Westside Gunn – “Heels Have Eyes III” review

Buffalo, New York emcee, songwriter, entrepreneur, curator & professional wrestling promoter/booker Westside Gunn celebrating Halloween with the final chapter of the Heels Have Eyes trilogy. Proving his legend status & that he’s a force to be reckoned with all in nearly a decade whether it be running one of the hottest hip hop labels in recent memory to his first 2 full-lengths FLYGOD & Supreme Blientele. The success of the 4th Rope independent professional wrestling circuit has included 2-time RoW Heavyweight Champion Zilla Fatu becoming the inaugural 4th Rope Heavyweight Champion carrying on the legacy of his late father in former AJPW世界タッグ王座, FMWハードコアタッグチームチャンピオン and 2-time WWE Intercontinental Champion Umaga as well as former 2-time WWE Cruiserweight Champion Real1 becoming the inaugural 4th Rope Flyweight Champion and even the current 4-time TNA World Tag Team Champions The Hardy Boyz becoming the inaugural 4th Rope World Tag Team Champions, following up Heels Have Eyes II with Heels Have Eyes III instead of FLYGOD is an Awesome God III.

“Free Rolleys” featuring Benny the Butcher & produced by CG after an intro from former JCW World Juggalo Heavyweight Champion Joshua Bishop begins with a boom bap instrumental & Benny dissing Freddie Gibbs whereas “Mankind” featuring Stove God Cook$ references WWE Hall of Famer, former 3-time WWE Champion, 11-time WWE tag team champion, the inaugural WWE Hardcore Champion, CWA World Tag Team Champion & TNA World Champion Mick Foley over a soulful Daringer beat.

We have Westside Gunn over a boom bap instrumental with strings during “Eddie Bauer” shouting out the titular outdoor recreation brand just before “Tito Santana” featuring Rome Streetz gives their flowers to the WWE Hall of Famer, former ECW World Heavyweight Champion, 2-time WWE Intercontinental Champion & 2-time WWE Tag Team Champion of the same name. The pianos Denny LaFlare works in during “Tiffany Blue” suit the Halloween timing & West lets off some insane rhyme schemes.

“R-Truth” salutes the former 2-time NWA World’s Heavyweight Champion, 2-time NWA World Tag Team Champion, TNA World Tag Team Champion, 2-time WWE United States Champion, 2-time WWE Hardcore Champion & 2-time WWE tag team champion who recently made his foray into country music this summer while “Babas” gives off a lo-fi boom bap vibe instrumentally referencing WWE Hall of Famer, 2-time WWE Champion & WWE Tag Team Champion Bob Backlund.

After the “Grey St.” interlude, the final song “Gus Smacker” featuring Brother Tom Sos provides a taste of what’s to come from the latter’s upcoming debut album in 2026 teaming up over this jazzy beat talking about how some people need to be using common sense & an outro from former JCW World Juggalo Heavyweight Champion Joshua Bishop is what officially ends the Heels Have Eyes trilogy tying things up the way he started it only 25 & a half minutes earlier.

The insert of the Heels Have Eyes III states that FLYGOD is an Awesome God III will be released “soon” & whether that be within the next couple months or sometime the following year, Westside Gunn carries on his tradition of celebrating Halloween concluding what he started during WrestleMania XLI weekend curating 25 & a half minutes of the mafioso rap he’s become celebrated for with the production going from boom bap to jazz rap & drumless.

Score: 4/5

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Jay Worthy – “Once Upon a Time” review

Here is the double full-length studio debut from Vancouver, British Columbia, Canada born albeit Compton, California raised emcee Jay Worthy. Coming on my radar in 2017 after The Alchemist produced his debut EP Fantasy Island from top to bottom, he would go onto drop 5 more EPs & a fantastic collab album with Larry June called 2 P’z in a Pod even though initial plans of putting it out through Griselda Records fell through for whatever reason. Harry Fraud produced You Take the Credit, We’ll Take the Check & DJ Muggs did What They Hittin’ 4 to significant acclaim, but the Roc Marciano-produced Nothing Bigger Than the Program was still good despite having too many features & the DāM-FunK produced Magic Hour improved on that as did The Tonite Show 2 entirely produced by DJ Fresh last fall. Almost a decade in the making however, Once Upon a Time has finally arrived.

After the “Beginning” intro, the first song “‘96 Big Body” gets the ball rollin’ with a smooth ass beat recalling the days when he was driving around in this fresh whip 3 decades earlier whereas “The Only 1” featuring Kamaiyah works in a Mobb beat from Cardo addresses those who thought they were the only pimps around. “For the Homies” produced by DJ Quik sends a shoutout to all of those in their lives who can’t be here leading into the g-funk heavy “Rekkless” looking back at his youth.

“Open Minded” instrumentally reminds me of something The Neptunes would’ve produced in the early/mid 2000s praising his girl for keeping that exact type of mentality while “From the Jump” featuring E-40, Jim Jones, Ohgeesy & Wiz Khalifa brings the quintet together over a DJ Fresh beat or Harry Fraud on the remix talking about how long they’ve been putting it down. “Dark Tints” featuring 03 Greedo strips the drums thanks to Conductor Williams refusing to stop what they started while “Famous Players” slickly gets in his pimp bag.

As for “Tides”, we have Jay Worthy on top of a drumlessly summery instrumental with lyrics about wanting a woman that he’s never even met by his side while “Bellagio” featuring Conway the Machine charismatically flexes of making music for the famous Las Vegas, Nevada hotel of the same name. “Choosing Shoes” featuring Boldy James keeps the drums out the equation painting imagery of the gangsta lifestyle while “2P’z” featuring Larry June recaptures the aura of their 2022 collab effort.

“True Story” featuring Ty$ starts the final moments of Disc 1 by touching on some real life shit over a Hit-Boy beat while “The Outcome” featuring Ab-Soul, Dave East & Westside Gunn unites the quartet for a 4 & a half minute barfest accompanied by a sample-heavy beat that The Alchemist cooked up real realizing that this is the very moment where he & guests should observe the results. “Jive 95” featuring Bun B & Spice 1 after the “Skrappordie” interlude opens Disc 2 to go by the cheat code while “Daytons” featuring Mack 10 gives a fuck you to all of the haters they have.

Wallie the Sensei joins Worthy for the Mobb-inspired “Know My Worth” waking up to the money since they don’t know if being broke or dead is worse while “Escape from LA” featuring B-Legit & Jay 305 comes together for a Bay Area tribute. “Sake” featuring Curren$y talks about feeling more like they’re vacation rather than being on the run while the drumless “Blade Runner” featuring Roc Marciano refers to themselves as big game hunters.

“I’ll Be Fine” featuring Vicasso hops over a g-funk beat to talk about their diametric approach to making music while the funky “Gang Shit” reunited with DJ Muggs so he can admit that he doesn’t like stunt because of his humbleness. “Bix in the Morning” featuring Ice-T heavily samples “6 ‘N tha Mornin’” for a generational gangsta rap crossover while “P-Funkentelechy” sends a love letter to Parliament-Funkadelic.

The track “Angel Dust” starts Once Upon a Time’s final act with a psychedelic Thundercat instrumental talking about PCP while the jazzy “Worthy vs. Getty” recalls a story that occurred in 2003. Prior to the “End” outro however, “Runnin’ Outta Time” is what officially finishes responding to people who think they know him by saying that he doesn’t recognize them from his hood with Terrace Martin playing piano.

Although What They Hittin’ 4 still remains my personal favorite entry in Jay Worthy’s discography, there’s absolutely no doubt in my mind that the 30 song & almost 90 minute Once Upon a Time sticks out as the most star-studded musical opus he’s ever conceived. Bridging the east & the west coast with its admirably versatile guest list, the production mostly takes its cues from the westside to cohesively tell a story of authentically resilient ambition.

Score: 4.5/5

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Westside Gunn – “Heels Have Eyes II” review

This is the 13th mixtape from Buffalo, New York emcee, songwriter, entrepreneur, curator & now professional wrestling promoter after forming the 4th Rope independent circuit promotion Westside Gunn. Proving his legend status & that he’s to be a force to be reckoned with all in nearly a decade whether it be running one of the hottest hip hop labels in recent memory to his first 2 full-lengths FLYGOD & Supreme Blientele. The success of the 4th Rope promotion has included 2-time RoW Heavyweight Champion Zilla Fatu becoming the inaugural 4th Rope Heavyweight Champion carrying on the legacy of his late father in former AJPW世界タッグ王座, FMWハードコアタッグチームチャンピオン and 2-time WWE Intercontinental Champion Umaga as well as former 2-time WWE Cruiserweight Champion Real1 becoming the inaugural 4th Rope Flyweight Champion and even the current 4-time TNA World Tag Team Champions The Hardy Boyz becoming the inaugural 4th Rope World Tag Team Champions, releasing a sequel to Heels Have Eyes.

“Heel Cena” after the “Bommes des Garçon” intro references 17-time WWE world champion, 4-time WWE tag team champion & 5-time WWE United States Champion John Cena’s short run as a heel over a vintage boom bap instrumental from CG whereas “Amira Kitchen” featuring Brother Tom Sos jazzily talking about everything working because God said it would. “Powerhouse Hobbs” featuring Benny the Butcher has to be one of the the grimiest moments here thanks to Denny LaFlare giving a nod to the current AEW World Trios Champion & former AEW TNT Champion alongside former 2-time AEW International Champion Will Ospreay leading into Conductor Williams sampling “Can You Lose by Following God” by Johnnie Frierson for “Mandela” & FLYGOD flowing all over it.

Stove God Cooks joins Westside Gunn on the Harry Fraud-produced “Brikolai Volkoff” referencing none other than the late WWE Hall of Famer & former WWE Tag Team Champion Nikolai Volkoff while “Aunt Gina” featuring Skyzoo dedicates itself to all type of people that they know from those in prison to brick movers. “Glowrealah” gives off a hypnotic boom bap vibe talking about possibly getting him a country chick just before “Prick” featuring Brother Tom Sos kicks the pianos back in effect talking about seeing dope fiends & broken dreams.

The song “Demna Left Balenci” begins the final leg of Heels Have Eyes II with DJ Muggs chopping up a soul sample & a bar referring to another current AEW World Trios Champion & former 2-time AEW TNT Champion Samoa Joe in addition to his reign as AEW World Champion while “Blow Hendry” featuring MIKE drumlessly references former TNA World Champion & the longest reigning TNA Digital Media Champion Joe Hendry, whom I had the pleasure of meeting at Astronomicon 8 this spring. The tape finishes with a sequel to the “Love U” interlude off Hitler Wears Hermes VII being used as an outro this time.

In no way am I trying to discredit the projects that followed Hitler Wears Hermes X because I enjoy And Then You Pray for Me for his attempt at experimenting with trap & Hitler Wears Hermes XI this past Valentine’s Day even if I still maintain that it felt more of a Peace FLYGOD sequel, but Heels Have Eyes II contains some of Westside Gunn’s greatest performances since what was originally the concluding chapter of his infamous mixtape series that continues today going back & forth between drumless & boom bap production with 5 other guests whose pen-games are individually unparalleled.

Score: 4.5/5

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Boldy James & Rome Streetz – “Manhunt” review

Griselda Records signees Boldy James & Rome Streetz teaming up for a brand new collaborative EP. One of whom hails from Detroit, Michigan & the other was born in London, England, United Kingdom albeit raised in Brooklyn, New York. We’ve gotten hear both of these guys cross paths on several instances over the years on tracks like “Open Door” or “Serving”, but they’re looking to go on a Manhunt with one another as a way of elevating their chemistry.

After the intro, the first song “Hot Plate” works in a drumless sample to start the EP talking about everything they touch being high grade whereas “Like Biggie Did” takes the chipmunk soul route instrumentally becoming richer than ever after betting it all. “Tricky” is a Rome Streetz solo cut with a boom bap flare speedin’ in an AMG because of the wave he caught while “Only 1” soulfully talks about God knowing their come up wasn’t easy for them.

“Cheat the Grind” by Boldy James produced by Chuck Strangers could’ve been an outtake from Token of Appreciation & I wouldn’t mind if that’s the case at all as a a fan of that album, advising that the hustle cannot be cheated & the title track finishes up the EP with both of them getting together 1 last time for a mafioso heater about everyone else not having the drive they possess.

2 of the most consistent artists in the GxFR camp these recent years have joined forces coming off Trainspotting & Late to My Own Funeral respectively for an EP full of drumless chipmunk soul & hardcore gangsta lyricism enhancing the speed they’re individually known for running circles around. Boldy James & Rome Streetz have always been deadly MCs separately & combining them makes it significantly lethal.

Score: 4/5

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Keisha Plum – “Trouble” review

Buffalo, New York spoken word artist Keisha Plum now based in Atlanta, Georgia releasing her 2nd EP & the first in almost a decade. Notable for her spoken word poetry that you can easily find on a plethora of Griselda Records projects in the past decade of them taking over the underground, some may not know of her putting out an EP of her own in the spring of 2016 called Tears of Honey & is dropping Trouble only 48 hours after Benny the Butcher’s newest mixtape Summertime Butch 2.

“P.P.P. (Peaches, Plums, Pineapples)” was a soulful intro talking about being in tropical paradise & suggesting to look deep into her eyes to see the villain in her whereas “W.W.G.D. (What Would Griselda Do?”) answers the titular question over a chilled out instrumental by reaffirming that they’ll fire the sticks first before they shoot you. “All Blvvdy” moves on from there talking about leaving crisp White Forces covered in blood prior to the jazzy “Write Something” instrumental interlude.

Starting the 2nd half of Trouble, “AK Spray” gives me a grandiose vibe instrumentally to talk about being a Goddess by day & her poetry hitting y’all like an assault rifle while “Lamboramo” works in an orchestral sample admitting that Lil’ Kim of the Junior M.A.F.I.A. used to be her role model when she was younger & desiring a purple colored Lamborghini. The title track closes the EP with heavy pianos talking about her doing well these days knowing a few people she considers Lucifer in jest.

Trouble comes only 7 & a half months since that posthumous DMX spoken word EP Let Us Pray: Chapter X last winter & despite Warryn Campbell’s production on the latter being superior in comparison, there’s no question that Keisha’s recap on the past quarter of a century recalling the pain & struggle she endured is more appreciable giving hardcore Griselda fans a little of her story completely resetting herself in the process.

Score: 4/5

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Benny the Butcher – “Summertime Butch 2” review

Here is the 18th mixtape from Buffalo, New York emcee Benny the Butcher. Being in the game for 2 decades already, it wouldn’t be until 2016 where he alongside his cousins Westside Gunn & Conway the Machine would take the culture by storm off projects like Tana Talk 3 & The Plugs I Met. Harry Fraud came in for a sequel to the latter following the mature Burden of Proof & finally, Tana Talk 4 took it back to the basement a couple years back. We got Summertime Butch last August & only a couple months following Excelsior, a sequel to Summertime Butch has arrived.

“Jasmine” featuring Westside Gunn was a drumless opener immediately after the “Summer Feelin’” intro talking about the state of rap being the same since 2Pac got killed almost 3 decade ago over a Daringer beat only 4 days after West performed during the AEW World Tag Team Champions The Hurt Syndicate’s entrance at All Out IV last Saturday during their defense against JetSpeed & former AEW World Trios Champions The Patriachy whereas “Hood on Fire” featuring Bruiser Wolf finds the 2 coolin’ down their respective streets after they started getting hot.

Benny rubs his success in the faces of all his detractors on “Told You So with a Mike WiLL Made-It instrumental backing him & after the “Where’s Butch?” skit, “Summer ‘25” orchestrally boasts that you can find him outside. G Herbo joins Benny on the cloudy trap crossover “Why Would I?” wanting to find a reason for forgiving the people who’ve switched up on them as their popularity in music continued to grow just before “77 Club” keeps giving the middle finger to naysayers calling him washed talking about the analytics never lying.

“Gold Plated Leica” featuring O.T. the Real brings the pair together to flex their dope line from Pittsburgh to Austin while “In the Wall featuring Bun B gets back on the trap vibes thanks to Cory Mo talking about having drug money for everyone. “Pandoras” featuring Duckman & Elcamino begins the last 5 minutes or so of Summertime Butch 2 with the trio bringing up the fact B$F’s been making the whole rap game play follow the leader all decade up to this point trying to save a few regardless of the Everybody Can’t Go lesson while “Lo Lo’s” sends off the tape with a Bink! heater advising to trust what you see & let your eyes be the proof.

The original Summertime Butch EP still remains the most polarizing entry in Benny’s discography over 11 months since it initially came out because a large crowd of people felt like he was on autopilot that whole time, but Summertime Butch 2 clears both the predecessor & Excelsior as a result of more consistency within the production & a tighter list of guests compared to the previous EP he gave us over a couple months ago.

Score: 4/5

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Rome Streetz – “Trainspotting” review

London, England, United Kingdom born & Brooklyn, New York raised lyricist Rome Streetz enlisting Conductor Williams for his 10th studio LP. Emerging in 2016 off his debut mixtape I Been Thru Mad Shit, this was followed up by a plethora of projects with the most notable being the Noise Kandy tetralogy & Headcrack. These past couple years however we’re probably his biggest ones yet, as he dropped some of the best work of his career from the DJ Muggs-produced Death & the Magician or the Futurewave-produced Razor’s Edge to the Ransom-assisted collab effort Coup de Grâce & the Griselda Records deal that followed. His debut with the Buffalo powerhouse Kiss the Ring alongside the Big Ghost Ltd.-produced Wasn’t Built in a Day both made the top 10 spots of my last couple Best Of lists & Hatton Garden Holdup produced by Daringer became a flawless spot in my top 5 of 2024 last winter. Mass Appeal Records in the midst of their upcoming 7 album series has locked in with both GxFR acts to go Trainspotting.

“Andre Agassi” sets the tone with a gully boom bap instrumental making reference to one of the greatest tennis players of all-time whereas “M*A*S*H” homages the Paramount Skydance Corporation-owned CBS sitcom of the same name holding the record for the most-watched series finale of any TV show. “Runny Nose” dustily gets in his pyrex bag talking about moving weight until “Ricky Bobby” featuring Method Man takes it’s name after the main character of the classic film Talladega Nights.

Meanwhile on “Blood in Boogers”, we have Rome running more laps around the whole game lyrically maintaining the traditional boom bap sound instrumentally while the single “Rule 4080” reiterates what A Tribe Called Quest taught everyone 3 decades ago. “Died 1,000 Times” aquatically suggests to stack more instead of spending the income quickly just before “Heartbreaker” chops up a soul sample to talk about breaking another hearts once again.

“10 Toes” featuring Jay Worthy psychedelically unites the pair to discuss their commitment to the game leading into “Connie’s Revenge” talking about putting your favorite rapper’s neck on the chopping blocks. “99 Attributes” soulfully gears up to smoke whole entire record labels comparing his bars to coke while “Joe Pesci” makes comparison to the actor & best friend of Robert De Niro in the Martin Scorsese classics Goodfellas, Casino & The Irishman.

The song “Electric Slide” works in a slickly drumless rap rock vibe talking about being in the best form he’s been at in his whole entire career & pushing the output in his discography to prove it, but then “Resource Room” finishes Trainspotting with a woozily jazzy reminding everyone that he’s been on for a grip & I can certainly confirm since I started reviewing him when Joyeria came out on my 23rd birthday 6 years ago already.

Verifying the reality of Rome being on the grasp of fully realizing his potential, Conductor directs the Trainspotting trip & it pushing him closer to a space where when spirited debates around “top 10 MCs lists” are being held. The Heartbreakers member’s production is heavily rooted in the boom bap sound with secondary influences of jazz rap, drumless & rap rock to make Rome’s distinct fashion of putting rhymes together the backdrop they couldn’t deserved more.

Score: 4.5/5

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Benny the Butcher – “Excelsior” review

Buffalo, New York emcee Benny the Butcher returning after 9 months for his 9th EP. Being in the game for 2 decades already, it wouldn’t be until 2016 where he alongside his cousins Westside Gunn & Conway the Machine would take the culture by storm off projects like Tana Talk 3 & The Plugs I Met. Harry Fraud came in for a sequel to the latter following the mature Burden of Proof & finally, Tana Talk 4 took it back to the basement a couple years back. Coming off having Hit-Boy produce half of it & leaving the other half to The Alchemist produce his Def Jam Recordings debut Everybody Can’t Go along with both Summertime Butch & Buffalo Butch back-to-back, Excelsior’s looking to refine the styles of those predecessors.

After the “Corner” intro, the first song “I’m the Program” is this symphonic boom bap opener suggesting you gotta laugh at life sometimes whereas “Sign Language” works in a vocal sample thanks to Harry Fraud living in the moment since too much going on. “$ & Power” featuring Skylar Blatt dabbles with trap courtesy of Daringer wanting those 2 things while “Duffel Bag Hottie’s Revenge” featuring Boldy James talks about the B$F artist currently behind bars. “Toxic” featuring Styles P returns to the boom bap to unite the Butcher with the Ghost until “B$F” featuring Fuego Base & Sule ends by repping their set.

With Excelsior, Benny continues to cement his place as one of the most important & vital voices in hip hop today continuing his evolution becoming reactivated in summertime mode with the streets watching & the culture listening. Some have jumped off the porch early & understood the game instantly, others took a lil time & some needed their hand held in every aspect and was only good at riding coattails. Then you have got people like him who’re The Chosen Few.

Score: 3.5/5

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Westside Gunn – “Heels Have Eyes” review

Here we have the 7th EP from Buffalo, New York emcee, songwriter, entrepreneur, curator & now professional wrestling promoter after forming the 4th Rope independent circuit promotion Westside Gunn. Proving his legend status & that he’s to be a force to be reckoned with all in nearly a decade whether it be running one of the hottest hip hop labels in recent memory to his first 2 full-lengths FLYGOD & Supreme Blientele. The success of the 4th Rope promotion has included 2-time RoW Heavyweight Champion & current HoG Crown Jewel Champion Zilla Fatu becoming the inaugural 4th Rope Heavyweight Champion carrying on the legacy of his late father in former AJPW世界タッグ王座, FMWハードコアタッグチームチャンピオン and 2-time WWE Intercontinental Champion Umaga & even the current 3-time TNA World Tag Team Champions The Hardy Boyz becoming the inaugural 4th Rope World Tag Team Champions, putting together a joint pay-per-view with the Brett Lauderdale-owned deathmatch promotion Game Changer Wrestling (GCW) called For the Culture that will be taking place in Las Vegas tonight ahead of WrestleMania XLI live on the Comcast Corporation subsidiary NBCUniversal-owned streaming service peacock, surprise-releasing Heels Have Eyes to coincide with it.

After the “Fishscale Friday” intro, the first song “Einstein Kitchen” produced by CG is this piano-based boom bap opener taking y’all to the spot where the rhymes are cooked leading into the drumless “Goro” that Harry Fraud laced admitting that he had to go back inside the kitchen so he can go to SummerSlam XXXVIII in August that’ll mark the 1st to take place across 2 nights. “Davey Boy Smith” returns to the boom bap thanks to Denny LaFlare homaging the late WWE Hall of Famer, former WWE Intercontinental Champion, 2-time WWE Tag Team Champion & 2-time WWE Hardcore Champion of the same name & the closer “Egypt” featuring Doechii on the remix soulfully references former ROH World Television Champion, NXT Champion & 3-time WWE tag team champion Tommaso Ciampa.

In what’s already been a huge week for professional wrestling with WrestleMania along with AEW Dynamite outliving WCW’s Monday Nitro as Discovery Global’s longest running wrestling show in spite of WWE Hall of Famer & former 3-time WCW Hardcore Champion Eric Bischoff, West drops off a quick 10-minute EP to warm everyone up ahead of 4th Rope’s biggest event yet with the east coast hip hop styles that’ve made GxFR so beloved in the past decade & one that I might like more than the EP he put out 5 months ago. The production balances boom bap, drumless, a hint of jazz rap & chipmunk soul fluidly on top of the iconic curator handling the vocal performances solely by himself in contrast to having a bunch of guests on it.

Score: 4.5/5

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Westside Gunn – “Hitler Wears Hermes XII” review

Buffalo, New York emcee, songwriter, entrepreneur, curator & now professional wrestling promoter after forming the 4th Rope independent circuit promotion Westside Gunn continuing the Hitler Wears Hermes series with his 12th mixtape & the 12th installment overall. Proving his legend status & that he’s to be a force to be reckoned with all in nearly a decade whether it be running one of the hottest hip hop labels in recent memory to his first 2 full-lengths FLYGOD & Supreme Blientele. Initially set to come last month, the 12th chapter is here ahead of joint pay-per-view between 4th Rope & Game Changer Wrestling (GCW) called For the Culture taking place in Las Vegas during the same weekend as WWE’s WrestleMania XLI live on the Comcast Corporation subsidiary NBCUniversal streaming service peacock.

After the “Michelle World” intro, the first song “Boswell” featuring Estee Nack & Stove God Cook$ is this 5-minute boom bap opener dropping hardcore lyricism including a reference to the current ROH World Tag Team Champion & ROH World 6-Man Tag Team Champion Dustin Rhodes leading The Sons of Texas faction in AEW/ROH over a sample provided by Denny LaFlare whereas “Adam Page” featuring Stove God named after the former AEW World Champion, AEW World Tag Team Champion & 2-time ROH World 6-Man Tag Team Champion who became more over after his feud with former AEW World Champion, AEW World Tag Team Champion, CZW World Heavyweight Champion, CZW Wired TV Champion, 3-time DEFY World Champion, DEFY Tag Team Champion, Evolve Champion, MLW World Heavyweight Champion & NXT North American Champion Swerve Strickland talks about being crazy rich these days.

“Veert” by Estee Nack & Stove hops over a drumless piano instrumental from Daringer to showcase their skills the soulful “055” demands you praise West & Stove. “Health Science” featuring Brother Tom Sos that the homie CG slickly laced lets off shots to the head as if it’s personal leading into Brother Tom Sos sticking around for “Gumbo Yaya” having somewhat over a funkier vibe to the beat talking about them living it & having it for a grip. “East Miami” featuring Estee Nack strips the drums again to portray the gangsta lifestyle for 4 & a half minutes just before “Bury Me with a Stove” featuring Estee Nack gives their flowers to former 4-time WWE world champion, WWE United States Champion & CWA Heavyweight Champion Sid Eudy.

The only single “Outlander” finds Rick Hyde’s son & Benny the Butcher’s nephew Myles behind the boards interestingly hitting the backend of the 12th installment of the Hitler Wears Hermes saga referencing the late WWE Hall of Famer, former WWE Intercontinental Champion, 3-time WWE United States Champion, WWE Tag Team Champion & 2-time WCW World Television Champion “Rowdy” Roddy Piper showing some jazzier influences this time around prior to the drumless “Dump World” featuring Stove God Cook$ taking shots at those who failed at throwing dirt on their names.

Hitler Wears Hermes XI last Devil’s Night was a huge indication that the infamous series can carry on right when everyone initially thought Hitler Wears Hermes X would be the end of it & if anything, Hitler Wears Hermes XII feels more like a sequel to Peace FLYGOD other than both of Brother Tom Sos’ appearances primarily because of Estee Nack & Stove God Cook$ being featured all over it like they were on Peace FLYGOD in addition to the strong production during the 43 & a half minutes.

Score: 3.5/5

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