cheating on him while “Same Old Me” samples “New Person, Same Old Mistakes” by Tame Impala to talk about those thinkin’ shit’s sweet being goners. “I’m Gone” admits that he doesn’t want to choose violence & he’ll dead any beef if they bring it to him over a rage-inducing instrumental while “Stormi Daniels” likens his girl to the titular pornstar.

Meanwhile on “Keep It Cool”, we have Amiri maintaining the hypertrap vibes saying y’all better keep it cool ’cause shit could get ugly at any point while the carefree “So Easy” talks about having his way. “Gutta Gutta” promises that he won’t ever switch on his Day 1s shell shocking people & leaving them wrapped up while “G23” turns the bass up staying focused off the adderrall.

“U Like?” reaches further towards the backend of War Ready turning the distortion up a bit addressing a mischievous bitch who doesn’t love him at all & actually wants to beef him coming to the apparent realization that he doesn’t think he can save himself anymore while “Day After Day” finishes the LP with a cavernous trap cut knowing he’s been making it look like a breeze as a result of doing it from the very beginning.

Starting the deluxe run with a bang, “Heavy Steps” that Toom of Vanguard Music Group helped laced asks how you saying you have a check when you can’t even afford your rent while the intergalactic trap cut “New Celine” talks about him refusing to cop a plea deal. “Ray Charles” happens to be the final bonus track of the 3, treating a bitch as if she’s the rhythm & blues icon not seeing shit alluding to his blindness when he was still here.

Many have criticized Amiri for having a supposed “lack of authenticity” & he pretty much takes the opportunity to silence those individuals by putting out an album that reinforces why he landed a spot the 2024 XXL Freshman Class nearly 6 months ago. Although he’s been experimenting with his music for a while now, he’s trying out more new sounds on here & it results in his most eclectic offering.

Score: 3.5/5

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Stress Eater – “Everybody Eats!” review

Stress Eater is a newly formed east coast hip hop supergroup consisting of The Bronx, New York emcee/producer Kool Keith alongside Boston, Massachusetts emcee/producer duo 7L & Esoteric. They’ve collaborated with each other plenty of times whether it be “Daisycutta” off the penultimate 7LES album to date A New Dope or multiple CZARFACE projects since, so to hear that they were forming a new trio together & putting out a full-length debut of their own as a way of preluding CZARFACE’s next studio LP was only a matter of time. Only a day after WWE Hall of Famer Eric Bischoff gave CozyMax a record-setting 2nd reign as MLW World Tag Team Champions.

After the “Hunt for CZARFACE” intro, the first song “Rocket Science” is this slowly produced opener that The Czar-Keys laced as always declaring D-Day on all these wack MCs whereas “Here’s Some Homicide” featuring Ice-T takes the boom bap route instrumentally talking about stepping in front of a bus being a better option than fuckin’ with ‘em. “Cold Wave” moves on with a 81 second 7L & Esoteric solo cut returning to their battle roots & after the “People Want Sugar” interlude, “Willrow Hood” reunites the trio for a funky lyrical driving courses including a reference to WWE Hall of Famers D-Generation X.

“Top Men of Rap” makes their claim in the titular position referencing current AEW performer & commentator as well as former 7-time WWE world champion, 11-time WWE Tag Team Champion, WWE Intercontinental Champion, WWE United States Champion & 3-time WWE Hardcore Champion Paul Wight while “Mecha & the Sole Brother” if you couldn’t tell homages Pete Rock & CL Smooth’s iconic debut album Mecca & the Soul Brother. “Genuine Lifestyle” dustily talks about the way they live not being phony, but then “Off the Bones” feels like a passable Czar-Keys instrumental interlude.

“Space Cowboy” returns to the boom bap nearing the conclusion of Everybody Eats! referring to themselves as the sheriffs of this town while the song “Aladdin’s Castle” featuring Mega Ran notable for making the entrance theme of 12-time WWE tag team champions The New Day mixes an organ with kicks & snares making way for a 4-minute nerdcore banger. “Giving Back to the Universe” properly finishes Stress Eater’s debut on a mellow boom bap note coming in as if it’s a Mecha-Godzilla.

Creating a funky full-length adventure, Kool Keith and 7L & Esoteric become a counterpart character that can even give the mighty CZARFACE a run for his money after working together for nearly 2 decade by giving fans a rich blend of what makes both underground acts so special whether it be the block-rocking beats that The Czar-Keys cook up or the bizarre & mind-bending lyricism from both MCs.

Score: 4.5/5

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Wordsworth – “2 Kings” review

This is the 6th solo LP from Brooklyn, New York emcee Wordsworth. A member of the duo Punch n Words & the trio eMC, he officially made his solo debut 2 decades ago already with Mirror Music followed by The Photo Album & the Donel Smokes-produced New Beginning. After JSOUL went on to produce his debut EP Blame It on Music & later Sam Brown doing Our World Today respectively, the next EP Undivided Attention would be an improvement over Blame It on Music & the last album The Fragility of Life was overloaded with too many features. That said, hearing that Stu Bangas was lacing 2 Kings had me anticipating it in being Wordsworth’s magnum opus.

The title track kicks the door down with a warmongering boom bap instrumental & flag-planting territories & never giving up whereas “Day 1” by Punch n Words featuring Ali Vegas menacingly talking about being prepared for when your day comes. “Embarrassed” works in a soul sample with some kicks & snares suggesting your money ain’t enough to keep your habits leading into “Yearbook” talking about some people he knew becoming career crooks.

“Start the Madness” featuring Breeze Brewin’ keeps it in the basement altogether for both MCs to come together to deliver lyrical insanity for nearly 4 minutes just before “Mother of My Kids” featuring C-Red finds the pair over a somber boom bap beat talking about finding another way to happiness. “Oh!” has a funkily raw flare throughout addressing the alliance of 2 giants while “Which One Are You?” featuring eLZhi wants to know if one is either fake or true.

To begin the final leg, “Something Strange” has a classy piano flip noticing a problem when the ID didn’t have the same name at all prior to “Solidified” confidently talks about his status in the game. “Hard Times Don’t Last” provides optimism for those struggling right now promising that it will get better, but then “God’s Mailbox” finishes the LP talking about sending letters to the Higher Power.

The history this guy has with Punch n Words & eMC alongside his first couple solo albums has proven to me that he’s very much skilled on the mic, yet 2 Kings feels like something I’ve always wanted from him. Stu Bangas’ production from the moment you press play to the final moments is perfect, the guests are all well chosen & Wordsworth himself sounds passionate on the mic.

Score: 4.5/5

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Crimeapple – “This, Is Not That” review

New Jersey lyricist Crimeapple enlisting Apollo Brown to produce 15th full-length album. Becoming a fan of his in the fall of 2017 with his 4th EP Sweet Dreamsalong with the Big Ghost Ltd. produced full-length debut Aguardiente that following spring, his profile in the underground grew exponentially from there. Discography standouts include the DJ Skizz-produced Wet Dirt, the DJ Muggs-produced Medallo, Cartagena, Breakfast in Hradec & Sin Cortar. El León produced by Preservation from the beginning of this year became the most I’ve enjoyed Crime’s music in a while & the official Aguardiente sequel Bazuko was a tad bit better, which raised the stakes for the Mello Music Group-backed This, Is Not That.

After the titular intro, the first song “Mercy” is this rap rock opener telling everyone who wants to take a portion to take precaution & to press your luck since you wanna press buttons whereas “Superstitious” takes the boom bap route instrumentally talking his passport lookin’ like a part of a prison gang. “Wonderful Feelin’” featuring Willie the Kid works in some strings detailing the mafioso life while “Know No Better” soulfully talks about a select few needing to stay inside.

“The Problem” goes for a drumless yet crooning vibe to the beat enjoying the fruits of his labor when he started & being in the tropics these days just before “Pitiful” ominously talks from a distressing place for roughly 3 minutes. “Almanacs” featuring Sonnyjim brings the pair together over pianos with some kicks & snares addressing those who need more than help, but then “Coke with Ice” strips the drums & keeps the keys in tact to talk about the way it be crackin’.

To begin the final leg, “My Own Good” has this atmospheric boom bap approach admitting that he still rides through his old hood time to time when he really shouldn’t be while the drumless “Favoritism” talks about being around the world & not seeing any other fix like his babies. “Mis Amigos” nears the conclusion of the LP clarifying that he’s the biggest in the county & “New Dreams” ends it with a guitar comparing it to the blind leading the blind.

This, Is Not That marks the rebirth of smoke-stained bars with Crimeapple playing both poet & philosopher by flipping bilingual manteca rhymes with a chef’s precision as well as stirring up the street grime & serving it with a side of sharp wit to remind the audience that there’s still beauty to be found in the decay over Apollo Brown’s dusty yet soulful sound built as if it’s ancient architecture.

Score: 4.5/5

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Trapmat Savior – “1st Coming” review

This is the official proper full-length debut studio album from Montréal, Québec, Canada emcee Trapmat Savior. Emerging a couple years ago off his solo debut EP To Riches & Peace along with DozaTrap’s eponymous debut EP, he would later follow it up in September by releasing a couple more EPs Kirby & I Could Tell only a week apart. I however was unfamiliar with his music until a few weeks ago when it was announced that both Nicholas Craven & Mike Shabb were producing 1st Coming in it’s entirety since many probably know by now that I’ve been a fan of both those guys for a few years at this point.

“Had 2” is this drumless jazzy opener that Nicholas Craven laced flexing that he’s been a top dog for quite some time now whereas “Backpacking” hops over a bare soul sample talking about keeping it real & not backstabbing him. “30 Under 30” has more of a laidback approach assuring that he can’t be stopped from the dream he’s chasing while the classy boom bap joint “Batman” talks about everything coming naturally.

Meanwhile on “Scraping”, we have Trapmat over a vocal flip admitting he’s often been thinking of a certain individual in his life that he doesn’t speak to as he used to just before the soulful “December 26th” likening the first time he saw a brick to being magic. “Same Day” hooks up a heavenly Mike Shabb beat always making it back every time he took a risk, but then “Tags” strips the drums again to get those snakes out of his grass.

“Born 2 Win” maintains a soulfully drumless sound pushing towards the conclusion of his debut talking about being destined to catch Ws steadily while the song “Fair Game” is the official closer hops over pianos boasting that he’s ahead of everyone. The bonus track “LV” finishes the LP with a spacious backdrop & 808s brushing off a bitch being mad at him because of him never having to owe.

Not gonna beat around the bush by coming clean that I has never heard of Trapmat Savior up until 1st Coming was initially announced a couple weeks ago & if you’re in that same boat, you’re gonna want to peep it. Nicholas Craven & Mike Shabb’s production during the 27 minute listening experience clears his earlier material & the Montréal emcee levels up his pen-game significantly.

Score: 4.5/5

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Pro Dillinger – “Dirtwave 2” review

This is the 8th full-length studio LP from Haverstraw, New York emcee Pro Dillinger. A member of the Umbrella collective as well as 1/2 of The Steiner Brothers, he has released a total of 5 mixtapes along with his last 7 albums & even 7 EPs. Favorites include the Finn-produced debut Pray for My Prey, the Machacha-produced Dirt Don’t Hurt, his 3rd EP MOSFoul, the Sting vs. Flair collab EP with Mickey Diamond & the Steiner Brothers’ eponymous debut. Dirty Work celebrated it’s 1-year anniversary earlier this summer & the dirtiest of the Umbrella brought Sean Kelly back to handle production for Reasonable Dirt much like Forever Foul & more recently the Futurewave produced Dirtwave becoming his most acclaimed work to date. Keeping the latter in mind, both parties are now getting back together for a sequel.

“Heavy Heart” sets the tone with this cutthroat boom bap opener talking about how everyone else can’t ball with him & the rest of his squad whereas “Play the Game” works in more kicks & snare cautioning that the smoke’s gonna bide up. “Outside” featuring Shordie brings the pair together over an uncanny instrumental telling us what it’s like where both of them come from, but then “Stay Moving” passionately advises to keep it pushing.

Eto joins Pro Dillinger on “Honourable Activities” warns that your best friend could actually be your enemy in disguise & to never snooze while “New Sneakers” returns to the boom bap figuring out where to return the shots that were sent his way. “Mind My Business” somberly addresses those skating around the noise instead of not being there for it just before “Church Socks” featuring Bub Styles & Chubby God delivers a 3-minute hardcore joint.

“Bigger Picture” properly sets the tone of Dirtwave 2’s final moments hopping over this groovy beat to talk about the game being full of pussies this day in age calling the whole block broke since they ain’t chasing paper & “Pray 2 God” wraps it up with this drumlessly cloudy loop praying to the Man Above for him to bring Pro Dillinger’s enemies back because of the battery in his back at this point in his career.

Dirtwave last month surpassed everything that the Haverstraw lyricist had done in the past & the sequel as one would’ve anticipated going into it amplifies every single thing that made the predecessor so enjoyable whether it would be Futurewave’s superb production or the Umbrella’s dirtiest MC taking it up another notch with the pen for a half hour.

Score: 4.5/5

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Juice WRLD – “The Party Never Ends” review

This is the 5th & final full-length studio LP from Chicago, Illinois rapper & singer/songwriter Juice WRLD. Quickly becoming a prominent face in the emo rap trend in the spring of 2018 off the strength of his commercial debut Goodbye & Good Riddance, this was followed up the next year with the sophomore album Death Race for Love & Juice sadly passed away after his 21st birthday from a drug overdose. Now even though I personally found both of those albums to be average at best before his untimely death, they eventually grew on me & the kid was undeniably talented. Case in point: “Lucid Dreams” & his astonishing 1-hour Tim Westwood freestyle. Legends Never Die during the summer of the COVID-19 lockdowns was a cool little tribute & 3 years after Fighting Demons tied-in with his Into the Abyss documentary nicely, The Party Never Ends is finally seeing the light of day.

The title track begins by hopping over a psychedelic trap instrumental getting the party started whereas “Misfit” gets on his emo rap shit talking about not fitting in. “All Girls Are the Same 2 (Insecure)” featuring Nicki Minaj is this pointless sequel to one of Juice’s biggest hits, but then the bassy “Lace It” featuring Eminem makes up for it reflecting heavily on substance abuse & Eminem giving one of his best guest verse in recent memory discussing the recent deaths of many rappers due to drug overdose.

“Cuffed” produced by from benny blanco, Cashmere Cat & longtime collaborator Nick Mira of Internet Money Records joyously celebrates Juice’s accomplishments as result of his position as an artist up until the point of his death while the cloudy trap joint “KTM Drip” talks about letting in the drugs that’re knocking on his door. “Love Letter” goes for a trippier direction to the beat once more telling the woman that’s on his mind that he wants to be with her forever just before “Condone It” tackles the lifestyle that he lived over this woozy Boi-1da instrumental.

The Kid Laroi who recently starred in the A24 Films teen flick Y2K hops on the mic throughout the entirety of “Goodbye” heading for a minimal sound & looking back on the time that he spent with his late mentor while the guitar-driven “Party By Myself” talks about nothin’ else numbing his pain like the pills & the weed. “Adore You” addresses his issues with love & drugs over more guitars while “Celebrate” featuring Offset has one of the best beats on the album thanks to Metro Boomin’ mixing Raf Simons & Rick Owens together

“Jeffrey” pushes further towards the 2nd half hooking up a rubbery bassline chillin’ with killers referencing Jeffrey Dahmer while “Barbarian” reuses the instrumental of “Red Dead” by Yung Bans, doing it better by professing his affection for codeine referencing WWE Hall of Famer Mike Tyson. “Best Friend” featuring Fall Out Boy tediously fuses trap, pop rap & a hint of pop rock for a duet asking their soulmates if they could put a yellow diamond ring on their left hands while the upbeat “Floor It” boasts about his drug use as well as expensive materialism & his girlfriend at the time of him recording it referencing 14-time WWE world champion, 4-time WWE tag team champion, WWE Intercontinental Champion & WWE United States Champion Randy Orton.

The song “Oxycodone” has a cool rap rock flare courtesy of Purps talking about the drug addiction that he sadly lost his life to & Spend It” finishes the final body of work in Juice WRLD’s discography showcasing his wealth & the slow vibes that Zaytoven laced make it feel bittersweet. “Empty Out Your Pockets” though initially premiered during Fortnite’s Remix event falling back after needing millions over pianos & hi-hats until it was later added as an official bonus cut.

Shy of the 5-year anniversary of his tragic death in less than a couple weeks, The Party Never Ends fills the void for fans who grew up alongside the beloved rapper’s melancholy melodies in the form of misfit music running at 54 minutes. The familiar themes of doomed love, vicious cycles, numbing out & fighting demons sung in an anguished warble matched with the production blending emo rap, trap & pop rap ensures that the Chicago artist’s legacy will live on forever.

Score: 3.5/5

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Skyzoo – “Keep Me Company” review

Brooklyn, New York veteran Skyzoo signing to Old Soul Music for his 9th solo LP. Emerging in the underground off the 9th Wonder produced Cloud 9: The 3 Day High, he continued to make a name for himself with a consistent discography. Highlights include The Salvation, the !llmind produced Live from the Tape Deck, A Dream Deferred, Music for My Friends, the Apollo Brown produced The Easy Truth, In Celebration of Us & my personal favorite: the Pete Rock produced Retropolitan dedicated to his home state. All the Brilliant Things built itself around gentrification & coming off The Mind of a Saint dedicated one of my favorite shows Snowfall, he’s calling for everyone to Keep Me Company.

“Community Service” featuring a spoken word out from JRose is this jazzy boom bap opener produced by JR Swiftz discussing scriptures written in threads seemingly holding us all together & the aptly titled voluntary work lasting for eternity whereas “Finder’s Keepers” keeps the jazz rap vibes going talking about not leaving until finding what you came for. “Home Away from Home” addresses still being the one they call up even though he’s been gone while the atmospheric boom bap joint “Ayinde in the March” talks about the corner getting immortalized soon as it dies.

As for “Drug Free School Zone”, we have Sky acknowledging that his footprints are on the soapbox trying to rebuild pride ahead of “Prayers for the Customers” getting back on the jazz rap tip warning to not run around like you one of them after you done with them. The bare-boned yet layered all at once “Courtesy Call” featuring Chuck D advising to stand down if murder’s involved, but then the soulful “Esoteric” describes the feeling as abstruse.

“Record Store Day” after the “Store Runs” interlude playfully talks about women in record stores, which is very much my type personally while “Sleeping Beauty” pushes further towards the final leg of his Old Soul Music debut by talking about your presence speaking volumes before you even say a word. “Wins of the Father” points out that being proud goes both ways on top of sending an open letter to his seed & “Jazz in the Projects” sends it off with an 8-minute jazz rap closer hoping you win the wars you haven’t told anyone that you’re fighting.

Centered on the idea of growth, Keep Me Company shows Skyzoo at his most vulnerable since he speaks on his current personal state along with the effects of the past & the assumptions of the future. Feeling alone in this growth spurt of sorts, Sky come across people who felt the exact same way & lets everyone know that they should fear none if they’re in the middle of their own spurt too since the blessing of growth can be sometimes disguised.

Score: 4/5

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Big Pokey – “Stone Hard to the Boneyard” review

Big Pokey was a 48 year old MC from Houston, Texas notable for being an original member of the Screwed Up Click collective. He also began carving a path as a solo artist in the spring of 1999 off his full-length debut Hardest Pit in the Litter, which was followed up with the sophomore effort D Game 2000 as well as Da Sky’s da Limit & the MNRK Music Group-backed Eviction Notice. 13 years later, he returned in the spring of 2021 by putting out Sensei & tragically passed away of a heart attack onstage a couple summers later. A & a half after his death, Pokey’s 5th & final album is being released on Black Friday.

“Coast 2 Coast” featuring Paul Wall & Redimade is this laidback opener with all 3 of them coming together for a celebration of the real whereas “Don’t Look Back” featuring Lil’ Keke & Slim Thug finds the trio talking about keeping it moving & taking penitentiary chances for the fame. “Screwed Up Click” featuring Lil’ O & Z-Ro serves as a dirty south homage to the titular collective they’re a part of while the piano-trap hybrid “16 Bars” featuring Chris Ward discusses not being in the same lane as everyone else.

Lil’ Keke returns for “On da Map” talking about putting it on for their city just before “Paper Profit” featuring Mook kinda has this quirky trap vibe instrumentally going back-&-forth with each other flexing they got championship diamonds on as if they play for the Houston Rockets. “Gorilla Bizzness” featuring Big Third turns the bass up assuring you don’t have to wait since they in the tundra with the weight leading into “Fork Talk” featuring Killa Kyleon talking about only chasing money.

“So Screwed Up” featuring Daz Dillinger shows love from the west coast to the south just before “Smoke Something” talks about how if you’re looking for smoke, he’s rolling it up. “Brick City” gives off a symphonic trap vibe moving like a bull shark while “By Any Means” featuring Lil’ Keke & Mike-D promises to go hard whatever it takes. Finally, the closer “Yacht Music” ends the LP grinding to go get it over a rich beat.

25 years since his debut, Stone Hard to the Boneyard comes off what would be the final LP of Big Pokey’s lifetime with a posthumous effort that would make the SUC O.G. more than proud if he was still here today & one that reinforces his legacy in the Houston hip hop scene. The guest list here is more consistent than the predecessor was, with most of them complimenting Podina & the city of H-Town other than a couple others here & there.

Score: 3.5/5

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