Fat Ray – “Food From the Gods” review

Detroit, Michigan veteran Fat Ray returning after 4 years for his 4th album. A member of the trio B.R. Gunna alongside Black Milk & Young RJ, he would eventually go solo in 2008 by dropping the criminally slept-on The Set Up, but it wouldn’t be until a full decade later when it was followed with both The Lunch Room mixtape & then his sophomore effort Perseus. Santa Barbera proved to be the strongest since his debut & he’s taking it back to where it all began on Food From the Gods.

After the “From the Gods” intro, the first song “Elderberry” starts with a trippy boom bap instrumental wanting to know how to sow & reap whereas “Talcum” psychedelically talks about having that powder. “Cane” featuring Guilty Simpson works in a guitar sample to warn that you’ll get popped for playin’ with them, but then “Just Say No” featuring Danny Brown fuses jazz rap & drumless together cautioning that this ain’t chess.

“Double It” continues the sampling boasting that he’s been doubling up while “Franky Lymon” featuring Bruiser Wolf atmospherically talks about who these hoes think they are. “El Hongo (The Mushroom)” explains that you either fight or fly heading for a rap rock vibe just before the orchestral “Stash” talks about cashing ruling. The final song “Gotta Know” ahead of the “Daily Bread” outro charismatically shows off his brilliance to finish his best album since his debut.

Over 15 years after Black Milk helped cook up Ray’s acclaimed debut, they get back together for a successor that show’s how much both of them have grown since then. Granted that Food From the Gods can be quirky sometimes, it’s mostly a grimey sonic ride through the streets of the Motor City with raw tales told through the lens of the ever so sharp & witty standout of the Bruiser Brigade crew.

Score: 4.5/5

Keep up with @legendswill_never_die on Instagram & @LegendsllLiveOn on Twitter for the best music reviews weekly!

Black Milk – “Everybody Good?” review

This is the 8th full-length album from Detroit producer, MC & songwriter Black Milk. Making his presence known as a member of the B.R. Gunnaproduction trio, he eventually went solo in 2005 with Sound of the City & followed up on 313 Day 2007 with Popular Demand. The following year, he would dabble with electronic music on Tronic & would later start incorporating live instrumentation on Album of the Year in 2010. His next album No Poison No Paradise eventually became Black Milk’s darkest work yet & it would see a solid sequel If There’s a Hell Below the year after. We saw a comeback from him in 2018 with the politically charged FEVER & is returning to ask if Everybody Good? ahead of the 4 year anniversary of DiVE less than a couple weeks.

“God Willing” starts things off is groovy opener with some angelic background vocals praying to the higher power that everything will be alright & that there’s always a light at the end of the tunnel whereas “For How Much?” works in some uncanny synths talking about the prices on all the souls that you see. The instrumental on “Wait ‘Til Fate” has a heavy Neptunes influence to it that I really like reminding that he was told that he was made to be great, but then “Downs Got Up” is more of a synth-boom bap hybrid talking about standing like royalty fixing those crowns.

The lead single to the album “Is It Just Me?”sonically reminds me of Tronic a bit as Black Milk seeks to get his mind right leading into “The Black Surf (Everybody Good)?” featuring Quelle Chris has a wavier approach talking about trying to making it work comparing life to a tidal wave. The next single “Let Me Know” goes into pop rap turf telling his significant other she’s pressure just before the 3rd & final single “Ain’t Nobody Coming Down to Save You” conceptual is self-explanatory backed by some organs.

After the “Fews & Trues” interlude produced with Karriem Riggins, the song “Feelings Don’t Feel” featuring Phonte returns to the boom bap admitting that summer as you get older doesn’t feel the way that it used to while the penultimate track “No Wish” finds Percy Miracles sticking around 1 last time this time as Raphael Saadiq plays piano & hooks up some handclaps hammering home that there ain’t no genie in the bottle. “Yeah Really” ties up the album with a warm ode to this crazy life that he lives day & night.

His solo output has been getting progressively better as time goes on & his 2nd album with Mass Appeal albeit 3rd project overall further cements that. The concepts here are more personal & introspective in comparison to the streams of consciousness throughout Fever with the production being a melting pot of past sounds from the live instrumentation that Album of the Year began displaying to the jazz elements of his previous full-length & even the electronics of Tronic.

Score: 4/5

@legendswill_never_die on Instagram & @LegendsllLiveOn on Twitter for the best music reviews weekly!

Black Milk – “DiVE” review

Black Milk is a 35 year old rapper, songwriter & producer from Detroit, Michigan that came up as a member of the B.R. Gunna production trio. He eventually went solo in 2005 with Sound of the City, which was followed up in 2007 with Popular Demand. The following year, he would dabble with electronic music on Tronic & would later start incorporating live instrumentation on Album of the Year in 2010. His next album No Poison No Paradise eventually became Black Milk’s darkest work yet & it would see a solid sequel If There’s a Hell Below the year after. We saw a comeback form him last year with the politically charged FEVER & a little over a year later, Black Milk’s delivering a sequel with his 4th EP.

It all starts with “Save Yourself”, where Black Milk talks about friendship over a mellow beat. The next song “Black NASA” talks about self-empowerment over an atmospheric beat while the track “If U Say” talks about staying true to yourself over a meditative beat. The song “Relate (Want 2 Know)” with sees Black Milk & his younger brother Mahd talking about depression over a somber instrumental while the track “Blame” gets romantic over a smooth instrumental.

The song “Swimm” is a meditative cut based around the idiom “sink or swim” while the track right after is an Flying Lotus influenced instrumental piece. The song “Don’t Say” talks about fake love over a druggy beat while the track “Out Loud” serves as a psychedelic instrumental interlude. The penultimate track “Tyme” talks about just that over a glitchy beat & then the EP finishes with the synth heavy “Now Begin” instrumental piece.

While only 35 minutes long, I think it’s a fantastic as FEVER. The lyrics are just as smart as the predecessor & the production is equally soothing.

Score: 4/5

Black Milk – “FEVER” review

A little over 3 years after the release of If There’s a Hell Below renown Detroit producer Black Milk is finally returning with his 7th full-length album. The opener “unVEil” speaks on living for the moment over a luscious neo psychedelic beat & the next track “But I Can Be” gets insightful over a laidback beat. The track “Could It Be” reflects where he started & where he’s at now over a soulful funky boom bap beat while the song “2 Would Try” vents to an unnamed ex-girlfriend over a smooth jazzy instrumental. The track “Laugh Now Cry Later” talks about how Black Milk sees the world differently nowadays over funky boom bap beat with a luring soul sample & the song “True Lies” gets conscious over a mellow funk rock instrumental.

After the “eVE” interlude, we then get into the next song “Drown”. Here, Black Milk touches down on the ghetto life over a settle guitar & bassline. The track “DiVE” is just an instrumental track with a beautiful flute with some laid-back guitar, keyboards & synthesizers during the second half. The song “Foe Friend” vividly tells the story of 2 friends who eventually fall out with each other over mellow beat & the track “Will Remain” gets ambitious over a funky beat. The closer “You Like to Risk It All / Things Will Never Be the Same” may have a mediocre auto-tune hook, but Black Milk’s compelling story suits the beat perfectly.

Personally, this is up with Popular Demand & Tronic for Black Milk’s magnum opus. The production is probably his most organic & the lyrics are lot smarter than ever before

Score: 4/5