che – “Rest in Bass” review

Atlanta, Georgia recording artist che releasing his sophomore effort a month after its announcement. Starting as a member of the 4ersona collective under the original moniker murkio before settling on cheRomani+ & later abbreviating it, it wasn’t until more recently where he decided to build a solo catalog for himself by putting out the debut EP 3 over a year ago & followed it up in the form of X or the original version of his 3rd EP Closed Captions a couple summers ago. Crueger that same Halloween showed more of a Chief Keef influence & is saying Rest in Bass nearly 11 months since his highly acclaimed rage debut sayso says.

“Slam Punk” was a rage-inducing opener talking about a girl calling him “Based God” shouting out none other than Lil B whereas “Rolling Stone” turns up the hypertrap vibes talking about having the Devil on his shoulders telling him to go. “On Fleek” puts his vocal range on the forefront advising the opps to call it keeps leading into “Lip Filler” talking about being so dangerous that he could possibly die young.

Former 4-time WWE world champion, 3-time WWE United States Champion, future WWE Intercontinental Champion & 5-time WWE tag team champion Sheamus gets referenced on the 2-parter “Hood Famous” posting up with felons just before “Bossupp” incorporates another beat switch referencing both WWE Hall of Famer, former 6-time WWE world champion & WWE Intercontinental Champion Randy Savage and the inaugural 4th Rope World Tag Team Champion & current 4-time TNA World Tag Team Champion Jeff Hardy of The Hardy Boyz.

“Marceline” keeps the rage beats coming likening his girl to the character from the Discovery Global-owned Cartoon Network series Adventure Time because she only comes out during the evening leading into “Die Young” produced by gyro talking about not wanting to grow old & going out in the fast lane. “Hellraiser” by OsamaSon looks to stir up some shit & CXO going for an experimental trap direction instrumentally, but then “Dior Leopard” hits us with another 2-part song talking about relapsing on drugs.

xaviersobased continues the 2nd half of Rest in Bass joining che during “Mannequin” homaging the late great Kobe Bryant bagging 24 hoes together while “Black Swan” splits itself in half again talking about being uncancellable & turning up at Summer Smash last month. “MDMA” makes several callbacks to sayso says speaking up regarding his lifestyle of recording in the studio & doing ecstasy while “Never Too Young to Die” featuring Chuckyy talks about being on top instead of middle men.

“Eardrummer” kicks off the final leg of the LP on a cloudier note thanks to Ginseng addressing his consistency & rise to fame while the distorted “Doe Deer” talks about simultaneously being a monk & a punk. “Stagedivin’” discusses making the mosh pit at the rave even bigger dying on the hill of not fucking with pigs while “Ba$$” samples “Lemon Glow” by Beach House finishing the album by talking about doing drugs & not wanting to leave.

Starting the Christmas Day deluxe run, “King of Rock” gives the audience more bass taking about shooting at opps & arguing the rights for that very title while “Make Out with My Choppa” boasts of poppin’ 100 bottles for 100 thots kissing a firearm. “Holy Moly” talks about drugs having him moving in slow motion & never running out of bread while “Die Hard” divides itself into 2 halves homaging the iconic action film that people to this day debate whether or not it’s a Christmas movie.

“Cutthroat” talks about pulling up to a meeting high as Hell & keeping that very attitude while the self-produced “Monster” confesses to sippin’ lean like he’s sick, going beast soon as he pops some ecstasy. “Dirty Sprite” comes through with another 2-parter talking about drank once again while “Serve da Ba$$” references former IWGPヘビー級王座, 10-time WWE world champion & former UFC Heavyweight Champion in both TKO Group Holdings divisions Brock Lesnar.

We have che talking about putting in the work much like one of Rihanna’s biggest hits “Work” off her magnum opus ANTI on “RiRi” & once the distorted “Whippin’” featuring OsamaSon reunites 2 of the biggest artists in rage currently 1 last time admitting that both of them are still up in the kitchen like they’ve always been, “What’s Love?” talks about wanting to be told what genuine affection feels like & yearning for his girl to stick around with him until the evening.

“Freak Neek” shouts out the late Black Sabbath frontman & WWE Hall of Famer Ozzy Osbourne who tragically passed away earlier this summer although there’s a homophobic bar at the very beginning of the verse that made me raise an eyebrow while “UAV” talks about his preference of sleeping with his lover instead of taking ecstasy & cooking opps. The final bonus track “I’m Sorry” appropriately finishes one of the most beloved rage albums of 2025 apologizing for falling in love, only wanting a Mercedes.

Ditching the secondary digicore & electroclash influences of sayso saysRest in Bass hones in deeper on the experimentally hardcore rage sound of his debut last summer perfecting in his own way that makes it feel refreshing when it began to seem that the style was getting played out & taking heavier inspiration from Playboi Carti’s sophomore effort Whole Lotta Red celebrating it’s 5-year anniversary this Christmas by having che pushing this style of trap forward.

Score: 4.5/5

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che – “Sayso Says” review

This is the full-length debut studio album from Atlanta, Georgia up-&-comer che. Starting as a member of the 4ersona collective under the original moniker murkio before settling on cheRomani+ & later abbreviating it. But it wasn’t until more recently where he decided to build a solo catalog for himself by putting out the debut EP 3 over a year ago & followed it up this past February in the form of X, which was supposed to be the original version of his 3rd EP Closed Captions over the summer which was a solid introduction to who he is artistically & personally. Crueger last Halloween showed more of a Chief Keef influence & is releasing Sayso Says with only less than a month left of summer.

“I Rot, I Rot” starts by hopping over an intergalactic trap instrumental from CXO talking about not needing any more new friends whereas “Saska, You Made It” turns the rage up celebrating his newfound success. “Pretend We’re Sleeping” encourages everyone to do their own shit working in some synths & hi-hats prior to “Get Naked” goes hypertrap again flexing his VIP status.

The message on “Enjoy Your Life” comes from a good place of heart maintaining the rage beats thanks to Ginseng telling his fans to enjoy their time here alive just before “Been There, Done That” has this bubbly hypertrap tone to the beat talking about doing it all. “Hex On My Chest, It’s Going Down” goes for a spaciously booming approach instrumentally advising to simply get through it & you’ll be ok leading into the energetic “Pissy Coffee” refuses to play games with anyone.

After the interlude, “It’s My Party & I’ll Die If I Want To” kicks off the other half of Sayso Says inducing more rage talking about not wanting peace anymore while “Don’t Tell No1” encourages people to come fuck with him over densely buzzing synth work with repetitive chord progressions & melodic synth leads. “Nunca Hacer Cocaina” incorporates a hint of digicore undertones speaking out against cocaine usage while “School Girl Sashimi” keeps the rage beats rolling talking about lust.

“Y.D.F.W.M.N.M.? (You Don’t Fuck With Me No More?)” whips up an ethereal trap banger calling out the people who switched up on him while the futuristic “Children Shouldn’t Play with Dead Things” wishes this bitch knew how he really felt. “Cut Off Your Hands” turns the bass up suggesting his girl should chop her hands off since she gives so much head & “My Favorite Color is Red” serves as a bombastic closer leaving blood everywhere.

Only a couple years in the game & I have no doubt in my mind that Sayso Says will take che to newer heights since it basically surpasses every expectation set out by his early EPs. His songwriting/performances are on par if not above Crueger’s last Halloween & I’d be reminded if I didn’t commend him for doing such an outstanding job self-producing a lot of it basing the LP’s sound primarily in the rage subgenre that he emerged out of.

Score: 4/5

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che – “Crueger” review

Atlanta, Georgia teenage up-&-comer che celebrating Halloween by dropping his 4th EP. Starting as a member of the 4ersona collective under the original moniker murkio before settling on cheRomani+ & later abbreviating it. But it wasn’t until more recently where he decided to build a solo catalog for himself by putting out the debut EP 3 over a year ago & followed it up this past February in the form of X, which was supposed to be the original version of his 3rd EP Closed Captions over the summer which was a solid introduction to who he is artistically & personally. However after dropping 2 singles earlier this month, he’s quickly following up his last EP in the form of Crueger.

“Ok Den” is a futuristic trap opener to the EP produced by CXO flexing that he has fat racks like Pumba whereas “Sayso” likens himself to a demon to his girl with a new Moncler coat for the season over a rage beat. “Busan” mixes elements of pop rap & trap melodically speaking on themes of romance just before the atmospheric “Batman” talks about feeling like the titular DC superhero. To start the 2nd half of the EP, “Gah Damn” dives headfirst back into hypertrap territory threatening that you don’t wanna play games with che since he’ll wet your block up leading into the pluggy “Right Now” singing about his trap falling off so she wants him over quickly. “That’s My Type” gives off a playful atmosphere describing his kind of woman while the dreamy “Badu” comparing his new chick to the neo-soul icon. The closer “Call Me” ends Crueger with 1-last rage beat telling his significant other to call him back.

If anyone came away from Closer Captions impressed as I was earlier this summer, then I’m sure that Crueger would fit well in your Halloween playlist this season. There’s more of a rage influence to the production compared to our introduction to che only a few months ago being based around trap & Chicago drill, but the plugg undertones were quite noticeable & he’s more inspired by Chief Keef. Also, cheRomani himself as a performer is continuing to improve & that goes for his catchy songwriting too.

Score: 3.5/5

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che – “closed captions” review

che is a 16 year old recording artist from Atlanta, Georgia emerging as part of the 4ersona collective under the original moniker murkio before settling on cheRomani+ & later abbreviating it. But it wasn’t until more recently where he decided to build a solo catalog for himself by putting out the debut EP 3 over a year ago & followed it up this past February in the form of X, which was supposed to be the original version of his 3rd EP over here to my surprise. So with that in mind, I had to give the final product a listen almost 2 weeks since former MLW National Openweight Champion Alex Kane became the new MLW World Heavyweight Champion.

“blueberry bakwood” was a dope choice for the final single whether it be CXO’s trap production with undertones of both Chicago drill & plugg or che dedicating it to his personal favorite flavor of Backwoods blunt wraps whereas “sativa” works in a more atmospheric instrumental talking about the titular strain of marijuana although I’m more of a hybrids guy personally. The futuristically bombastic “fangs” flexing that he be toting heavy pistols & is able to tell who smokes wack shit, but then “????” gives off a more energetic sound talking about his lifestyle.

Moving on from there, “sol” blends some hi-hats & synthesizers telling his girl to slide through his spot on top of coming clean that he isn’t looking for closure prior to “canary” enhances the euphoric mood refusing to go out bad. The lead single “blac chyna” fuses trap with Chicago drill letting the drum off just before “sos” returns to an otherworldly vibe to the beat talking about his girl calling him papa & copping expensive Balencis.

The penultimate track “draco draco” gives off a more euphoric drill edge instrumentally acknowledging that he still be popping tags & wanting all his bread in the mail while the closer “frank ocean” produced by SOULJASPIRITS talks about not being with the bullshit & getting a foreign hoe some vetements over a wavy ass trap beat. The bonus cut “flip” officially caps off the EP with a synth-laced drill instrumental calling your hoe a dirty skank & going so cray.

Given that 3 was a solid beginning in che’s career & X started off the year by giving us a taste of what was to come, Closed Captions has cemented him as my personal favorite 4ersona member & he has more than enough room to grow artistically down the line. The trap production is cloudier with a hint of Chicago drill mixed in as opposed to some his previous works putting his life on wax by delivering some of his infectious performances of his career

Score: 4/5

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