Wu-Tang Clan – “The Saga Continues” review


When it seemed like 2014’s A Better Tomorrow would be the almighty Wu-Tang Clan’s final group album, they’re now returning with their 7th official full-length album (excluding the single-copy of Once Upon a Time in Shaolin) & they have enlisted Wu-Elements member Mathematics to produce it in it’s entirety. After a 91 second instrumental intro with a spoken word sample & then an actual spoken monologue from the Clan’s de facto leader RZA, we are then treated to the album’s first song “Lesson Learn’d”. Here, Inspectah Deck teams up with Redman to remind you that they never play around over a hard hitting boom bap instrumental & I also didn’t mind Deck’s jab at the Once Upon a Time in Shaolin purchaser Martin Shkreli near the end of his verse, given that he’s an evil culture vulture. The track “Fast & Furious” is pretty much Raekwon & Hue Hef getting mafioso over a menacing instrumental & while Hue was just ok, Rae definitely made up for it. After a short instrumental interlude that takes it back the group’s early days with a Kung Fu sample, we are then lead into the next song If Time’s Money (Fly Navigation). It’s pretty much a Method Man solo cut, but he makes up for his last album The Meth Lab by hopping on an instrumental you can really kick back to & spitting a long yet charismatic verse.

The track “Frozen” may have a lazy hook as it recycles a couple Rae & Ghostface Killah lines from “4 Horsemen”, but the verses from Meth about pushing the limit as well as the vivid storytelling from Killah Priest & the lethally angry Chris Rivers make up for it some keys along with a bass guitar & a regular guitar. After a 45 second skit with a soulful instrumental in the background, we then get into the next song “Pearl Harbor”. Here, the late Sean Price gets with Meth & RZA to confrontationally spit bars like being the greatest & telling your crew to wear shorts with an image of you on it over some gritty horns as well as some keys & an organ. I also love how RZA brings back his Bobby Digital alter ego during his verse & the one line he makes midway through his part about how he can turn Lady Gaga heterosexual again was pretty hilarious. The track “People Say” sees Deck, Meth, Rae & Masta Killa linking back up with Redman alongside to get braggadocious over a very soulful boom bap beat. “Family” is a 1 minute skit containing a sample of a mother talking about family (hence the title) & the next song “Why Why Why” is basically a conscious RZA solo cut over some funky bass & some decently sung vocals from Swnkah.

The track “G’d Up” is basically Meth & R-Mean talking about being just that & the beat is pretty luscious, but the Mzee Jones hook sounds like a cut-rate T-Pain. The song “If What You Say Is True” sees Cappadonna along with GZA & Masta Killa getting with Streetlife to spit some abrasive battle rhymes over some sinister horns. The “skit” Saga is less of a skit & more of RZA spitting about haters not wanting the Clan grow & even a cool reference to the Flint water crisis over some beautiful strings. The 91 second “Hood Go Bang!” has a decent Redman hook, but then lone verse that Method Man delivers nearly has the same rhyme scheme throughout that it’s crazy. The final song in the track listing is “My Only One”, where Cappa along with The Abbott & Tony Starks rap about their boos over a grimy instrumental. The next 2 tracks are just a 2 minute interlude with a funky instrumental & long spoken word sample & then a 45 second monologued outro from the RZA over the same instrumental as the one in the intro.

At the end of the day, this was a lot more consistent than the last few group albums. It feels more like a compilation considering the fact that there’s only 1 or 2 group members on a number of tracks & U-God not being on it at all, but everyone including almost all the features go & Mathematics probably made it the Clan’s most well produced album since The W

Score: 4/5

GZA – “Legend of the Liquid Sword” review

Just 3 years after his last album Beneath the Surface, Wu-Tang Clan member GZA is now delivering his 4th full-length album. The album opens up with the track “AutoBio”, where GZA is reminiscing about late 70’s Bronx block parties over some quiet piano keys as well as a loud orchestral string section. The track “Silent” with Ghostface Killah & Streetlife gets braggadocious about their stage performances as well as their talents & the instrumental from Bink! has an nice eerie soul sample throughout. The song “Stay in Line” is a message to wack rappers & the beat from Arabian Knight predominantly has this mellow guitar loop throughout but the war-inducing horns during Santigold’s hook are fantastic. While I can appreciate the song “Fam (Members Only)” with RZA & Masta Killa being about what the Clan strives for as well as the haunting production from Mathematics, the fact that it’s censored was really annoying. The title track talks about rappers who’re only in it for the paper & I love how Jaz-O incorporates the Quincy Jones sample into the beat. The song “Fame” cleverly name drops celebrities (similar to the tracks “Labels” & “Publicity” from his last 2 albums) over some keys as well as some boom bap drums. The song “Highway Robbery” is a tribute to the classic Big Daddy Kane track “Ain’t No Half-Steppin'” & I love how the beat turns a relaxing Michael Jackson sample into something grimy. The song “Luminal” is a vivid story about ruthless killer who brutalizes a peaceful town over an ominous beat from DJ Muggs. The track “Sparring Minds” with Inspectah Deck talk about how dangerous the Clan is over a guitar loop. The album then closes out with “Uncut Material”, where The Genius is giving the self explanatory & the instrumental he makes for this track has an orchestral feeling to it. To sum it all up: The lyricism is on point like always, but I feel like the production could’ve been much better

Score: 3.5/5