This is the 6th EP from Georgia emcee Boondox. Coming up as 1/3 of the trio Southern Hustlas Inc. under the moniker Turncoat Dirty, he would go on to sign with Psychopathic Records in 2005 following the release of his debut EP Dama Blanca & remained under the Insane Clown Posse’s wing for about a decade putting out his first 4 albums along with his 2nd EP PunkinHed through the infamous Detroit label that runs beneath the streets. Former label-mates Twiztid then brought the Killer Scarecrow on board over at Majik Ninja Entertainment in the winter of 2016, whom he’s still signed to today. Last time we heard from Boondox was last summer with the 7-produced Cryptodirt EP that Mobstyle Music backed with the help of MNE & is now ringing in the fall 4 days early in the form of So Much Blood.
After the titular intro, the first song “Prey for Me” is a demented opener produced by Fritz the Cat with some rock undertones talking about being unable to pray for those who be hoping on his downfall whereas “A Beautiful Death” dives into trap territory thanks to 7 pondering how he ends up in the situations he gets himself into. “Re-Animator” works in some more rock undertones expressing that he wants something real while the song “Devil’s Due” returns to the trap talking about possession. The penultimate track “Open Vein” has a bit of a boom bap flare to it admitting that he feels alive committing murders & “Gravely Ill” ends the EP with a heinous trap banger about falling asleep in the cemetery.
In comparison to the heavy gangsta rap themes of Cryptodirt about 13 months ago now, So Much Blood finds Boondox returning to the wicked shit just in time for the Autumn Equinox next Thursday. Lyrically, the killer scarecrow sounds more vicious than ever with 7 & Fritz’ production excellently honing in on a darker sound to help bring these gruesome tales to life.
Majik Ninja Entertainment is a Detroit based independent record label founded by Twiztid & their manager George Vlahakis in 2014, only 2 years after the demented duo’s departure from Psychopathic Records. However, they quickly built an empire or their own from bringing a few other PSY alumni along for the ride to help introduce G-Mo Skee & Alla Xul Elu to a much wider audience. The label’s first showcase comp Year of the Sword is easily the best one they’ve put out so far given the strength of the roster at the time, but that’s not to say Songs of Samhain wasn’t a respectable Halloween-themed EP. They just dropped an exclusive label comp at this year’s Attack of the Ninjas couple months ago & now with Halloween approaching this weekend, the crew is back together for a sequel to Songs of Samhain.
After the “I Shall Arrive” intro, the first song “Needle on the Record” by Twiztid is a demented boom bap opener about the haunted record player possessing their souls when they turn it on whereas “Go Out” by Blaze Ya Dead Homie, Boondox, Gibby Stites & Jamie Madrox takes a turn into rap rock territory spitting that hardcore shit. “Haunted Thoughts” by the House of Krazees heinously spills out the fucked up shit in their minds just before Blaze, Boondox & Jamie reunite for the slow yet victorious ballad “Sing It”.
Meanwhile on “Heavier Every Time”, we have the Venomous 5 reforming over an unsettling trap beat about how the world will never understand them leading right into the “Nursery Rhyme from a Different Time” interlude. The song “Paint the Town Red” sees HOK keeping it in trap turf getting murderous while the penultimate track “Halloween Treat” by Twiztid & Oh! The Horror is a rap rock cut displaying some goth romance poetry. The album ends with “Quarantine”, where V5 plead to be saved from the disease of living over some pianos & dusty drums.
Compared to the first Songs of Samhain & even the Attack of the Ninjas album, Songs of Samhain 2: Haunted Record Player to me is the best label comp MNE has put out since Year of the Sword. It sounds darker & I really admire that it’s a bit more conceptual than the predecessor did.
Boondox is a 43 year old MC from Richmond County, Georgia who first came onto the scene in the Early 2000s as Turncoat Dirty. He then changed his moniker after signing to Psychopathic Records from 2005 & remained with them until 2015. Eventually he would join Majik Ninja Entertainment in 2016 & is still on the label to this very day. However, he & MNE are teaming up with Mobstyle Music for his 5th EP.
After the titular intro, the first song “Good Night” is a cold blooded opener getting murderous on top of some baleful keyboards throughout whereas “Time” goes into a more trap direction saying it maintains him. “Wait for Death” heavy-heartedly opens up about suicide just before the penultimate track “187” goes back into trap territory quenching for blood once more. “The Code” finishes the EP off with an energetic Southern Hustlas Inc. reunion as the trio enlist Bukshot to slaughter those who disrespect them.
I enjoyed Dirty Days of Night, but I’d have to say to Cryptodirt is a superior follow-up just by a small margin. Boondox is at his best when he’s on his gangsta shit as proven during his Psychopathic Rydas days a little over a decade ago & 7 literally never disappoints behind the boards.
This is a brand new showcase compilation from Detroit underground label Majik Ninja Entertainment. Founded in 2014 by Twiztid & their manager George Vlahakis only 2 years following the demented duo’s departure from Psychopathic Records, they quickly built an empire or their own from bringing a few other PSY alumni along for the ride to help introduce G-Mo Skee & Alla Xul Elu to a much wider audience. The label’s first showcase comp Year of the Sword is easily the best one they’ve put out so far given the strength of the roster at the time, but that’s not to say Songs of Samhain wasn’t a respectable Halloween-themed EP. But to celebrate the 5th annual Attack of the Ninjas, everyone on MNE right now & the 2 acts on their Welcome to the Underground sub-label are uniting as one alongside a couple outside collaborators for an exclusive compilation given away at the event.
The opener “Are You Scared?” by Oh! The Horror & Twiztid is a pop punk/rap crossover telling their haters to say their prayers whereas “Each & Every” by Bukshot, Jamie Madrox & Lex the Hex Master finds the trio jumping on top of a west coast instrumental from Fritz the Cat saying they’re broken & don’t feel fine. Buk & Jamie stick around as they enlist Boondox & Mr. Grey to spit the wicked shit on “Horror” down to the Godsynth & Stir Crazy production, but then Gibby Stites & Blaze Ya Dead Homie come in for the atmospheric “Come Up” saying ain’t nobody doing what they’re doing.
“Let ‘Em Burn” by Anybody Killa, the Axe Murder Boyz, Bukshot, Crucifix & Monoxide come together on top of a trap instrumental from 7 to get in their arsonist bag just before the futuristic “Space Between Us” sees Zodiac MPrint reuniting to talk about a toxic relationship. “Kill” by Insane E, Jamie Madrox, Oh! The Horror & Redd goes into a rubbery direction with the help of Grady Finch saying no one’s on their level while “Chin Check” by Bukshot, Gibby Stites, Joey Black, Lee Carver & The R.O.C. encourages the listener to mosh despite the out-of-place forlorn production.
The track “We Are the Underground” by Boondox, Blaze Ya Dead Homie, Gibby Stites & Oh! The Horror needs no further explanation lyrically diving into a trap/metal fusion whereas the final song “Boohoo” by Gibby Stites, Lex the Hex Master & The R.O.C. ends the comp with a boom bap-tinged shot at their detractors even though the hook is a bit tedious. The actual closer though is just a remix to “Maelstrom” off of Cabal’s most recent debut album The Watchers featuring the Super Famous Fun Time Guys & the Venomous 5.
I don’t expect all that much whenever a label puts out a project showcasing their artists & although I enjoyed the last 2 that MNE has put out, I’m a bit torn on this one. Some of the collabs on here come off to me as natural, but then there are others that seem hamfisted & in no way shape or form am I trying to be disrespectful to anyone because I’ve given a good share of positive feedback on the label’s output throughout the years like with Revelashen & Krimson Crow.
This is the 6th full-length album from Georgia’s very own Boondox. Coming onto the scene in the Early 2000s under the moniker Turncoat Dirty, it wouldn’t be until 2005 where the Insane Clown Posse signed him to Psychopathic Records & was reinvented into the killer scarecrow he is today. He would leave the label a decade later to form his own imprint Crimson Krow Entertainment after a decade, then reunited with Twiztid & signed to Majik Ninja Entertainment the following year. Last we heard from Boondox in a full-length capacity was in spring 2017 when he dropped The Murder but after being led up by a couple of EPs, we’re finally being treated to Krimson Crow.
The album kicks off with “Red Clay Crazy”, where Boondox teams up with Rittz to talk about having no mercy over a cacophonous beat from 7. The next song “Forgiven” ponders how shit got out of hand over a twangy instrumental whereas the track while the track “Get It In” gets murderous over a heavy trap beat from Nobe. The song “Reimagine” talks about wanting a better life over a guitar & some piano chords while “The Devil’s Strings” talks about saying a prayer for misery over a blobby beat.
The song “Born to Lose” lyrically needs no further explanation as Boondox & Blaze Ya Dead Homie rip it over a rap rock instrumental from Stir Crazy while the track “Talk to Spirits” talks about drinking over a country rap beat. The song “Red October” with Bukshot finds the duo on the horrorcore tip over a ghostly trap instrumental while the track “Wild Horses” talks about letting go his piece of mind over another country beat from Fritz the Cat. The song “Soul to Take” talks about feeling like he lost his way over a desolate piano instrumental while the track “K7-Lethal” talks about being the devil over an apocalyptic beat from C-Lance.
The song “Broken, Never Shattered” with Redd sees the 2 talking about how none of this is a mystery to them over a melancholic instrumental while the track “Over Thinking” talks about paranoia over a spooky trap beat. The song “Demons at My Door” talks about how he can’t hide from the person he’s become over a dark trap instrumental & then the album ends with “Self Destruction”, where Boondox & Jamie Madrox talk about being their own worst enemies over a bleak beat.
Boondox really outdid himself on here & it’s one of his best bodies of work to date in my personal opinion. The lyrics are at it’s darkest, the production hones it all in together & the features compliment the feeling of each song well.
This is the new surprise EP from Detroit hip hop label Majik Ninja Entertainment. Founded by Twiztid in 2014, they’ve proven themselves as a force to be reckoned with in the underground with an all-star lineup of artists & a consistent work ethic. They dropped a fantastic showcase compilation in 2017 called Year of the Sword but almost 3 years later, the label’s coming together once more on Songs of Samhain.
After the “We Only Have So Much Time” intro, the first song “Wash” by the House of Krazees talk about murder over a somewhat quirky beat while the track “9lb. Hammer” by Twiztid is a full-blown rap rock moshpit starter. The song ” Murder Carnage” by Blaze Ya Dead Homie, Boondox & Lex the Hex Master sees the 3 getting violent over a rubbery beat from Godsynth & Stir Crazy but after the “Nursery Rhyme from Another Time” interlude, the track “Die on Samhain” by Alla Xul Elu & the Axe Murder Boyz portrays themselves as serial killers over a nocturnal instrumental.
The track “Death Talk” by the House of Krazees talks about being lunatics over a rock-tinged beat while the song “Haddonfield 2 Crystal Lake” by Twiztid compares themselves to Michael Myers & Jason Voorhees over a somewhat funky beat. The EP finishes with “In My Head”, where Twiztid contemplate about whether or not they’re insane over a spooky instrumental.
Overall, this is a short but sweet surprise effort from one of my favorite hip hop labels in recent memory. All the artists stand out in their own unique way & given everyone’s history in the horrorcore subgenre, they all come together with a consistent batch of songs just in time for the Halloween season.
The Underground Avengers are a supergroup consisting of Boondox, Bukshot & Claas. They first assembled in 2012 with their self-titled EP, but then disappeared shortly after. Then with the help of Majik Ninja Entertainment late last August, they reformed to drop their debut album Anomaly 88. Now 11 months later, they’re back with their sophomore album & have enlisted Strange Music in-house producer 7 to produce it from front to back.
After the “Dragonfly 44” intro, we go into the first song “Black Summer”. Where the trio get vicious over a haunting trap beat. The track “Tribulation” attacks fake people over a symphonic trap beat while the song “1 More Night” of course talks about partying over a rap rock beat. The title track is pretty much a decent spoken word interlude & then the next song “Chimera” talks about internal conflict over a nocturnal beat.
After the “Hecatomb” interlude, we go another interlude with with “Protocol”. We finally get back into the music with “Invasion”, where the Avengers get with Young Wicked & The Jokerr to compare themselves to aliens over a sinister trap beat. The penultimate track “God Particle” is a fantastically gritty sequel to the equally star-studded “Thanos” off of the Avengers’ previous effort & then album ends with the “Coda” spoken word piece.
This is yet another solid effort from the Avengers. There are a little too many interludes/skits for me, but the chemistry between the trio is still strong & 7’s production suits them fantastically.
Boondox is a 40 year old rapper from Richmond County, Georgia who first came onto the scene in the Early 2000s as Turncoat Dirty. He then changed his moniker after signing to Psychopathic Records from 2005 & remained with them until 2015. Eventually he would sign to Majik Ninja Entertainment in 2016 & is still on the label to this very day. Since about 2012, Boondox has been teasing the idea of making music under his original Turncoat Dirty moniker & he is now finally doing it with his 3rd EP
After the intro, we go into the first song “Frank Castle”. Here, he talks about doing Satan’s bidding over a murky trap beat. The next track “Excuses” is pretty gritty in terms of songwriting & the production, but I don’t like the execution. The song “Desert Evil” gets murderous about over some a trap beat with a somber guitar in the background while the track “The Rage” with Redd sees the 2 talking about fighting over a rap rock instrumental & it’s just ok. The song “Knockin'” is about the devil coming for him over an eerie instrumental & the penultimate track “Unstable” issues warning not to mess with him because of how crazy he is over a thunderous beat. The EP finishes with “Chronicle”, which is a story about murdering someone over an instrumental a gloomy piano instrumental.
Turncoat Dirty’s return has been a long time coming but at the end of the day, I think this is a solid way to hold fans off until Demonic Woods drops later this year. There are a couple mediocre tracks but the horrorcore/gangsta rap lyrics are mostly in your ace & while I didn’t expect him to take on the trap sound on a few tracks at all, the production does enhance the grittiness of these lyrics very well
Majik Ninja Entertainment is an underground hip hop label that was founded in 2014 by Detroit hip hop duo Twiztid. The roster has been immensely growing since it’s inception of this year specifically, they’ve dropped 1 great release after another. And now to close out such a great year for them, they’re now giving the fans a compilation featuring new songs from every artist on the label. After a 90 second intro, we then get into the first song “Heads Will Roll” by Gorilla Voltage & Jamie Madrox. Here, they‘re bragging about how their skills will amaze you over a sinister instrumental. The next track “Turn It Up” by Blaze Ya Dead Homie, Bonez Dubb & Lex the Hex Master sees the 3 MCs aggressively getting in your face over a chaotic beat while the track “Fucked” by Boondox, Gorilla Voltage & The R.O.C. talks about how crazy they all are over a haunting instrumental. After a 15 second skit with “Level Up!”, we then get into the next song “Their Fault” by Jamie Madrox & Young Wicked. Here, they’re predominantly singing about those who never gave them a chance & while the vocals during the first half seem nasal, it definitely picks up on the second half. The song “Ignite” by King Gordy, Mr. Grey & Zodiac MPrint talks about how they’re never gonna fall over a killer rap rock instrumental & then “Cut ‘Em Up” by Twiztid & Young Wicked rapidly talk about killing their competition over an abrasive yet eerie instrumental. The song “Lights Out” by G-Mo Skee, Mr. Grey & Twiztid angrily talks about getting murderous on their last day alive & the rap metal instrumental on here fits the vibe like a glove. After the 30-second “Harassment” skit, we then dive into “Don’t Fuck wit Us” by ClocworC, the House of Krazees & Lex the Hex Master. The lyrics are self explanatory, but they’re delivered fantastically over this menacing yet thumping instrumental. The song “Better Than Ever B4” by the Axe Murder Boyz, G-Mo Skee, Lex the Hex Master & Triple Threat talk knowing now than ever before about over some twinkling piano keys & an organ while “Flix ‘n Chill” by ClocworC, Triple Threat & Young Wicked is a predictably decent love song with a wavy instrumental. The song “Get High” by the Axe Murder Boyz, L.A.R.S., Mr. Grey & Triple Threat is self-explanatory weed anthem with a druggy beat while “Galaxy” by G-Mo Skee, Jamie Madrox & King Gordy sees the 3 looking for a challenge over a synthesizer-heavy instrumental. The song “Don’t Tell Me” by Boondox, Gordy & Twiztid tells the haters they’ll never listen to them over a grimy yet thunderous beat & then after the 20 second “Summon the Majik Ninja” skit, we then get into the final song in the standard edition “B.N.U.” (an acronym for Brand New Underground). It’s an explosive posse cut where everyone on the label all talk about their prowess. The “Did You Unplug It?” skit is the final track on here, but there is a bonus disc with 9 tracks. All of which are new solo cuts from each signee on the label, with the exception of Lex the Hex Master’s being previously released on his latest album Beyond Redemption. As a whole, this was a great way for Majik Ninja to end their 2017 & it’s just another example of why they’re one of my favorite labels out right now. The production is gritty as usual & everyone compliments each other fantastically. Can’t wait to see them continue their string of successfully raw releases in 2018