Oh! The Horror & Blaze Ya Dead Homie – “Oh! The Horror Meets Blaze” review

This is the brand new collaborative EP between Oh! The Horror & Blaze Ya Dead Homie. One is a rap metal trio from Sacramento, the other being a household name in the juggalo scene for a little over 20 years with the help of his childhood friends Twiztid & their mentors the Insane Clown Posse. They’ve only worked with each other a few times in the last couple years but to kick off Majik Ninja Entertainment’s favorite time of the year, they’re taking things to new hights for Oh! The Horror Meets Blaze.

After the “This is a Breakdown” intro, the first song “I.D.G.A.F. (I Don’t Give A Fuck)” is a cool little rock/gangsta rap fusion to kick the EP off whereas “D.R.E.A.M. (Death Rules Everything Around Me)” follows it up with a cavernous take on the iconic Wu-Tang cut “C.R.E.A.M. (Cash Rules Everything Around Me)” with some guitars sprinkled in the mix. After the “Meeting Blaze the Dead Caretaker” skit, we get right back into the music with “Can’t Fuck with Us!” fusing together electronica & metal talking about being top dogs.

After the “Smoked Out” skit, we have “Listen Up!” serving as a straight up rap rock crowd energizer while the penultimate song “Chop Shop” aggressively gets on their murder shit just before the “Level 1: Horde Swarm” skit comes into effect. “Blood, Sex & Violence” then ends the EP by manically detailing the only 3 things they give a fuck about.

Although I think 1692 is Oh! The Horror’s best work yet & being a big Blaze fan, I was admittedly a bit skeptical going into this EP because there are collabs on MNE’s latest Attack of the Ninjas compilation that felt forced. That being said: It’s not bad, but it feels more like an Oh! The Horror project & I mean that in terms of the overall sound of the EP.

Score: 3/5

Eastside Ninjas – “Pact of the 4” review

The Eastside Ninjas are a supergroup from Detroit, Michigan consisting of duos Twiztid & Drive-By. Now this is far from the first time Jamie Madrox & Monoxide have worked with Blaze Ya Dead Homie & Anybody Killa, especially since all 4 of them have known each other since childhood as well as being members of Dark Lotus & the Psychopathic Rydas back when they were all signed to Psychopathic Records as protégés of the Insane Clown Posse. So really, it was only a matter of time before they united as a quartet & put out a full-length debut before Twiztid drops their rock album Unlikely Prescription on September 10.

After the “Assemble” intro, the first song “ESN” opens the album up by getting in their shit-talking bag assisted by a saxophone-heavy instrumental from Young Wicked but then the next track “Outshine” goes into a more triumphant direction as they proclaim that their time has come. The quartet go on to address their haters on the bouncy, electronic-tinged “Like 2 Talk a Bit” whereas the appropriately titled “Highest in the Game” incorporates an alluring vocal sample as they talk about weed.

Meanwhile on “Get the W”, we get a rubbery instrumental as the Eastside Ninjas strive for success & then “All 4-1 1-4 All” brings in some west coast vibes in the production with lyrics about loyalty. The track “Relax Ya Mind” is a synth-laced banger about being relieved of stress while the final song “Reintroduce” is a boom bap/rock infused cut reminding listeners who the fuck they are.

To me, this is what the Triple Threat album should’ve been. I love the diverse range of sounds Young Wicked went for on the production end as well as the way all 4 members continue to bounce off each other just like they did when they all came up together.

Score: 4/5

Blaze Ya Dead Homie – “Cadaver” review

Blaze Ya Dead Homie is a 44 year old MC from Mt. Clemens, Michigan who came up as a part of the duo 2 Krazy Devils. After their demise, Twiztid brought him onto the Insane Clown Posse’s radar in 1998 & signed him to Psychopathic Records. Eventually, his eponymous debut EP in 2000 & his full-length debut 1 Less G n da Hood the following year would both go on to become some of the greatest releases on the label. He would go on to release 3 more albums on Psychopathic before leaving in 2013 to form his own label Grundy Entertainment & join Majik Ninja Entertainment the year after that. Last we heard from Blaze was in 2016 when he dropped The Casket Factory but on the day of 1 Less G’s 19 year anniversary, he’s back with his 7th full-length album.

The opener “I’m a G” talks about being himself over a nocturnal beat from Godsynth & after the “Unplug” skit, the next song “Tore Down” with Monoxide sees the 2 partying over a lively instrumental from Fritz the Cat. The track “They Say” talks about being a killer on the low over a Young Wicked beat that has a creepy atmosphere to it while the song “Be My Guest” takes you through a mausoleum over an instrumental that almost had a bit of a West Coast feel.

The song “Summer Breeze” gets introspective over a uptempo beat & after the “PSA from Ya Dead Homie” skit, the track “Back Window” talks about staying the same over a boom bap beat with some keys. The song “Get It Lit” with Jamie Madrox sees the 2 taking about getting fucked up over a weary instrumental while the track “Watery Grave” talks about sending his haters to Hell over a chilling beat.

The song “I’m Dead” talks about being a renegade over a spacious instrumental with some sick guitar-playing during the hook while the track “Dead Man Boogie” is a Drive-By reunion talking about popping slugs over a vibrant beat with some strings. The song “Let It Out” talks about not wanting poison in his soul over an electronic instrumental while the penultimate song “God Don’t Like Ugly” with Boondox & Lex the Hex Master finds the 3 talking about hateful people over a rap metal beat. Then after the “Cursed” skit, the closer “The Light” talks about being trapped in darkness over an abrasive instrumental.

The Dead Man has never dropped anything that I disliked, so I was very excited going into this new album over here. And at the end, I’m impressed with what I’ve heard & just shows how consistent he’s bene throughout his career. His pen-game‘s still as strong as it is was 20 years ago on his debut EP, the production bangs & the features all come correct as well.

Score: 3.5/5