Bernadette Price & Terror Van Poo – “Kissing the Ground for Sinners” review

Brooklyn, New York emcee & Ruck Down Records CEO Bernadette Price teaming up with local artist Terror Van Poo & Boston, Massachusetts producer Stu Bangas for a new collaborative extended play. The widow of the late Sean Price of the Boot Camp Clik & Heltah Skeltah, she’s made a few appearances on songs in the past whether it be her late husband’s posthumous offering Imperius Rex or even with the likes of RJ Payne, Rim, the Snowgoons, Ruste Juxx & Vic Spencer. She finally made her solo debut last spring with A Widow’s Cry & to commemorate what would’ve been Ruck’s 54th birthday, it only makes sense for her & Terror to drop Kissing the Ground for Sinners.

After the intro, “Burden of Proof” starts with both of them hopping over a boom bap instrumental to talk about these rappers being bitches & masking it by claiming they’re real whereas “Big Trouble” eerily cautions that they got the gunplay as well as the street credit. “Trust in God” has a creepier vibe to the beat talking about having more faith in Higher Power & their guns more than people leading into “Food” featuring Leanah Cane aggressively proclaiming there to be no one nicer than them.

“Fuck You” gets the 2nd half of the EP going by giving middle fingers to everybody & instrumentally embracing a somber tone just before “Gunn Butt” jazzily talks about them having the ability to change perceptions overnight. The title track finds both of them looking to smoke any & all clowns who come in their direction while “Brownsville O.G.” blends a piano sample with some kicks & snares representing their stomping grounds to end the EP.

Terror Van Poo already had a few appearances on A Widow’s Cry almost a year earlier, so the idea of him doing an entire EP with Bernadette Price rapping over Stu Bangas production to honor her late husband’s legacy seemed like it could that LP & it sure enough does. Stu’s beats here hit significantly harder than Kissing the Ground for Sinners’ predecessor & we get a look at the artistic chemistry between both New Yorkers rather than continuing to present what Sean’s widow can offer as a solo artist.

Score: 4.5/5

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Bernadette Price – “A Widow’s Cry” review

This is the official full-length studio debut album from Brooklyn, New York emcee & the current Ruck Down Records CEO Bernadette Price. The widow of the late Sean Price of the Boot Camp Clik & Heltah Skeltah, she’s made a few appearances on songs in the past whether it be her late husband’s posthumous offering Imperius Rex or even with the likes of RJ PayneRim, the Snowgoons, Ruste Juxx & Vic Spencer. With the 10-year anniversary of Sean’s passing approaching this summer, Duck Down Music Inc. has finally decided to allow the world to hear A Widow’s Cry.

After the Keisha Plum intro, the first song “Drama Time” featuring Ruste Juxx produced by Stu Bangas is this horn-inflicted boom bap cut warning that people ain’t slick as they think they are whereas “Real Life” featuring Smif-n-Wessun & Terror Van Poo ominously finds everyone getting serious topically. “Flatlined” featuring Terror Van Poo links up with Vinny Idol behind the boards to continue kicking it hardcore & after an interlude, “Bars” featuring Ruste Juxx & Terror Van Poo shows off their lyricism over a Khrysis instrumental.

The title track ominously warns that she’s gonna make everyone remember her for good leading into “Gloomy” featuring Terror Van Poo grimly talks about them moving like they gonna stick ya ass up for the loot instead of doing so sensitively as if it’s a love movie. After another interlude, “Sean’s Gone” soulfully remembers her late husband that tragically left us almost 10 years ago already & “Shut da Fuck Up” featuring Sean Price himself silences everyone over a boom bap beat from Da Beatminerz.

Santana Fox keeps it in the basement sonically during “Skully” assuring that everyone still out here delivering while “No Love” featuring Terror Van Poo reunites the pair so they can make it clear that they ain’t your muhfuckin’ friend. “Now Ain’t the Time” featuring Terror Van Poo soulfully declines any thoughts coming their way that isn’t theirs whatsoever & ahead of the outro, the final song “Do About It” featuring Rock & Terror Van Poo ends by suggesting y’all should’ve been believing in Bernadette.

Being able to hear her working with all those artists that I mentioned at the very beginning has really come full circle on A Widow’s Cry since her official debut LP establishes herself as an artist along with honoring the memory of her husband that left us way too soon. The production is primarily grounded in the traditional boom bap sound, recruiting the right beatsmiths & guests to join her in transforming her vision into a work of art.

Score: 4/5

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Smif-n-Wessun – “Infinity” review

Brooklyn, New York duo Smif-n-Wessun consisting of Tek & Steele of the Boot Camp Clik returning with Jamla Records’ in-house production team The Soul Council for their 8th studio LP. Their 1995 debut Dah Shinin’ is widely regarded as an East Coast classic & the Pete Rock produced Monumental, I enjoy almost as much. The All maintain the high quality consistency of Monumental by teaming with The Soul Council for the first time, looking to do it again 6 years later on Infinity.

The title track produced by Khrysis begins The All sequel by promising that they’ll be here for eternity whereas “Moses Promise” takes the soulful boom bap route instrumentally needing the whole team to be straight in order to catch wins. “Namaste” romantically tells their partners they ain’t in a rush tonight with the help of Ka$h behind the boards leading into “Medina” featuring Pharoahe Monch bringing it hardcore over a vocal sample from Sndtrak.

“Black Eminence” featuring the late Prodigy exuberantly turns it up after being asked to tone it down some while “Chuuch” works in a gospel flip talking about keeping it rolling whether it be better or worse. “Beautiful Trip” keeps the sampling chops going flexing that the reach they have has been global for 3 decades, but then “Enjoy Ya Life” brings these pianos in the fold courtesy of 9th Wonder talking about making the best of the short time we have here on Earth.

As for “Shine”, we have Tek & Steele heading for a groovier approach explaining that they value those they battle for while “Just Stay!” featuring Conway the Machine hops over this crooning vocal sample to talk about running through whole entire squads. “On My Soul” featuring Buckshot finds the trio tackling the theme of loyalty & camaraderie while “Heard About Me” featuring the late Sean Price soulfully asks if you heard everything said regarding them lately.

“Elephant in the Room” hits the final moments of Infinity with the 2nd & final single talking about never being traitors because they find those type of people to be worse than bitches & the Nottz-laced closer “Bad Guy” rounds it all out by making everyone listening choose between whether they want to hear the ugly truth or a pretty lie being told to them when most would rather pick the pretty lies since honesty hurts sometimes.

Several years after The Soul Council first got with Smif-n-Wessun, the Jamla in-house production team ensures that Infinity didn’t sound dated it all by giving the duo the classic sound they’re known for & making it feel new in the process. They reflect of their life experiences after all these decades refusing to curve to conformity & staying true to their roots with a great list of guests in addition to the stellar production.

Score: 4.5/5

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Rock & Ruste Juxx – “Crownsville” review

Brooklyn, New York emcees Rock & Ruste Juxx teaming up for a brand new collaborative LP. One of whom is a member of the Boot Camp Clik as well as the now defunct subgroups Heltah Skeltah & The Fab 5 alongside the late Sean Price while the other was a protege of Ruck making his debut on Heltah Skeltah’s sophomore effort Magnum Force. They’ve crossed paths with one another countless times in the span of 26 years & to commemorate almost a decade of Sean’s passing, they’re getting together to take us through Crownsville.

The title track is a morbid boom bap opener representing Brownsville & Crown Heights respectively whereas “Black Out” has a soulful flare to the beat proudly wearing the borough that made them on their sleeves. “Vehicular Manslaughter” produced by D-Block Records in-house producer Vinny Idol works in more kicks & snares laying out some of their hardest verses on the album prior to “Crash Ya Whip” aggressively making y’all choose one of the 6,000,000 ways to die.

After the Bernadette Price Speaks skit, “Sean Lives On” serves as a sincere tribute to P with a ghostly boom bap instrumental while “B-83” sorta dabbles with trap feeling like an open hand palm slap so they can flex their status as nuclear bomb threats. “Ruck Down” brings a rap rock vibe to the table thanks to Bumpy Knuckles representing Sean’s independently owned Duck Down Music Inc. subsidiary Ruck Down Records, but then “Change Nothing” featuring Frankie Storm as well as 9th Uno behind the boards finds the trio linking up advising the listener to not switch-up.

“Dust Pan” has a fun back-&-forth chemistry from Rock & Ruste cautioning that your whole team will get swept fucking with them for roughly 135 seconds while “Kings County” pulls inspiration from rock music again instrumentally shouting out the titular Brooklyn county. “Wotcha Call Strength” by the Boot Camp Clik finishes Crownsville by having the collective reuniting for the first time since 2007 for a high-energy 6 minute closer that The Arcitype laced.

Knowing both artists’ individual history with Sean Price, it’s only right that they joined forces for the duration of an entire album & one that would make Sean proud if he was still with us today. Rock & Ruste elevate their chemistry over the course of 33 minutes other than a couple guests backed by the sounds of boom bap, a hint of trap & of course samples of rock & soul music.

Score: 4/5

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Tek – “MVP: MotiVational Purposes” review

Tek is a 50 year old MC from Brooklyn, New York notable for being 1/2 of Smif N Wessun & a member of the Boot Camp Clik collective. He also has 3 solo mixtapes, 3 EPs & even a couple full-length LPs under his belt in 24KT Smoke & Pricele$$ respectively. That said: My expectations for MVP: MotiVational Purposes we’re considerably high once I learned that Stu Bangas coming fresh off G-Mo Skee’s new album Filth City was fully producing the 4th EP that Tek’s put out on his own front to back.

“Back Inda Days” begins my mixing a pitched vocal sample with kicks & snares reminiscing on when everything used to be fun & games whereas “Hour After Hour” is this orchestral boom bap crossover talking about how the grind never stops & what’s good with having heart if you don’t use it. The song “Agave” keeps it dusty pullin’ up to the block at 5 with his Glock cocked & the horn-driven penultimate track “B.O.C. (Ballin’ Outta Control)” explanatorily talks about ballin’ insanely, but then “Big” closes shop with a triumphant trap joint boasting that everything’s huge.

Some heads I know weren’t too crazy about the Teksmokeelah EP nearly a year & a half ago, but MVP: MotiVational Purposes is undoubtedly a higher step above than it’s predecessor & even surpassing Pricele$$ as the best thing that Tek has ever made without his partner-in-rhyme Steele. Stu Bangas’ production is significantly more consistent than a lot of Tek’s past solo material & the latter resists overloading it with guests getting on the motivational tip lyrically.

Score: 4.5/5

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Buckshot – “I’m the Boss” review

Buckshot is a 47 year old MC/producer from New York City coming up in the early 90’s as the frontman of the trio Black Moon & the Boot Camp Clik collective along with for founding one of the most beloved record labels in all of hip hop Duck Down Music with the assistance of his business partner Dru Ha. Not only would The B.D.I. Thug & Backpack Travels become the only 2 solo albums he’s put out to date, but Hanif Alwin al-Sadiq would also form a duo with 9th Wonderdropping 3 full-lengths together & a collab effort with KRS-One called Backpack Skills. But in light of him getting into the NFT game, he’s celebrating by dropping a debut EP.

After the “UPG” intro, the first song “Hey” opens up the EP with a dramatic boom bap instrumental from none other than Da Beatminerz going at the throats of anyone who dares to step up to him in a battle whereas “Come Take a Ride” goes into funkier territory with talking about cruising around at night. “Your Choice” laces some pianos written towards a ride or die bitch leading into “Roll My away” taking a more lavish route & the storytelling throughout Buckshot’s verses painted is very eloquent. The song “Dear Daddy” takes it back to boom bap range talking about his father while the penultimate track “1 Nation” spaciously declaring that it’s time to connect. “Thug Life” ends the EP with a bass guitar-infused tribute to 2Pac.

Considering how much I enjoyed Black Moon’s comeback effort Rise of da Moon a few years back, I was definitely interested in how The B.D.I. Thug would deliver with this EP given how long it’s been since Backpack Travels & it’s definitely worth the listen for any Boot Camp fan. In fact, I’d consider to be some of the best solo material he’s put out yet. Rather than just being lazy & compiling primarily songs that’s been already previously released like Snoop Dogg did with Metaverse: The NFT Drop, we’re getting all new music from the one who gets the job done & he still sounds great on the mic after being the game for almost 3 decades.

Score: 3.5/5

Price of Fame – Self-Titled review

Price of Fame is a hardcore hip hop duo from New York consisting of Lil’ Fame on production & the late Sean Price on the mic. Both of whom have solidified themselves as icons in the underground for their output as members of M.O.P. & the Boot Camp Clik respectively. But with Christmas coming next week, Fame has put together an album for the fans of unreleased Price songs that he produced.

After the intro “A Few Words from Sean Price & Mrs. Price”, the first song “Big Gun vs. Lil Gun” finds Sean getting with M.O.P. to of course talk about weapons over some funky guitar licking backed with drums. The track “Center Stage” is an energetic crowd mover while the song “Boston George” with Tek sees the 2 talking about how hard they are over an organ-inflicted beat. After the “Sit Yo Ass Down” skit, the song “Pigs” with Steele touches down on corrupt cops over a boom bap beat with some horns.

The track “They Ain’t Fucking with Us” is a gruesome Heltah Skeltah reunion while the song “Remember the Time” sounds like it could’ve been on that Metal Detectors EP that Illa Ghee dropped with Sean last year. The track “Wait for It” with Fame sees the 2 getting bloodthirsty over some drums & horns while the song “Peter Pop Off” with Rim, Teflon & I-Fresh sees the 3 talking about how they don’t play games is over a chilled out instrumental. Then the closer “Enemy of the State” with Fame as well as Conway the Machine & Guilty Simpson sees the 4 spitting battle bars over a Godly instrumental.

For as long as it took, this was well worth it. Not only are Sean Price’s bars cutthroat as always, but Lil’ Fame reminds us about his skills behind the boards are just as great as he is on the mic. If you’re a hardcore fan of BCC & M.O.P, then you won’t be disappointed.

Score: 4/5

Black Moon – “Rise of da Moon” review

Black Moon is a highly regarded hip hop trio consisting of Buckshot, 5ft & DJ Evil D. Their 1993 debut Enta da Stage would go on to become a hip hop essential & despite their 1999 sophomore effort War Zone not being as acclaimed, it was still solid. Last time we heard from the group was in 2003 with Total Eclipse & all these years later, they’re making a comeback with their 4th full-length album.

The album kicks off with “Creep wit Me”, where Buckshot & 5ft both go at their competition over a piano-inflicted boom bap beat. “Da Don Flow” reclaims Buckshot’s prowess over a slaughterous instrumental while the track “Ahaaa” talks about cops over a g-funk/boom bap fusion. The song “Pop Off” flexes their skills over a boom bap beat with some gloomy horns throughout while the track “Ease Back” with Method Man & Steele go at their naysayers over a vibraphone inflicted boom bap beat.

The song “Impossible” with Smif-n-Wessun talks about how they can’t be stopped over a gritty instrumental while the track “Black Moon Rise” talks about their comeback over a funky beat. The song “Children of the Night” with Rock talks about what goes on during the midnight hours of the hood over orchestral boom bap beat while the track “Glory” makes numerous references to the color black over a mellow instrumental.

The song “General Feva” is a vicious 5ft solo cut while the track “Look at Them” talks about people tryna rob the group over a rhythmic bass-like & some haunting strings. The song “At Night” finds Buckshot & 5ft trading bars back & forth over a somber organ-inflicted beat while the song “Payback” talks about getting money over a funky beat. The penultimate track “Roll wit Me” with Tek gets romantic over a slick boom bap beat & then the closer “Time Flys” gets reflective over a jazzy instrumental.

This is a fantastic return from one of the hardest East Coast groups of all-time. You can really tell the trio all seem really happy to be back together as it really sounds like they never left from the deadly lyricism to the grimy production. Here’s to them hopefully dropping more efforts together in the future.

Score: 4/5

Smif-n-Wessun – “The All” review

Smif-n-Wessun are a legendary Brooklyn, New York hip hop duo consisting of Tek & Steele from the Boot Camp Clik. Their 1995 debut Dah Shinin’ is widely regarded as an East Coast classic & now just 8 years after the Pete Rock produced Monumental marked an official return to form for the Cocoa Brovaz, they’re making their return with their 7th full-length album with Jamla Records in-house production team The Soul Council producing it in it’s entirety.

After the “Education of Smif-n-Wessun” intro, the first song “Testify” sees the duo looking back at their career over a boom bap beat with a faint vocal sample popping in & out from 9th Wonder & Khrysis. The track “Dreamland” with Raekwon sees the 3 reminiscing on their childhoods over a settle instrumental while the song “Ocean Drive” with Rapsody is a Bonnie & Clyde-esque tune over a keyboard-inflicted boom bap beat. The track “Let It Go” talks about murdering their competition over a boom bap beat with a dinky keyboard-lead.

The track “Letter 4 U” is a dedication to their families over some punchy drums while the song “Let Me Tell” with Rick Ross sees the 3 getting confrontational over an eerie beat. The title track gets boastful about their skills over an ominous beat while the song “We Good” with GQ pretty much speaks for itself over a moody beat. The track “StahfAllah” talks about being cut from a different cloth over a boom bap beat with a quiet-horn lead while the song “Illusions” tells the story of a dumb dude in the streets over a boom bap beat with some eerie background vocals. The album then ends with “1 Time” talking about their legacy over a jazzy-boom bap beat. Overall, this was a damn near perfect comeback for the duo. It’s focused, the lyrics are insightful & the production from The Soul Council suits them fantastically.

Score: 4.5/5

Sean Price – “86 Witness” review

Sean Price was a legendary MC from New York City who came up as a member of the Boot Camp Clik alongside Heltah Skeltah & The Fab 5. He released 3 classic solo albums before unexpectedly passing away in 2015 but now, Small Professor has decided to release Sean’s recently unearthed posthumous sophomore album & 5th album overall.

The album kicks off with “Bear Witness”, which is mostly a decent turntablism cut referencing WWE Hall of Famer William Perry. The next track is the original Heltah Skeltah mix of “Refrigerator P!” that appeared on Sean’s 2017 posthumous debut Imperius Rex while the song “LaToya Jackson” with Quelle Chris sees the 2 boasting about their rapping prowesses over an grimy boom bap beat.

The track “Midnight Rounds” with Elucid & Castle is loaded with battle bars over a militant beat & after the “P’s Theme” interlude, we go into the song “John Gotti”. Here, P teams up with AG da Coroner as well as Guilty Simpson & Your Old Droog to get murderous over an eerie beat.

The track “Think About It” sounds like it easily could’ve been on his latest Illa Ghee collab EP Metal Detectors & then the final original cut “Word to Mother” talks about how he’s the greatest over some haunting strings. This is followed by remixes of “John Gotti” & “Refrigerator P!”, which don’t really do much for me in all honesty.

Even though this is more like an EP to me, it is a solid listen. There are a few handful of redundant cuts on here, but most of this half hour experience is filled with the gritty lyricism & raw production that you’d usually expect from P.

Score: 3.5/5