Tag: Alecs DeLarge

Alecs DeLarge – “Alecs in Wonderland” review

Bristol, England, United Kingdom emcee/producer Alecs DeLarge signing to High Focus Records for a brand new extended play of solo material. Somebody who’s spent the last several years dropping a plethora of beat tapes from Earth Seeds to S950 Bumps as well as Astro Livin’ & Bubble Goose Loops. He recently got with King Kashmere producing The Album to End All Alien Abductions in its entirety over the summer, stepping up to the mic for Alecs in Wonderland getting a chance to shine in the spotlight lyrically.

After the “$50M” intro, the first song “Scooby Snax” begins with a psychedelic self-produced opener talking about being more iconic than Cam’ron in the pink mink coat whereas & still being broke whereas “Green Goblin” takes the boom bap route instrumentally crumblin’ planets into spliffs. “Attaman!” goes for a drumless vibe talking about sending wack MCs out in space while the jazzy single “AM to AM” speaks of getting lifted 24 hours a day.

“Wonderland” continues to strip the drums talking about others suggesting he’s living the dream when he’s doing shows for drinks & some food leading into the funky “Megabus Dreams” featuring King Kashmere marking my favorite collaboration of the 2 looking at both sides of fame. “Empty Pocket Posse” featuring HPBLK hypnotically talks about both of them being poor & after the “Magic Scones” skit, “Muscle Head” drumlessly denies the possibility of slipping on an open trap ever happening.

The soulfully funky “Girl Joint” single starts Alecs in Wonderland’s final moments talking about the MPC 2000 while “Timbos x Pathfinders” jazzily finds himself seeing nothing’s changed around the block of flats that made him who he is since all the same people are there. “Far Out, Far Man” after the “Mushroom Hill” skit ends the EP taking a more melodic approach in terms of delivery singing for this woman to join him for the ride they’re gonna embark on right beside each other.

Heavily inspired by the Quasimoto alter-ego of one of my top 10 producers of all-time Madlib, the inaugural solo project in Alecs DeLarge’s career excluding all of his compositional tapes creates his own utopia to escape the one outside his council flat window idyllic living in Lynchian reality when he was exiled to a forgotten mining village. His production during Alecs in Wonderland’s course feels a lot stronger than that earlier instrumental output & he gets a couple of guests to join him in dissecting a lonely man’s soul.

Score: 3.5/5

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King Kashmere – “The Album to End All Alien Abductions” review

Here we have the 7th studio LP from London, England, United Kingdom emcee King Kashmere. Notable for being a part of several groups or duos over the last few decades ranging from Kingdom of Fear & Invisible Inc. to Gawd Status as well as Old Children & Strange U, he also has 6 full-lengths & a few extended plays under his belt with the most recent being TR3B under High Focus Records. However, he’s enlisting lo-fi producer Alecs DeLarge to fully produce The Album to End All Alien Abductions.

After the “Worldwide” intro, the first song “Angel Strike” opens up with a boom bap beat taking further cues from funk & jazz music talking about wanting to be left alone having nothing to stress over whereas “Damien Darhk” works in a saxophone & some Memphis-influenced 808s asking where the fun went. “Limbo / Genki Dama” featuring King Kakarot teams up for a 2-parter talking about being the kind to not run from a fight leading into the soulful boom bap crossover “Old Earth” shouting out his mother.

“Intergalaktus” turns up the funk boasting his ultramagnetic aura while “Fonk Abyss” brings a more mellow vibe to the table for those who want to smoke some weed & chill out whilst keeping his eyes on the crown. “4000 AD” featuring Renelle 893 finds the 2 teaming up on the mic for a drumless hardcore hip hop track attacking the naysayers celebrating their perceived defeat & after the “Inside” skit, “Dustman” featuring Alecs DeLarge & Jerré dustily talks about levitating weight to keep their brains strong.

After the “£££ for Beats!” skit, “The Essence” preceding the compositional “Blue” interlude maintains a vintage boom bap feeling to it speaking of his desire to take hip hop back to it’s ethos while the jazzy “House of Cards” talks about struggling with mental health issues. After the “Hollywood” skit, “Soul Caliber” meshes some vibraphones with kicks & snares addressing the people tryna take control of him while “Most Blunted” featuring Alecs DeLarge finds the 2 sharing the mic together for an 115 second ode to weed.

“Solar Flare” featuring Moka Only & Verb T succeeding the “Virus World” instrumental jazzily boasting they’d blackball roughly 1/2 these other MCs while “Infinitizm” talks about this being the sounds of those who’ll live eternally making their tides rise. “Astro Children” featuring Alecs DeLarge, Ash the Author, Booda French & HPBLK unites 5 unlikely competitors for a vintage hardcore hip hop/boom bap song while the final song “North Star” ahead of the “Deepspace Slime” outro soulfully talks about searching for brighter days.

Making up for Motherbox’s divisive reception, The Album to End All Alien Abductions comfortably positions itself amongst my personal favorites throughout King Kashmere’s solo discography right in the same category as In the Hour of Chaos or his High Focus Records debut Woof. Alecs DeLarge whips up the most experimental production of his career, which appropriately suits The Iguana Man’s lyrics heavily themed around science fiction other than a couple glimpses of his personal life.

Score: 4.5/5

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