Tag: Canonize Productions

Young Wicked – “Young Wicked: The Mixtape 2” review

This is the 2nd mixtape from Denver emcee, singer/songwriter, producer, engineer & fashion designer James Garcia or the artist formerly known as Young Wicked. Coming up as 1/2 of the Axe Murder Boyz with his older brother Bonez Dubb in 1999, the duo put out 4 albums on their own before before the Insane Clown Posse signed them to Psychopathic Records in 2005 & making their debut on the label that following spring by dropping Blood In Blood Out to moderate reception. However, their next full-length outing God’s Hand is considered to by many (including myself) to be their best given how much both of them elevated their lyricism & Otis’ production. This resulted in him becoming Violent J’s protege many years later, dropping his solo debut Slaughter: It’s the Best Medicine in the fall of 2015. Fast forward a couple years later, Twiztid signed Young Wicked & eventually AMB to Majik Ninja Entertainment in the midst of their falling out with Psychopathic to put out an equally fantastic sophomore effort The Return of the Prodigal Son. But after rebranding himself 3 & a half years ago on Activated which had more of a mainstream sound to it, the initially scrapped sequel to Young Wicked: The Mixtape is finally seeing the light of day ahead of his upcoming Astronomicon appearance.

“Deep” is an aggressive rap rock opener talking about the fact that they’ve been waiting for him to come out of the basement to show the underground who he really is whereas “Eternal” takes the trap metal route instrumentally admitting that he can’t rest in peace with these sick muthafuckas in the street although the heavy auto-tune on the hook just isn’t it. “No Masters (Shake da Shit)” works in these somber piano chords & sirens sayin’ y’all looking at a king coming for everything just before the rap metal-infused “Resurrected” admits to feeling darkness clouding his mind.

Meanwhile on “Shallow Grave”, we have Young Wicked on some boom bap shit taking everyone through the mind of a murderer leading into “Pushing On” blends some kicks & snares with guitars as he discusses trying to figure himself out as of lately. “Chrome” ruggedly pushin’ bars similar to the way they be pushin’ weight cautioning that you don’t want to get smoked by him, but then “Flowers” dabbles with the trap metal flare once more calling himself the goat having to be sacrificed in the blood.

The song “No Slackin’” goes for a vibrant trap approach that his pimpin’ doesn’t ever slow down while “Crucifix” returns to the boom bap reminding y’all that his last album was activism & he’s back to stabbin’ victims now. To conclude Young Wicked: The Mixtape 2, the closer “Keep Out the Cold” is this guitar ballad singing that he keeps the whiskey in his veins for the titular reason & “Coastin’” starts the deluxe run with some g-funk undertones repping MNE.

“Breathin’” cleverly references the inaugural AEW World Champion, former ROH World Champion, ECW World Television Champion, IWGPインターコンチネンタル王座, ROH World Champion, WCW World Television Champion, 6-time WWE world champion, 7-time WWE Tag Team Champion, 4-time WWE Cruiserweight Champion, record-holding 9-time WWE Intercontinental Champion, 2-time WWE United States Champion & WWE Hardcore Champion Chris Jericho.

James blends trap & rock for “Rage” unlock the door to my vision & telling everyone listening to step inside while “The Language” talks about only speaking in hustle not giving any fucks regarding being famous. “Unbroken” enlists ScatteredBrains behind the boards telling everyone that he’s still unbroken out here & the final bonus track “Stayin’ Lit” ends with him swinging as if he’s the soon to be inducted WWE Hall of Famer Muhammad Ali.

Activated has it’s moments even though a lot of juggalos I know weren’t feeling the more commercial-approach it took, but this to me is the best thing that James has done on his own since The Return of the Prodigal Son almost 7 summers ago. It’s much more rawer than the previous LP we got from him & we still get a glimpse of his artistic evolution in the last 25 years whether it be his bars, his singing, an evolving self-produced sound or the mixing/mastering.

Score: 4/5

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Axe Murder Boyz – “Fatality” review

The Axe Murder Boyz are a duo from Denver, Colorado consisting of brothers Young Wicked & Bonez Dubb. The 2 have been making music together since the late 90s, but didn’t make their breakthrough until the mid-2000s when the Insane Clown Posse signed them to Psychopathic Records. They went on to release 3 albums & an EP with them before signing to Twiztid‘s label Majik Ninja Entertainment on New Year’s Eve 2016. Last we heard from the siblings was in 2018 with their 8th album Muerte & as we get close to the halfway point of this year, they’re back with their 6th EP following their Astronomicon debut.

After the intro, we get right into the title track. Where Young Wicked & Bonez Dubb talk about killing their competition over a bassy trap beat from Young Wicked himself. The song “Cantfxckwittus” with Jamie Madrox sees the 3 talking about how MNE’s running the underground over a morbid instrumental while the track “Nothin’ 4 Free” talks about how nothing in hip hop is ever granted to you over a flute-inflicted trap beat.

The song “Murda Shit” gets on the horrorcore tip over over a trap beat with some creepy bells while the penultimate track “Runnitup” is a celebratory banger about their hustle. The EP finishes off with “We Up”, where the siblings talk about their success over a punchy beat with haunting piano loop.

AMB’s been one of my favorites out of Colorado for a while now & this EP just goes to show it. Young Wicked’s production continues to elevate over time as does the chemistry with his brother Bonez Dubb. If they have a new album together in the chamber & this is just a taste of what’s to come, then I’m really looking forward to see what they do on there.

Score: 4/5