Dro Kenji – “The End of Nothing 2” review

Summerville, South Carolina rapper, singer/songwriter & producer Dro Kenji is back for his 3rd EP. Signing to both Internet Money Records & 10K Projects not even 365 days after he began making music, he has since put out 7 full-length studio LPs along with a couple EPs & a mixtape. The End of Nothing earlier this summer marked a return to form after experimenting with rage beats & a sequel’s here 6 weeks later.

“Fade” made for an emo rap intro confessing to his lover that he feels as if his heart’s beating I it of frame & the fear of showing how he feels whereas “Stay Focused” finds himself maintaining his concentration asking if he does too much when he’s off the drugs. “Outlandish” talks about never leaving his romantic interest stranded & wanting her to fall in love while “Plug’s House” poses the question of his authenticity being legit or not.

The End of Nothing 2’s final leg starts with “Joggin’”, where Dro hops over a melancholic guitar with more hi-hats talking about running to the bread. “Hookup 4 Anything” looks to start a catastrophe with his partner & realizes he possibly knows her more strongly than himself prior to “Annoying” getting to the bottom of whether or not he’s aggravating her.

Dro Kenji’s previous EP at the beginning of the summer welcomingly took it back to his emo pop rap/trap roots after experimenting with rage beats on Valentine’s Day, but I came away from The End of Nothing 2 liking it only slightly less than I did the predecessor. He’s topically sticking to his bread & butter which isn’t a criticism, except the production on here compared to the original End of Nothing doesn’t catch my attention similarly.

Score: 3/5

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Dro Kenji – “The End of Nothing” review

Dro Kenji is a 22 year old rapper, singer/songwriter & producer from Summerville, South Carolina signing to both Internet Money Records & 10K Projects not even 365 days after he began making music. He has since put out 7 full-length studio LPs along with an EP & a mixtape, the latter of which being his most recent body of work coinciding with Valentine’s Day departing from the emo pop rap style he’s known for in favor of rage. 4 months later, he’s preluding his 8th album with his 2nd EP & the 2nd body of work from him in 2025.

“Pinnochio” kicks off The End of Nothing with a moody pop rap/trap intro wanting his bae at 2am & telling her how much she inspires him whereas “Tylenol” moodily talks about his drug addiction helping him. “Way Back in August” works in some acoustics from Census, Nico Baran & Niketaz asking why he & his ex keep crossing paths when his life’s goin’ the hardest while the woozy “Rude Girl” finds himself obsessed with that exact type of woman. Lastly, the acoustic trap closer “Unstoppable” caps off the EP by telling an ex who constantly lies to get away from him.

The stylistic departure of Love Kills left a handful of Dro Kenji’s fans divided on it but thankfully if you’re one of those people who missed hearing him over the emo rap sound he came up off of mixed with pop rap & trap, you’re most likely gonna come away from The End of Nothing looking at it is the most enjoyable thing he’s done since Wish You Were Here & it may even raise your expectations for his next album. Even if that tape was a passable experimentation from my perspective, it’s always great to hear artists get back to the basics of what got them this far in the game & he does it with ease.

Score: 3.5/5

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