Daniel Son & Raz Fresco – “Northside” review

Here we have a brand new collaborative LP between Toronto, Ontario, Canada emcees Daniel Son & Raz Fresco. The latter of whom I was introduced to during my freshman year of high school off the strength of his feature on former Odd Future member Ace Hashimoto’s 5th mixtape All Day DeShay: AM & the other coming to my radar at the tail-end of 2019 linking up with Futurewave for his classic sophomore effort Yenaldooshi. We’ve heard both these guys together on numerous occasions such as the songs “Dirty Dozens” & “Big Bird”, so it shouldn’t be too surprising that they’re turning things up a couple notches on Northside.

To get us started, “Ice Water” works in a sample with kicks & snares talking about how cold it is where they’re from going back & forth with one another whereas the title track serves as a dusty ode to all the lock-breakers & Glock bleeders from where people get even instead of getting old. “W.C.H.M.F. (Who Can’t Hear Must Feel)” incorporates a string sample explaining that somebody eventually gonna get burned wherever there’s smoke while “Lawyer Fees” soulfully makes some noise in the studio.

“Rusty” featuring Gritfall brings a groovier flare to the beat talking about trying to get rich, but then “Frostbite” goes into soulfully drumless turf referring to themselves as trailblazers where the path is empty. “Last Minute” returns to the boom bap so both of them can bring you a different flavor on some court-side shit just before “What’s the Mission?” comes through with an atmospheric albeit dusty vibe explaining that the mission both of them are on is to get paid.

Nearing the conclusion of Northside, the calmingly drumless penultimate track “Watch Ya Mouth” flips the iconic Jeru the Damaja single “Ya Playin’ Yaself” warning everyone near their vicinities to watch what comes out their mouths that is until “Forks on the Road” closes up shop returning to the boom bap using the titular metaphor to talk about being unsure which way to take & that they must keep going.

Physics of Filth & Bite the Bullet with Asun Eastwood have been my favorites from Daniel Son when it comes to collaboration projects with another MC & now Northside has surpassed them both on top of being my new favorite Raz Fresco collab effort. The sound that the latter goes for like wearing a northface jacket in a snowstorm in the sense that it’s but with a feeling of warmth on the inside, but they also pay homage to the deep hip hop roots in Toronto & add on to that legacy with another solid contribution of art that continues to push the culture forward.

Score: 4.5/5

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Pro Dillinger – “Reasonable Dirt” review

This is the 6th full-length LP from Haverstraw, New York emcee Pro Dillinger. A member of the Umbrella collective as well as 1/2 of The Steiner Brothers, he has released a total of 5 mixtapes along with his last 5 albums & even 7 EPs. Favorites include the Finn-produced debut Pray for My Prey, the Machacha-produced Dirt Don’t Hurt, his 3rd EP MOSFoul, the Sting vs. Flair collab EP with Mickey Diamond & The Steiner Brothers’ eponymous debut. And with Dirty Work celebrating it’s 1-year anniversary this summer, the dirtiest of the Umbrella has brought Sean Kelly back to handle production for Reasonable Dirt much like Forever Foul.

“Bad Business” begins with a grand instrumental refusing to let anyone throw him off his focus whereas the funky “We Don’t Believe You” featuring Substance810 warns all these foul muthafuckas that there ain’t no more hiding & it’ll be lit when they catch ‘em. “So Guilty” goes into a jazzier direction with the beat talking about having murder on his mind, but then “Fall for Nothing” soulfully discusses wanting it all.

Blokkito joins Pro Dillinger for “Someday” jumping on top of this harmonious sample talking about being body snatchers & that they didn’t want them succeeding while “Home Team” delivers a smoother vibe overall to the beat telling everyone that they rockin’ with the best & he’s a part of bringing back the culture. Instrumentally, the song “Last Days” has this trippy mood to it so he can talk about becoming rich & going broke twice just before “The Change” incorporates another soul flip admitting that he’s caught up in the game.

“Selling Hope” featuring Big Trip weaves some pianos into the fold refusing to back down from any smoke that heads their way along with having the city on their backs & the squad chillin’ on a boat with everyone else bitterly watching from the background prior Reasonable Dirt’s title track finishing the album over synthesizers talking about rising from the soil, his amazing lineage & pouring beer on the flowers that’re growing from the sidewalk to make them stronger.

What we have on Reasonable Dirt is Pro Dillinger & Sean Kelly making a sequel album to Forever Foul that takes everything from the predecessor & turns it up to 11. Sean’s production still has the jazzy undertones from previously except you can hear that he’s grown as a producer over the course of these past couple years, Dirtius Jackson goes harder on the mic, there are a lesser amount of guests & Futurewave killed it with the mixing.

Score: 3.5/5

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Mickey Diamond – “Super Shredder” review

One of the illest Detroit emcees in the underground currently Mickey Diamond back with his 12th LP. Emerging at the beginning of 2020 off the strength of his debut EP Bangkok Dangerous, the dude has since gone on to turn quite a few heads in the underground by building up the impressive discography for himself with his previous 11 albums alongside 7 EPs & a mixtape. But for the past year, Mickey has been consistent putting out some of the best material of his career thus far. This includes the Gucci Ghost album & it’s sequelproduced by Big Ghost Ltd., the Ral Duke-produced Oroku Saki EP, the Sadhugold-produced Death Threat$ album, the Camoflauge Monk-produced Capital Gains album or more recently the 3rd & 4th installments to the Gucci Ghost saga this past winter. But to begin the 2nd quarter of the new year, Diamond & Ral Duke are getting back together for the Oroku Saki sequel Super Shredder.

“TGRI” begins with a cold boom bap instrumental treating the sewers like his 2nd home calling himself a bonafide villain with the chrome mask referencing WWE Hall of Famer, former WWE United States Champion, WCW World Television Champion & the inaugural WWE Royal Rumble winner “Hacksaw” Jim Duggan whereas “Shredder Loves April” goes for a soulful approach instrumental likening his romantic interest to April O’Neil. “Foot Clan Party” comes through with a cinematic sample talking about his name ringing bells from the Motor City all the way to Baltimore, but then “Cartoon Car Tunes” takes the uncanny boom bap route to cook in Dex’s lab in hazmat suits & protective masks declaring to be the face of true terror.

Moving on from there, “Coffee Beans” hooks up kicks & snares with a melodic vocal chop grinds on the office scene as well as people not knowing shit about high fashion until you saw him prior to “Rocksteady” ruggedly cautioning to get the fuck out the way since the Umbrella making their way in this bitch including a reference to WWE Hall of Famer, 7-time WWE women’s champion & WWE Hardcore Champion Trish Stratus. “The Masked Man” menacingly talks about Diamond’s competition knowing the deal with him by now but after the “Feudal Japan” interlude, “Tin Can Assassin” hops over strings discussing his style.

After the “Oozey” interlude, “Technodrome” continues the symphonic boom bap vibes to brush off anyone who steps up to him on the mic as “old news” while “Hyperstone Heist” heinously talks about being a killer. After the “Shredder’s Hideout” interlude, “They Took Splinter” dustily tells everyone else to say their prayers for God’s sake & after the “Anchovies” interlude, the final song “Shell Shock” finishes the album with a fun track for the party people.

4 months after dropping 2 last-minute additions to my Best of 2023 list, Diamond has done it again by taking everything that made Oroku Saki his best EP & translating it for the duration of an entire full-length. Ral Duke’s production is grimier even though he’s still somewhat new to being behind the boards for others’ projects, the Teenage Mutant Ninja Turtles concept remains untouched for any fan of the franchise & Mickey’s lyricism goes harder.

Score: 4.5/5

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Vega7 the Ronin – “Kawasaki Killers” review

Queens, New York emcee Vega7 the Ronin continuing to dominate the underground releasing his 3rd album to end the first half of 2024. Emerging after enlisting Danish beatsmith Machacha to produce his debut EP The Lead Lined Wall, he would go on to land feature placement on the 5th & final installment of Ty Farris’ historic No Cosign Just Cocaine mixtape series this past February & tap in with Superiorfor his debut Sleep’s the Cousin. It’s been 6 months since the latter & Body Bag Ben is being brought in to produce Kawasaki Killers.

“Imagine That” is this dark intro referencing WWE Hall of Famer, 7-time world champion, 7-time tag team champion & WWE Hardcore Champion The Undertaker iconically defeating fellow WWE Hall of Famer, former 3-time WWE Champion, 11-time WWE tag team champion, the inaugural WWE Hardcore Champion, CWA World Tag Team Champion & TNA World Champion Mick Foley during King of the Ring VI whereas the infernal “New Jack” remembers the late 3-time ECW World Tag Team Champion & SMW Tag Team Champion of the same name on top of likening himself to Undertaker prior to marrying 4-time WWE women’s champion Michelle McCool.

Meanwhile on “Rage Against the Machine Gun”, we have Vega7 heinously making reference to former 3-time WWE Tag Team Champions & WWE Hall of Famers The APA prior to “Ghost in the Shell” featuring Body Bag Ben himself throws in a bar regarding the late WWE Hall of Famer, former WWE Champion, 2-time WWE United States Champion, 2-time WWE Intercontinental Champion, 4-time WWE Tag Team Champion, 2-time WWE Cruiserweight Champion, 2-time ECW World Television Champion & AAA Mundial Parejas Campeon Eddie Guerrero.

“The Gray Man” brings an unsettling boom bap vibe to the table comparing himself to Walter White from my all-time favorite show Breaking Bad just before the title track references AJPW世界タッグ王座 & WWE’s former Head of Talent Relations John Laurinaitis, who admitted almost 2 months ago that the Endeavor-owned TKO Group Holdings division’s former CEO Vince McMahon held power & control over him making dictatorial sexual demands with repercussions if they weren’t met in light of the former self-booked WWE Champion & ECW World Heavyweight Champion’s ongoing sex trafficking scandal.

To get Kawasaki Killers’ last leg rollin’, “Lion Tamer” hooks up a bloodcurdling boom bap instrumental promising he can take the best rapper you know & break his spine using the aptly named object while “Scott Summer Shades” featuring Body Bag Ben again treats treating garbage like the Earth at it’s equator. “Hip-Fire” boasts him taking the cap off the pen he writes with & magma coming out of it, but then “Harley Bandanas” talks about him making music as if it’s gateway computed.

Following a Hell-&-back journey, Vega7 turns personal experiences of pain & streetwise knowledge into elevated rhyme schemes over Ben’s impeccable production paired with an enterprising tone & flow that cuts through the fog making the listing experience from the top to the bottom a declaration leaving the listener stuck between Earth & the Afterlife musically steeping into a dystopian city where the sonic mischief are the only source of salvation in a world filled with mediocrity & force feed elitism.

Score: 4.5/5

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Jae Skeese – “Testament of the Times” review

Buffalo emcee Jae Skeese joining forces with Superior for his 4th full-length studio LP. Getting his start off the strength of his his debut mixtape W.A.C.K. (Women, Alcohol, Cash & Kicks) in the fall of 2010, it wasn’t until a decade later where he & 7xvethegeniusgained wide exposure as the very first signees to Conway the Machine’s very own EMPIRE Distribution imprint Drumwork Music Group. The Big Ghost Ltd.-produced 3rd EP Authenticity Check & the previous album Abolished Uncertainties both elevated Skeese’s popularity in the last couple years, so Testament of the Times can only amplify it.

To get us started, “Union 2’s” hops over a guitar-laced boom bap instrumental talking about being lowkey dangerous when that’s already been proven with the last 2 projects of his that I named near the end of the previous paragraph in my opinion whereas “In My Hands” has a jazzier approach aiming to stay focused. “Cement 4’s” works in some organs asking what y’all think he did this for since he been on one for life leading into the flute-tinged “2Cents” referring to real game as priceless.

“Cantonese Characters” featuring Rome Streetz & Ty Farris references current AEW manager, WWE Hall of Famer & former SMW Heavyweight Champion Jake “The Snake” Roberts prior to the luxurious keyboard embellishments on “Preguntas” talking about staying hungry & blessed. “Ksubi Tags” isn’t really much of an interlude rather it’s Jae over a sample-heavy boom bap beat feeling like a threat waking up, but then “Risk & Reward” draws inspiration from rap rock talking about having to work to get as nice as he is now.

O.T. the Real comes into the picture on “Sign of the Cross” somberly advises to let the problems accumulate while the delicately-produced “Broken Mirrors” talks about being in his head overthinking at times. “Mothers & Gods” clarifies that he’s never been anyone’s favorite except for his mom alongside the higher power over plainly piano chords until “Skycraper” concludes the LP on a drumless note continuing to put in the time & labor building from ground level.

The introspective story that Abolished Uncertainties told almost a year ago this month was a personal way for Jae to introduce himself to a wider audience, but I think I might prefer Testament of the Times more. Superior continues to stand as amongst the most interesting German producers in hip hop, the guest-list is tighter & Skeese here sets out to encourage everyone in taking themselves to new heights.

Score: 4.5/5

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Ty Farris – “Sounds That Never Left My Soul” review

This is the 10th full-length LP from Detroit veteran Ty Farris. Emerging up up under the name T-Flame being featuring on a lot of projects throughout the mid-2000’s until the very end of the decade, it was at that point where he started to put out solo stuff at a prolific rate by dropping 11 mixtapes, all 9 of his previous albums & 3 EPs. Standouts include the Room 39 duology & the No Cosign Just Cocaineseries, the 5th & final installment of which finally arrived earlier this year followed by the Machacha-produced Malice at the Palace a month later. However, Ty’s returning 7 months later by letting y’all hear some Sounds That Never Left My Soul with the help of Graymatter.

“The Vortex” is a 2-minute rap rock opener clocking in at almost 2 minutes staying humble with the help of God himself whereas an early standout “Everything They Not” continues forward on a more rugged note talking about how he’s everything that these motherfuckers wish they were. “Box of Bullets” goes for a psychedelic sound detailing that more problems arise when you earn more money just before another favorite “Lifetime of Misery” is a dreary boom bap follow-up feeling the menacing vibrations as their souls demise.

On the other hand, “Samples of My Soul” weaves a woodwind flip into the picture cautioning that he has a heart of gold although it then cold if you bringing danger his way while the eerie “Death Over Disagreements” talking about keeping his name out your mouth in funny ways since he’s from the 313. The solemn “Splashes of Tragedy” admits that part of his meditation process is polishing the heaters that he owns while the luxurious title track asks to close your eyes & envision.

The song “Light the Corners of Ya Mind” hops on top of a soul sample to get into his specialty of giving haters to show their jealousy while the penultimate track “Kavanah” hauntingly talks about a soul with a hole in it. To round out the album though, we have T-Flame over a dark instrumental sending a clear message to all the “People Who Dead & Don’t Know It”.

Ty’s been known for his consistency, but he’s really been stepping up each year because dude just went on a threepeat here. Graymatter’s production is a slight step above Machacha’s on the last album Malice at the Palace that I found myself enjoying as much earlier this year & some of the concepts that T-Flame addresses resonated with me in relatability.

Score: 4.5/5

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Ransom – “Deleted Scenes 2” review

This is the 9th EP from Jersey City wordsmith Ransom. Coming up as 1/2 of the short-lived duo A-Team alongside Hitchcock, he branched out on his own in 2008 following their disbandment beginning with his 2008 full-length debut Street Cinema & the Statik Selektah-produced sophomore effort The Proposal. But it’s been safe to say these last couple years have been his biggest so far whether it be the 5 EPs that he put out produced by Nicholas Craven, 7 based around the 7 deadly sins, Heavy’s the Head produced by Big Ghost Ltd., the Rome Streetz collab album Coup de Grâce, or even his last couple albums Chaos is My Ladder or Director’s Cut 4. Now that the latter finally made it to DSPs earlier this month despite being released limitedly in May, it’s only right for Ran & Nicholas to whip up a Deleted Scenes sequel.

“American Made” opens the EP with a heavy soul sample talking about motherfuckers using their brains for the dumbest antics whereas “Arrival” takes the chipmunk soul route speaks on turning his messes into messages, considering that to be his arrival to the top of the game. The track “Body of Lies” blends some victorious horns & background vocals discussing a hustler’s remorse while the final song “Homefront” officially ties up the EP on a bluesier note talking about time being too precious to fall back. We’re then treated to a remix of “Deliver Us from Evil” from the previous Deleted Scenesthat’s on par with the original.

Craven & Ran have never missed whenever they connect for a body of work as DC4 further exemplified a couple months ago. Here we are at the end of July & they did it again with what I believe is amongst the strongest EPs that 2023 had given us. There ain’t no one like Ransom lyrically & Nicholas’ production is rooted in his signature drumless/chipmunk soul sound that we’ve all come to know & love. Basically the underground Nas & Hit-Boy right now.

Score: 4.5/5

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Mickey Diamond – “Death Threat$” review

This is the 8th full-length album from Detroit emcee Mickey Diamond. Emerging at the beginning of 2020 off the strength of his debut EP Bangkok Dangerous, the dude has since gone on to turn quite a few heads in the underground by building up the impressive discography for himself with his previous 6 albums alongside 7 EPs & a mixtape. Gucci Ghost & it’s sequel produced by Big Ghost Ltd. on top of Ral Duke producing Oroku Saki in it’s entirety all became his strongest bodies of work to date. But coming off the Smoke Face EP & the last full-length Nobody Bleeds Like Flair, the hot streak is going by enlisting Sadhugold behind the boards for Death Threat$.

“When a Stranger Calls” is an eerie boom bap opener to party like it’s Mardi Gras whereas “2412” works in an hair-raising loop on top of some kicks & snares referencing WWE Hall of Famer, former 2-time WWE Champion & 2-time WWE Tag Team Champion Yokozuna. “Sleepers” instrumentally is reminiscent to RZA’s production work in the 90’s looking to make & break rules at the same time leading into alarm-ring “Pen Diesel” obviously referring to himself as Vin Diesel with the lyricism only seeing money like WWE Hall of Famer, former WWE Champion, 3-time WWE Tag Team Champion, 2-time NWA National Heavyweight Champion & AJPW世界タッグ王座 Ted DiBiase.

Things get drumless on “Tokyo Tea” stretching anyone who dares to fuck around with him, but then the piano sample throughout “Def Leppard” is really nice as he talks about those who choose to be disrespectful getting battered & bruised. “Prime Time Deon” hooks up a bare soul sample cautioning not to press your luck with him just before “Sir Smoke a Lot” gives off an unsettling groove to the beat talking about stepping aside to let him cook.

The penultimate song “Racer X” takes a hazier route sonically to bring on a samurai showdown & shortly after the “Disturbia” interlude, the closer “Death Threats” ends what I personally consider to be Mickey’s best full-length album in 7 months (Oroku Saki was an EP mind you) by returning to the boom bap 1 last time with a groovy guitar passage wailing behind him asking if music nowadays is considered as art or simply something to buy.

Smoke Face & Nobody Bleeds Like Flair both had their highlights, but they didn’t give me the same feeling that both Gucci Ghosts or Oroku Saki as consistent bodies of work. Death Threat$, I can say does. As a matter of fact: I might like it more than the Ral Duke EP by a hair. Sadhugold’s production does more than a fine job at teetering between boom bap & drumless so Diamond can spit some of hardest bars that he’s jotted down all year.

Score: 4.5/5

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Vega7 the Ronin – “Sleep’s the Cousin” review

This is the official full-length debut from emcee Vega7 the Ronin. Emerging out almost a year & a half ago by enlisting Danish beatsmith Machacha to produce his debut EP The Lead Lined Wall, he would then go on to land feature placement on the 5th & final installment of Ty Farris’ historic No Cosign Just Cocaine mixtape series this past February. But to kick off the 2nd half of 2023, the Ronin himself’s bringing in Germany producer Superior to remind that Sleep’s the Cousin of death which peaked my interest given that Baladas was the first Estee Nack album I ever reviewed right when the pandemic was happening despite being a fan since high school.

“N1 (Sleep’s the Cousin)” is a glistening boom bap opener making reference to WWE Hall of Famer, former 6-time WWE world champion & WWE Intercontinental Champion Randy Savage alongside WWE Hall of Famer Gene Okerlund whereas “‘72 Dolphins” works in some organs, kicks & snares comparing his squad to the Miami Dolphins over 5 decades ago & likening himself to 5-time WWE world champion, 2-time WWE Intercontinental Champion, 2-time WWE United States Champion, 6-time WWE Tag Team Champion, PWG World Tag Team Champion, ROH World Champion & 2-time ROH World Tag Team Champion Seth Rollins married to 6-time WWE women’s world champion & WWE Women’s Tag Team Champion Becky Lynch. “Saleen” kinda has a Latin flare to the bare loop hooked up reminding when they were calling money “C.R.E.A.M.” & the guitars throughout “Enterprise” are really cool expressing his desire for his own business.

“After the “N2” interlude, “Stone Fish Venom” featuring Connecticut born/New York based emcee Cambatta finds the 2 over some bare piano chords & ghostly background vocals calling this truth serum with some intriguing back-&-forth chemistry just before “A Voice in the Wind” brings in a woodwind telling his brothers it’s us against those who show fake love leading into “Buckwheat” featuring Daniel Son joining forces over some blaring horns to throw in a line referring to former 3-time WCW World Heavyweight Champion, 2-time WWE United States Champion, 5-time WWE tag team champion & WCW World Television Champion Diamond Dallas Page.

“Body Count” concludes 2nd leg of the album with some strings & occasionally empowering guitar riffs talking about that being the only stays they check while but then after the “N3” interlude, “NightShade” featuring Lord Owen gives off a spacier feeling as both detail being lost on the road to stardom. The song “M-65 Jackets” fuses boom bap with rap rock declaring to be God’s competent son while the drumless yet climactic penultimate track “The Mutiny” dissing the cowards dishonoring their decrees. “R.E.M.” however is a crooning closer making it safe to call him a carnivore.

Considering the standout feature on “Dope Speak 4 Itself” almost 5 months ago at this point, it makes sense to see all the hype that Sleep is the Cousin has been getting lately because it’s undeniably a promising debut album. Superior’s drumless production is on par with Baladas, Vega7’s lyricism is a cut above the previous EP’s & the amount of features in comparison are similar yet more stronger here.

Score: 4/5

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Jamil Honesty – “The God’s Honest Truth” review

This is the sophomore full-length album from Staten Island born albeit Baltimore based emcee/producer Jamil Honesty. Getting his footing in off the strength of his debut mixtape Verses, he would go on to build a name for himself but putting out 3 EPs & a full-length debut serving as a sequel to one of the EPs that Hobgoblin produced. However, he’s coming fresh off the Harbor Kidz’ self-titled debut by enlisting Krazyfingaz to produce The God Honest Truth.

After the intro, “Better Days” starts off the album on a solemn boom bap note taking his mom’s word on her telling him when he was younger that brighter times would be ahead whereas “Empower” goes into soulful turf talking about how it’s crazy that a conversation can emancipate somebody. After the first “Conversing” interlude, “Pray” featuring Ke Turner works in another soul sample so both of them can make it clear that’s all you need to do just before “Unknown” brings back the kicks & snares pondering if anyone really knows the truth or if they like to have it presented to them in a fabricated manner.

After another “Conversing” interlude, “Reflections” featuring Josiah the Gift gives off a bit of a jazzy boom bap flare to the instrumental this time around to reminisce leading into “Wake Up (Spread Love)” shifts gears with a more delicate beat talking about having to do it ourselves. “Self Condemnation” featuring Sistah D has a grimier edge hoping everyone’s listening to their message & the final “Conversing” interlude, the song “Running Out of Problems” talks about how’s feeling over a smooth loop with some kicks & snares. The penultimate track “Blessings” featuring Cayoz da MC has a bassier groove discussing their benedictions & “Stair of Echoes” featuring eLZhi ties up the album on a dustier note tackling depression.

It’s been a minute since Jamil’s dropped a solo effort & I genuinely believe The God Honest Truth ranks amongst the strongest in his discography behind Martyr Musik alongside Martyr Musik 2: The Kingdom. He demonstrates his range & depth more by being more personal on the lyrical end of things as Krazyfingaz cooks up what could possibly be his rawest batch of beats yet.

Score: 3.5/5

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