Slaine – “A New State of Grace” review

Boston, Massachusetts veteran Slaine has returned with his 6th LP. Most notable for being a member of La Coka Nostra, he released an EP & a total of 4 mixtapes before coming through with his debut album A World with No Skies in 2011 under Suburban Noize Records. This was followed up with The Boston Project in 2013 as well as The King of Everything the year after that, but the man went took a 3-year hiatus following the release of the Slaine is Dead EP in 2016 & returned by dropping the mature 1 Day in 2019. It’s been a while since The Things We Can’t Forgive, but he’s locking in with Statik Selektah to enter A New State of Grace.

The title track opens up by jumping over some synthesizers & a vocal sample talking about going places there usually isn’t any coming back from whereas “Cancel Culture” by La Coka Nostra tackles that very subject on top of a boom bap instrumental. “Listen Up” meshes these quirky synths with kicks & snares for a b-boy anthem just before “Ambition of the Crown” featuring Millyz talks about playing with fire being a dangerous thing when aiming at the king.

“It’s All Good” continues with an apology for someone he hurt whilst thanking them for being a true friend of his while “Ain’t Been the Same” talks about waking up saying hello to his new life & adios to his old one. “Coka Grillz” by La Coka Nostra featuring Paul Wall was a great single with everyone spraying lyrical bullets at those looking to battle them while “Crumbled God” featuring Rasheed Chappell & 1982 takes a more conscious approach topically.

“The Real Shit” featuring Masta Ace & O.C. starts A New State of Grace’s final leg with the trio over a piano-tinged boom bap instrumental talking about times eternally changing while “Gusto” featuring O.T. the Real & Statik KXNG samples “In Memory Of…” by Gang Starr to see who can spit the illest verse. “World Don’t Stop” concludes with a heartfelt outro talking about the future making sense in hindsight.

Capturing the energy of A State of Grace original whilst carrying the weight as well as the wisdom & scars of everything that’s happened since, A New State of Grace seems like a homecoming of sorts regarding Slaine & Statik Selektah’s friendship dating back 2 decade. From the latter’s signature boom bap sound to the sharp lyricism balancing bravado with the maturity of 1 Day & The Things We Can’t Forgive, the sequel to Slaine’s most beloved tape raises the bar both it’s predecessors have set in the late 2010s/early 2020s.

Score: 4.5/5

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Motown Priest – “Hawthorne” review

Motown Priest is a 37 year old MC from Queens, New York by the way of Detroit, Michigan who first emerged in almost a decade ago off his the strength of his debut EP This Thing of Ours followed by the full-length debut Art of Urban Warfare only nearly 16 months afterwards. But after an 8-year hiatus, the Motown Priest is signing to the historic Boston label Brick Records to help make a comeback on his sophomore album.

“Great Depression” is a jazzy opener asking what you know about pacing in a prison cell depressed out of your mind whereas “Pandora’s Box” goes full blown rap rock with a conscious take on the paper. “The Calogero Effect” works in a bare soul sample as dude talks about needing a closet to hide his skeletons in when he was a child just before “Farewell to Welfare” asks how much is a dollar worth over a boom bap instrumental with some unsettling pianos.

Meanwhile on “Employee of the Month”, we have the Motown Priest delivering a scathing & engaging takedown of the American Dream leading into the raw, grungy “New Religion” talking about the gangsta lifestyle. “Nathaniel’s Mask” returns to jazzier turf discussing power being a powerful drug in a city full of cowards & thugs, but then “For Sale” hope on top of some swooning vocal chops & string sections saying everyone’s for sale because everybody for self.

“Alphabeta” is a bluesy boom bap cut wanting to have a conversation with his people while the song “Trials” fuse some kicks, snares & a guitar loop to heartbreakingly looks back on the people he’s lost to the gang life. The penultimate track “Dreams & Stories to Tell” brings back the jazz 1 last time talking about that being exactly what he has to offer until “Drug Money Theory” ties things up with a conscious rap rock ballad.

For a debut, Hawthorne definitely gives new listeners a look at at the Motown Priest is capable of doing on the mic & is surely destined to continually grow as an artist from hereon out. The production is fascinatingly eclectic, it’s cohesive & the narratives give a searing look at the world we all live in today in such a gripping fashion by connecting the unique worlds of both music & film.

Score: 4/5

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Ed O.G. & Insight – Self-Titled review

This is a brand new collaborative album between Boston veterans Ed O.G. & Insight. Both emcees have collaborated before on songs like “Strategy” off the latter’s 2004 classic The Blast Radius but all these years later, they’ve decided to come together for an eponymous full-length outing.

“Just Listen” is a plain & simple opener to the album with it’s flute-inflicted boom bap production as the whole thing starts off with the duo telling Siri they wants something classic, but not trendy just before telling listeners to remember who they are on the dreamy albeit punchy “It’s Edo & Insight”.

With the perfectly titled “Never Too Late to Correct Your Mistakes”, we get some grand string sections with lyrics about righting your wrongs whereas “Choose Your Path” provides food for thought over a luxurious instrumental.

Meanwhile on “Good in Goodbye”, we go into a somewhat funkier direction as the 2 talk about breakups leading up to them telling the listener that life isn’t about choices but how one chooses on the piano-heavy “1 Step at a Time”.

The pair bring in some sirens for “Ceiling” as they talk about not even reaching their pinnacle yet & then we get a remake of my all-time favorite Big Daddy Kane song: “Set It Off”.

The penultimate track “It Takes Process” sonically mixes together some keys & strings as they talk about how Rome wasn’t built in a day & to finish it off, we get a reimagining of the Ed O.G. & Da Bulldogs joint “I Gotta Have It” with the closer “Unite & Let’s All Get Down.”

As a fan of both these guys, I’m really glad to hear them come together because this is a super solid album in my book. The chemistry is great & I love the jazzy undertones in the production as well. If they plan on doing more together down the road, then I’m here for it.

Score: 4/5