Shenseea – “Alpha” review

Shenseea is a 25 year old singer/songwriter & DJ from Mandeville, Manchester, Jamaica who’s dropped a handful of singles since 2015 like the Vybz Kartel-assisted “Loodi” or “Run Run”. She then signed to Interscope Records prior to the pandemic, but got her biggest push yet after appearing on the “Ok Ok” remix off Kanye West’s final Def Jam album DONDA this past summer. So given that, it was only a matter of time until she’d strike while the iron’s hot & drop a full-length debut.

“Target” with Tyga starts off the album with a decent ballad accompanied by a blissful atmosphere talking about doing right by one another whereas “Can’t Anymore” produced by London on da Track is a much more peppier follow-up wanting to get nasty. “Deserve It” goes into a more dancehall direction fantasizing over the perfect guy leading into 21 Savage tagging along for “R U That?”, which is a fresh fusion of contemporary R&B & trap outlining what kind of relationships they want.

Meanwhile on “Lick”, we have Megan Thee Stallion coming into the picture for a more refined version of “W.A.P. (Wet Ass Pussy)” down to the Murda Beatz instrumental just before the Offset-assisted “Bouncy” reveals itself to be a playful ass-shaking anthem. “Henkel Glue” returns to dancehall turf as Shenseea goes back & forth with Bernie Man talking about how this isn’t any kind of regular love, but then “Lying If I Call It Love” is a reggae-tinged slow jam courtesy of Cool & Dre detailing not being in love with her partner (played by Sean Paul) even though the sex is great.

“Hangover” comes through with an airy trap ballad advising how much it’s gonna hurt when she breaks up with her man while “Body Count” spaciously advises her new lover not to worry about such. “Egocentric” melodically advises how much your ego can damage you fighting for money like 16-time WWE world champion, 4-time WWE tag team champion & 5-time WWE United States Champion John Cena.

The song “Shen Ex Anthem” pretty much speaks for itself over a pillowy instrumental while the penultimate track “Sun Comes Up” reveals itself to be an empowering anthem about rising up. Tyga oddly returns 1 last time for the lead single “Blessed” addressing their gratitude for where they are today blending dancehall, Afrobeats & pop rap.

For a commercial debut, I think Alpha further cements Shenseea as the most exciting new face in the dancehall scene. She stays true to her roots providing doses of contemporary R&B, dancehall, Afrobeats & trap for 40 minutes crossing paths with a handful of producers I’ve been a fan of making some magic happen together although having Tyga on both the intro & the outro of your very 1st LP is certainly a choice when he’s probably the most irrelevant artist to come out of the YMCMB camp.

Score: 3.5/5

Whitney Peyton – “Alpha” review

Whitney Peyton is a 25 year old MC from Philadelphia, Pennsylvania who rose to prominence in the underground by releasing 3 albums, 2 mixtapes & 4 EPs all independently. She recently signed to Burbank, California powerhouse Suburban Noize Records this past fall & to ring in the new decade, she’s making her Subnoize debut with her 4th studio album.

Things kick off with “Villain”, where Whitney compares herself to a bad guy over a suspenseful instrumental. The next song “Double Up” flexes over a nocturnal trap beat while the song “Enemy” sees Whitney teaming up with her Keyed Up cohort Gina Fritz to detail a break up that she went through over a cavernous instrumental. The track “I Got It” fires back at everyone who doubted Whitney over a dark, rubbery trap beat while the song “Kick It” is intoxicating anthem about mellowing out.

The track “No Time” is a fun, vibrant club banger where was the song “Better Be” talks about how this dude shouldn’t be lying over a woozy instrumental. The track “Smile” is a beautiful positivity anthem while the song “Like You Mean It” talks about her haters over spacey trap beat. The album then finishes with “Not the Same”, where Whitney talks about her new life competition over a bass-heavy instrumental.

For years I’ve been Whitney to come through with that 1 album that’d solidify her place in the game & I think she finally did it on this one. Her lyricism has gotten better with time, the passion is there, the production is off the wall & it’s a great representation of who she is & where she’s at now. Really looking forward to see what she does with Subnoize in the future.

Score: 4/5