Peysoh – “BastardChild” review

Brand new LP & the 4th overall from Maywood, California recording artist Peysoh. Introducing himself 4 years ago already with the debut single “6 Block”, he would later sign to EMPIRE Distribution for his full-length debut Ghetto Journal at the beginning of 2022 in addition to a sophomore effort Get Rich or Life Sliding the next summer. Peysoh Did It following an appearance on Kendrick Lamar’s 6th album GNX was great although FinallyFed proved to be disappointingly mediocre, returning for a description of his experiences as a BastardChild only 24 hours away from Rey Fénix ending the Laredo Kid’s 2nd reign as AAA Mundial Crucero Campeon to become a 2-time champion himself as well as El Hijo Del Vikingo ending El Hijo de Dr. Wagner Jr.’s reign as AAA Latinamericano Campeon & former 3-time WWE tag team champions The War Raiders becoming the new AAA Mundial Parejas Campeons at Noches de Los Grandes.

“EvilEastSide” opens with this 97 second intro spittin’ gangsta raps over a g-funk instrumental whereas the title track talks about his self-awareness of living wrong in a previous life. “Star” featuring Lefty Gunplay finds the 2 linking up to discuss having to be in court the next morning, but then “GangTats” featuring Blueface made for one of the weaker collaborations on here despite it’s bouncy beat although Peysoh had the better performances.

The Game makes up for it by appearing on “Don’t Play At All” talking about how neither of them fuck around & embracing a more nervous vibe instrumentally leading into “GunSmoke” tapping back into the gangsta rap side of things lyrically & bringing back the g-funk elements. “Retail” kicks off the 2nd half of the full-length speaks of mixing the peach smell with smoking dead opps while “Conejos” talks about the gangsta lifestyle once more.

“I Ain’t Trippen” featuring Young Aktive decently brings both artists together not sweatin’ over the envious trying to kill them while “I’m Worse” incorporates elements of nervous music to once more talking about being quick to bust shots unlike these other rappers. “- 1 Opp” featuring MemoTheMafioso joins forces to each drop verses over a nervous piano beat & the main artist coming out on top but after “HatedBeinBroke” reflects on his hardships, the outro “Hairs Gettin’ White” featuring Mozzy ends on a pleasantly atmospheric note.

A huge reason that I felt like FinallyFed was a letdown mainly boiled down to the excessive guest appearances & I give Peysoh his props for diminishing the amount of them during the BastardChild sessions even if only half stood out. Not to say I don’t believe this was an improvement over it’s predecessor last summer because it very much is whether it’s the nervous/g-funk production or the Maywood allowing more room for himself to grow.

Score: 3.5/5

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Lucki – “dr*gs r bad” review

Chicago, Illinois rapper & occasional producer Lucki’s highly anticipated 4th LP has finally arrived. Beginning to turn heads in the summer of 2013 when he released his debut mixtape Alternative Trap to critical acclaim, he would later go on to give his fans 6 more tapes & a dozen EPs with the last one being the F1LTHY-produced Wake Up Lucki a week before my 25th birthday in December 2021. The full-length debut Flawless Like Me saw Lucki finding his style & the sophomore effort s*x mon*y dr*gs was the most I enjoyed Tune’s music in a while, coming off Gemini & the divisively received Daysb4bad* to deliver the main course that the latter preluded.

The “Nuppy” intro opens up the first couple of minutes talking about a woman who he feels like is the right one for him whereas “Picky Demons :)” talks about him not being the fastidious type & shit not being for show with him. “No Stars in Maybachs” featuring Rylo Rodriguez & Veeze finds the trio joining forces to trade verses with each other although I think Veeze was the better guest of the 2 while “Stupid Prizes” cloudily talks about what happens when one plays stupid games.

“Supertune!!” gives off a heavier psychedelic trap vibe instrumentally courtesy of Noah Mejia boasting that he feels like a superhero whenever he pops pills leading into “rookie 2 barbie” talks about how far he’s come since his Lucki Eck$ days over a decade ago back when I was in high school. “AllWay2Space” embraces a pluggier sound thanks to Taurus discussing his eagerness of going to the moon just before the “mdnt series” talks about going on a midnight roll driving around in his Maybach.

Lil Baby appears for “Snake Pit Flow” to describe the feeling they have of being made for this music shit over a LulRose instrumental while “(madness)!” shifts towards a more futuristic trap direction stylistically talking about there being hoes with no voices out here. “a theme atp…” expresses his willingness to have his people call him whenever their day’s been rough while “Keep It 1,000, Plz” talks about his desire to have everyone keep it legitimate when speaking to him.

“Brazy” reached the halfway point of dr*gs r bad with what I’d consider more of a brief freestyle than an interlude while “WAYBetter Dayz” featuring the late Chynna talks about being geeked up so much to the point where today could be his last day alive. “Loyal Snake” keeps the synthesizers coming to ask this woman if she could love him the way he loves her while the Detroit trap-tinged “Roundtripski” encourages someone who went rogue on him to do it again because he fucks with it.

Veeze returns again for the “Twin Flow” sequel “Twin FlowGodfather II”, going back-&-forth with each other to save my favorite guest appearance for last while “Ur a Vet!” talks about being on 3 different diamonds every single day & most being unable to keep up. “Gemini Dramatic” wraps up dr*gs r bad’s final moments describing a relationship where he’s got it out the mud & has a hoe who’s for the streets beside him while the outro “Yesterday On My Face” talks about being unable to trust this person.

“Not So Virgo of You” starts the deluxe run with a cloudy trap 2-parter that I’d say is one of the best songs he’s done this decade & once “I Don’t Care…” featuring the current WWE United States Champion Trick Williams’ manager Lil Yachty teams up for a atmospheric jerk single that I liked more than the other one they did at the beginning of the month, “Diamond Stitching” fuses the Detroit sound & tread so he can talk about his newfound wealth.

The single “Free Mr. Banks” combines trap & plugg to call for Lil Durk’s freedom in addition to remind us all of the code of the streets while “Overth!nking” experiments with vaportrap a bit to vent about his internal struggles including experiences of betrayal. The final bonus track “Tuff Luver” is what truly sends off the album, confessing that he’s been feeling somewhat nervous of becoming a superstar & shrugging it off suggesting maybe that’s the Chiraq in him.

Considering that one of the deluxe cuts stirred up controversy when Lucki dropped it through Steve Stoute’s independent distributor UnitedMasters & it’s competitor EMPIRE filing a lawsuit against Tune, some including myself would have to presume that dr*gs r bad fulfills the Chicago artist’s contract with them & I wish him nothing but the best if that’s in fact the case. However, it’s still an impressive trap/Detroit sound album even if it’s an undeniable improvement above Daysb4bad*.

Score: 3.5/5

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ShittyBoyz – “Back to the Basics” review

Here we have the 5th studio LP from Detroit trap trio the ShittyBoyz. Consisting of BabyTron alongside Stanwill & TR Dee, they emerged off their debut mixtape 3-Peat under the mentorship of Lando Bando in the summer of 2019 taking the motor city by storm & following it up with another tape. They even have 4 full-lengths in Trifecta as well as the the sequel & of course the trilogy chapter. Last time we heard the 3 Man Weave was in 2024 & they’re taking it Back to the Basics.

The title track produced by Danny G fuses the Detroit sound & techno talking about the food they’re cooking not being for plates whereas “Killian Hayes” shrugs off this crazy bitch for proclaiming themself to be a demon when that isn’t the case. “Timeout” talks about their motion being unstoppable over a Detroit trap instrumental leading into “Heist” explains that they can’t let the phone ring twice if there’s any money involved.

“Rocket Science” by Stanwill gives off somewhat of a mafioso atmosphere talking about blasting off in UFOs just before the 2nd & final single “Geek Squad” finds the trio trading verses with each other for a few minutes. “Fetty, Mula, Gwalla” continues the 2nd half of the album hopping over a darker beat with some bells talking about money while “Pumpkinhead” lets Babytron shine for a solo joint of his own hittin’ hoes with the sidestep.

We have Danny G running it back with the ShittyBoyz on “Kudos” assuring that anyone can do it too if they’ve already done it while “Lord Sidious” talks about the possibility of becoming rich if one makes the right choices. TR Dee gets a track of his own with “Work” suggesting that any competition has been confused with ghosts over a Jakesand instrumental & once “Mojo” talks about using door codes instead of keys, “Outta Town” ends with them ignoring advice from those who’ve never been in their position.

These guys have been saying in recent interviews that Back to the Basics is their most refined material yet & I would have to agree with that sentiment in the sense that it’s a lot shorter than the longer projects they’ve been known for, linking back up after taking a year off to focus on their solo endeavors without having any guest appearances to either trade verses each other or letting each member putting their individual growth on display for the world.

Score: 3.5/5

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Lucki – “Daysb4bad*” review

Finally getting the 10th extended play from Chicago, Illinois rapper & occasional producer Lucki to prelude his upcoming 4th LP. Beginning to turn heads in the summer of 2013 when he released his debut mixtape Alternative Trap to critical acclaim, he would later go on to give his fans 6 more tapes & a dozen EPs with the last one being the F1LTHY-produced Wake Up Lucki a week before my 25th birthday in December 2021. The full-length debut Flawless Like Me saw Lucki finding his style & the sophomore effort s*x mon*y dr*gs was the most I enjoyed Tune’s music in a while, coming off Gemini to drop Daysb4bad*.

“U Ready!” produced by LulRose begins with Tune talking about playing the game in order to ball & that the shit he does not being for show whereas “Sex Mula / Pete” featuring Lil Yachty fresh off helping Trick Williams become the new WWE United States Champion describes their preference of using weapons instead of fists. After freestyling over the instrumentals originally used for “All for the Love” by Jadakiss & “Made My Hoe Faint” by Future, the closing track “Capo 2x” featuring Kkanii finishes with both of them working smarter & trying to become rich.

Almost Woke & both entries of 2 Faced felt more like singles with an a-side & b-side than actual EPs but nevertheless, Daysb4bad* was a decent taste of what we can expect from what many can assume to be his final EMPIRE Distribution opus dr*gs r bad a couple weeks from now & expect it to be a lot better than what we got here. Excluding both freestyles & the outro, it sounds like he’s getting ready to let the world know how much of a student he is of this shit.

Score: 3/5

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Babytron – “Out on Bond Again” review

New surprise mixtape & the 12th overall from Detroit emcee Babytron. Coming up as a member of the ShittyBoyz along with his childhood friends Stanwill & TR Dee signing to Lando Bando’s own The Hip Hop Lab Records, he also branched out on an impressive solo career for himself as well as the side groups Lewis & Clark and the Dookie Brothers. But the last couple years was probably his biggest yet landing interviews ranging from No Jumper to even Rolling Stone following the release of Luka Trončić until signing with EMPIRE Distribution later that same month & Bin Reaper 2: The 2nd Coming that same fall. Bin Reaper 3 ended the trilogy with a 2-disc effort, the bootleg Style EP wound up being disappointing & the full-length LP 6 made up for it as did Megatron 2. His collab mixtape Mario & Luigi with Certified Trapper wasn’t all that great either, Tronicles was cool, Luka Trončić 2 did a solid job of recapturing the energy of the original & now he’s Out on Bond Again only 24 hours away from former 3-time WWE women’s world champion AJ Lee ending Becky Lynch’s 2nd reign as WWE Women’s Intercontinental Champion at Elimination Chamber XVI.

The title track sets it all off with a Detroit trap beat talking about recently getting caught with a controlled substance in Atlanta, Georgia whereas “Barkin’” includes a line about juggalos, alluding to the fact that Motown Rage fronted by his dad Mr. Sadistic was signed to Psychopathic Records almost 2 decades earlier. “2026” references former The Crash Mundial Pesocompleto Campeon & NXT Tag Team Champion Cinta de Oro leading into “JJ” talking about being a self-made millionaire.

Rio da Yung O.G. joins Tron for “911” produced by Danny G to spit some of that gangsta shit while “USA” talks about visiting almost every state in the country. “Tell Me” makes a reference to both former 17-time WWE world champion, WWE Intercontinental Champion, 5-time WWE United States Champion & 4-time WWE tag team champion John Cena and former CWA Heavyweight Champion, 6-time NWA World’s Heavyweight Champion, WWE Hall of Famer, 6-time WWE world champion, 3-time WWE United States Champion, 6-time WWE Intercontinental Champion, WWE Tag Team Champion, TNA Wrestling co-founder & AEW’s current Director of Business Development Jeff Jarrett.

“Geek Time” featuring 1900Rugrat finds the 2 decently trading a handful of brief verses with one another while “Curtis Granderson” reaches the halfway point experimenting with a funkier vibe instrumentally talking about taking anyone’s money if they’re giving it away. “Goldeneye” refers to one of the greatest Nintendo 64 games of all-time while “iCarly” featuring BLP Kosher displays their chemistry with each other over a Pi’erre Bourne beat, including a reference to WWE Hall of Famer Mike Tyson’s fight against former WWE United States Champion Logan Paul’s brother Jake.

Jorjiana appears on the single “Carhartt” talking about their experiences of being Michiganders but once “Offset” combines a cloudy backdrop & some 808s explaining that one’s life would be the cost of fucking with the Dog $hit Militia at large, “Say No to Drugs” hops over an uncanny Jakesand instrumental talking about people living in the past because of discontent regarding their lives in the present day & suggesting those who ain’t benching enough to get their weight up.

“Rice Street” featuring Scatz trades the mic back-&-forth with each other for the entirety of a singular verse referencing WWE Hall of Famer, 7-time WWE world champion, 7-time WWE tag team champion, WWE Hardcore Champion & current Lucha Libre AAA Worldwide (AAA) booker The Undertaker alongside WWE Hall of Famer, former SMW Tag Team Champion, 3-time WWE world champion, 2-time WWE Intercontinental Champion, 12-time WWE tag team champion & WWE Hardcore Champion Kane a.k.a. former 3-time WWE tag team champions The Brothers of Destruction while “Wondering” asks himself who’ll be there when shit gets sticky. “IDK?” ends the tape with him confessing to the uncertainty regarding of how he’ll pass.

The original Out of Bond extended play is widely considered by many Babytron fans to be the weakest entry across his entire discography & the sequel makes some slight improvements above it’s predecessor although I wouldn’t put it in the same category as Luka Trončić or the Bin Reaper trilogy. There are only a couple guests that I could’ve done without, but I’d love to hear Danny G or Jakesand produce an entire body of work for him since I feel like they’ve always been able to bring the best out of him & I appreciate that it’s a bit shorter than some of Tron’s latest output.

Score: 3.5/5

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Curren$y & Larry June – “Spiral Staircases” review

This is a new collaborative EP between New Orleans, Louisiana rapper, songwriter & record executive Curren$y as well as Vallejo, California rapper & songwriter Larry June. Both of whom began their careers 2 decades ago each, crossing paths on a number of tracks in recent years like “Sunday Morning Drive” or “Vintage Haze” to name a couple. They’re also known for their own individual projects produced by one of my top 10 producers of all-time The Alchemist, who’s bringing them together to walk up a set of Spiral Staircases.

“Stars on the Roof” opens up with a rap rock instrumental talking about how real shit gets & the streets making them move at a different speed whereas the only single “Everything Allocated” goes for a boom bap direction referencing WWE Hall of Famer Koko B. Ware. “Drive Alone” brings a drumlessly jazzy vibe to the table talking about feeing high & low leading into the title track discusses their player statuses.

The song “Palo Santo” smoothly starts the final leg of Spiral Staircases looking back at going from chasing their freedoms to taking the money & fame while “2.P.I.G.” brings the boom bap vibes back 1 last time suggesting to focus on winning since no one will save you. “Empty Pages” featuring The Alchemist however sends off the EP with all 3 of them spitting hardcore verses without the need of a hook over a soul sample playing the game hard to the max.

Sucks we won’t ever get a sequel to Fetti because of Freddie Gibbs having beef with Curren$y for some reason but as much as I enjoyed Life’s Beautiful with 2 Chainz a little over 12 months ago, I’d have to prefer Spiral Staircases between the 2 collaborative efforts. Alchemist’s drumless jazz rap production compliments Spitta & Larry June’s calm flows whilst both of them hit us with a chemistry that makes the most absolute sense.

Score: 4.5/5

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DaeMoney – “Slae Season IV” review

Detroit trap star DaeMoney returning for his 4th studio LP. Coming up as the nephew of one of the 2 biggest artists in the city right now Babyface Ray as well as a now former member of the WRLD Tour Mafia collective, he broke out on his own by dropping his debut mixtape Young Sexual Misconduct & his debut EP Slae Season accompanied by his 2nd EP Rockstar Lifestyle & then his previous tape Slae Season 2. Slae went on to sign to EMPIRE Distribution a few summers ago & celebrated in the form of his most recent EP Slayer’s Coming fully produced by Trees shortly after as well as a 3rd installment of the Slae Season trilogy & a sequel to Rockstar Lifestyle. He was surprisingly dismissed from WRLD Tour in 2024 due to scamming through Slam A Slut Records, coming off the last LP The Godson & the Slayer’s Revenge mixtape continuing the Slae Season saga.

“Training Day” begins with a cloudy take on the Detroit sound talking about people coming around with him looking like Ethan Hawke’s character in the classic Denzel Washington crime thriller of the same name whereas “Hero < Villain” works in some bells, synths & 808s flexing that the shit he does is rare compared to anyone else. “Wassup” moves forward talking about having too much sauce & advising not to ask how much it costed him leading into Allstar JR joining Slae to post up “On 7 Mile”.

Babytron helps make things up on “Heat” saving the best Detroit trap collaboration for last continuing the streak of crossovers they’ve had previously like “Earned It” or of course “Mafia & Militia” just before “Sick & Tired” expresses his frustrations towards people throwing lies on his name. “Blessing” starts the 2nd half incorporating some sampling chops talking about how he doesn’t snitch because he was raised differently leading into “Right Now” going for a somewhat tropical approach telling us where his heart’s at currently.

“Ecstasy” blends some piano chords with hi-hats talking about the love of his life while “M.I.L.E.” suggests all of his young homies to get out the streets after learning it’s not worth staying there. “I Meant It” has a more exuberant trap vibe talking about being in the mob for real & once “Yours Truly” spends a couple minutes to spit a verse off the top talking about being WRLD Tour forever despite not appearing on their output these past couple years, the closing track “Pain” sends it all off confessing he went insane after losing his money & people.

Slayer’s Revenge was probably the most conscious that DaeMoney has ever gotten lyrically & although I liked it more than The Godson, I felt like there was no way that Slae Season IV would be worse than either of those considering how beloved the other 3 installments are & thankfully I can say it’s Slae’s since Rockstar Lifestyle 2. The production healthily balances the Detroit sound & cloud rap mixing the signature gangsta raps that he’s become known for with some of the same maturity we got from him a few weeks ago.

Score: 4/5

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RMC Mike – “Lover Boy Mike” review

Brand new EP & the 5th overall from Flint, Michigan recording artist RMC Mike. Signing a joint deal with Rio da Yung O.G. & Peezy’s own labels M.I.N.E. Entertainment & #Boyz Entertainment alongside EMPIRE Distribution, his first couple EPs Rookie Season & Sophomore Season established himself as in the Detroit trap scene until his full-length studio debut Junior Season elevated it further. Ghetto Season was a good debut & the sophomore effort Senior Season left me on the fence, boasting after a trip to The 6 that nobody can do it Like Mike & now introducing us to Lover Boy Mike.

“Clap Back” sets up shop with a lowend beat talking about smashing from behind & that he acts fat despite not being all that big whereas “Fine Shit” featuring Rio da Yung O.G. embraces the Flint sound fully so they can big up how beautiful the women beside them are. “S.T.A.B. (Shake That Ass Bitch)” comes through with a quirky Flint trap anthem catered towards the strip clubs while “Lil Booties Matter” talks about his appreciation for females who’s asses aren’t the biggest.

To get the 2nd half going, “Is We” featuring Louie Ray confronts the ladies in mind to ask if they’re officially in relationships or if they’re being played just before “Slow” featuring Jiggs Ent & Tiera Santoya cloudily finds the trio getting raunchy. “Where They At” instrumentally takes a more boisterous approach talking about him looking for hoes & after “Punch In” featuring Rio da Yung O.G. improves above “Fine Shit” to let their back-&-forth chemistry shine, “Kensington” combines pianos & 808s to end the EP so he can boast that he’s the one.

I don’t see myself coming back to Lover Boy Mike as much as The 6 or Like Mike considering both of those have quickly become amongst his most celebrated material as of late, but I have to give it up to RMC Mike for making an entire extended play themed around his sensual side in preparation for Valentine’s Day weekend. Even if a couple of the guests punched under their weight, Mike keeps his wild sense of humor in tact & the Flint/Detroit trap production’s more luscious than usual.

Score: 3/5

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Your Old Droog – “YOD Serling” review

Ukrainian-American lyricist Your Old Droog’s dropping off his 11th EP albeit the 2nd & final one in 2025. Breaking out through his self-titled debut, many actually first thought he was an alter ego of Nas given that their voices are somewhat similar. He eventually became a legend in his own right off later projects such as Packs as well as It Wasn’t Even Close, TIME & the Nicholas Craven-produced YOD Wave. I didn’t think YOD Stewart, Yodney Dangerfield, The Yodfather & The Shining were as great in my opinion although they most certainly had their highlights & Movie the summer prior became a depiction of his life on wax. 4 whole weeks since anything‘s possible & YOD Serling has arrived only less than a week away from Christmas.

“Suspects” produced by Edan begins by chopping up a chipmunk soul sample so YOD can vividly tell the story of a robbery taking place & after “Pitstop” takes the boom bap route instrumentally talking about still enjoying the simpler things whenever he question why he came back in town, “Ghostwriter” goes drumless thanks to Edan once again recalling an artist who reached his apex & went on to use ghostwriters.

The song “Victims of the Streets” runs it back with Edan for the last time continuing to show off the latter’s ear for sampling & Droog remembers those who lost their lives in the hood because of poverty while “Freekazoid” sends off the EP going for a rugged boom bap vibe thanks to K-Nite 13 referencing the underrated mid-90s animated series Freakazoid! owned by Warner Bros. & Amblin Entertainment.

Originally announced in May of 2017, it could be considered a Christmas miracle by people like me who’ve been closely paying attention to Your Old Droog since my senior year of high school when his eponymous debut was made that YOD Serling has finally arrived & come to prefer it more than anything’s possible. 60% of the production preludes YOD’s next full-length set to be entirely produced by Edan & the lyricism focuses more around his abilities to tell stories.

Score: 4/5

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Skyzoo – “Views of a Lifetime” review

Brand new extended play & the 6th overall from Brooklyn, New York veteran Skyzoo. Emerging in the underground off the 9th Wonder produced Cloud 9: The 3 Day High, he continued to make a name for himself with a consistent discography. Highlights include The Salvation, the !llmind produced Live from the Tape Deck, A Dream Deferred, Music for My Friends, the Apollo Brown produced The Easy Truth, In Celebration of Us & my personal favorite: the Pete Rock produced Retropolitan dedicated to his home state. All the Brilliant Things built itself around gentrification & The Mind of a Saint was dedicated one of my favorite shows Snowfall, coming off the Old Soul Music-backed Keep Me Company to discuss the Views of a Lifetime.

“Tags at the Moma” produced by Camoflauge Monk talks about scheming for 20 cans a day over a boom bap instrumental whereas “Pardon Me” flexing that he was cut from a more Godly cloth. “The Wager” takes a drumless approach thanks to Cartune Beatz asking for the specifics of a bet & once “Sky is Like” homages one of Nas’ greatest singles ahead of Light-Years next weekend, “Devotion” talks about finishing the school of hard knocks with honors over a crooning Conductor Williams beat.

Thelonious Martin jumps behind the boards for “Love Day” incorporating a flute & a soul sample comparing himself to Gil Scott-Heron wearing a Carmelo Anthony jersey while “Hope & Pray” takes a few minutes talking about wishing nothing but the best for the person he has mind. “The Soloist” blends jazz rap & boom bap courtesy of The Other Guys suggesting he might be better off by himself while “Half Bloom” strips the drums talking about taking on more than he had to.

Picking up where Keep Me Company left off last Black Friday, this new extended play 53 weeks later deals with looking back on what was after you’ve settled into this new world of the growth Skyzoo’s last album explored & I’d actually say I’d prefer Views of a Lifetime over it’s predecessor. I feel like the production’s stronger & the 1st Generation Rich Inc. founder reflects on how his previous life has changed drastically & it got him where he is currently.

Score: 4.5/5

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