DJ Oreeyo – “Prodigy” review

This is the sophomore effort from Detroit Michigan emcee, producer & disc jockey DJ Oreeyo. The son of local veteran Fatt Father previously of the world famous Fat Killahz, he eventually followed his dad’s footsteps by making music himself, properly introducing himself in 2022 & Freshman Year the subsequent fall made for an impressive self-produced debut primarily rooted in trap. It’s been a few years since & the Prodigy’s ready to let us see how much he’s grown since 2023.

The self-produced “Killshot” hops over an orchestral trap beat talking about his preference of having kin instead of friends whereas “How We Comin’” aggressively talking about holding nothing back his confidence being mistaken as arrogance. “Him” keeps expressing his self-assurance of being that muhfuckin’ dude & “What We On” featuring T Cruz was one of the weaker moments here despite them talking about these haters being fans in the grand scheme of things.

“Quick Workout” goes off-the-top for 80 seconds over some horns & hi-hats flexing that he doesn’t need a personal chef because he’s cooking in the studio regardless leading into “Old Soul” reminds me of Slum Village’s early output from the boom bap instrumental to the scratch hook appealing to the old school & new school fans. “Gen Check” has a more cinematic sound to it addressing the people he sees daily while “Me vs. Me” feels like a convo between his older & younger self.

After the compositional “Commercial Break” intermission, “Ain’t Worried Bout U” cloudily makes it clear that he ain’t stressing over anyone while “Makin’ Moves” shifts back towards a more trap-oriented sound suggesting those who support him to get in the mood. “I Have a Dream” however feels less of an interlude & more of an atmospherically woozy statement regarding him making it to the end of this movie we that many would call life.

“Growth Mindset” has a more exuberant boom bap flare to it winding down Prodigy’s final moments talking about bringing his homies with him to make sure they’re all fed by the time he’s gone while “Suspense” has a bit of a west coast groove to it pleading not to show him love later if you’re not gonna do it at this present moment. The closing track “My Dear Reflection” takes up the last couple minutes of the album expressing the importance of standing tall in any challenge the world might hit us with.

Freshman Year was a impressively broader introduction to who DJ Oreeyo from both artistic & personal standpoints, but Prodigy pushes himself further by taking everything that made his debut LP so interesting from the continuation of the predecessor’s trap sound aside from a couple moments where he’s rapping over boom bap production to the penmanship being more sharpened now that he’s older than he was 2 & a half years ago.

Score: 4/5

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DJ Oreeyo – “Freshman Year” review

DJ Oreeyo is a 15 year old MC/producer/DJ from Detroit, Michigan who happens to be the son of local veteran & Middle Finger Music recording artist Fatt Father previously of the world famous Fat Killahz. He eventually followed his dad’s footsteps by making music himself, properly introducing himself last summer by dropping a debut single. Now that it’s been only 14 months since then, everything makes sense for Oreeyo to returning on Friday the 13th in an effort to bring his musical introduction to the world to next level by releasing a full-length debut LP.

“Bell Work” is a drumless, stripped back opener looking back on the days when he didn’t know how to cook in the lab & having the hang of it at this point whereas “O.M.W. (On My Way)” dives into trap territory talking about getting the paycheck & a chick who wants him bad. After the spoken word “Peddling Purpose” interlude, “Good Day” gives off a warmer feeling having a positive feeling on how today’s gonna go just before “All My Life” talks about how there ain’t no slipping over a cloudy beat with some hi-hats.

Fatts shows up with his son for “TBT 1” pulls more from the Detroit trap scene stylistically showing off their Ws leading into the piano-driven “Grind” melodically talking about the hustle that never ends. “New Life” draws near the end of the album by mixing these guitar kicks on top of hi-hats needing peace & after the “Mama’s Note” skit, “Head Up” wraps up the album on the atmospheric tip showing optimism in the midst of hardships.

We’ve heard Oreeyo with his pops in the past, so it only made sense for him to cook up an entire project by himself & Freshman Year gives us a glimpse at the potential he has because there’s no doubt in my mind that he’s only gonna evolve artistically as time goes on. His production’s more rooted in the trap sound compared to the dusty boom bap Fatt Father is known for, but his songwriting isn’t too bad for his age at all & certainly shows passion in his delivery.

Score: 3.5/5

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