Tierre Diaz – “Maniflex” review

Worcester, Massachusetts emcee & actor Tierre Diaz returning 6 years after his full-length debut studio album Energy by making the sophomore effort his Armed Robbery Entertainment debut. Ever since performing the Clown Drip Stage at the 21st annual Gathering of the Juggalos which is the only Gathering that I’ve ever been to in my lifetime, he’s been seeing the biggest successes of his career whether it be DJ Clay signing him to A•R or forming the B.A.R.S. supergroup over 12 months ago exactly. He performed at this year’s Juggalo Weekend, so it makes sense to drop Maniflex a month later.

“The Wave” begins with a cloudy trap instrumental talking about everyone else being in a whole different lane compared to him whereas the title track keeps it atmospheric so he can shine as if he never even left. “Prime” goes for a guitar-driven trap direction keeping focused & never noticing others leading into “B.O.T.H. (Blood On The Hood)” showing a bit of a Memphis influence getting violent.

As for “Shiny”, going for a cloudier trap vibe once again telling everyone to quit acting as if they’re blind to the success he’s been seeing these past several years just before “Let’s Live” hooks up these prominent horns trying to go to places he ain’t ever been. “Bad Meets Killa” featuring Royce da 5’9” & produced by Johnny Slash returning to the boom bap to lay out hardcore lyricism, but then “Fantastic” featuring Ant G aptly explains how they’ve been.

The Insane Clown Posse joins Tierre for “Trending Topics” that Shaggytheairhead laced poking fun at everyone who be following trends while “Michael Myers Jordan Jackson” after the “MMJJ” interlude talks about being a mix of the Halloween antagonist, the greatest basketball player of all-time & the king of pop. “How Can I Sleep?” featuring King Gordy & Zitro ominously gets the trio in their wicked shit bags while “So It Is (RAPfirmations)” talks about being the person he always wanted to become.

“Delight” featuring Romey Sklar fuses trap & pop rap displaying a sensual side to both of them while “Girlfriend” embraces a rap rock sound talking about a woman who wants to date him. “urself” encourages everyone to be their true selves since ain’t nobody gonna come close to being you while “Time” continues the cloudiness talking every day being anew & hitting snooze.

The song “What’s Next for Me” aggressively nears the end of Tierre’s long-awaited Armed Robbery debut maintaining the fusion of hip hop & rock courtesy of Zug Izland guitarist Mike P. confessing that he’s unsure of whatever God has planned for him continuing to take the road he’s been going nonetheless & “Last Breath” is this gloomy trap outro talking about not wanting to have any regrets when his time to go comes.

In the 6 years since Energy, the Worcester artist/actor has had quite a few realized goals or dreams of his becoming manifested all in this era of his career & Maniflex attests to his growth since he first started making music. The production shows influences of boom bap, trap, rap rock & horrorcore with some of his biggest influences joining him on the mic spreading a message that has changed Tierre for the better & could change yours too.

Score: 4/5

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B.A.R.S. – Self-Titled review

B.A.R.S. is an underground quartet consisting of V Sinizter, Zitro, Tierre Diaz & Clifton Derrell. One of whom is a Saginaw, Michigan native releasing his debut EP Hunting Season in 2003 under Psychopathic Records, Zitro is one of the newest members of the hatchet family coming straight outta Detroit, Tierre hails from Boston, Massachusetts coming fresh off signing to DJ Clay’s very own Armed Robbery Entertainment last summer & finally Clifton represents the Windy City of Chicago, Illinois as an overly smart punk who experienced his first electric moment when Eric B. & Rakim’s rhythm hit him. So considering their histories intertwining with juggalo culture, it only makes sense for all 4 emcees to form a supergroup & introduce themselves as a unit on their debut EP.

The title track is an incredibly rugged opener talking about everyone watching them with all hands on deck whereas the rowdy “On Sight” sets out to start riots in every club they hit up. “The Pinnacle” begins the 2nd leg of the EP by giving off a bit of a futuristic vibe instrumentally boasting that they’re in demand & ready to bring the pain, but then “Top No More” rounds things out by calling out those who’re envious of seeing the 4 on top over these guitar licks & hi-hats.

Anyone who considers themselves to be a fan of any or all 4 of the members of B.A.R.S. has to check out their eponymous debut EP together here & it makes me anticipate hearing what the underground supergroup has coming down the pipe from hereon out. The production gives off a different vibe for everyone & although everyone has stood out in their own ways previously, hearing them together is another level.

Score: 4/5

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