Polo G – “H.O.O.D. P.O.E.T. 2 (He Overcame Obstacles During Pain Or Emotional Trauma) 2” review

Brand new LP & the 6th overall from Chicago, Illinois rapper, singer/songwriter & record executive Polo G. Rising to prominence in 2019 off his full-length debut Die a Legend which I personally found it to be decent, it wasn’t until the sophomore effort The GOAT the subsequent spring where I noticed some significant improvements. Hall of Fame & it’s sequel on the contrary were both released to mixed reception in 2021, redeeming himself to me anyway as the H.O.O.D. P.O.E.T. (He Overcame Obstacles During Pain Or Emotional Trauma) a year & a half ago. Last week however, he announced a follow-up to the latter & gave me hopes of him continuing to head down the right direction musically.

“Painkillers” produced by Smatt Sertified actually starts off pretty solidly talking about being a Chiraq veteran who sticks his chest out when speaking prior to “Move Wrong” sampling “Lay It Down” by 8Ball & MJG featuring Crime Boss so he & VonOff1700 can ruin it. “Hard Body” blends acoustics & hi-hats talking about him continuing to follow paper trails while “Crash the Party” sends 100 rounds with no fucks given.

The instrumental on “Chances” doesn’t really do a whole lot for me & it’s a shame because I feel like the subject matter of him taking risks to get where he is comes from a serious place until the 6th & final single “Gangsta Graduation” featuring G Herbo talks about making out of the streets over an equally uninteresting beat. The 3rd single “Chinatown 2” picks up where The GOAT standout left off conceptually although I’d very much prefer the original just before “Lost My Friend” works in some average sampling masking the pain of a colleague he ain’t cool with anymore.

“High Tolerance” was obviously chosen for the 5th & penultimate single due to it’s predictable sound although I’m not gonna dismiss the idea of him being used to emotional struggles while “If I Gat To” speaks of his belief that we all face common battles, which I can agree to a certain extent. “Shoot It Off” made for an average 2nd single blending gangsta rap & trap figuring why this person he knew chose to speak if he has the right to remain silent while “1 More Time” confesses he thinks it’s fucked up the way a homie thinks he see shit.

Meanwhile on “Insubordinate”, we have Polo G talking about going from only wanting millions of dollars in cash to solely desiring peace while the 4th single “Quality Over Quantity” comes off a bit ironic since one could use that title in an argument regarding this spiritual successor being less enjoyable than the predecessor. “Dope Peddler” calls himself a cocaine specialist when I’d personally give that title to Clipse while moving forward asking who’s “Left to Blame” when he’s down & out.

“Boring Soul” surprises me with one of the more appealing moments instrumentally talking about being an uninteresting person on the inside advising to never put somebody before yours due to him not seeing a lot of people he knew anymore while the lead single “My All” was my favorite of them all from the Southside & TM88 beat to the lyrics about his struggles with love while “Spiritual War” talks about the reason why he’s been having the feelings he’s been experiencing.

King Von makes a posthumous appearance during “95 Bulls” & that itself is basically Polo G’s eulogy to his late friend who was killed half a decade ago already that I can admire for what it is while “Madden” boasts of him always making his opposition the angriest. “Rent Due” concludes H.O.O.D. P.O.E.T. 2 (He Overcame Obstacles During Pain Or Emotional Trauma) 2 dropping off 3 verses straight without a chorus sticking to a vow he made of not folding.

I’m very well aware I’m in the minority of the original H.O.O.D. P.O.E.T. (He Overcame Obstacles During Pain Or Emotional Trauma) being an improvement over both Hall of Fame albums, but at least Southside producing 72% of it gave it something going for it & a great deal of this sequel over an entire year later has very little purpose to it besides a small handful of tracks. The topics addressed are still the ones he’s basically become known for except the production has downgraded tremendously.

Score: 1.5/5

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