Tag: DJ Green Lantern

7xvethegenius – “The Genius Tape” review

7xvethegenius is a 33 year old MC from Buffalo, New York emerging off her first 2 EPs The Calm Before & Self 7xve as well as the full-length debut 7xve is Love. However, it wasn’t until she & Jae Skeese both became the first artists to sign with Conway the Machine’s very own EMPIRE Distribution imprint Drumwork Music Group where 7xve got her biggest break yet. She has since preluded her sophomore album albeit Drumwork debut Death of Deuce with Thy Will Be Done & Self 7xve 2, but is teaming up with DJ Green Lantern for her debut mixtape.

“Meditation” is a spacious opener to the tape reminding that she’s the illest bitch out here today whereas “Biddy Mason” goes into shimmery boom bap turf talking about being right here with this army behind her for those trying to disarm her. “Back End Developer” gives off an uncannier vibe saying it’s time for her to talk her shit on these records that is until “Brainstorming” featuring Conway the Machine finds the pair strategizing on top of some chilling background vocals.

After the “AA Speaks” interlude, “Brain Food” dives into quirkier turf sonically so 7xve can tell everyone to look at who she was then & who she is now today just before “The Feel” gives off an atmospheric edge this time around talking about trying to show love. The song “Lost on Mars” is a desponding ballad of a man that loves the streets more than her while the penultimate track “Moon Walk” featuring T.F. returns to the boom bap pulling up as if they were surfing, but then “Neck Protected” featuring Che Noir & Rome Streetz ends the tape some pianos hooked up to kicks & snares as all 3 of them can deliver lyrical annihilation. I also really like the nod to “Da Rockwilder” during the hook too.

For a mixtape preluding her upcoming sophomore full-length effort, The Genius Tape has to be my favorite 7xve project to date & I can only imagine Death of Deuce taking it up a few levels whenever the time comes. She’s already proven to be one of the most skilled females in recent memory, but DJ Green Lantern’s production is more consistent than her last 2 EPs with all respect & the features are all well picked out.

Score: 4.5/5

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O.T. the Real – “Broken Glass” review

This is the 3rd album from Philadelphia emcee O.T. the Real. Coming up in 2016 after coming home from prison & dropping his debut single “Papercuts”., his profile began to grow from there after showcasing his skills on radio stations as well as dropping an eponymous full-length debut & 2 EPs. His sophomore album Evil Empire just came out at the beginning of the year & celebrate St. Patrick’s Day with the Heatmakerz-produced The Irishman, but is now finishing 2021 by enlisting DJ Green Lantern to produce Broken Glass from start to finish

The title track is a cold blooded opener talking about coming up from the mud whereas the piano laced “Coke & Guns” with Benny the Butcher perfectly gets in their mafioso bags. “4 Wheeler” has a more drearier sound talking about being remembered when he’s gone leading into Millyz tagging along for the combative “Go to War”.

Meanwhile on “The Wheels Fall Off”, we have O.T. delivering a powerful piano ballad about riding until the end just before “The Details” has a more chipmunk soul vibe spilling his come-up on wax. Eto & Uncle Murda come into the fold for the downhearted “So Foul” calling out the industry, but then “You Do It” goes into a more bluesy direction talking about how there’s rules to life even though it ain’t no game.

“Serious Shit” hauntingly advises listeners that this is as real as it gets even though SKNJ’s verse is a bit underwhelming & the “You Are Who You Eat With” sequel is arguably better than the predecessor down to the organ-laced beat. The song “Philly Streets” basically tells you how it is in O.T.’s hometown over a groovy instrumental while the penultimate track is a wig-flipping freestyle lasting 3 minutes. The album ends with the guitar-driven “I Got You”, where O.T. pretty much looks back on his life up to this point.

I know I said that The Irishman was O.T.’s best work thus far, but he really might outdone himself on this one. The lyricism is continuing to level up at mindblowing rate & DJ Green Lantern’s production on here is much more darker than The Heatmakerz’ even though I love their signature sound.

Score: 4/5